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62 Videos  
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  vivaldi - trio sonata in g minor rv85 - ...
antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv85 1. andante molto performed by the kapsberger ensemble featuring rolf lislevand, lute. antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv85 1. andante molto performed by the kapsberger ensemble featuring rolf lislevand, lute. antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv85 1. andante molto performed by the kapsberger ensemble featuring rolf lislevand, lute.
  tarquinio merula - su la cetra amorosa ...
tarquinio merula - su la cetra amorosa (aria di ciaccona). montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - su la cetra amorosa (aria di ciaccona). montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - su la cetra amorosa (aria di ciaccona). montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe).
  antonio martin y coll: diferencias sobre...
stereo: http://br.youtube.com/watch?v=eex-7uwrmem&fmt=18 antonio martin y coll. i. diferencias sobre las folias. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. although usually described as a composer, this late seventeenth - and early eighteenth - century spanish musician was less a composer than a collector; very few pieces are known to have been composed by him, while a wealth of music by other composers is preserved in his four-volume organ music collection flores de música. the date and place of martin y coll's birth remain unknown, and the date of his death can only be estimated (ca. 1735, and certainly not before 1733). martin y coll grew up in a monastery and eventually chose the life of a franciscan friar for himself, spending the last few decades of his life at the monastery of san francisco el grande al madrid; it would seem that he died there. stereo: http://br.youtube.com/watch?v=eex-7uwrmem&fmt=18 antonio martin y coll. i. diferencias sobre las folias. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. although usually described as a composer, this late seventeenth - and early eighteenth - century spanish musician was less a composer than a collector; very few pieces are known to have been composed by him, while a wealth of music by other composers is preserved in his four-volume organ music collection flores de música. the date and place of martin y coll's birth remain unknown, and the date of his death can only be estimated (ca. 1735, and certainly not before 1733). martin y coll grew up in a monastery and eventually chose the life of a franciscan friar for himself, spending the last few decades of his life at the monastery of san francisco el grande al madrid; it would seem that he died there. stereo: http://br.youtube.com/watch?v=eex-7uwrmem&fmt=18 antonio martin y coll. i. diferencias sobre las folias. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. although usually described as a composer, this late seventeenth - and early eighteenth - century spanish musician was less a composer than a collector; very few pieces are known to have been composed by him, while a wealth of music by other composers is preserved in his four-volume organ music collection flores de música. the date and place of martin y coll's birth remain unknown, and the date of his death can only be estimated (ca. 1735, and certainly not before 1733). martin y coll grew up in a monastery and eventually chose the life of a franciscan friar for himself, spending the last few decades of his life at the monastery of san francisco el grande al madrid; it would seem that he died there.
  santiago de murcia(1682-1732): folías ga...
version del ensamble kapsberger y rolf lislevand santiago de murcia(1682-1732) fue un compositor y guitarrista, maestro de la reina maría luisa gabriela de saboya primera esposa de felipe v. autor del tratado version del ensamble kapsberger y rolf lislevand santiago de murcia(1682-1732) fue un compositor y guitarrista, maestro de la reina maría luisa gabriela de saboya primera esposa de felipe v. autor del tratado version del ensamble kapsberger y rolf lislevand santiago de murcia(1682-1732) fue un compositor y guitarrista, maestro de la reina maría luisa gabriela de saboya primera esposa de felipe v. autor del tratado
  antonio vivaldi - concerto for oboe in f...
antonio vivaldi - concerto for oboe in f major (rv 455). 1. allegro. l'armonia e l'inventione. alfredo bernardini (hautbois). manfred kramer (violin). pablo valetti (violin). judit földes (alto). balázs máté (violoncelle). lorenz duftschmid (violone). rolf lislevand (théorbe). pierre hantai (clavecin). dir. alfredo bernardini. antonio vivaldi - concerto for oboe in f major (rv 455). 1. allegro. l'armonia e l'inventione. alfredo bernardini (hautbois). manfred kramer (violin). pablo valetti (violin). judit földes (alto). balázs máté (violoncelle). lorenz duftschmid (violone). rolf lislevand (théorbe). pierre hantai (clavecin). dir. alfredo bernardini. antonio vivaldi - concerto for oboe in f major (rv 455). 1. allegro. l'armonia e l'inventione. alfredo bernardini (hautbois). manfred kramer (violin). pablo valetti (violin). judit földes (alto). balázs máté (violoncelle). lorenz duftschmid (violone). rolf lislevand (théorbe). pierre hantai (clavecin). dir. alfredo bernardini.
  tarantelas after santiago de murcia - ga...
this is a personal arrangement of two tarantellas based on baroque melodies by santiago de murcia and inspired by the luthist rolf lislevand. live recording in persan (france) in 2006. this is a personal arrangement of two tarantellas based on baroque melodies by santiago de murcia and inspired by the luthist rolf lislevand. live recording in persan (france) in 2006. this is a personal arrangement of two tarantellas based on baroque melodies by santiago de murcia and inspired by the luthist rolf lislevand. live recording in persan (france) in 2006.
  vivaldi - trio sonata in c major rv82 - ...
antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv82 1. allegro non molto performed by the kapsberger ensemble featuring rolf lislevand, lute. antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv82 1. allegro non molto performed by the kapsberger ensemble featuring rolf lislevand, lute. antonio vivaldi (1678-1741) trio sonata for violin, lute and basso continuo rv82 1. allegro non molto performed by the kapsberger ensemble featuring rolf lislevand, lute.
  vivaldi - chamber concerto for lute in d...
antonio vivaldi (1678-1741) chamber concerto for lute, two violins, and basso continuo in d major rv93 1. allegro giusto 2. largo 3. allegro performed by the kapsberger ensemble featuring rolf lislevand, lute antonio vivaldi (1678-1741) chamber concerto for lute, two violins, and basso continuo in d major rv93 1. allegro giusto 2. largo 3. allegro performed by the kapsberger ensemble featuring rolf lislevand, lute antonio vivaldi (1678-1741) chamber concerto for lute, two violins, and basso continuo in d major rv93 1. allegro giusto 2. largo 3. allegro performed by the kapsberger ensemble featuring rolf lislevand, lute
  tarquinio merula - hor ch'e tempo di dormire
tarquinio merula - hor ch'e tempo di dormire. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - hor ch'e tempo di dormire. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - hor ch'e tempo di dormire. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe).
  anonymous: la folia ( xv century ) / jor...
stereo: http://br.youtube.com/watch?v=uuelaf54m_u&fmt=18 anonymous: la folia. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. over the course of three centuries, more than 150 composers have used it in their works. the first publications of this theme date from the middle of the 17th century, but it is probably much older. plays of the renaissance theatre in portugal, including works by gil vicente, mention the folia as a dance performed by shepherds or peasants. the portuguese origin is recorded in the 1577 treatise de musica libri septem by francisco de salinas. examples of early folias include works by juan del enzina in 1520, diego ortiz in 1553, and antonio de cabezón in 1557. jean-baptiste lully, in collaboration with philidor in 1672, arcangelo corelli in 1700, alessandro scarlatti in 1710, antonio vivaldi in his opus 1 no 12 of 1705 and johann sebastian bach in his peasants' cantata of 1742 are considered to highlight this 'later' folia repeating theme in a brilliant way. in the 19th century the theme's popularity decreased, but it regained composers' interest during the 1930s with sergei rachmaninov in his variations on a theme by corelli in 1931 and manuel maría ponce and his variations on stereo: http://br.youtube.com/watch?v=uuelaf54m_u&fmt=18 anonymous: la folia. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. over the course of three centuries, more than 150 composers have used it in their works. the first publications of this theme date from the middle of the 17th century, but it is probably much older. plays of the renaissance theatre in portugal, including works by gil vicente, mention the folia as a dance performed by shepherds or peasants. the portuguese origin is recorded in the 1577 treatise de musica libri septem by francisco de salinas. examples of early folias include works by juan del enzina in 1520, diego ortiz in 1553, and antonio de cabezón in 1557. jean-baptiste lully, in collaboration with philidor in 1672, arcangelo corelli in 1700, alessandro scarlatti in 1710, antonio vivaldi in his opus 1 no 12 of 1705 and johann sebastian bach in his peasants' cantata of 1742 are considered to highlight this 'later' folia repeating theme in a brilliant way. in the 19th century the theme's popularity decreased, but it regained composers' interest during the 1930s with sergei rachmaninov in his variations on a theme by corelli in 1931 and manuel maría ponce and his variations on stereo: http://br.youtube.com/watch?v=uuelaf54m_u&fmt=18 anonymous: la folia. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. over the course of three centuries, more than 150 composers have used it in their works. the first publications of this theme date from the middle of the 17th century, but it is probably much older. plays of the renaissance theatre in portugal, including works by gil vicente, mention the folia as a dance performed by shepherds or peasants. the portuguese origin is recorded in the 1577 treatise de musica libri septem by francisco de salinas. examples of early folias include works by juan del enzina in 1520, diego ortiz in 1553, and antonio de cabezón in 1557. jean-baptiste lully, in collaboration with philidor in 1672, arcangelo corelli in 1700, alessandro scarlatti in 1710, antonio vivaldi in his opus 1 no 12 of 1705 and johann sebastian bach in his peasants' cantata of 1742 are considered to highlight this 'later' folia repeating theme in a brilliant way. in the 19th century the theme's popularity decreased, but it regained composers' interest during the 1930s with sergei rachmaninov in his variations on a theme by corelli in 1931 and manuel maría ponce and his variations on
  vivaldi - concerto for two mandolins in ...
antonio vivaldi (1678-1741) concerto for two mandolins, strings and basso continuo in g major rv532 2. andante 3. allegro performed by the kapsberger ensemble featuring stephen murphy, mandolin rolf lislevand, mandolin antonio vivaldi (1678-1741) concerto for two mandolins, strings and basso continuo in g major rv532 2. andante 3. allegro performed by the kapsberger ensemble featuring stephen murphy, mandolin rolf lislevand, mandolin antonio vivaldi (1678-1741) concerto for two mandolins, strings and basso continuo in g major rv532 2. andante 3. allegro performed by the kapsberger ensemble featuring stephen murphy, mandolin rolf lislevand, mandolin
  danzas moriscas & la diaspora sefardi / ...
stereo: http://br.youtube.com/watch?v=opttjoam2wa&fmt=18 danzas moriscas & la diaspora sefardi: i. alba. ii. a la una yo naci. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. stereo: http://br.youtube.com/watch?v=opttjoam2wa&fmt=18 danzas moriscas & la diaspora sefardi: i. alba. ii. a la una yo naci. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. stereo: http://br.youtube.com/watch?v=opttjoam2wa&fmt=18 danzas moriscas & la diaspora sefardi: i. alba. ii. a la una yo naci. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall.
  murcia - "folias gallegas" for guitar
santiago de murcia (1685-1732) santiago de murcia (1685-1732) santiago de murcia (1685-1732)
  anonymous: canarios / jordi savall
stereo: http://br.youtube.com/watch?v=fh9ti7_im-c&fmt=18 anonymous: canarios. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. stereo: http://br.youtube.com/watch?v=fh9ti7_im-c&fmt=18 anonymous: canarios. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall. stereo: http://br.youtube.com/watch?v=fh9ti7_im-c&fmt=18 anonymous: canarios. jordi savall. rolf lislevand. arianna savall. pedro estevan. dir: jordi savall.
  diego ortiz - recercada sobre tenores
diego ortiz - diego ortiz - diego ortiz -
  tarquinio merula - folle e ben che si crede
tarquinio merula - folle e ben che si crede. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - folle e ben che si crede. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe). tarquinio merula - folle e ben che si crede. montserrat figueras (soprano). jean pierre canihac (cornet). ton koopman (clavecin). andrew lawrence king (harpe). rolf lislevand (guitarre baroque). lorenz duftschmid (violone). jordi savall (viole de gambe).
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