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258 Videos  
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  kommander kobayashi series 3 part 10
the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band.
  kommander kobayashi series 3 part 09
the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band.
  kommander kobayashi series 3 part 12
the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band.
  kommander kobayashi series 3 part 11
the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band.
  "wo ist klaus?"
schützt kinder schützt kinder schützt kinder
  kommander kobayashi series 3 part 13
the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band. the third series thrusts kommander kobayashi and his hermenauts right into the grand finale of the whole series. episode #5 aoihana darf nicht sterben! [aoihana must not die!] deals with a truely existential problem: the hermenauts are the last ones of their kind. they have to procreate before it is too late! but how? which protocol should they follow? what should they pass on to the next generation? and what is the charge for that kind of fertilisation? the hermenauts are ready to face the unknown task and commit themselves to a true specialist the legendary ‚mistress of budapest. the sequel is composed by the young hungarian composer gryllus samu, an innovator between the borders of concert and performance. in episode #6, titeled am ende. [at the end.], the secret of the cryptic kobayashi is finally disclosed. the kommander arises in all his might and leads the hermenauts to a place with no return. klaus lang, one of the most influential composers of his gerneration, has composed this sequel as a scene of spiritual slaughter. it is a grand tableau featuring organ sounds, a choir and a brass band.
  klaus brandl live im dehnberger 2008 2/5
famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd
  en kort en lang -- uno corto y uno largo...
directora: hella joof. guionistas: hella joof, klaus bondam. actores: mads mikkelsen (jacob, un arquitecto), troels lyby (jørgen, su novio), charlotte munck (caroline, amante de jacob), jesper lohmann (tom, marido de caroline). una canción infantil danesa dice que un palo corto y uno largo hacen un triángulo. y de eso se trata esta película, del triángulo sentimental entre jacob, un arquitecto gay, su novio jørgen y caroline, una mujer que a pesar de estar felizmente casada echa de menos a su ajetreado marido tom. jacob, que por su parte siempre fue un niño consentido se enamora de caroline, aunque no por ello deja de amar a jørgen. la situación se complicará todavía más cuando caroline confiesa estar embarazada de jacob, mientras que éste trata de rehacer su vida con jørgen... ¿por quién de los dos se decidirá jacob? esta comedia romántica supuso el debut cinematográfico como directora de hella joof, que además es actriz, guionista y presentadora de televisión y que tiene la singular cualidad de tocar temas en sus películas que nadie ha tratado antes. es muy interesante la visión que tiene de la homosexualidad, la heterosexualidad y la bisexualidad así como de las dificultades y prejuicios que tanto homosexuales, heterosexuales y bisexuales tienen para comunicarse y entenderse. esta película no ha sido estrenada en ningún país de habla hispana, ni tampoco se encuentra disponible en castellano, aunque si se puede encontrar en inglés e italiano. y os la recomiendo por lo particular de su argumento. directora: hella joof. guionistas: hella joof, klaus bondam. actores: mads mikkelsen (jacob, un arquitecto), troels lyby (jørgen, su novio), charlotte munck (caroline, amante de jacob), jesper lohmann (tom, marido de caroline). una canción infantil danesa dice que un palo corto y uno largo hacen un triángulo. y de eso se trata esta película, del triángulo sentimental entre jacob, un arquitecto gay, su novio jørgen y caroline, una mujer que a pesar de estar felizmente casada echa de menos a su ajetreado marido tom. jacob, que por su parte siempre fue un niño consentido se enamora de caroline, aunque no por ello deja de amar a jørgen. la situación se complicará todavía más cuando caroline confiesa estar embarazada de jacob, mientras que éste trata de rehacer su vida con jørgen... ¿por quién de los dos se decidirá jacob? esta comedia romántica supuso el debut cinematográfico como directora de hella joof, que además es actriz, guionista y presentadora de televisión y que tiene la singular cualidad de tocar temas en sus películas que nadie ha tratado antes. es muy interesante la visión que tiene de la homosexualidad, la heterosexualidad y la bisexualidad así como de las dificultades y prejuicios que tanto homosexuales, heterosexuales y bisexuales tienen para comunicarse y entenderse. esta película no ha sido estrenada en ningún país de habla hispana, ni tampoco se encuentra disponible en castellano, aunque si se puede encontrar en inglés e italiano. y os la recomiendo por lo particular de su argumento. directora: hella joof. guionistas: hella joof, klaus bondam. actores: mads mikkelsen (jacob, un arquitecto), troels lyby (jørgen, su novio), charlotte munck (caroline, amante de jacob), jesper lohmann (tom, marido de caroline). una canción infantil danesa dice que un palo corto y uno largo hacen un triángulo. y de eso se trata esta película, del triángulo sentimental entre jacob, un arquitecto gay, su novio jørgen y caroline, una mujer que a pesar de estar felizmente casada echa de menos a su ajetreado marido tom. jacob, que por su parte siempre fue un niño consentido se enamora de caroline, aunque no por ello deja de amar a jørgen. la situación se complicará todavía más cuando caroline confiesa estar embarazada de jacob, mientras que éste trata de rehacer su vida con jørgen... ¿por quién de los dos se decidirá jacob? esta comedia romántica supuso el debut cinematográfico como directora de hella joof, que además es actriz, guionista y presentadora de televisión y que tiene la singular cualidad de tocar temas en sus películas que nadie ha tratado antes. es muy interesante la visión que tiene de la homosexualidad, la heterosexualidad y la bisexualidad así como de las dificultades y prejuicios que tanto homosexuales, heterosexuales y bisexuales tienen para comunicarse y entenderse. esta película no ha sido estrenada en ningún país de habla hispana, ni tampoco se encuentra disponible en castellano, aunque si se puede encontrar en inglés e italiano. y os la recomiendo por lo particular de su argumento.
  bibel tv das gespräch: seelsorge beim mi...
seelsorge beim militär, klaus-dieter zunke 26 jahre lang war klaus-dieter zunke pastor unter soldaten. zunächst als evangelischer standortpfarrer in celle von 1977 bis 1987. danach war er während der jahre 1987 bis 2004 leiter der ag soldatenseelsorge. dabei bestand die arbeit vor allem in vertrauensbildenden maßnahmen. warum er sich keine schönere aufgabe als die soldatenseelsorge vorstellen kann, verrät er im gespräch mit wolfgang severin. seelsorge beim militär, klaus-dieter zunke 26 jahre lang war klaus-dieter zunke pastor unter soldaten. zunächst als evangelischer standortpfarrer in celle von 1977 bis 1987. danach war er während der jahre 1987 bis 2004 leiter der ag soldatenseelsorge. dabei bestand die arbeit vor allem in vertrauensbildenden maßnahmen. warum er sich keine schönere aufgabe als die soldatenseelsorge vorstellen kann, verrät er im gespräch mit wolfgang severin. seelsorge beim militär, klaus-dieter zunke 26 jahre lang war klaus-dieter zunke pastor unter soldaten. zunächst als evangelischer standortpfarrer in celle von 1977 bis 1987. danach war er während der jahre 1987 bis 2004 leiter der ag soldatenseelsorge. dabei bestand die arbeit vor allem in vertrauensbildenden maßnahmen. warum er sich keine schönere aufgabe als die soldatenseelsorge vorstellen kann, verrät er im gespräch mit wolfgang severin.
  klaus brandl live im dehnberger 2008 3/5
famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd famous german blues singer/guitarist/songwriter live @ a totally sold out dehnberger hoftheater july 31, 2008. in front of 250 fans the band presented the songs of the 2nd cd
  der judenmord - klaus hornig über erschi...
dokumentation zum thema holocaust. zwanzig jahre lang recherchierte der renommierte belgische journalist michel alexandre und suchte nach menschen, die unmittelbare zeugen der verfolgung und ermordung von juden gewesen sind. das neue und entscheidende an dieser produktion und dem parallel dazu erscheinenden buch ist, daß zum ersten mal nicht die überlebenden opfer, sondern nur menschen, die im volk der täter geboren wurden, zeugnis ablegen. die berichte über das, was diese menschen gesehen, getan oder unterlassen haben, vermitteln ein ebenso erschütterndes wie aufschlußreiches bild von dem ungeheuerlichen verbrechen, das in dieser weise so noch nicht zu sehen war. http://www.amazon.de/exec/obidos/asin/3802526104/buchundjudenhaga braunbuch: kriegs- und naziverbrecher in der brd http://www.braunbuch.de/index.shtml http://www.911video.de/drittesreich.php dokumentation zum thema holocaust. zwanzig jahre lang recherchierte der renommierte belgische journalist michel alexandre und suchte nach menschen, die unmittelbare zeugen der verfolgung und ermordung von juden gewesen sind. das neue und entscheidende an dieser produktion und dem parallel dazu erscheinenden buch ist, daß zum ersten mal nicht die überlebenden opfer, sondern nur menschen, die im volk der täter geboren wurden, zeugnis ablegen. die berichte über das, was diese menschen gesehen, getan oder unterlassen haben, vermitteln ein ebenso erschütterndes wie aufschlußreiches bild von dem ungeheuerlichen verbrechen, das in dieser weise so noch nicht zu sehen war. http://www.amazon.de/exec/obidos/asin/3802526104/buchundjudenhaga braunbuch: kriegs- und naziverbrecher in der brd http://www.braunbuch.de/index.shtml http://www.911video.de/drittesreich.php dokumentation zum thema holocaust. zwanzig jahre lang recherchierte der renommierte belgische journalist michel alexandre und suchte nach menschen, die unmittelbare zeugen der verfolgung und ermordung von juden gewesen sind. das neue und entscheidende an dieser produktion und dem parallel dazu erscheinenden buch ist, daß zum ersten mal nicht die überlebenden opfer, sondern nur menschen, die im volk der täter geboren wurden, zeugnis ablegen. die berichte über das, was diese menschen gesehen, getan oder unterlassen haben, vermitteln ein ebenso erschütterndes wie aufschlußreiches bild von dem ungeheuerlichen verbrechen, das in dieser weise so noch nicht zu sehen war. http://www.amazon.de/exec/obidos/asin/3802526104/buchundjudenhaga braunbuch: kriegs- und naziverbrecher in der brd http://www.braunbuch.de/index.shtml http://www.911video.de/drittesreich.php
  renft - nach der schlacht 1974
renft - nach der schlacht, album renft - nach der schlacht, album renft - nach der schlacht, album
  switch reloaded - psychopath sucht frau!...
satanistische katzenopferungen und tote muttis im bett- wer kennt das nicht?- die welt der psychopathen klaus , ewald und mitten drin 2 mädels auf der suche nach der großen (kranken) liebe. satanistische katzenopferungen und tote muttis im bett- wer kennt das nicht?- die welt der psychopathen klaus , ewald und mitten drin 2 mädels auf der suche nach der großen (kranken) liebe. satanistische katzenopferungen und tote muttis im bett- wer kennt das nicht?- die welt der psychopathen klaus , ewald und mitten drin 2 mädels auf der suche nach der großen (kranken) liebe.
  ostrock klassik - wer die rose ehrt 2007
ostrock klassik - wer die rose ehrt 2007 original von der klaus renft combo (1973) wer die rose, wer die rose ehrt der ehrt heutzutage auch den dorn der zur rose noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und alle sie lieben (instrumental) wer die liebe, wer die liebe ehrt der ehrt heutzutage auch den hass der zur liebe noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und mensch ehrt den menschen ostrock klassik - wer die rose ehrt 2007 original von der klaus renft combo (1973) wer die rose, wer die rose ehrt der ehrt heutzutage auch den dorn der zur rose noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und alle sie lieben (instrumental) wer die liebe, wer die liebe ehrt der ehrt heutzutage auch den hass der zur liebe noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und mensch ehrt den menschen ostrock klassik - wer die rose ehrt 2007 original von der klaus renft combo (1973) wer die rose, wer die rose ehrt der ehrt heutzutage auch den dorn der zur rose noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und alle sie lieben (instrumental) wer die liebe, wer die liebe ehrt der ehrt heutzutage auch den hass der zur liebe noch dazu gehört noch so lang, so lang man sie bedroht einmal wirft sie ihn ab, einmal wirft sie ihn ab das wird sein, wenns sein wird und mensch ehrt den menschen
  concrete garden - marilies jagsch
musicclip for marilies jagsch. viennese singer/songwriter - check out her page and the new album (www.myspace.com/marilies) credits: actors andris biro marilies jagsch konstantin jagsch wolfgang auer bettina freiberger klaus hammer traude hlawaty hans kratky mario lang lukas lauermann martin österreicher directed by wolfgang schellnast produced by frantisek ?fero musicclip for marilies jagsch. viennese singer/songwriter - check out her page and the new album (www.myspace.com/marilies) credits: actors andris biro marilies jagsch konstantin jagsch wolfgang auer bettina freiberger klaus hammer traude hlawaty hans kratky mario lang lukas lauermann martin österreicher directed by wolfgang schellnast produced by frantisek ?fero musicclip for marilies jagsch. viennese singer/songwriter - check out her page and the new album (www.myspace.com/marilies) credits: actors andris biro marilies jagsch konstantin jagsch wolfgang auer bettina freiberger klaus hammer traude hlawaty hans kratky mario lang lukas lauermann martin österreicher directed by wolfgang schellnast produced by frantisek ?fero
  klaus "the belly" lange
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