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432 Videos  
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  garrido conducts monteverdi: vespro. 23....
claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000 (más) claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000 (más) claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000 (más)
  vespro della beata vergine - claudio mon...
high resolution: http://br.youtube.com/watch?v=xigjf91ucoe&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 4 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner high resolution: http://br.youtube.com/watch?v=xigjf91ucoe&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 4 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner high resolution: http://br.youtube.com/watch?v=xigjf91ucoe&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 4 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner
  cruda amarilli - claudio monteverdi
when i searched you tube for this madrigal some time ago and didnt find it i was kinda amazed!imho this is the finest madrigal claudio ever wrote,the pinnacle of the art.so here it is.if you guys wanna check out the sheet music for the piece you can find it at www.cpdl.org also here are the lyrics.what did you think of the slideshow...?:p cruda amarilli original text (italian) :cruda amarilli che col nome ancora d'amar, ahi lasso, amaramente insegni. amarilli del candido ligustro, più candida e più bella, ma dell'aspido sordo e più sorda e più fera e più fugace. poi che col dir t'offendo i mi morò tacendo. translation: cruel amaryllis, who with your name to love, alas, bitterly you teach. amaryllis, more than the white privet pure, and more beautiful, but deafer than the asp, and fiercer and more elusive. since telling i offended you, i shall die in silence. ok thats it.go with christ! when i searched you tube for this madrigal some time ago and didnt find it i was kinda amazed!imho this is the finest madrigal claudio ever wrote,the pinnacle of the art.so here it is.if you guys wanna check out the sheet music for the piece you can find it at www.cpdl.org also here are the lyrics.what did you think of the slideshow...?:p cruda amarilli original text (italian) :cruda amarilli che col nome ancora d'amar, ahi lasso, amaramente insegni. amarilli del candido ligustro, più candida e più bella, ma dell'aspido sordo e più sorda e più fera e più fugace. poi che col dir t'offendo i mi morò tacendo. translation: cruel amaryllis, who with your name to love, alas, bitterly you teach. amaryllis, more than the white privet pure, and more beautiful, but deafer than the asp, and fiercer and more elusive. since telling i offended you, i shall die in silence. ok thats it.go with christ! when i searched you tube for this madrigal some time ago and didnt find it i was kinda amazed!imho this is the finest madrigal claudio ever wrote,the pinnacle of the art.so here it is.if you guys wanna check out the sheet music for the piece you can find it at www.cpdl.org also here are the lyrics.what did you think of the slideshow...?:p cruda amarilli original text (italian) :cruda amarilli che col nome ancora d'amar, ahi lasso, amaramente insegni. amarilli del candido ligustro, più candida e più bella, ma dell'aspido sordo e più sorda e più fera e più fugace. poi che col dir t'offendo i mi morò tacendo. translation: cruel amaryllis, who with your name to love, alas, bitterly you teach. amaryllis, more than the white privet pure, and more beautiful, but deafer than the asp, and fiercer and more elusive. since telling i offended you, i shall die in silence. ok thats it.go with christ!
  claudio monteverdi - madrigali (libro ottavo)
claudio monteverdi - madrigali (libro ottavo) claudio monteverdi - madrigali (libro ottavo) claudio monteverdi - madrigali (libro ottavo)
  claudio monteverdi - madrigali amorosi, ...
claudio monteverdi - madrigali amorosi, lamento della ninfa: 'amor, dicea, il ciel' soloists of croatian radio television choir (ivana kladarin - soprano, hrvoje ivkosic - tenor, marko pletikosa - tenor, mladen klepo - bass) instrumental ensemble: kresimir lazar - cello, tanja bandalovic - accordion!! tonci bilic - conductor. at concert in rector's palace atrium - dubrovnik, 21.7.2008 live cheers claudio monteverdi - madrigali amorosi, lamento della ninfa: 'amor, dicea, il ciel' soloists of croatian radio television choir (ivana kladarin - soprano, hrvoje ivkosic - tenor, marko pletikosa - tenor, mladen klepo - bass) instrumental ensemble: kresimir lazar - cello, tanja bandalovic - accordion!! tonci bilic - conductor. at concert in rector's palace atrium - dubrovnik, 21.7.2008 live cheers claudio monteverdi - madrigali amorosi, lamento della ninfa: 'amor, dicea, il ciel' soloists of croatian radio television choir (ivana kladarin - soprano, hrvoje ivkosic - tenor, marko pletikosa - tenor, mladen klepo - bass) instrumental ensemble: kresimir lazar - cello, tanja bandalovic - accordion!! tonci bilic - conductor. at concert in rector's palace atrium - dubrovnik, 21.7.2008 live cheers
  claudio monteverdi opera " orpheus" toccata
claudio monteverdi claudio monteverdi claudio monteverdi
  vespro della beata vergine - claudio mon...
video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2lm8&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 5 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2lm8&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 5 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner video in high resolution: http://br.youtube.com/watch?v=0z-hq8l2lm8&fmt=18 vespro della beata vergine - claudio monteverdi ( 1610 )- part 5 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner
  claudio monteverdi - selva morale et spi...
claudio monteverdi - selva morale et spirituale: 1. beatus vir primo (i), motet for 6 voices, 2 violins, 3 violas/trombones and continuo. claudio monteverdi - selva morale et spirituale: 1. beatus vir primo (i), motet for 6 voices, 2 violins, 3 violas/trombones and continuo. claudio monteverdi - selva morale et spirituale: 1. beatus vir primo (i), motet for 6 voices, 2 violins, 3 violas/trombones and continuo.
  garrido conducts monteverdi: vespro. 20....
claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000 claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000 claudio monteverdi: vespro della beata vergine. gabriel garrido, conductor. encadrement pedagogique de l´academie. laurence gendre, choir conductor. vii academia barroca europea de ambronay. ambronay, 2000
  vespro della beata vergine - claudio mon...
vespro della beata vergine - claudio monteverdi ( 1610 )- part 6 basilica di san marco, venice 1989 - the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner vespro della beata vergine - claudio monteverdi ( 1610 )- part 6 basilica di san marco, venice 1989 - the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner vespro della beata vergine - claudio monteverdi ( 1610 )- part 6 basilica di san marco, venice 1989 - the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner
  claudio monteverdi 'vespro della beata v...
'vespro della beata vergine, 1610' magnificat performed : coro del festival barocco di lugano, coro della radio svizzera, lugano, ensemble more antiquo, and concerto palatino i barocchisti director : diego fasolis (harpsichord) ***** claudio giovanni antonio monteverdi (may 15, 1567 (baptized) -- november 29, 1643), was an italian composer, gambist, and singer. monteverdi's work, often regarded as revolutionary, marked the transition from the music of the renaissance to that of the baroque. enjoying fame in his lifetime, he wrote one of the earliest operas, l'orfeo, which is still regularly performed. ***** vespro della beata vergine 1610 (sv 206 and 206a, vespers for the blessed virgin, 1610), or simply the vespers of 1610, as it is commonly called, is a musical composition by claudio monteverdi. vespers is a term taken from the hours of the divine office and has remained structurally unchanged for the past 1500 years. the vespers are built around several biblical texts that are traditionally used as part of the liturgy for several marian feasts in the roman catholic church; the introductory deus in adjutorium (psalm 69), five psalms taken from psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the magnificat text, and the concluding benedicamus domino. monteverdi's marian vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. the vespers were published in july of 1610, in combination with a six-voice mass that parodies a motet of nicolas gombert, in illo tempore loquante jesu. nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. this has been a great topic of debate among musicologists for decades, and it has even been suggested by graham dixon that monteverdi's setting of the vespers is more suited towards use for the feast of saint barbara, claiming, for example, that the texts taken from song of songs are applicable to any female saint. he goes on to write that formatting the vespers to fit a marian feast makes the work more 'vespro della beata vergine, 1610' magnificat performed : coro del festival barocco di lugano, coro della radio svizzera, lugano, ensemble more antiquo, and concerto palatino i barocchisti director : diego fasolis (harpsichord) ***** claudio giovanni antonio monteverdi (may 15, 1567 (baptized) -- november 29, 1643), was an italian composer, gambist, and singer. monteverdi's work, often regarded as revolutionary, marked the transition from the music of the renaissance to that of the baroque. enjoying fame in his lifetime, he wrote one of the earliest operas, l'orfeo, which is still regularly performed. ***** vespro della beata vergine 1610 (sv 206 and 206a, vespers for the blessed virgin, 1610), or simply the vespers of 1610, as it is commonly called, is a musical composition by claudio monteverdi. vespers is a term taken from the hours of the divine office and has remained structurally unchanged for the past 1500 years. the vespers are built around several biblical texts that are traditionally used as part of the liturgy for several marian feasts in the roman catholic church; the introductory deus in adjutorium (psalm 69), five psalms taken from psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the magnificat text, and the concluding benedicamus domino. monteverdi's marian vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. the vespers were published in july of 1610, in combination with a six-voice mass that parodies a motet of nicolas gombert, in illo tempore loquante jesu. nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. this has been a great topic of debate among musicologists for decades, and it has even been suggested by graham dixon that monteverdi's setting of the vespers is more suited towards use for the feast of saint barbara, claiming, for example, that the texts taken from song of songs are applicable to any female saint. he goes on to write that formatting the vespers to fit a marian feast makes the work more 'vespro della beata vergine, 1610' magnificat performed : coro del festival barocco di lugano, coro della radio svizzera, lugano, ensemble more antiquo, and concerto palatino i barocchisti director : diego fasolis (harpsichord) ***** claudio giovanni antonio monteverdi (may 15, 1567 (baptized) -- november 29, 1643), was an italian composer, gambist, and singer. monteverdi's work, often regarded as revolutionary, marked the transition from the music of the renaissance to that of the baroque. enjoying fame in his lifetime, he wrote one of the earliest operas, l'orfeo, which is still regularly performed. ***** vespro della beata vergine 1610 (sv 206 and 206a, vespers for the blessed virgin, 1610), or simply the vespers of 1610, as it is commonly called, is a musical composition by claudio monteverdi. vespers is a term taken from the hours of the divine office and has remained structurally unchanged for the past 1500 years. the vespers are built around several biblical texts that are traditionally used as part of the liturgy for several marian feasts in the roman catholic church; the introductory deus in adjutorium (psalm 69), five psalms taken from psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the magnificat text, and the concluding benedicamus domino. monteverdi's marian vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. the vespers were published in july of 1610, in combination with a six-voice mass that parodies a motet of nicolas gombert, in illo tempore loquante jesu. nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. this has been a great topic of debate among musicologists for decades, and it has even been suggested by graham dixon that monteverdi's setting of the vespers is more suited towards use for the feast of saint barbara, claiming, for example, that the texts taken from song of songs are applicable to any female saint. he goes on to write that formatting the vespers to fit a marian feast makes the work more
  a'un giro sol - claudio monteverdi
brawijaya university student choir fps unpar iv 2007 brawijaya university student choir fps unpar iv 2007 brawijaya university student choir fps unpar iv 2007
  claudio monteverdi - l'orfeo (parts)
claudio monteverdi - l'orfeo (parts): 1. sinfonia. 2. orfeo: claudio monteverdi - l'orfeo (parts): 1. sinfonia. 2. orfeo: claudio monteverdi - l'orfeo (parts): 1. sinfonia. 2. orfeo:
  claudio monteverdi - "l'orfeo"
claudio monteverdi - claudio monteverdi - claudio monteverdi -
  vespro della beata vergine - claudio mon...
vespro della beata vergine - claudio monteverdi ( 1610 )- part 7 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner vespro della beata vergine - claudio monteverdi ( 1610 )- part 7 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner vespro della beata vergine - claudio monteverdi ( 1610 )- part 7 basilica di san marco, venice 1989 - live recording the monteverdi choir the london oratory junior choir the english baroque soloists john eliot gardiner
  claudio monteverdi - l'incoronazione di ...
this is a completely wrong performance of the ending to monteverdi's this is a completely wrong performance of the ending to monteverdi's this is a completely wrong performance of the ending to monteverdi's
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