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2 Videos  
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  the junkmail rebels
this satirical piece was directed by steve garber and aired on rogers community 4 back around 1997. here's full credits as they appeared on the original broadcast: the junkmail rebels director: steve garber producers: fran dietz and steve garber writers: adam abrams, ian brown, fran dietz music: bruno graphic design: adam abrams cast mailperson: baerbel huenken rebel 1: adam abrams rebel 2: frankie garber rebel 3: ian brown corporate manager: frida english mailroom dude: steve garber crew camera: ken kaneko editing: steve garber assistant editor: fran dietz script supervisor: baerbel huenken lighting: greg yellenik sound: marlene franks makeup: jane helman, brenda lee parton production assistants: ian brown, ezra winton thanks to: mondo pizza lee, the postman anne dudka william lee larry root special thanks to: acme locksmiths ltd. donald thomas and alpine court apartments this satirical piece was directed by steve garber and aired on rogers community 4 back around 1997. here's full credits as they appeared on the original broadcast: the junkmail rebels director: steve garber producers: fran dietz and steve garber writers: adam abrams, ian brown, fran dietz music: bruno graphic design: adam abrams cast mailperson: baerbel huenken rebel 1: adam abrams rebel 2: frankie garber rebel 3: ian brown corporate manager: frida english mailroom dude: steve garber crew camera: ken kaneko editing: steve garber assistant editor: fran dietz script supervisor: baerbel huenken lighting: greg yellenik sound: marlene franks makeup: jane helman, brenda lee parton production assistants: ian brown, ezra winton thanks to: mondo pizza lee, the postman anne dudka william lee larry root special thanks to: acme locksmiths ltd. donald thomas and alpine court apartments this satirical piece was directed by steve garber and aired on rogers community 4 back around 1997. here's full credits as they appeared on the original broadcast: the junkmail rebels director: steve garber producers: fran dietz and steve garber writers: adam abrams, ian brown, fran dietz music: bruno graphic design: adam abrams cast mailperson: baerbel huenken rebel 1: adam abrams rebel 2: frankie garber rebel 3: ian brown corporate manager: frida english mailroom dude: steve garber crew camera: ken kaneko editing: steve garber assistant editor: fran dietz script supervisor: baerbel huenken lighting: greg yellenik sound: marlene franks makeup: jane helman, brenda lee parton production assistants: ian brown, ezra winton thanks to: mondo pizza lee, the postman anne dudka william lee larry root special thanks to: acme locksmiths ltd. donald thomas and alpine court apartments
  winton marsalis - carnival of venice
as controversial as he is popular, wynton learson marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. currently the musical director of jazz at lincoln center wynton marsalis has received many awards for his musical proficiency. these awards run the gambit of grammys to a controversial awarding of the pulitzer prize for music for his three and half hour jazz oratorio cd box set blood on the fields, the first jazz album to win this award. born in a musically oriented family in the new orleans jazz scene at a young age wynton was exposed to many legendary jazz musicians. some of these musicians were al hirt, who gave wynton his first trumpet when he was 6 years of age and danny barker, a legendary jazz banjoist who lead the fairview baptist church band which wynton was playing in when he was eight. wynton was very active musically during high school and was a member in many new orleans musical organizations such as the n.o. symphony brass quintet, the n.o. community concert band, n.o. youth orchestra, n.o. symphony and a popular local funk band called the creators. in 1978 he had a two-year stay at the juilliard school of music before joining the jazz messengers to study under master drummer and bandleader, art blakey. not long after that he toured with the herbie hancock quartet before forming his own band. after many concerts and workshops wynton rekindled widespread interest in an art form that had been largely abandoned. he has invested his creative energy and status in being an advocate for a relatively small era in the history of jazz. his advocacy in this area has garnered much controversy for his as controversial as he is popular, wynton learson marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. currently the musical director of jazz at lincoln center wynton marsalis has received many awards for his musical proficiency. these awards run the gambit of grammys to a controversial awarding of the pulitzer prize for music for his three and half hour jazz oratorio cd box set blood on the fields, the first jazz album to win this award. born in a musically oriented family in the new orleans jazz scene at a young age wynton was exposed to many legendary jazz musicians. some of these musicians were al hirt, who gave wynton his first trumpet when he was 6 years of age and danny barker, a legendary jazz banjoist who lead the fairview baptist church band which wynton was playing in when he was eight. wynton was very active musically during high school and was a member in many new orleans musical organizations such as the n.o. symphony brass quintet, the n.o. community concert band, n.o. youth orchestra, n.o. symphony and a popular local funk band called the creators. in 1978 he had a two-year stay at the juilliard school of music before joining the jazz messengers to study under master drummer and bandleader, art blakey. not long after that he toured with the herbie hancock quartet before forming his own band. after many concerts and workshops wynton rekindled widespread interest in an art form that had been largely abandoned. he has invested his creative energy and status in being an advocate for a relatively small era in the history of jazz. his advocacy in this area has garnered much controversy for his as controversial as he is popular, wynton learson marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. currently the musical director of jazz at lincoln center wynton marsalis has received many awards for his musical proficiency. these awards run the gambit of grammys to a controversial awarding of the pulitzer prize for music for his three and half hour jazz oratorio cd box set blood on the fields, the first jazz album to win this award. born in a musically oriented family in the new orleans jazz scene at a young age wynton was exposed to many legendary jazz musicians. some of these musicians were al hirt, who gave wynton his first trumpet when he was 6 years of age and danny barker, a legendary jazz banjoist who lead the fairview baptist church band which wynton was playing in when he was eight. wynton was very active musically during high school and was a member in many new orleans musical organizations such as the n.o. symphony brass quintet, the n.o. community concert band, n.o. youth orchestra, n.o. symphony and a popular local funk band called the creators. in 1978 he had a two-year stay at the juilliard school of music before joining the jazz messengers to study under master drummer and bandleader, art blakey. not long after that he toured with the herbie hancock quartet before forming his own band. after many concerts and workshops wynton rekindled widespread interest in an art form that had been largely abandoned. he has invested his creative energy and status in being an advocate for a relatively small era in the history of jazz. his advocacy in this area has garnered much controversy for his
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