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4 Videos  
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  alexis weissenberg plays rachmaninoff so...
this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as
  alexis weissenberg plays rachmaninoff so...
this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as
  samaroff plays wagner/hutcheson ride of ...
richard wagner (1813-1883): walküre - the ride of the valkyries (arr. ernest hutcheson) olga samaroff (1880-1948), piano recorded in 1922 (acoustic recording) madame olga samaroff-stokowski (nee lucy mary olga agnes hickenlooper) was born in san antonio, texas, august 8, 1880, while her father was an officer in the united states army stationed there. at the age of three she astounded her mother and grandmother (both of whom were music teachers) by improvising melodies at the keyboard. at twelve years of age, she was taken to europe by her grandmother, where she remained until she was twenty-one. she was the first american woman to be given a scholarship in the piano class at the paris conservatoire, where she studied with antoine francois marmontel (teacher of bizet, dubois, giraud and others), ludovic breitner, and with e.m. delaborde (the illegitimate son of charles-valentin alkan). she made a highly successful debut in paris and shortly thereafter she married a russian engineer, boris loutzky, and went to berlin where she studied with ernest hutcheson, otis b. boise and ernest jedliczka (pupil of anton rubinstein and tchaikovsky). her marriage was brief and ended in an annulment. her successful pianistic debut in america was january 8, 1905, at carnegie hall, with the new york symphony orchestra (walter damrosch conducting). this was followed by extensive tours in america and europe. she ranked with the foremost women pianists, such as clara schumann, annette essipov and teresa carreno. upon the advice of her manager, henry wolfsohn, she chose the professional name of olga samaroff from a remote russian relative and used it throughout her career. in 1911, she became the wife of leopold stokowski, then at the beginning of his brilliant career as a conductor. their marriage also ended in divorce twelve years later. their one daughter, sonya, married lieutenant william thorbecke, the son of a dutch diplomat. during the 1920s, samaroff made an extensive series of recordings for the victor talking machine company, including works of bach, chopin, liszt, juon, lecuona, and others. most of samaroff's recordings have been reissued on a compact disc produced by pearl records of england. in 1923, stokowski left her for actress greta garbo in a scandal that made headlines. samaroff never recovered from his infidelity and took refuge in her friends which included george gershwin, irving berlin, dorothy parker, and cary grant. an injury to her left arm in 1926 compelled samaroff to cancel all concerts for the season, after which she accepted the position of chief music critic of the new york evening post which she continued for two years. her broad knowledge, varied musical experience and clear style were highly praised. the post attempted to retain her for three more years but she declined their offer to devote herself to educational work and lecturing. when the juilliard foundation organized its graduate school in 1925, samaroff was asked to join the faculty. in 1927, she became head of the piano department of the philadelphia conservatory. she held both positions, traveling between new york and philadelphia, until her death. in 1927, she founded the schubert memorial, inc., with a view of providing opportunities for young artists to obtain a hearing in the larger concert and opera field. in 1931, she was one of the four founders of the musician's emergency aid of new york, which collected and distributed large funds to musicians in need during the great depression. samaroff's services as a lecturer were in great demand. she appeared at yale, harvard, columbia and many of america's finest universities. her lectures were prepared with extreme care and delivered eloquently. realizing that one of the great needs of america was a layman's music course for listeners, she arranged, in 1935, with the w.w. norton company, to publish a series of books to bring together musical ideas and information to educate the layman. richard wagner (1813-1883): walküre - the ride of the valkyries (arr. ernest hutcheson) olga samaroff (1880-1948), piano recorded in 1922 (acoustic recording) madame olga samaroff-stokowski (nee lucy mary olga agnes hickenlooper) was born in san antonio, texas, august 8, 1880, while her father was an officer in the united states army stationed there. at the age of three she astounded her mother and grandmother (both of whom were music teachers) by improvising melodies at the keyboard. at twelve years of age, she was taken to europe by her grandmother, where she remained until she was twenty-one. she was the first american woman to be given a scholarship in the piano class at the paris conservatoire, where she studied with antoine francois marmontel (teacher of bizet, dubois, giraud and others), ludovic breitner, and with e.m. delaborde (the illegitimate son of charles-valentin alkan). she made a highly successful debut in paris and shortly thereafter she married a russian engineer, boris loutzky, and went to berlin where she studied with ernest hutcheson, otis b. boise and ernest jedliczka (pupil of anton rubinstein and tchaikovsky). her marriage was brief and ended in an annulment. her successful pianistic debut in america was january 8, 1905, at carnegie hall, with the new york symphony orchestra (walter damrosch conducting). this was followed by extensive tours in america and europe. she ranked with the foremost women pianists, such as clara schumann, annette essipov and teresa carreno. upon the advice of her manager, henry wolfsohn, she chose the professional name of olga samaroff from a remote russian relative and used it throughout her career. in 1911, she became the wife of leopold stokowski, then at the beginning of his brilliant career as a conductor. their marriage also ended in divorce twelve years later. their one daughter, sonya, married lieutenant william thorbecke, the son of a dutch diplomat. during the 1920s, samaroff made an extensive series of recordings for the victor talking machine company, including works of bach, chopin, liszt, juon, lecuona, and others. most of samaroff's recordings have been reissued on a compact disc produced by pearl records of england. in 1923, stokowski left her for actress greta garbo in a scandal that made headlines. samaroff never recovered from his infidelity and took refuge in her friends which included george gershwin, irving berlin, dorothy parker, and cary grant. an injury to her left arm in 1926 compelled samaroff to cancel all concerts for the season, after which she accepted the position of chief music critic of the new york evening post which she continued for two years. her broad knowledge, varied musical experience and clear style were highly praised. the post attempted to retain her for three more years but she declined their offer to devote herself to educational work and lecturing. when the juilliard foundation organized its graduate school in 1925, samaroff was asked to join the faculty. in 1927, she became head of the piano department of the philadelphia conservatory. she held both positions, traveling between new york and philadelphia, until her death. in 1927, she founded the schubert memorial, inc., with a view of providing opportunities for young artists to obtain a hearing in the larger concert and opera field. in 1931, she was one of the four founders of the musician's emergency aid of new york, which collected and distributed large funds to musicians in need during the great depression. samaroff's services as a lecturer were in great demand. she appeared at yale, harvard, columbia and many of america's finest universities. her lectures were prepared with extreme care and delivered eloquently. realizing that one of the great needs of america was a layman's music course for listeners, she arranged, in 1935, with the w.w. norton company, to publish a series of books to bring together musical ideas and information to educate the layman. richard wagner (1813-1883): walküre - the ride of the valkyries (arr. ernest hutcheson) olga samaroff (1880-1948), piano recorded in 1922 (acoustic recording) madame olga samaroff-stokowski (nee lucy mary olga agnes hickenlooper) was born in san antonio, texas, august 8, 1880, while her father was an officer in the united states army stationed there. at the age of three she astounded her mother and grandmother (both of whom were music teachers) by improvising melodies at the keyboard. at twelve years of age, she was taken to europe by her grandmother, where she remained until she was twenty-one. she was the first american woman to be given a scholarship in the piano class at the paris conservatoire, where she studied with antoine francois marmontel (teacher of bizet, dubois, giraud and others), ludovic breitner, and with e.m. delaborde (the illegitimate son of charles-valentin alkan). she made a highly successful debut in paris and shortly thereafter she married a russian engineer, boris loutzky, and went to berlin where she studied with ernest hutcheson, otis b. boise and ernest jedliczka (pupil of anton rubinstein and tchaikovsky). her marriage was brief and ended in an annulment. her successful pianistic debut in america was january 8, 1905, at carnegie hall, with the new york symphony orchestra (walter damrosch conducting). this was followed by extensive tours in america and europe. she ranked with the foremost women pianists, such as clara schumann, annette essipov and teresa carreno. upon the advice of her manager, henry wolfsohn, she chose the professional name of olga samaroff from a remote russian relative and used it throughout her career. in 1911, she became the wife of leopold stokowski, then at the beginning of his brilliant career as a conductor. their marriage also ended in divorce twelve years later. their one daughter, sonya, married lieutenant william thorbecke, the son of a dutch diplomat. during the 1920s, samaroff made an extensive series of recordings for the victor talking machine company, including works of bach, chopin, liszt, juon, lecuona, and others. most of samaroff's recordings have been reissued on a compact disc produced by pearl records of england. in 1923, stokowski left her for actress greta garbo in a scandal that made headlines. samaroff never recovered from his infidelity and took refuge in her friends which included george gershwin, irving berlin, dorothy parker, and cary grant. an injury to her left arm in 1926 compelled samaroff to cancel all concerts for the season, after which she accepted the position of chief music critic of the new york evening post which she continued for two years. her broad knowledge, varied musical experience and clear style were highly praised. the post attempted to retain her for three more years but she declined their offer to devote herself to educational work and lecturing. when the juilliard foundation organized its graduate school in 1925, samaroff was asked to join the faculty. in 1927, she became head of the piano department of the philadelphia conservatory. she held both positions, traveling between new york and philadelphia, until her death. in 1927, she founded the schubert memorial, inc., with a view of providing opportunities for young artists to obtain a hearing in the larger concert and opera field. in 1931, she was one of the four founders of the musician's emergency aid of new york, which collected and distributed large funds to musicians in need during the great depression. samaroff's services as a lecturer were in great demand. she appeared at yale, harvard, columbia and many of america's finest universities. her lectures were prepared with extreme care and delivered eloquently. realizing that one of the great needs of america was a layman's music course for listeners, she arranged, in 1935, with the w.w. norton company, to publish a series of books to bring together musical ideas and information to educate the layman.
  alexis weissenberg plays rachmaninoff so...
this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as this upload is for my father who helped me this month beyond words can describe and his friend reece. recently i think dad told me she was into the music of rachmaninoff so here goes.... i know i usually upload 99% violin videos here but here is a little solo piano for you all! what first attracted me to the sound of mr. weissenberg was the recording of the brahms violin sonatas with anne sophie mutter, how amazing and expressive his playing was and how disapointeed i was with her sound, but he impressed me enough to investigate more of his music. i can still remeber the first time i heard this sonata, it sounded like a hurricane swirling faster and faster like a tornado and ever since i have desribed it as
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