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12 Videos  
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  plymouth ma johnny souza jazz all stars ...
plymouth ma johnny souza jazz all stars show featuring a rotating lineup of the boston areas finest musicians. this group performs my funny valentine at ricky t's jazz & blues club - july 2001johnny souza vocals & flugelhorn, dino govoni tenor saxophone, kenny wenzel flute, gray sargent guitar, jeff williams piano, steve skop bass & gary johnson drums. plymouth ma johnny souza jazz all stars show featuring a rotating lineup of the boston areas finest musicians. this group performs my funny valentine at ricky t's jazz & blues club - july 2001johnny souza vocals & flugelhorn, dino govoni tenor saxophone, kenny wenzel flute, gray sargent guitar, jeff williams piano, steve skop bass & gary johnson drums. plymouth ma johnny souza jazz all stars show featuring a rotating lineup of the boston areas finest musicians. this group performs my funny valentine at ricky t's jazz & blues club - july 2001johnny souza vocals & flugelhorn, dino govoni tenor saxophone, kenny wenzel flute, gray sargent guitar, jeff williams piano, steve skop bass & gary johnson drums.
  johnny souza jazz all stars - a day in t...
the johnny souza jazz all stars. a weekly new england jazz series from 2001/2002 featuring a rotating lineup of the area's finest musicians. this group performs manha de carnival (a day in the life of a fool) at ricky t's jazz & blues club - july 2001. johnny souza/vocals & flugelhorn, dino govoni/tenor saxophone, kenny wenzel/flute, gray sargent/guitar, jeff williams/piano, steve skop/bass & gary johnson/drums. (more) (less) the johnny souza jazz all stars. a weekly new england jazz series from 2001/2002 featuring a rotating lineup of the area's finest musicians. this group performs manha de carnival (a day in the life of a fool) at ricky t's jazz & blues club - july 2001. johnny souza/vocals & flugelhorn, dino govoni/tenor saxophone, kenny wenzel/flute, gray sargent/guitar, jeff williams/piano, steve skop/bass & gary johnson/drums. (more) (less) the johnny souza jazz all stars. a weekly new england jazz series from 2001/2002 featuring a rotating lineup of the area's finest musicians. this group performs manha de carnival (a day in the life of a fool) at ricky t's jazz & blues club - july 2001. johnny souza/vocals & flugelhorn, dino govoni/tenor saxophone, kenny wenzel/flute, gray sargent/guitar, jeff williams/piano, steve skop/bass & gary johnson/drums. (more) (less)
  ken wenzel sax solo - nothin but the blu...
2004 montreux jazz festival with bobby parker and the blues nite band 2004 montreux jazz festival with bobby parker and the blues nite band 2004 montreux jazz festival with bobby parker and the blues nite band
  harp (harmonica) at montreux
dane paul russell (on harp) backs up bobby parker and carlos santana at montreux jazz fest. on keys steve ceicel and chester tompson, sax, ken wenzel, drums dion clay and bass andrew padula. dane paul russell (on harp) backs up bobby parker and carlos santana at montreux jazz fest. on keys steve ceicel and chester tompson, sax, ken wenzel, drums dion clay and bass andrew padula. dane paul russell (on harp) backs up bobby parker and carlos santana at montreux jazz fest. on keys steve ceicel and chester tompson, sax, ken wenzel, drums dion clay and bass andrew padula.
  latenight drive
felix wenzel. showdowb records 2003 felix wenzel. showdowb records 2003 felix wenzel. showdowb records 2003
  roger wolfe kahn & his orchestra - why w...
roger wolfe kahn was an american jazz and popular musician, composer, and bandleader. kahn is said to have learned to play 18 musical instruments before starting to lead his own orchestra in 1923, aged only 16. in 1925, kahn appeared in a short film made in lee de forest's phonofilm sound-on-film process. kahn hired famous jazz musicians of the day to play in his band, especially during recording sessions, for example joe venuti, eddie lang, artie shaw, jack teagarden, red nichols, and gene krupa. recordings were made for victor until 1929, columbia in 1929 and 1930, and for the brunswick label in 1932. harold roger wolfe kahn was an american jazz and popular musician, composer, and bandleader. kahn is said to have learned to play 18 musical instruments before starting to lead his own orchestra in 1923, aged only 16. in 1925, kahn appeared in a short film made in lee de forest's phonofilm sound-on-film process. kahn hired famous jazz musicians of the day to play in his band, especially during recording sessions, for example joe venuti, eddie lang, artie shaw, jack teagarden, red nichols, and gene krupa. recordings were made for victor until 1929, columbia in 1929 and 1930, and for the brunswick label in 1932. harold roger wolfe kahn was an american jazz and popular musician, composer, and bandleader. kahn is said to have learned to play 18 musical instruments before starting to lead his own orchestra in 1923, aged only 16. in 1925, kahn appeared in a short film made in lee de forest's phonofilm sound-on-film process. kahn hired famous jazz musicians of the day to play in his band, especially during recording sessions, for example joe venuti, eddie lang, artie shaw, jack teagarden, red nichols, and gene krupa. recordings were made for victor until 1929, columbia in 1929 and 1930, and for the brunswick label in 1932. harold
  ken wenzel tenor solo - straight no chaser
2004 montreux jazz festival with bobby parker and the blues nite band 2004 montreux jazz festival with bobby parker and the blues nite band 2004 montreux jazz festival with bobby parker and the blues nite band
  dorsey brothers orchestra - beside an op...
dorsey brothers orchestra began its recording career in 1928, but didn't become a real band until 1934. the 1934 band featured both glenn miller and bob crosby, but was short-lived since both brothers were constantly wrapped up in conflicts. finally, in 1935 tommy ran off the stage and quit the band. he then took over joe haymes orchestra, renaming it the tommy dorsey orchestra. jimmy continued on with the dorsey brothers outfit renaming it the jimmy dorsey orchestra. tommy turned out to be the most popular of the two, although both bands were very successful. in 1953, jimmy and tommy reunited and continued playing together until tommy's death in 1956. this lovely record was made for banner on january 13th, 1930. the exact instrumentists personnel is unknown. superb vocal by harold dorsey brothers orchestra began its recording career in 1928, but didn't become a real band until 1934. the 1934 band featured both glenn miller and bob crosby, but was short-lived since both brothers were constantly wrapped up in conflicts. finally, in 1935 tommy ran off the stage and quit the band. he then took over joe haymes orchestra, renaming it the tommy dorsey orchestra. jimmy continued on with the dorsey brothers outfit renaming it the jimmy dorsey orchestra. tommy turned out to be the most popular of the two, although both bands were very successful. in 1953, jimmy and tommy reunited and continued playing together until tommy's death in 1956. this lovely record was made for banner on january 13th, 1930. the exact instrumentists personnel is unknown. superb vocal by harold dorsey brothers orchestra began its recording career in 1928, but didn't become a real band until 1934. the 1934 band featured both glenn miller and bob crosby, but was short-lived since both brothers were constantly wrapped up in conflicts. finally, in 1935 tommy ran off the stage and quit the band. he then took over joe haymes orchestra, renaming it the tommy dorsey orchestra. jimmy continued on with the dorsey brothers outfit renaming it the jimmy dorsey orchestra. tommy turned out to be the most popular of the two, although both bands were very successful. in 1953, jimmy and tommy reunited and continued playing together until tommy's death in 1956. this lovely record was made for banner on january 13th, 1930. the exact instrumentists personnel is unknown. superb vocal by harold
  bobby parker montreux blues festival 2004
bobby parker performs bobby parker performs bobby parker performs
  sam lanin & his orchestra - someday swee...
russian-born sam lanin was a very popular american jazz bandleader. lanin's brothers, howard and lester, were also bandleaders, and all of them had sustained, successful careers in music. lanin was one of ten children born to russian-jewish immigrants who emigrated to philadelphia in the decade of the 1900s. sam played clarinet and violin while young, and in 1912 he was offered a spot playing in victor herbert's orchestra, where he played through world war i. after the war he moved to new york city and began playing at the roseland ballroom in late 1918. there he established the roseland orchestra; this ensemble recorded for the columbia gramophone company in the early 1920s. sam recorded with a plethora of ensemble arrangements, under names such as lanin's jazz band, lanin's arcadians, lanin's famous players, lanin's southern serenaders, lanin's red heads, sam lanin's dance ensemble, and lanin's arkansas travelers. he did not always give himself top billing in his ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. among the ensembles he directed were ladd's black aces, the broadway bell-hops, the westerners, the pillsbury orchestra, and bailey's lucky seven. he had a rotating cast of noted musicians playing with him, including regular appearances from phil napoleon, miff mole, jules levy jr., and red nichols, as well as, at some point or another, jimmy dorsey, tommy dorsey, manny klein, jimmy mcpartland, bix beiderbecke, eddie lang, bunny berigan, nick lucas, and frankie trumbauer. lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. in addition to his recordings, he also played regularly on radio after 1923, and the roseland orchestra played on new york radio weekly every monday from 1923 to 1925. he entered into a sponsorship with bristol-myers for their toothpaste, ipana; as a result, his ensemble was renamed the ipana troubadours. in 1928 and 1929 lanin recorded with bing crosby. the 1929 stock market crash hit sam lanin hard, unlike his brother lester; in 1931 he lost his contract with bristol-meyers, his radio show, and the name ipana troubadours. by the middle of the 1930s, sam was spending much of his time cutting transcription discs. while his fame had waned, he was still well off from the money he saved in the 1920s, and retired from the music business by the end of the 1930s. he was essentially forgotten at the same time lester went on to super-stardom, and died in 1977 having never returned to music. harold russian-born sam lanin was a very popular american jazz bandleader. lanin's brothers, howard and lester, were also bandleaders, and all of them had sustained, successful careers in music. lanin was one of ten children born to russian-jewish immigrants who emigrated to philadelphia in the decade of the 1900s. sam played clarinet and violin while young, and in 1912 he was offered a spot playing in victor herbert's orchestra, where he played through world war i. after the war he moved to new york city and began playing at the roseland ballroom in late 1918. there he established the roseland orchestra; this ensemble recorded for the columbia gramophone company in the early 1920s. sam recorded with a plethora of ensemble arrangements, under names such as lanin's jazz band, lanin's arcadians, lanin's famous players, lanin's southern serenaders, lanin's red heads, sam lanin's dance ensemble, and lanin's arkansas travelers. he did not always give himself top billing in his ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. among the ensembles he directed were ladd's black aces, the broadway bell-hops, the westerners, the pillsbury orchestra, and bailey's lucky seven. he had a rotating cast of noted musicians playing with him, including regular appearances from phil napoleon, miff mole, jules levy jr., and red nichols, as well as, at some point or another, jimmy dorsey, tommy dorsey, manny klein, jimmy mcpartland, bix beiderbecke, eddie lang, bunny berigan, nick lucas, and frankie trumbauer. lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. in addition to his recordings, he also played regularly on radio after 1923, and the roseland orchestra played on new york radio weekly every monday from 1923 to 1925. he entered into a sponsorship with bristol-myers for their toothpaste, ipana; as a result, his ensemble was renamed the ipana troubadours. in 1928 and 1929 lanin recorded with bing crosby. the 1929 stock market crash hit sam lanin hard, unlike his brother lester; in 1931 he lost his contract with bristol-meyers, his radio show, and the name ipana troubadours. by the middle of the 1930s, sam was spending much of his time cutting transcription discs. while his fame had waned, he was still well off from the money he saved in the 1920s, and retired from the music business by the end of the 1930s. he was essentially forgotten at the same time lester went on to super-stardom, and died in 1977 having never returned to music. harold russian-born sam lanin was a very popular american jazz bandleader. lanin's brothers, howard and lester, were also bandleaders, and all of them had sustained, successful careers in music. lanin was one of ten children born to russian-jewish immigrants who emigrated to philadelphia in the decade of the 1900s. sam played clarinet and violin while young, and in 1912 he was offered a spot playing in victor herbert's orchestra, where he played through world war i. after the war he moved to new york city and began playing at the roseland ballroom in late 1918. there he established the roseland orchestra; this ensemble recorded for the columbia gramophone company in the early 1920s. sam recorded with a plethora of ensemble arrangements, under names such as lanin's jazz band, lanin's arcadians, lanin's famous players, lanin's southern serenaders, lanin's red heads, sam lanin's dance ensemble, and lanin's arkansas travelers. he did not always give himself top billing in his ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. among the ensembles he directed were ladd's black aces, the broadway bell-hops, the westerners, the pillsbury orchestra, and bailey's lucky seven. he had a rotating cast of noted musicians playing with him, including regular appearances from phil napoleon, miff mole, jules levy jr., and red nichols, as well as, at some point or another, jimmy dorsey, tommy dorsey, manny klein, jimmy mcpartland, bix beiderbecke, eddie lang, bunny berigan, nick lucas, and frankie trumbauer. lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. in addition to his recordings, he also played regularly on radio after 1923, and the roseland orchestra played on new york radio weekly every monday from 1923 to 1925. he entered into a sponsorship with bristol-myers for their toothpaste, ipana; as a result, his ensemble was renamed the ipana troubadours. in 1928 and 1929 lanin recorded with bing crosby. the 1929 stock market crash hit sam lanin hard, unlike his brother lester; in 1931 he lost his contract with bristol-meyers, his radio show, and the name ipana troubadours. by the middle of the 1930s, sam was spending much of his time cutting transcription discs. while his fame had waned, he was still well off from the money he saved in the 1920s, and retired from the music business by the end of the 1930s. he was essentially forgotten at the same time lester went on to super-stardom, and died in 1977 having never returned to music. harold
  mile high
inge eindex. keyboards 1996 mile high -yellow jackets/arr. inge inge eindex. keyboards 1996 mile high -yellow jackets/arr. inge inge eindex. keyboards 1996 mile high -yellow jackets/arr. inge
  bob and brook on the three rivers arts f...
brook duer (l) and bob wenzel (r) discuss stick against stone's audition for the three rivers arts festival in pittsburgh, pa in 1982 brook duer (l) and bob wenzel (r) discuss stick against stone's audition for the three rivers arts festival in pittsburgh, pa in 1982 brook duer (l) and bob wenzel (r) discuss stick against stone's audition for the three rivers arts festival in pittsburgh, pa in 1982
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