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5 Videos  
page 1 / 1
       
  herbie hancock--fat mama (1969)
review by richard s. ginell centered around some soundtrack music that herbie hancock wrote for bill cosby's fat albert cartoon show, fat albert rotunda was hancock's first full-fledged venture into jazz-funk ? and his last until head hunters ? making it a prophetic release. at the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage r&b-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from hancock's fender rhodes electric piano. the syllables of the titles alone ? review by richard s. ginell centered around some soundtrack music that herbie hancock wrote for bill cosby's fat albert cartoon show, fat albert rotunda was hancock's first full-fledged venture into jazz-funk ? and his last until head hunters ? making it a prophetic release. at the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage r&b-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from hancock's fender rhodes electric piano. the syllables of the titles alone ? review by richard s. ginell centered around some soundtrack music that herbie hancock wrote for bill cosby's fat albert cartoon show, fat albert rotunda was hancock's first full-fledged venture into jazz-funk ? and his last until head hunters ? making it a prophetic release. at the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage r&b-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from hancock's fender rhodes electric piano. the syllables of the titles alone ?
  herbie hancock quintet (vsop) - so what
herbie hancock,wayne shorter,ron carter,wallace roney,tony williams herbie hancock,wayne shorter,ron carter,wallace roney,tony williams herbie hancock,wayne shorter,ron carter,wallace roney,tony williams
  baby looney toon blues
guitar guitar guitar
  freddie hubbard - windjammer
freddie achieved his greatest popular success in the 1970s with a series of crossover albums on atlantic and cti records. his early 70s jazz albums for cti, red clay, first light and straight life were particularly well received and first light won a grammy award. he returned to the acoustic, hard bop arena with his 1977 tour with the v.s.o.p. quintet, which teamed him with the members of the 1960s miles davis quintet; herbie hancock, wayne shorter, tony williams, and ron carter. in the 80s hubbard was again leading his own jazz groups, attracting very favorable notices for his playing at concert halls and festivals in the usa, europe, and japan, often in the company of joe henderson, playing a repertory of hard-bop and modern-jazz pieces. he also collaborated with fellow trumpet legend woody shaw for a series of albums for the blue note and timeless labels. an exceptionally talented virtuoso performer, hubbard's rich full tone is never lost, even when he plays dazzlingly fast passages. as one of the greatest hard bop trumpeters, he strives to create impassioned blues lines without losing the contemporary context within which he plays. he is perhaps one of the greatest technical trumpet players ever to play in the jazz idiom and arguably the most influential. freddie achieved his greatest popular success in the 1970s with a series of crossover albums on atlantic and cti records. his early 70s jazz albums for cti, red clay, first light and straight life were particularly well received and first light won a grammy award. he returned to the acoustic, hard bop arena with his 1977 tour with the v.s.o.p. quintet, which teamed him with the members of the 1960s miles davis quintet; herbie hancock, wayne shorter, tony williams, and ron carter. in the 80s hubbard was again leading his own jazz groups, attracting very favorable notices for his playing at concert halls and festivals in the usa, europe, and japan, often in the company of joe henderson, playing a repertory of hard-bop and modern-jazz pieces. he also collaborated with fellow trumpet legend woody shaw for a series of albums for the blue note and timeless labels. an exceptionally talented virtuoso performer, hubbard's rich full tone is never lost, even when he plays dazzlingly fast passages. as one of the greatest hard bop trumpeters, he strives to create impassioned blues lines without losing the contemporary context within which he plays. he is perhaps one of the greatest technical trumpet players ever to play in the jazz idiom and arguably the most influential. freddie achieved his greatest popular success in the 1970s with a series of crossover albums on atlantic and cti records. his early 70s jazz albums for cti, red clay, first light and straight life were particularly well received and first light won a grammy award. he returned to the acoustic, hard bop arena with his 1977 tour with the v.s.o.p. quintet, which teamed him with the members of the 1960s miles davis quintet; herbie hancock, wayne shorter, tony williams, and ron carter. in the 80s hubbard was again leading his own jazz groups, attracting very favorable notices for his playing at concert halls and festivals in the usa, europe, and japan, often in the company of joe henderson, playing a repertory of hard-bop and modern-jazz pieces. he also collaborated with fellow trumpet legend woody shaw for a series of albums for the blue note and timeless labels. an exceptionally talented virtuoso performer, hubbard's rich full tone is never lost, even when he plays dazzlingly fast passages. as one of the greatest hard bop trumpeters, he strives to create impassioned blues lines without losing the contemporary context within which he plays. he is perhaps one of the greatest technical trumpet players ever to play in the jazz idiom and arguably the most influential.
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