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21 Videos  
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     suivant
  captain tobias hume - "captaine humes pauin"
captain tobias hume - captain tobias hume - captain tobias hume -
  tobias hume: loves farewell for viol sol...
score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/47lovesfarewell.pdf better quality: http://www.vimeo.com/1189191 tobias hume (possibly 1569 - april 16, 1645) was an english composer, viol player and soldier. little is known of his life. some have suggested that he was born in 1569 because he was admitted to the london charterhouse in 1629, a pre-requisite to which was being at least 60 years old, though there is no certainty over this. he had made his living as a professional soldier, probably as a mercenary. he was an officer with the swedish and russian armies. he was a particular champion of the viol over the then-dominant lute, something which caused john dowland to publish a rebuttal of hume's ideas. here the foreword of one of his 3 publications (musicall humors): to the understanding reader i doe not studie eloquence, or profess musicke, although i doe love sence, and affect harmony: my profession being, as my education hath beene, armes, the onely effeminate part of me, hath beene musicke; which in mee hath beene alwayes generous, because never mercenarie. to prayse musicke, were to say, the sunne is bright. to extoll my selfe, would name my labors vaine glorious. onely this, mu studies are far from servile imitations, i robbe no others inventions, i take no italian note to an english dittie, or filch fragments of songs to stuffe out my volumes. there are mine own phansies expressed by my proper genius, which if thou dost dislike, let me see thine, carpere vel noli nostra, vel ede tua, now to use a modest shortnes, and a briefe expression of my seffe to all noble spirites, thus, my title expresseth my bookes contents, which (if my hopes faile me not) shall not deceive their expectation, in whose approvement the crowne of my labors resteth. and from henceforth, the stateful instrument gambo violl shall with ease yeelde full various and as devicefull musicke as the lute. for here i protest the trinitie of musicke, parts, passion and division, to be as gracefully united in the gambo violl, as in the most received instrument that is, which here with a souldiers resolution, i give up to the acceptance of at noble dispositions. the friend of his friend, tobias hume aan de aan de welverstaande lezer: i studeer geen redekunst, of onderwijs geen muziek, hoewel ik van verstand houd en door harmonie geraakt word. mijn beroep is, vanwege mijn opleiding: beroepssoldaat. de enige vrouwelijke kant van mij is de muziek (geweest), welke altijd in ruime mate bij mij aanwezig is geweest, omdat ik geen huursoldaat ben. muziek (aan) te prijzen, is het zelfde als te zeggen dat de zon helder is. mijzelf ophemelen, zou zijn doel voorbij schieten.. alleen dit (wil ik zeggen), dat mijn werk alles behalve slaafse imitaties zijn. i roof geen bedenksels van anderen, ik gebruik geen italiaanse noot of een engels deuntje, of gekaapte fragmenten van liedjes, om mijn bundel te vullen. het zijn mijn eigen fantasieën, door mijn eigen geest uitgedrukt. als u er niet van houdt, laat me dan uw eigen werk maar eens zien. niet het onze afbreken, maar het jouwe. nu het verder kort te houden: een korte uiting van mijzelf aan de edele geesten, is de titel van mijn boek, welk de inhoud verklaart. ik hoop dat het niet de verwachtingen zal teleurstellen, in wiens goedkeuring de kroon op mijn werk rust. van nu af aan zal het statige instrument de viola da gamba, met gemak de gevarieerde muziek voor luit evenaren. hier verklaar ik de drie-eenheid van de muziek: stemvoering, passie en variatie, sierlijk verenigd in de gamba, zoals in de meeste (geaccepteerde) instrumenten. hierbij met een militaire vastberadenheid, geef ik het ter aanname aan de edele ontvangst. aan de vriend van zijn vriend tobias hume ernst stolz viola da gamba score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/47lovesfarewell.pdf better quality: http://www.vimeo.com/1189191 tobias hume (possibly 1569 - april 16, 1645) was an english composer, viol player and soldier. little is known of his life. some have suggested that he was born in 1569 because he was admitted to the london charterhouse in 1629, a pre-requisite to which was being at least 60 years old, though there is no certainty over this. he had made his living as a professional soldier, probably as a mercenary. he was an officer with the swedish and russian armies. he was a particular champion of the viol over the then-dominant lute, something which caused john dowland to publish a rebuttal of hume's ideas. here the foreword of one of his 3 publications (musicall humors): to the understanding reader i doe not studie eloquence, or profess musicke, although i doe love sence, and affect harmony: my profession being, as my education hath beene, armes, the onely effeminate part of me, hath beene musicke; which in mee hath beene alwayes generous, because never mercenarie. to prayse musicke, were to say, the sunne is bright. to extoll my selfe, would name my labors vaine glorious. onely this, mu studies are far from servile imitations, i robbe no others inventions, i take no italian note to an english dittie, or filch fragments of songs to stuffe out my volumes. there are mine own phansies expressed by my proper genius, which if thou dost dislike, let me see thine, carpere vel noli nostra, vel ede tua, now to use a modest shortnes, and a briefe expression of my seffe to all noble spirites, thus, my title expresseth my bookes contents, which (if my hopes faile me not) shall not deceive their expectation, in whose approvement the crowne of my labors resteth. and from henceforth, the stateful instrument gambo violl shall with ease yeelde full various and as devicefull musicke as the lute. for here i protest the trinitie of musicke, parts, passion and division, to be as gracefully united in the gambo violl, as in the most received instrument that is, which here with a souldiers resolution, i give up to the acceptance of at noble dispositions. the friend of his friend, tobias hume aan de aan de welverstaande lezer: i studeer geen redekunst, of onderwijs geen muziek, hoewel ik van verstand houd en door harmonie geraakt word. mijn beroep is, vanwege mijn opleiding: beroepssoldaat. de enige vrouwelijke kant van mij is de muziek (geweest), welke altijd in ruime mate bij mij aanwezig is geweest, omdat ik geen huursoldaat ben. muziek (aan) te prijzen, is het zelfde als te zeggen dat de zon helder is. mijzelf ophemelen, zou zijn doel voorbij schieten.. alleen dit (wil ik zeggen), dat mijn werk alles behalve slaafse imitaties zijn. i roof geen bedenksels van anderen, ik gebruik geen italiaanse noot of een engels deuntje, of gekaapte fragmenten van liedjes, om mijn bundel te vullen. het zijn mijn eigen fantasieën, door mijn eigen geest uitgedrukt. als u er niet van houdt, laat me dan uw eigen werk maar eens zien. niet het onze afbreken, maar het jouwe. nu het verder kort te houden: een korte uiting van mijzelf aan de edele geesten, is de titel van mijn boek, welk de inhoud verklaart. ik hoop dat het niet de verwachtingen zal teleurstellen, in wiens goedkeuring de kroon op mijn werk rust. van nu af aan zal het statige instrument de viola da gamba, met gemak de gevarieerde muziek voor luit evenaren. hier verklaar ik de drie-eenheid van de muziek: stemvoering, passie en variatie, sierlijk verenigd in de gamba, zoals in de meeste (geaccepteerde) instrumenten. hierbij met een militaire vastberadenheid, geef ik het ter aanname aan de edele ontvangst. aan de vriend van zijn vriend tobias hume ernst stolz viola da gamba score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/47lovesfarewell.pdf better quality: http://www.vimeo.com/1189191 tobias hume (possibly 1569 - april 16, 1645) was an english composer, viol player and soldier. little is known of his life. some have suggested that he was born in 1569 because he was admitted to the london charterhouse in 1629, a pre-requisite to which was being at least 60 years old, though there is no certainty over this. he had made his living as a professional soldier, probably as a mercenary. he was an officer with the swedish and russian armies. he was a particular champion of the viol over the then-dominant lute, something which caused john dowland to publish a rebuttal of hume's ideas. here the foreword of one of his 3 publications (musicall humors): to the understanding reader i doe not studie eloquence, or profess musicke, although i doe love sence, and affect harmony: my profession being, as my education hath beene, armes, the onely effeminate part of me, hath beene musicke; which in mee hath beene alwayes generous, because never mercenarie. to prayse musicke, were to say, the sunne is bright. to extoll my selfe, would name my labors vaine glorious. onely this, mu studies are far from servile imitations, i robbe no others inventions, i take no italian note to an english dittie, or filch fragments of songs to stuffe out my volumes. there are mine own phansies expressed by my proper genius, which if thou dost dislike, let me see thine, carpere vel noli nostra, vel ede tua, now to use a modest shortnes, and a briefe expression of my seffe to all noble spirites, thus, my title expresseth my bookes contents, which (if my hopes faile me not) shall not deceive their expectation, in whose approvement the crowne of my labors resteth. and from henceforth, the stateful instrument gambo violl shall with ease yeelde full various and as devicefull musicke as the lute. for here i protest the trinitie of musicke, parts, passion and division, to be as gracefully united in the gambo violl, as in the most received instrument that is, which here with a souldiers resolution, i give up to the acceptance of at noble dispositions. the friend of his friend, tobias hume aan de aan de welverstaande lezer: i studeer geen redekunst, of onderwijs geen muziek, hoewel ik van verstand houd en door harmonie geraakt word. mijn beroep is, vanwege mijn opleiding: beroepssoldaat. de enige vrouwelijke kant van mij is de muziek (geweest), welke altijd in ruime mate bij mij aanwezig is geweest, omdat ik geen huursoldaat ben. muziek (aan) te prijzen, is het zelfde als te zeggen dat de zon helder is. mijzelf ophemelen, zou zijn doel voorbij schieten.. alleen dit (wil ik zeggen), dat mijn werk alles behalve slaafse imitaties zijn. i roof geen bedenksels van anderen, ik gebruik geen italiaanse noot of een engels deuntje, of gekaapte fragmenten van liedjes, om mijn bundel te vullen. het zijn mijn eigen fantasieën, door mijn eigen geest uitgedrukt. als u er niet van houdt, laat me dan uw eigen werk maar eens zien. niet het onze afbreken, maar het jouwe. nu het verder kort te houden: een korte uiting van mijzelf aan de edele geesten, is de titel van mijn boek, welk de inhoud verklaart. ik hoop dat het niet de verwachtingen zal teleurstellen, in wiens goedkeuring de kroon op mijn werk rust. van nu af aan zal het statige instrument de viola da gamba, met gemak de gevarieerde muziek voor luit evenaren. hier verklaar ik de drie-eenheid van de muziek: stemvoering, passie en variatie, sierlijk verenigd in de gamba, zoals in de meeste (geaccepteerde) instrumenten. hierbij met een militaire vastberadenheid, geef ik het ter aanname aan de edele ontvangst. aan de vriend van zijn vriend tobias hume ernst stolz viola da gamba
  a merry meeting by tobias hume
a short piece by hume for the viola da gamba score available on: http://www.ernststolz.com/score/amerrymeetinghume.pdf ernst stolz a short piece by hume for the viola da gamba score available on: http://www.ernststolz.com/score/amerrymeetinghume.pdf ernst stolz a short piece by hume for the viola da gamba score available on: http://www.ernststolz.com/score/amerrymeetinghume.pdf ernst stolz
  tobias hume - good againe (sol majeur)
tobias hume - good againe (sol majeur). jordi savall (viole da gambe). version pour viole de gambe seule: jordi savall. tobias hume - good againe (sol majeur). jordi savall (viole da gambe). version pour viole de gambe seule: jordi savall. tobias hume - good againe (sol majeur). jordi savall (viole da gambe). version pour viole de gambe seule: jordi savall.
  tobias hume - tablatura - the duke of ho...
tobias hume (1569-1645) *repertório de tablabura para viola da gamba. hume foi compositor, gambista e soldado inglês do séc. xvii. extremamente original, tobias hume preferia a viola da gamba ao alaúde, devido às possibilidades e potencialidades que a viola permitia: podia adaptar-se a várias tonalidades, ser executada com pizzicato e pela sua ampla ressonância. thiago ribeiro tobias hume (1569-1645) *repertório de tablabura para viola da gamba. hume foi compositor, gambista e soldado inglês do séc. xvii. extremamente original, tobias hume preferia a viola da gamba ao alaúde, devido às possibilidades e potencialidades que a viola permitia: podia adaptar-se a várias tonalidades, ser executada com pizzicato e pela sua ampla ressonância. thiago ribeiro tobias hume (1569-1645) *repertório de tablabura para viola da gamba. hume foi compositor, gambista e soldado inglês do séc. xvii. extremamente original, tobias hume preferia a viola da gamba ao alaúde, devido às possibilidades e potencialidades que a viola permitia: podia adaptar-se a várias tonalidades, ser executada com pizzicato e pela sua ampla ressonância. thiago ribeiro
  tobias hume violadagamba solo: a question
score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/25aquestion.pdf better quality: http://www.vimeo.com/1197782 tobias hume (1569-1645) a question the music for viol by hume is written in a style called lyra-style. a kind of lute style with many chords. wiki on hume: http://en.wikipedia.org/wiki/tobias_hume further info on another video: loves farewell ernst stolz viola da gamba & video score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/25aquestion.pdf better quality: http://www.vimeo.com/1197782 tobias hume (1569-1645) a question the music for viol by hume is written in a style called lyra-style. a kind of lute style with many chords. wiki on hume: http://en.wikipedia.org/wiki/tobias_hume further info on another video: loves farewell ernst stolz viola da gamba & video score: http://pagesperso-orange.fr/tony.c/fretful/viol/hume/pdf/25aquestion.pdf better quality: http://www.vimeo.com/1197782 tobias hume (1569-1645) a question the music for viol by hume is written in a style called lyra-style. a kind of lute style with many chords. wiki on hume: http://en.wikipedia.org/wiki/tobias_hume further info on another video: loves farewell ernst stolz viola da gamba & video
  robert stephen(treble) - thomas campion/...
robert stephen became a chorister at st. george's, windsor at the age of seven. in his fifth and last year there, he was head chorister. he made his solo debut at wigmore hall at the age of nine, sang the pie jesu from faure's requiem at the waterloo chamber as part of the windsor festival, and was soloist at the barbican and at guildford cathedral (chichester psalms). he also plays the cello, piano and organ and is now (2006) a music scholar at the king's school, canterbury. 1- 'sing a song of joy', thomas campion(1567-1620) 2- 'fain would i change that note', tobias hume(1569-1645) robert stephen became a chorister at st. george's, windsor at the age of seven. in his fifth and last year there, he was head chorister. he made his solo debut at wigmore hall at the age of nine, sang the pie jesu from faure's requiem at the waterloo chamber as part of the windsor festival, and was soloist at the barbican and at guildford cathedral (chichester psalms). he also plays the cello, piano and organ and is now (2006) a music scholar at the king's school, canterbury. 1- 'sing a song of joy', thomas campion(1567-1620) 2- 'fain would i change that note', tobias hume(1569-1645) robert stephen became a chorister at st. george's, windsor at the age of seven. in his fifth and last year there, he was head chorister. he made his solo debut at wigmore hall at the age of nine, sang the pie jesu from faure's requiem at the waterloo chamber as part of the windsor festival, and was soloist at the barbican and at guildford cathedral (chichester psalms). he also plays the cello, piano and organ and is now (2006) a music scholar at the king's school, canterbury. 1- 'sing a song of joy', thomas campion(1567-1620) 2- 'fain would i change that note', tobias hume(1569-1645)
  "touch me lightly" by captain tobias hume
marcy jean brenner performs marcy jean brenner performs marcy jean brenner performs
  tobias hume : life
originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke': originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke': originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke':
  tobias hume -'touch me lightly' c1620
originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke': originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke': originally for bass viol. from the collection of songs and viol pieces 'captain hume's poetical musicke':
  a piece by captain tobias hume
marcy jean brenner performs a piece by captain tobias hume on the viola da gamba. marcy jean brenner performs a piece by captain tobias hume on the viola da gamba. marcy jean brenner performs a piece by captain tobias hume on the viola da gamba.
  viols in our schools - tobias hume - cap...
captaine tobias hume (1569-1645) - captaine hume?s pavan, no.46, the first part of ayres, the musicall humours (1605) from the 'viols in our schools' residency, june 2, 2008 dr. phillip w. serna, bass viol northside college preparatory high school auditorium, 5501 north kedzie avenue, chicago, il 60625 'viols in our schools' was in residency on june 2nd demonstrating music for treble, tenor and bass viols, as well as violone. for more information on phillip w. serna, visit http://www.phillipwserna.com/. to subscribe to the podcast and for more information on 'viols in our schools,' visit http://www.violsinourschools.org/ and http://www.musicinst.org/. captaine tobias hume (1569-1645) - captaine hume?s pavan, no.46, the first part of ayres, the musicall humours (1605) from the 'viols in our schools' residency, june 2, 2008 dr. phillip w. serna, bass viol northside college preparatory high school auditorium, 5501 north kedzie avenue, chicago, il 60625 'viols in our schools' was in residency on june 2nd demonstrating music for treble, tenor and bass viols, as well as violone. for more information on phillip w. serna, visit http://www.phillipwserna.com/. to subscribe to the podcast and for more information on 'viols in our schools,' visit http://www.violsinourschools.org/ and http://www.musicinst.org/. captaine tobias hume (1569-1645) - captaine hume?s pavan, no.46, the first part of ayres, the musicall humours (1605) from the 'viols in our schools' residency, june 2, 2008 dr. phillip w. serna, bass viol northside college preparatory high school auditorium, 5501 north kedzie avenue, chicago, il 60625 'viols in our schools' was in residency on june 2nd demonstrating music for treble, tenor and bass viols, as well as violone. for more information on phillip w. serna, visit http://www.phillipwserna.com/. to subscribe to the podcast and for more information on 'viols in our schools,' visit http://www.violsinourschools.org/ and http://www.musicinst.org/.
  captaine tobias hume (1569 - 1645) - lov...
captaine tobias hume (1569 - 1645) - love’s farewell from the may 13, 2008 ‘viols in our schools’ interview & performance at the levin performance studio as part of wfmt’s impromptu program. captaine tobias hume (1569 - 1645) - love’s farewell from the may 13, 2008 ‘viols in our schools’ interview & performance at the levin performance studio as part of wfmt’s impromptu program. captaine tobias hume (1569 - 1645) - love’s farewell from the may 13, 2008 ‘viols in our schools’ interview & performance at the levin performance studio as part of wfmt’s impromptu program.
  viola da gamba viole de gambe - adue swe...
http://vereddagamba.com/ http://vereddagamba.com/ http://vereddagamba.com/
  hume - "the spirit of gambo" for viola d...
tobias hume (1569-1645) tobias hume (1569-1645) tobias hume (1569-1645)
  touch me lightly - tobias hume - concertina
played on tenor treble english concertina. played on tenor treble english concertina. played on tenor treble english concertina.
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