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25 Videos  
page 1 / 2
     suivant
  the art of fugue: two canons (t. koopman...
johann sebastian bach (1685-1750) die kunst der fuge bwv 1080 canon per augmentationem in contrario motu canon alla ottava ton koopman and tini mathot, cembalo johann sebastian bach (1685-1750) die kunst der fuge bwv 1080 canon per augmentationem in contrario motu canon alla ottava ton koopman and tini mathot, cembalo johann sebastian bach (1685-1750) die kunst der fuge bwv 1080 canon per augmentationem in contrario motu canon alla ottava ton koopman and tini mathot, cembalo
  ton koopman and tini mathot: padre anton...
ton koopman and tini mathot: padre antonio soler. organo san elpidio a mare, basilica della misericordia. ton koopman and tini mathot: padre antonio soler. organo san elpidio a mare, basilica della misericordia. ton koopman and tini mathot: padre antonio soler. organo san elpidio a mare, basilica della misericordia.
  the art of fugue: contrapunctus v, vi, v...
johann sebastian bach (1685-1750) the art of fugue bwv 1080 counter-fugues, in which a variation of the main subject is used in both regular and inverted form contrapunctus v contrapunctus vi, a 4 in stylo francese contrapunctus vii, a 4 per augmentationem et diminutionem ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 counter-fugues, in which a variation of the main subject is used in both regular and inverted form contrapunctus v contrapunctus vi, a 4 in stylo francese contrapunctus vii, a 4 per augmentationem et diminutionem ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 counter-fugues, in which a variation of the main subject is used in both regular and inverted form contrapunctus v contrapunctus vi, a 4 in stylo francese contrapunctus vii, a 4 per augmentationem et diminutionem ton koopman and tini mathot, harpsichord
  the art of fugue: contrapunctus ii,iii,i...
johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapuncuts ii, iii, iv (simple fugues) ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapuncuts ii, iii, iv (simple fugues) ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapuncuts ii, iii, iv (simple fugues) ton koopman and tini mathot, harpsichord
  the art of fugue: contrapunctus 12-13 (k...
johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xii, xiii ton koopman, tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xii, xiii ton koopman, tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xii, xiii ton koopman, tini mathot, harpsichord
  koopman and mathot play contrapunctus 11
johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xi ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xi ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus xi ton koopman and tini mathot, harpsichord
  t. koopman and t. mathot play contrapunctus i
the first fugue from the first fugue from the first fugue from
  the art of fugue: canon alla duodecima, ...
johann sebastian bach (1685-1750) the art of fugue bwv 1080 canon alla duodecima in contrapunto alla quinta (canon at the twelfth, counterpoint at the fifth) contrapunctus x, a 4 alla decima (double fugue) canon alla decima in contrapunto alla terza (canon at the tenth, counterpoint at the third) ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 canon alla duodecima in contrapunto alla quinta (canon at the twelfth, counterpoint at the fifth) contrapunctus x, a 4 alla decima (double fugue) canon alla decima in contrapunto alla terza (canon at the tenth, counterpoint at the third) ton koopman and tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 canon alla duodecima in contrapunto alla quinta (canon at the twelfth, counterpoint at the fifth) contrapunctus x, a 4 alla decima (double fugue) canon alla decima in contrapunto alla terza (canon at the tenth, counterpoint at the third) ton koopman and tini mathot, harpsichord
  great composers bach?bbc tv series?pt.1
j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion. j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion. j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion.
  the art of fugue: contrapunctus 8 (t. ko...
johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus viii ton koopman, tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus viii ton koopman, tini mathot, harpsichord johann sebastian bach (1685-1750) the art of fugue bwv 1080 contrapunctus viii ton koopman, tini mathot, harpsichord
  koopman plays the last fugue. contrapunc...
the last fugue from the last fugue from the last fugue from
  great composers bach?bbc tv series?pt.7
j.s.bach occupies a pivotal place in the histor... (more) added: november 24, 2007 j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion. j.s.bach occupies a pivotal place in the histor... (more) added: november 24, 2007 j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion. j.s.bach occupies a pivotal place in the histor... (more) added: november 24, 2007 j.s.bach occupies a pivotal place in the history of music.his compositions reprensents both the height of the baropue and the beginning of the modern age of music .filmed in leipzig,london and america,this documentary both fascinating anf authoritative features specialy-filmed extracts with jonh eliot grandiner conducting the monteverdi choir and english baropue soloists, performing the mass in b minor,andras schiff playing the goldberg variations,jacques loussier improvising on the toccata and fugue in d minor as well as demonstration by ton koopman,tini mathot,joanna macgregor and the thomanerchor of leipzig.biographical and critical commemtary is provided by leading bach scholar,christoph wolff and robert marshall,while charles rosen and jonathan miller dicuss bach's masterpiece the st. mathew passion.
  regis iussu cantio et reliqua canonica a...
tini mathot & ton koopman, bach, offerta musicale, fuga a 6 voci, bwv 1079. tini mathot & ton koopman, bach, offerta musicale, fuga a 6 voci, bwv 1079. tini mathot & ton koopman, bach, offerta musicale, fuga a 6 voci, bwv 1079.
  bach - concerto for 3 harpsichords in d ...
johann sebastian bach - concerto for 3 harpsichords in d minor (bwv 1063): 1. allegro. the amsterdam baroque orquestra: ton koopman (harpsichord). tini mathot (harpsichord). patrizia marisaldi (harpsichord). andrew manze (violin). florian deuter (violin). caroline balding (violin). nicola cleminson (violin). marc cooper (violin). foskian kooistra (violin). johannes leertower (violin). jane compton (viola). rainer ullreich (viola). jaap ter linden (cello). marion middenway (cello). alberto rasi (double bass). dir. ton koopman. johann sebastian bach - concerto for 3 harpsichords in d minor (bwv 1063): 1. allegro. the amsterdam baroque orquestra: ton koopman (harpsichord). tini mathot (harpsichord). patrizia marisaldi (harpsichord). andrew manze (violin). florian deuter (violin). caroline balding (violin). nicola cleminson (violin). marc cooper (violin). foskian kooistra (violin). johannes leertower (violin). jane compton (viola). rainer ullreich (viola). jaap ter linden (cello). marion middenway (cello). alberto rasi (double bass). dir. ton koopman. johann sebastian bach - concerto for 3 harpsichords in d minor (bwv 1063): 1. allegro. the amsterdam baroque orquestra: ton koopman (harpsichord). tini mathot (harpsichord). patrizia marisaldi (harpsichord). andrew manze (violin). florian deuter (violin). caroline balding (violin). nicola cleminson (violin). marc cooper (violin). foskian kooistra (violin). johannes leertower (violin). jane compton (viola). rainer ullreich (viola). jaap ter linden (cello). marion middenway (cello). alberto rasi (double bass). dir. ton koopman.
  1. concerto for four harpsichords in a m...
stereo: http://br.youtube.com/watch?v=bqouaa2qs3w&fmt=18 johann sebastian bach (1685 - 1750). concerto for four harpsichords and orquestra in a minor (bwv 1065). 1st mov: allegro. the amsterdam baroque orquestra. ton koopman: harpsichord. tini mathot: harpsichord. elina mustonen: harpsichord. patrizia marisaldi: harpsichord. director: ton koopman. bach made a number of transcriptions from antonio vivaldi's concertos, especially from his op.3 set, entitled l'estro armonico; he adapted them for solo harpsichord and solo organ, and for the concerto for 4 violins in b minor, op.3 no.10, rv 580, he decided upon the unique solution of using four harpsichords and orchestra. this is thus the only harpsichord concerto by bach which was not an adaptation of his own material. the middle movement has the four harpsichords playing differently articulated arpeggios in a very unusual tonal blend, while bach provided some additional virtuosity and tension in the other movements. stereo: http://br.youtube.com/watch?v=bqouaa2qs3w&fmt=18 johann sebastian bach (1685 - 1750). concerto for four harpsichords and orquestra in a minor (bwv 1065). 1st mov: allegro. the amsterdam baroque orquestra. ton koopman: harpsichord. tini mathot: harpsichord. elina mustonen: harpsichord. patrizia marisaldi: harpsichord. director: ton koopman. bach made a number of transcriptions from antonio vivaldi's concertos, especially from his op.3 set, entitled l'estro armonico; he adapted them for solo harpsichord and solo organ, and for the concerto for 4 violins in b minor, op.3 no.10, rv 580, he decided upon the unique solution of using four harpsichords and orchestra. this is thus the only harpsichord concerto by bach which was not an adaptation of his own material. the middle movement has the four harpsichords playing differently articulated arpeggios in a very unusual tonal blend, while bach provided some additional virtuosity and tension in the other movements. stereo: http://br.youtube.com/watch?v=bqouaa2qs3w&fmt=18 johann sebastian bach (1685 - 1750). concerto for four harpsichords and orquestra in a minor (bwv 1065). 1st mov: allegro. the amsterdam baroque orquestra. ton koopman: harpsichord. tini mathot: harpsichord. elina mustonen: harpsichord. patrizia marisaldi: harpsichord. director: ton koopman. bach made a number of transcriptions from antonio vivaldi's concertos, especially from his op.3 set, entitled l'estro armonico; he adapted them for solo harpsichord and solo organ, and for the concerto for 4 violins in b minor, op.3 no.10, rv 580, he decided upon the unique solution of using four harpsichords and orchestra. this is thus the only harpsichord concerto by bach which was not an adaptation of his own material. the middle movement has the four harpsichords playing differently articulated arpeggios in a very unusual tonal blend, while bach provided some additional virtuosity and tension in the other movements.
  j.s. bach: die kunst der fuga - contrapu...
ton koopman and tini mathot plays contrapuncuts ix from ton koopman and tini mathot plays contrapuncuts ix from ton koopman and tini mathot plays contrapuncuts ix from
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