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21 Videos  
page 1 / 2
     suivant
  stafford acrobatic gymnastics club: grad...
november 07, west mids competition silver; heather, pippa & georgia. dunno why it's pink! november 07, west mids competition silver; heather, pippa & georgia. dunno why it's pink! november 07, west mids competition silver; heather, pippa & georgia. dunno why it's pink!
  acrobatic gymnastics: stafford trio
new grade 2 trio, rosie, daisy & lauren of stafford acrobatic gymnastics club at the christmas display new grade 2 trio, rosie, daisy & lauren of stafford acrobatic gymnastics club at the christmas display new grade 2 trio, rosie, daisy & lauren of stafford acrobatic gymnastics club at the christmas display
  ladm anaheim tap trio
tap trio performed to tap trio performed to tap trio performed to
  grade 3 trio stafford routine training
chelsie's trio training their dynamic routine (only learnt it this day!) chelsie's trio training their dynamic routine (only learnt it this day!) chelsie's trio training their dynamic routine (only learnt it this day!)
  jason mraz - i'm yours (deluxe trio ver.)
justin douglas - vocals, cavaquinho amanda sage - vocals natalie stafford - vocals, shaker justin douglas - vocals, cavaquinho amanda sage - vocals natalie stafford - vocals, shaker justin douglas - vocals, cavaquinho amanda sage - vocals natalie stafford - vocals, shaker
  jim hurst and tim stafford - forked deer
flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is tim stafford and jim hurst performing the flatpicking standard flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is tim stafford and jim hurst performing the flatpicking standard flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is tim stafford and jim hurst performing the flatpicking standard
  grade 2 trio
this was our club competition held at lileshall a week before our regional competition! we came 1st in both! this was our club competition held at lileshall a week before our regional competition! we came 1st in both! this was our club competition held at lileshall a week before our regional competition! we came 1st in both!
  grade 2 trio regionals
katie maisie and rebecca at the west midlands regional championships, from stafford acro came in 1st place with megan liss and lauren 3rd also from stafford! katie maisie and rebecca at the west midlands regional championships, from stafford acro came in 1st place with megan liss and lauren 3rd also from stafford! katie maisie and rebecca at the west midlands regional championships, from stafford acro came in 1st place with megan liss and lauren 3rd also from stafford!
  canadian invaders & english swans
the big pond at the wolseley bridge nature reserve near stafford which had oday a trio of english swans and hundreds of canadian geese living together in commonwealth harmony the big pond at the wolseley bridge nature reserve near stafford which had oday a trio of english swans and hundreds of canadian geese living together in commonwealth harmony the big pond at the wolseley bridge nature reserve near stafford which had oday a trio of english swans and hundreds of canadian geese living together in commonwealth harmony
  the weavers with gordon jenkins - goodn...
goodnight irene (huddie ledbetter-john lomax) gordon jenkins & the weavers recorded may 26, 1948 decca single #27077 pop #1 / charted july 8, 1950 (the following information from wikipedia) goodnight irene (huddie ledbetter-john lomax) gordon jenkins & the weavers recorded may 26, 1948 decca single #27077 pop #1 / charted july 8, 1950 (the following information from wikipedia) goodnight irene (huddie ledbetter-john lomax) gordon jenkins & the weavers recorded may 26, 1948 decca single #27077 pop #1 / charted july 8, 1950 (the following information from wikipedia)
  cass & frankie 1989--reporting in; carol...
cass goes to frankie's apartment and wants to know why she hasn't reported in lately. she reminds him that she's undercover and that it's too risky for them to be seen together, then tells him there's nothing new to report. cass tells frankie they need information. she asks him if he thinks she's some hack who calls in every hour just to say there's nothing new to report. cass tells frankie he would like to hear from her. she snatches the binoculars away from him and tells him that lucas left half an hour ago, and she doesn't know where lucas went. cass is surprised when frankie says that lucas might not be guilty. frankie replies that as far as she knows, lucas is in the clear, and she will let cass know when she knows. then she tells cass she's late, and prepares to leave. cass says he's not finished with her, and frankie replies that she's finished with him. when frankie opens her front door to leave, caroline stafford is standing there. the trio are surprised to see one another. caroline remarks that cass and frankie are obviously more of an item than she thought. cass goes to frankie's apartment and wants to know why she hasn't reported in lately. she reminds him that she's undercover and that it's too risky for them to be seen together, then tells him there's nothing new to report. cass tells frankie they need information. she asks him if he thinks she's some hack who calls in every hour just to say there's nothing new to report. cass tells frankie he would like to hear from her. she snatches the binoculars away from him and tells him that lucas left half an hour ago, and she doesn't know where lucas went. cass is surprised when frankie says that lucas might not be guilty. frankie replies that as far as she knows, lucas is in the clear, and she will let cass know when she knows. then she tells cass she's late, and prepares to leave. cass says he's not finished with her, and frankie replies that she's finished with him. when frankie opens her front door to leave, caroline stafford is standing there. the trio are surprised to see one another. caroline remarks that cass and frankie are obviously more of an item than she thought. cass goes to frankie's apartment and wants to know why she hasn't reported in lately. she reminds him that she's undercover and that it's too risky for them to be seen together, then tells him there's nothing new to report. cass tells frankie they need information. she asks him if he thinks she's some hack who calls in every hour just to say there's nothing new to report. cass tells frankie he would like to hear from her. she snatches the binoculars away from him and tells him that lucas left half an hour ago, and she doesn't know where lucas went. cass is surprised when frankie says that lucas might not be guilty. frankie replies that as far as she knows, lucas is in the clear, and she will let cass know when she knows. then she tells cass she's late, and prepares to leave. cass says he's not finished with her, and frankie replies that she's finished with him. when frankie opens her front door to leave, caroline stafford is standing there. the trio are surprised to see one another. caroline remarks that cass and frankie are obviously more of an item than she thought.
  the block - orbit
two lads with keyboards in a castle. the following may or may not be true: 'the block', were formed in 1988 when radio one dj, john peel, wanted to create 'a new sound'. not having an ounce of musical talent himself, peel decided to scour britain for the three blokes that could fill his special mould. these three lads were found in the developing villages of birmingham, cornwall and wales. thrown together in an instant, under peel's 'special conditions', the trio began producing a music destined to change the face of brit pop. unforunatly, peel soon hated what he had created and decided to destroy his creation by means of bricks and flames. the new sound never saw the light of day and peel was left shivering in the cold, terrified to turn on the radio. after several months of therapy with special women, peel returned to dj'ing on radio one and vowed never to mess with new sounds again. the trio, tom, james and owen, reformed the block in a more natural environment soon after and spent the next three years developing a new breed of song in the form of a jazz-dance-ambient-crazed-terrapin that was orbit. up until the late nineties, this had only been a theory set out by the block in the form of mathematical equations and spectral diagrams. by 1998 the block had decided to build the song out of actual sound vibrations, and, by late 1999, the 2-minute 'orbit' was produced. hear it now. two lads with keyboards in a castle. the following may or may not be true: 'the block', were formed in 1988 when radio one dj, john peel, wanted to create 'a new sound'. not having an ounce of musical talent himself, peel decided to scour britain for the three blokes that could fill his special mould. these three lads were found in the developing villages of birmingham, cornwall and wales. thrown together in an instant, under peel's 'special conditions', the trio began producing a music destined to change the face of brit pop. unforunatly, peel soon hated what he had created and decided to destroy his creation by means of bricks and flames. the new sound never saw the light of day and peel was left shivering in the cold, terrified to turn on the radio. after several months of therapy with special women, peel returned to dj'ing on radio one and vowed never to mess with new sounds again. the trio, tom, james and owen, reformed the block in a more natural environment soon after and spent the next three years developing a new breed of song in the form of a jazz-dance-ambient-crazed-terrapin that was orbit. up until the late nineties, this had only been a theory set out by the block in the form of mathematical equations and spectral diagrams. by 1998 the block had decided to build the song out of actual sound vibrations, and, by late 1999, the 2-minute 'orbit' was produced. hear it now. two lads with keyboards in a castle. the following may or may not be true: 'the block', were formed in 1988 when radio one dj, john peel, wanted to create 'a new sound'. not having an ounce of musical talent himself, peel decided to scour britain for the three blokes that could fill his special mould. these three lads were found in the developing villages of birmingham, cornwall and wales. thrown together in an instant, under peel's 'special conditions', the trio began producing a music destined to change the face of brit pop. unforunatly, peel soon hated what he had created and decided to destroy his creation by means of bricks and flames. the new sound never saw the light of day and peel was left shivering in the cold, terrified to turn on the radio. after several months of therapy with special women, peel returned to dj'ing on radio one and vowed never to mess with new sounds again. the trio, tom, james and owen, reformed the block in a more natural environment soon after and spent the next three years developing a new breed of song in the form of a jazz-dance-ambient-crazed-terrapin that was orbit. up until the late nineties, this had only been a theory set out by the block in the form of mathematical equations and spectral diagrams. by 1998 the block had decided to build the song out of actual sound vibrations, and, by late 1999, the 2-minute 'orbit' was produced. hear it now.
  harry belafonte - scarlet ribbons
scarlet ribbons music written by evelyn danzig, lyrics by jack segal. the song was published in 1949. scarlet ribbons music written by evelyn danzig, lyrics by jack segal. the song was published in 1949. scarlet ribbons music written by evelyn danzig, lyrics by jack segal. the song was published in 1949.
  bryan sutton - texas gales
flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is bryan sutton's solo performance of the flatpicking standard flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is bryan sutton's solo performance of the flatpicking standard flatpicking guitar magazine filmed a live concert performance featuring bryan sutton, tim stafford, and jim hurst. during the show, these three master flatpickers performed as a trio, in various duo settings, and each did a few tunes solo. here is bryan sutton's solo performance of the flatpicking standard
  a trio of staffies
my two staffies kci (white and tan)and lexi (all white staffie) playin with their my two staffies kci (white and tan)and lexi (all white staffie) playin with their my two staffies kci (white and tan)and lexi (all white staffie) playin with their
  trio of staffies against a stick
my 2 staffies and my mums staffie cross jack russell playin with a stick my 2 staffies and my mums staffie cross jack russell playin with a stick my 2 staffies and my mums staffie cross jack russell playin with a stick
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