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147 Videos  
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  magnolia - the california ramblers
the 20s & 30s were a odd time. magnolia - the california ramblers. the 20s & 30s were a odd time. magnolia - the california ramblers. the 20s & 30s were a odd time. magnolia - the california ramblers.
  california-here i come-california ramble...
adrian rollini played bass sax with this wonderful band from the twenties-along with the dorsey brothers and others-recording prolifically from 1922 on.from cd268 at http://mcproductions.shawbiz.ca adrian rollini played bass sax with this wonderful band from the twenties-along with the dorsey brothers and others-recording prolifically from 1922 on.from cd268 at http://mcproductions.shawbiz.ca adrian rollini played bass sax with this wonderful band from the twenties-along with the dorsey brothers and others-recording prolifically from 1922 on.from cd268 at http://mcproductions.shawbiz.ca
  roaring 20s: california ramblers: show m...
california ramblers - show me the way to go home, columbia 1925 california ramblers - show me the way to go home, columbia 1925 california ramblers - show me the way to go home, columbia 1925
  the california ramblers - dream house
recorded on july 24th, 1928 for edison. recorded on july 24th, 1928 for edison. recorded on july 24th, 1928 for edison.
  roaring 20s: california ramblers - sheik...
california ramblers - the sheik of araby (harry smith, francis wheeler & ted snider), vocalion 1921 california ramblers - the sheik of araby (harry smith, francis wheeler & ted snider), vocalion 1921 california ramblers - the sheik of araby (harry smith, francis wheeler & ted snider), vocalion 1921
  golden gate orch(california ramblers) -l...
golden gate orchestra (california ramblers) - lover come back to me (words & music by oscar hammerstein ii & sigmund romberg), edison diamond disc 1928 the california ramblers were one of the golden gate orchestra (california ramblers) - lover come back to me (words & music by oscar hammerstein ii & sigmund romberg), edison diamond disc 1928 the california ramblers were one of the golden gate orchestra (california ramblers) - lover come back to me (words & music by oscar hammerstein ii & sigmund romberg), edison diamond disc 1928 the california ramblers were one of the
  california ramblers - after you've gone
the california ramblers (as the palace garden orch.) performing after you've gone for pathe in 1927. the label mistakenly reads you're instead of you've. they may have been careless on the label but certainly not with the music. a great record. the california ramblers (as the palace garden orch.) performing after you've gone for pathe in 1927. the label mistakenly reads you're instead of you've. they may have been careless on the label but certainly not with the music. a great record. the california ramblers (as the palace garden orch.) performing after you've gone for pathe in 1927. the label mistakenly reads you're instead of you've. they may have been careless on the label but certainly not with the music. a great record.
  california ramblers - brown eyes, why ar...
the golden gate orch. (california ramblers) performing brown eyes, why are you blue? for edison in 1925. an acoustic edison played on modern equipment. all you have to do is switch the right lead and right ground on the back of the cartridge (and if possible, increase the speed to 80 rpm). compare with my posting of the other side of this record (sweet man) played on an edison machine. the electric equipment sounds smoother and less strident than on the edison but also has more rumble. the edison machine is brighter. the golden gate orch. (california ramblers) performing brown eyes, why are you blue? for edison in 1925. an acoustic edison played on modern equipment. all you have to do is switch the right lead and right ground on the back of the cartridge (and if possible, increase the speed to 80 rpm). compare with my posting of the other side of this record (sweet man) played on an edison machine. the electric equipment sounds smoother and less strident than on the edison but also has more rumble. the edison machine is brighter. the golden gate orch. (california ramblers) performing brown eyes, why are you blue? for edison in 1925. an acoustic edison played on modern equipment. all you have to do is switch the right lead and right ground on the back of the cartridge (and if possible, increase the speed to 80 rpm). compare with my posting of the other side of this record (sweet man) played on an edison machine. the electric equipment sounds smoother and less strident than on the edison but also has more rumble. the edison machine is brighter.
  california ramblers - nothing does like ...
a wonderful all-star group with vocals by ed kirkeby wallace a wonderful all-star group with vocals by ed kirkeby wallace a wonderful all-star group with vocals by ed kirkeby wallace
  california ramblers - the pay-off
another great tune by this fantastic, but not well-known orchestra. it was recorded on phonograph cylinder for edison in december 1927. another great tune by this fantastic, but not well-known orchestra. it was recorded on phonograph cylinder for edison in december 1927. another great tune by this fantastic, but not well-known orchestra. it was recorded on phonograph cylinder for edison in december 1927.
  adrian and his tap room gang - weather m...
adrian francis rollini (june 28, 1903 - may 15, 1956) was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel (34th sreet and 5th avenue) in new york. he led his own band at age 14 and began playing with the california ramblers in the early 1920s. the california ramblers were one of the most recorded bands of the 1920s. the band also featured red nichols, jimmy and tommy dorsey. the california ramblers played popular tunes of the day with a jazz influence. while in that band rollini developed his distinctive style of bass saxophone playing. he played in red nichols' five pennies and appeared on many of red's recording sessions. he also worked with frankie trumbauer and his orchestra and recorded with cliff edwards and bix beiderbecke and his gang. in 1934 he put together some recording sessions that featured jack teagarden, bunny berigan and benny goodman. adrian and his tap room gang (hotel president - new york) - weather man (1935) (victor 25072) adrian francis rollini (june 28, 1903 - may 15, 1956) was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel (34th sreet and 5th avenue) in new york. he led his own band at age 14 and began playing with the california ramblers in the early 1920s. the california ramblers were one of the most recorded bands of the 1920s. the band also featured red nichols, jimmy and tommy dorsey. the california ramblers played popular tunes of the day with a jazz influence. while in that band rollini developed his distinctive style of bass saxophone playing. he played in red nichols' five pennies and appeared on many of red's recording sessions. he also worked with frankie trumbauer and his orchestra and recorded with cliff edwards and bix beiderbecke and his gang. in 1934 he put together some recording sessions that featured jack teagarden, bunny berigan and benny goodman. adrian and his tap room gang (hotel president - new york) - weather man (1935) (victor 25072) adrian francis rollini (june 28, 1903 - may 15, 1956) was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel (34th sreet and 5th avenue) in new york. he led his own band at age 14 and began playing with the california ramblers in the early 1920s. the california ramblers were one of the most recorded bands of the 1920s. the band also featured red nichols, jimmy and tommy dorsey. the california ramblers played popular tunes of the day with a jazz influence. while in that band rollini developed his distinctive style of bass saxophone playing. he played in red nichols' five pennies and appeared on many of red's recording sessions. he also worked with frankie trumbauer and his orchestra and recorded with cliff edwards and bix beiderbecke and his gang. in 1934 he put together some recording sessions that featured jack teagarden, bunny berigan and benny goodman. adrian and his tap room gang (hotel president - new york) - weather man (1935) (victor 25072)
  california ramblers - arthur fields ya g...
coupled with i'm just wild about animal crackers with vocal by jack kaufman coupled with i'm just wild about animal crackers with vocal by jack kaufman coupled with i'm just wild about animal crackers with vocal by jack kaufman
  arthur ross & his westerners - moonlight...
apparently, this was one of the many pseudonyms of the california ramblers. one of the most popular jazz outfits of the 1920s, the california ramblers were also certainly the most prolific. though signed with columbia records they waived all royalties with the label for the right to record for other companies under differing names. throughout the decade they recorded for practically every label in the united states, canada and great britain using 111(!) different pseudonyms, however they most often worked under the rambler's title and the nom de plume ''golden gate orchestra.'' the name california ramblers is deceiving as most of the original members of the band were from ohio. their career began when agent ed kirkeby found them work in new york accompanying singer eva shirley. the group soon began arguing amongst themselves, however, and broke up. leader ray kitchingham then took over arthur hand's orchestra, which at that time included such personnel as red nichols and the dorsey brothers. kirkeby found the new group work, which included a stay at the post lodge in pelham, new york. the lodge later changed its name to the california ramblers inn, and the group took its moniker. the orchestra first recorded in 1921 and was instantly successful. its lively rhythms and hot solos, different than the staid dance music of other white orchestras, caught the public's ear. standing out on many of the recordings was the bass sax work of adrian rollini. rollini shunned the traditional role of the instrument as rhythm and emerged as a soloist, giving the group a distinctive flavor. trumpeter bill moore became the first permanent black member of a white orchestra when he joined in the early 1920s, though most audiences never knew, as the ramblers had become primarily a studio orchestra. in 1924 kirkeby formed a quintet with some of the group members in order to exploit the public taste for ''hot'' jazz and novelty numbers. called the goofus five, the outfit eventually expanded to seven or eight members and recorded for the okeh label. 1927 also marked a turning point for the ramblers. after a successful tour of england, many of the band's key musicians decided to remain behind when it came time to return to the united states, including adrian rollini. the ramblers' sound suffered considerably. the new orchestra focused more on dance music than on jazz and the group's popularity and novelty declined. rollini returned in 1929 for the outfit's ''final'' recording. various units, however, recorded under the rambler names throughout the 1930s. this great record was made for harmony on july 26th, 1928. vocal by irving kaufman. apparently, this was one of the many pseudonyms of the california ramblers. one of the most popular jazz outfits of the 1920s, the california ramblers were also certainly the most prolific. though signed with columbia records they waived all royalties with the label for the right to record for other companies under differing names. throughout the decade they recorded for practically every label in the united states, canada and great britain using 111(!) different pseudonyms, however they most often worked under the rambler's title and the nom de plume ''golden gate orchestra.'' the name california ramblers is deceiving as most of the original members of the band were from ohio. their career began when agent ed kirkeby found them work in new york accompanying singer eva shirley. the group soon began arguing amongst themselves, however, and broke up. leader ray kitchingham then took over arthur hand's orchestra, which at that time included such personnel as red nichols and the dorsey brothers. kirkeby found the new group work, which included a stay at the post lodge in pelham, new york. the lodge later changed its name to the california ramblers inn, and the group took its moniker. the orchestra first recorded in 1921 and was instantly successful. its lively rhythms and hot solos, different than the staid dance music of other white orchestras, caught the public's ear. standing out on many of the recordings was the bass sax work of adrian rollini. rollini shunned the traditional role of the instrument as rhythm and emerged as a soloist, giving the group a distinctive flavor. trumpeter bill moore became the first permanent black member of a white orchestra when he joined in the early 1920s, though most audiences never knew, as the ramblers had become primarily a studio orchestra. in 1924 kirkeby formed a quintet with some of the group members in order to exploit the public taste for ''hot'' jazz and novelty numbers. called the goofus five, the outfit eventually expanded to seven or eight members and recorded for the okeh label. 1927 also marked a turning point for the ramblers. after a successful tour of england, many of the band's key musicians decided to remain behind when it came time to return to the united states, including adrian rollini. the ramblers' sound suffered considerably. the new orchestra focused more on dance music than on jazz and the group's popularity and novelty declined. rollini returned in 1929 for the outfit's ''final'' recording. various units, however, recorded under the rambler names throughout the 1930s. this great record was made for harmony on july 26th, 1928. vocal by irving kaufman. apparently, this was one of the many pseudonyms of the california ramblers. one of the most popular jazz outfits of the 1920s, the california ramblers were also certainly the most prolific. though signed with columbia records they waived all royalties with the label for the right to record for other companies under differing names. throughout the decade they recorded for practically every label in the united states, canada and great britain using 111(!) different pseudonyms, however they most often worked under the rambler's title and the nom de plume ''golden gate orchestra.'' the name california ramblers is deceiving as most of the original members of the band were from ohio. their career began when agent ed kirkeby found them work in new york accompanying singer eva shirley. the group soon began arguing amongst themselves, however, and broke up. leader ray kitchingham then took over arthur hand's orchestra, which at that time included such personnel as red nichols and the dorsey brothers. kirkeby found the new group work, which included a stay at the post lodge in pelham, new york. the lodge later changed its name to the california ramblers inn, and the group took its moniker. the orchestra first recorded in 1921 and was instantly successful. its lively rhythms and hot solos, different than the staid dance music of other white orchestras, caught the public's ear. standing out on many of the recordings was the bass sax work of adrian rollini. rollini shunned the traditional role of the instrument as rhythm and emerged as a soloist, giving the group a distinctive flavor. trumpeter bill moore became the first permanent black member of a white orchestra when he joined in the early 1920s, though most audiences never knew, as the ramblers had become primarily a studio orchestra. in 1924 kirkeby formed a quintet with some of the group members in order to exploit the public taste for ''hot'' jazz and novelty numbers. called the goofus five, the outfit eventually expanded to seven or eight members and recorded for the okeh label. 1927 also marked a turning point for the ramblers. after a successful tour of england, many of the band's key musicians decided to remain behind when it came time to return to the united states, including adrian rollini. the ramblers' sound suffered considerably. the new orchestra focused more on dance music than on jazz and the group's popularity and novelty declined. rollini returned in 1929 for the outfit's ''final'' recording. various units, however, recorded under the rambler names throughout the 1930s. this great record was made for harmony on july 26th, 1928. vocal by irving kaufman.
  california ramblers at coffee critic in ukiah
california ramblers at coffee critic in ukiah california ramblers at coffee critic in ukiah california ramblers at coffee critic in ukiah
  the artophone - smile a little bit - uni...
at the request of some of my internet friends, here's a video of my 1920s artophone phonograph. there's no electricity involved: it's a hand-cranked spring-wound motor with all-acoustic reproduction. the record was recorded acoustically as well. the selection is at the request of some of my internet friends, here's a video of my 1920s artophone phonograph. there's no electricity involved: it's a hand-cranked spring-wound motor with all-acoustic reproduction. the record was recorded acoustically as well. the selection is at the request of some of my internet friends, here's a video of my 1920s artophone phonograph. there's no electricity involved: it's a hand-cranked spring-wound motor with all-acoustic reproduction. the record was recorded acoustically as well. the selection is
  adrian's ramblers - the better to love y...
this recording features a lesser known band led by bass saxophonist adrian rollini. rollini was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel in new york. he led his own band at age 14 and began playing with the california ramblers in the early 20's. while in that band rollini developed his distinctive style of bass saxophone playing. 1927 was a landmark year for jazz and rollini, as not only did he participate in numerous sides, but he also got the job heading up the talent roster for the opening of the club new yorker. it was a short-lived organization, a who's-who of 1920s jazz, including bix beiderbecke, eddie lang, joe venuti, frank signorelli and frank trumbauer. sadly, salary demands began to rise, and the club had its own shortcomings, which proved a bad combination in the end, and the arrangement only lasted for some 3 weeks.it was not long until other talent would be seeking his name. from europe, a young english bandleader by the name of fred elizalde was leading a band in london at the savoy ballroom, and he was looking for the best american jazzmen to spice up his already hot sound. he found rollini, as well as chelsey quealey, bobby davis, tommy felline and jack russin. they all agreed to join him in 1927 and stayed until september of 1928. he continued to work, recording with such artists as lee morse, the dorsey brothers, ben selvin and jack teagarden. the 1930s saw a shift in musical idea- away from the this recording features a lesser known band led by bass saxophonist adrian rollini. rollini was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel in new york. he led his own band at age 14 and began playing with the california ramblers in the early 20's. while in that band rollini developed his distinctive style of bass saxophone playing. 1927 was a landmark year for jazz and rollini, as not only did he participate in numerous sides, but he also got the job heading up the talent roster for the opening of the club new yorker. it was a short-lived organization, a who's-who of 1920s jazz, including bix beiderbecke, eddie lang, joe venuti, frank signorelli and frank trumbauer. sadly, salary demands began to rise, and the club had its own shortcomings, which proved a bad combination in the end, and the arrangement only lasted for some 3 weeks.it was not long until other talent would be seeking his name. from europe, a young english bandleader by the name of fred elizalde was leading a band in london at the savoy ballroom, and he was looking for the best american jazzmen to spice up his already hot sound. he found rollini, as well as chelsey quealey, bobby davis, tommy felline and jack russin. they all agreed to join him in 1927 and stayed until september of 1928. he continued to work, recording with such artists as lee morse, the dorsey brothers, ben selvin and jack teagarden. the 1930s saw a shift in musical idea- away from the this recording features a lesser known band led by bass saxophonist adrian rollini. rollini was a child prodigy on piano; at age four he played a recital at the waldorf astoria hotel in new york. he led his own band at age 14 and began playing with the california ramblers in the early 20's. while in that band rollini developed his distinctive style of bass saxophone playing. 1927 was a landmark year for jazz and rollini, as not only did he participate in numerous sides, but he also got the job heading up the talent roster for the opening of the club new yorker. it was a short-lived organization, a who's-who of 1920s jazz, including bix beiderbecke, eddie lang, joe venuti, frank signorelli and frank trumbauer. sadly, salary demands began to rise, and the club had its own shortcomings, which proved a bad combination in the end, and the arrangement only lasted for some 3 weeks.it was not long until other talent would be seeking his name. from europe, a young english bandleader by the name of fred elizalde was leading a band in london at the savoy ballroom, and he was looking for the best american jazzmen to spice up his already hot sound. he found rollini, as well as chelsey quealey, bobby davis, tommy felline and jack russin. they all agreed to join him in 1927 and stayed until september of 1928. he continued to work, recording with such artists as lee morse, the dorsey brothers, ben selvin and jack teagarden. the 1930s saw a shift in musical idea- away from the
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