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97 Videos  
page 1 / 5
     suivant
  7th octave- pressure
professor griff leads the 7th octave to the brink and then turns the music world on its ear. professor griff leads the 7th octave to the brink and then turns the music world on its ear. professor griff leads the 7th octave to the brink and then turns the music world on its ear.
  public enemy & the 7th octave - what goo...
professor griff; public enemy; the 7th octave - what good is a bomb rapmetal professor griff; public enemy; the 7th octave - what good is a bomb rapmetal professor griff; public enemy; the 7th octave - what good is a bomb rapmetal
  7th octave- 7even minus sick
the first new single from the sophomore album. professor griff and company take their ghetto metal sound to new places of funk for your mind. the first new single from the sophomore album. professor griff and company take their ghetto metal sound to new places of funk for your mind. the first new single from the sophomore album. professor griff and company take their ghetto metal sound to new places of funk for your mind.
  7th octave whistles by female pop singer...
this is showcase of 7th octave notes and also shows the singer who were be able to enter the 7th octave.. this video features.. chante moore.. an american singer cha soo kyung.. a korea singer who was given the name this is showcase of 7th octave notes and also shows the singer who were be able to enter the 7th octave.. this video features.. chante moore.. an american singer cha soo kyung.. a korea singer who was given the name this is showcase of 7th octave notes and also shows the singer who were be able to enter the 7th octave.. this video features.. chante moore.. an american singer cha soo kyung.. a korea singer who was given the name
  amanda gabucan (7) whistle note g 7th octave
amanda gabucan (7 years old) g 7th octave. will post the rest of the song later. please monitor your comments, amanda and other kids read them. amanda gabucan (7 years old) g 7th octave. will post the rest of the song later. please monitor your comments, amanda and other kids read them. amanda gabucan (7 years old) g 7th octave. will post the rest of the song later. please monitor your comments, amanda and other kids read them.
  7th octave- psychodelix holyghost
griff and the 7th octave give much respect to the pioneers of funk, soul, and rock... griff and the 7th octave give much respect to the pioneers of funk, soul, and rock... griff and the 7th octave give much respect to the pioneers of funk, soul, and rock...
  playing dominant 7th guitar chords : 11t...
eleventh chords have five notes because the 7th note in the scale is added to the normal triad and the 4th note is raised an octave. learn how to form and play an 11th chord which is a dominant 7 guitar chord from an experienced musician in this free music theory video. eleventh chords have five notes because the 7th note in the scale is added to the normal triad and the 4th note is raised an octave. learn how to form and play an 11th chord which is a dominant 7 guitar chord from an experienced musician in this free music theory video. eleventh chords have five notes because the 7th note in the scale is added to the normal triad and the 4th note is raised an octave. learn how to form and play an 11th chord which is a dominant 7 guitar chord from an experienced musician in this free music theory video.
  khari wynn / public enemy interview
khari wynn interview 7th octave http://www.publicenemy.com http://www.slamjamz.com khari wynn interview 7th octave http://www.publicenemy.com http://www.slamjamz.com khari wynn interview 7th octave http://www.publicenemy.com http://www.slamjamz.com
  public enemy - shut em' down (live)
public enemy performing shut em' down live from the melbourne metro in 2003. another great live performance. public enemy performing shut em' down live from the melbourne metro in 2003. another great live performance. public enemy performing shut em' down live from the melbourne metro in 2003. another great live performance.
  minnie riperton highest notes at live pe...
aside from her various hits, riperton is perhaps best remembered today for her ability to sing in the whistle register, in which she had rare facility. riperton possessed a five-octave vocal range (the liner notes to her petals legacy album ascribe five-and-a-half octaves to her). riperton's ability to enunciate in the high registers set her apart from most other whistle-register singers. this feature is most notably heard in the song aside from her various hits, riperton is perhaps best remembered today for her ability to sing in the whistle register, in which she had rare facility. riperton possessed a five-octave vocal range (the liner notes to her petals legacy album ascribe five-and-a-half octaves to her). riperton's ability to enunciate in the high registers set her apart from most other whistle-register singers. this feature is most notably heard in the song aside from her various hits, riperton is perhaps best remembered today for her ability to sing in the whistle register, in which she had rare facility. riperton possessed a five-octave vocal range (the liner notes to her petals legacy album ascribe five-and-a-half octaves to her). riperton's ability to enunciate in the high registers set her apart from most other whistle-register singers. this feature is most notably heard in the song
  seventh soul
song i wrote and recorded a few years ago, played once more, for the webcam! it's just a simple groove-latin tune, nice for octave playing. about the octave playing, i generally use one of three right-hand techniques: 1. with plectrum, advantage is i can easily switch between octave and single note playing. 2. with thumb, montgomery style. nicest sound but sometimes difficult to hit (only) the right strings (for me at least) 3. strumming with index finger like i do here: it sounds a bit harsher, but still ok. advantage is i can use my right thumb to mute low strings and as a 'guide' for hitting the right strings. i can play more accurately in this way. i keep the plectrum between index and middle finger while i do this. changing back to plectrum takes a second (as you can see). song i wrote and recorded a few years ago, played once more, for the webcam! it's just a simple groove-latin tune, nice for octave playing. about the octave playing, i generally use one of three right-hand techniques: 1. with plectrum, advantage is i can easily switch between octave and single note playing. 2. with thumb, montgomery style. nicest sound but sometimes difficult to hit (only) the right strings (for me at least) 3. strumming with index finger like i do here: it sounds a bit harsher, but still ok. advantage is i can use my right thumb to mute low strings and as a 'guide' for hitting the right strings. i can play more accurately in this way. i keep the plectrum between index and middle finger while i do this. changing back to plectrum takes a second (as you can see). song i wrote and recorded a few years ago, played once more, for the webcam! it's just a simple groove-latin tune, nice for octave playing. about the octave playing, i generally use one of three right-hand techniques: 1. with plectrum, advantage is i can easily switch between octave and single note playing. 2. with thumb, montgomery style. nicest sound but sometimes difficult to hit (only) the right strings (for me at least) 3. strumming with index finger like i do here: it sounds a bit harsher, but still ok. advantage is i can use my right thumb to mute low strings and as a 'guide' for hitting the right strings. i can play more accurately in this way. i keep the plectrum between index and middle finger while i do this. changing back to plectrum takes a second (as you can see).
  modern blues harmonica -riffing the chan...
first in a multi-part series on how to blow harp through 12-bar blues changes, moving one particular riff--root, fifth, flat seventh, octave--up a fourth (for the iv chord) and a fifth (for the v chord). gussow is using a d harp. the store at modern blues harmonica: http://www.modernbluesharmonica.com/page/page/4464251.htm first in a multi-part series on how to blow harp through 12-bar blues changes, moving one particular riff--root, fifth, flat seventh, octave--up a fourth (for the iv chord) and a fifth (for the v chord). gussow is using a d harp. the store at modern blues harmonica: http://www.modernbluesharmonica.com/page/page/4464251.htm first in a multi-part series on how to blow harp through 12-bar blues changes, moving one particular riff--root, fifth, flat seventh, octave--up a fourth (for the iv chord) and a fifth (for the v chord). gussow is using a d harp. the store at modern blues harmonica: http://www.modernbluesharmonica.com/page/page/4464251.htm
  4 octave wonders pt. 9 - michael matijevic
at last time for my favorite high note singer (favorite medium high note singer is steve perry). it took a while because i had a hard time finding low notes by mike. here it is anyways: 1st clip: a few g#2 from the song at last time for my favorite high note singer (favorite medium high note singer is steve perry). it took a while because i had a hard time finding low notes by mike. here it is anyways: 1st clip: a few g#2 from the song at last time for my favorite high note singer (favorite medium high note singer is steve perry). it took a while because i had a hard time finding low notes by mike. here it is anyways: 1st clip: a few g#2 from the song
  george's klee live on i-5
george built this klee and the modular below. here it is running in a hotel room in bellingham on the way to the pacific north west synth show at renton. the sliders on the klee have a range set by a dial and teh ranges of teh slider are musical intervals: 3rd, 7th, octave, two octaves,etc. new notes are calulated out of the ones you set with sliders based on teh position of teh silver switches for setting teh bits. this is one deep and unusual sequencer. george favours the thomas henry oscillator design and wasn't happy with the results of an emf one he built, so the second voice in use here is my oberheim sem. george built this klee and the modular below. here it is running in a hotel room in bellingham on the way to the pacific north west synth show at renton. the sliders on the klee have a range set by a dial and teh ranges of teh slider are musical intervals: 3rd, 7th, octave, two octaves,etc. new notes are calulated out of the ones you set with sliders based on teh position of teh silver switches for setting teh bits. this is one deep and unusual sequencer. george favours the thomas henry oscillator design and wasn't happy with the results of an emf one he built, so the second voice in use here is my oberheim sem. george built this klee and the modular below. here it is running in a hotel room in bellingham on the way to the pacific north west synth show at renton. the sliders on the klee have a range set by a dial and teh ranges of teh slider are musical intervals: 3rd, 7th, octave, two octaves,etc. new notes are calulated out of the ones you set with sliders based on teh position of teh silver switches for setting teh bits. this is one deep and unusual sequencer. george favours the thomas henry oscillator design and wasn't happy with the results of an emf one he built, so the second voice in use here is my oberheim sem.
  vivaldi/bach: concerto in a minor for or...
for more information about this instrument, contact the builder, jack peters, at http://www.jackpeters.com/. the epinette à l'octave was quite popular in the 1670's. this one's an exact replica of the one surviving from the hands of jean denis, paris maker from 1677. the standard 50-note gg/bb to c3 compass is enclosed in a rectangular case of black walnut. the keyboard is not removable but built into the bottom. each key lever must be removed individually. the jacks are quite short and need lead weight to return. it is tuned a minor seventh above modern pitch or an octave above a=392. the accidentals of solid bone were made by owen daly. the spinet was made by jack peters in seattle. note from the performer: this is an instrument on which, for once, not having long fingers could be an advantage! the viewer will note the small size of the keys, and some will be aware of my struggle not to play on the cracks a good part of the time. this instrument, in its day, was probably a lady's instrument, and such small spinets were likely relegated to the boudoir and not to the public music room. this vivaldi arrangement is just for fun: i had no idea it would be so tricky. for more information about this instrument, contact the builder, jack peters, at http://www.jackpeters.com/. the epinette à l'octave was quite popular in the 1670's. this one's an exact replica of the one surviving from the hands of jean denis, paris maker from 1677. the standard 50-note gg/bb to c3 compass is enclosed in a rectangular case of black walnut. the keyboard is not removable but built into the bottom. each key lever must be removed individually. the jacks are quite short and need lead weight to return. it is tuned a minor seventh above modern pitch or an octave above a=392. the accidentals of solid bone were made by owen daly. the spinet was made by jack peters in seattle. note from the performer: this is an instrument on which, for once, not having long fingers could be an advantage! the viewer will note the small size of the keys, and some will be aware of my struggle not to play on the cracks a good part of the time. this instrument, in its day, was probably a lady's instrument, and such small spinets were likely relegated to the boudoir and not to the public music room. this vivaldi arrangement is just for fun: i had no idea it would be so tricky. for more information about this instrument, contact the builder, jack peters, at http://www.jackpeters.com/. the epinette à l'octave was quite popular in the 1670's. this one's an exact replica of the one surviving from the hands of jean denis, paris maker from 1677. the standard 50-note gg/bb to c3 compass is enclosed in a rectangular case of black walnut. the keyboard is not removable but built into the bottom. each key lever must be removed individually. the jacks are quite short and need lead weight to return. it is tuned a minor seventh above modern pitch or an octave above a=392. the accidentals of solid bone were made by owen daly. the spinet was made by jack peters in seattle. note from the performer: this is an instrument on which, for once, not having long fingers could be an advantage! the viewer will note the small size of the keys, and some will be aware of my struggle not to play on the cracks a good part of the time. this instrument, in its day, was probably a lady's instrument, and such small spinets were likely relegated to the boudoir and not to the public music room. this vivaldi arrangement is just for fun: i had no idea it would be so tricky.
  break free guitar octave harmony
small addition to the ever growing break free fans. this is a segment of the song that utilises the octave starting at the seventh fret and working down to the 16th and 18th. small addition to the ever growing break free fans. this is a segment of the song that utilises the octave starting at the seventh fret and working down to the 16th and 18th. small addition to the ever growing break free fans. this is a segment of the song that utilises the octave starting at the seventh fret and working down to the 16th and 18th.
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