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8 Videos  
page 1 / 1
       
  saprà delle mie offese - serse - s. bickley
susan bickley - mezzosoprano dir. nicholas mcgegan g.f. handel: serse (1738) opera in 3 acts, hwv 40 aria of amastre *********************** saprà delle mie offese ben vendicarsi il cor. colui, che l'ira accese proverà il mio furor. *********************** my heart shall find its vengeance for the offence i have endured. the man who ignited my anger will feel the weight of my fury. *********************** introductory recitative for hillfevian after the aria (4:24) from the cd serse, 1998, conifer records ltd. susan bickley - mezzosoprano dir. nicholas mcgegan g.f. handel: serse (1738) opera in 3 acts, hwv 40 aria of amastre *********************** saprà delle mie offese ben vendicarsi il cor. colui, che l'ira accese proverà il mio furor. *********************** my heart shall find its vengeance for the offence i have endured. the man who ignited my anger will feel the weight of my fury. *********************** introductory recitative for hillfevian after the aria (4:24) from the cd serse, 1998, conifer records ltd. susan bickley - mezzosoprano dir. nicholas mcgegan g.f. handel: serse (1738) opera in 3 acts, hwv 40 aria of amastre *********************** saprà delle mie offese ben vendicarsi il cor. colui, che l'ira accese proverà il mio furor. *********************** my heart shall find its vengeance for the offence i have endured. the man who ignited my anger will feel the weight of my fury. *********************** introductory recitative for hillfevian after the aria (4:24) from the cd serse, 1998, conifer records ltd.
  debussy, ariettes oubliées, "chevaux de ...
note: add note: add note: add
  johann sebastian bach - matthaus passion...
johann sebastian bach - matthaus passion (bwv 244). 1. chor i & ii & choral. (töchter zion und gläubige seelen) kommt, ihr töchter, helft mir klagen, sehet! - wen? - den bräutigam! seht ihn! - wie? - als wie ein lamm. sehet! - was? - seht die geduld, seht! - wohin? - auf unsre schuld. sehet ihn aus lieb und huld holz zum kreuze selber tragen. o lamm gottes unschuldig, am stamm des kreuzes geschlachtet, allzeit erfunden geduldig, wiewohl du warest verachtet. all sünd hast du getragen, sonst müßten wir verzagen. erbarm dich unser, o jesu. 1. chorus i & ii and chorale. (daughters of zion and faithful souls) come, daughters, help me lament, behold! - whom? - the bridegroom! behold him! - how? - as a lamb. behold! - what? - behold the patience, look! - where? - at our guilt. see him, out of love and graciousness bear the wood for the cross himself. o innocent lamb of god, slaughtered on the trunk of the cross, patient at all times, however you were scorned. you have borne all sins, otherwise we would have to despair. have mercy on us, o jesus. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh. johann sebastian bach - matthaus passion (bwv 244). 1. chor i & ii & choral. (töchter zion und gläubige seelen) kommt, ihr töchter, helft mir klagen, sehet! - wen? - den bräutigam! seht ihn! - wie? - als wie ein lamm. sehet! - was? - seht die geduld, seht! - wohin? - auf unsre schuld. sehet ihn aus lieb und huld holz zum kreuze selber tragen. o lamm gottes unschuldig, am stamm des kreuzes geschlachtet, allzeit erfunden geduldig, wiewohl du warest verachtet. all sünd hast du getragen, sonst müßten wir verzagen. erbarm dich unser, o jesu. 1. chorus i & ii and chorale. (daughters of zion and faithful souls) come, daughters, help me lament, behold! - whom? - the bridegroom! behold him! - how? - as a lamb. behold! - what? - behold the patience, look! - where? - at our guilt. see him, out of love and graciousness bear the wood for the cross himself. o innocent lamb of god, slaughtered on the trunk of the cross, patient at all times, however you were scorned. you have borne all sins, otherwise we would have to despair. have mercy on us, o jesus. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh. johann sebastian bach - matthaus passion (bwv 244). 1. chor i & ii & choral. (töchter zion und gläubige seelen) kommt, ihr töchter, helft mir klagen, sehet! - wen? - den bräutigam! seht ihn! - wie? - als wie ein lamm. sehet! - was? - seht die geduld, seht! - wohin? - auf unsre schuld. sehet ihn aus lieb und huld holz zum kreuze selber tragen. o lamm gottes unschuldig, am stamm des kreuzes geschlachtet, allzeit erfunden geduldig, wiewohl du warest verachtet. all sünd hast du getragen, sonst müßten wir verzagen. erbarm dich unser, o jesu. 1. chorus i & ii and chorale. (daughters of zion and faithful souls) come, daughters, help me lament, behold! - whom? - the bridegroom! behold him! - how? - as a lamb. behold! - what? - behold the patience, look! - where? - at our guilt. see him, out of love and graciousness bear the wood for the cross himself. o innocent lamb of god, slaughtered on the trunk of the cross, patient at all times, however you were scorned. you have borne all sins, otherwise we would have to despair. have mercy on us, o jesus. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh.
  johann sebastian bach - matthaus passion (1)
johann sebastian bach - matthaus passion. 1. arie & chor i und chor ii: ich will bei meinem jesu wachen, - so schlafen unsre sünden ein. - meinen tod büßet seine seelennot; sein trauren machet mich voll freuden. - drum muß uns sein verdienstlich leiden recht bitter und doch süße sein. 1. aria & chorus i and chorus ii: i will watch with my jesus, - so our sins fall asleep. - my death is atoned for by his soul's anguish; his sorrow makes me full of joy. - therefore his deserved suffering must be truly bitter and yet sweet to us. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh. johann sebastian bach - matthaus passion. 1. arie & chor i und chor ii: ich will bei meinem jesu wachen, - so schlafen unsre sünden ein. - meinen tod büßet seine seelennot; sein trauren machet mich voll freuden. - drum muß uns sein verdienstlich leiden recht bitter und doch süße sein. 1. aria & chorus i and chorus ii: i will watch with my jesus, - so our sins fall asleep. - my death is atoned for by his soul's anguish; his sorrow makes me full of joy. - therefore his deserved suffering must be truly bitter and yet sweet to us. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh. johann sebastian bach - matthaus passion. 1. arie & chor i und chor ii: ich will bei meinem jesu wachen, - so schlafen unsre sünden ein. - meinen tod büßet seine seelennot; sein trauren machet mich voll freuden. - drum muß uns sein verdienstlich leiden recht bitter und doch süße sein. 1. aria & chorus i and chorus ii: i will watch with my jesus, - so our sins fall asleep. - my death is atoned for by his soul's anguish; his sorrow makes me full of joy. - therefore his deserved suffering must be truly bitter and yet sweet to us. gabrieli players. chorus i: deborah york. magdalena kozena. mark padmore. peter harvey. chorus ii: julia gooding. susan bickley. james gilchrist. stephan loges. dir. paul mccreesh.
  when i'm sixty-four - the new swingle s...
by lennon/mccartney arr. ward swingle one of my all-time fav beatles songs recording quality is not great, background radio noise...signal loss around 0:27-0:30 despite this, if you's a fan of either group, you'll appreciate this fine performance from the early 80s the new swingle singers did two radio shows(st.paul, mn?) 1.5 years apart in the early 80s... this performance is from the first show, alan byers is the soloist personnel from the 1st show: s: olive simpson, kym amps a: lindsay john, carol canning t: alan byers, ward swingle b: lindsay benson, simon grant personnel from the 2nd show: s: olive simpson, kym amps a: susan bickley, carol canning t: philip sheffield, ward swingle b: michael dore, simon grant sound engineer: david hudson 1st image of singers(2nd show group) early 80s, 2nd in 2006; 2006 photo by oren maor an updated performance is available on the 'ticket to ride' cd from the current version of swingle singers. by lennon/mccartney arr. ward swingle one of my all-time fav beatles songs recording quality is not great, background radio noise...signal loss around 0:27-0:30 despite this, if you's a fan of either group, you'll appreciate this fine performance from the early 80s the new swingle singers did two radio shows(st.paul, mn?) 1.5 years apart in the early 80s... this performance is from the first show, alan byers is the soloist personnel from the 1st show: s: olive simpson, kym amps a: lindsay john, carol canning t: alan byers, ward swingle b: lindsay benson, simon grant personnel from the 2nd show: s: olive simpson, kym amps a: susan bickley, carol canning t: philip sheffield, ward swingle b: michael dore, simon grant sound engineer: david hudson 1st image of singers(2nd show group) early 80s, 2nd in 2006; 2006 photo by oren maor an updated performance is available on the 'ticket to ride' cd from the current version of swingle singers. by lennon/mccartney arr. ward swingle one of my all-time fav beatles songs recording quality is not great, background radio noise...signal loss around 0:27-0:30 despite this, if you's a fan of either group, you'll appreciate this fine performance from the early 80s the new swingle singers did two radio shows(st.paul, mn?) 1.5 years apart in the early 80s... this performance is from the first show, alan byers is the soloist personnel from the 1st show: s: olive simpson, kym amps a: lindsay john, carol canning t: alan byers, ward swingle b: lindsay benson, simon grant personnel from the 2nd show: s: olive simpson, kym amps a: susan bickley, carol canning t: philip sheffield, ward swingle b: michael dore, simon grant sound engineer: david hudson 1st image of singers(2nd show group) early 80s, 2nd in 2006; 2006 photo by oren maor an updated performance is available on the 'ticket to ride' cd from the current version of swingle singers.
  gaetano donizetti - pietro il grande - s...
gaetano donizetti opera: pietro il grande, kzar delle russie, melodramma burlesco in two acts, first performance 26 december 1819, teatro s.samuele, venice. libretto: gherardo bevilacqua-aldobrandini sestetto: ah qual colpo, oh ciel, quel fremito. pietro il grande: russel smythe caterina: susan bickley madama fritz: marilyn hill smith annetta mazeppa: myrna moreno carlo scavronski: kavin john ser cuccupis: jonathan best orchestra: philharmonia orchestra conductor: david parry the right name of the should be il falegname di livonia, ossia pietro il grande, kzar delle russie, but pacini had already composed an opera with same name earlier that year so the decision to name donizetti's opera after the czar was probably made to avoid confusion. the writing is modelled on that of rossini, yet at the same time one feels that a young composer is here stretching his wits to the limit. it is rich and complex writing making use of considerable modulation and chroamtic movement as the characthers throw florid demi-semi-quaver running lines from one to another. in all, a well constructed sextet. gaetano donizetti opera: pietro il grande, kzar delle russie, melodramma burlesco in two acts, first performance 26 december 1819, teatro s.samuele, venice. libretto: gherardo bevilacqua-aldobrandini sestetto: ah qual colpo, oh ciel, quel fremito. pietro il grande: russel smythe caterina: susan bickley madama fritz: marilyn hill smith annetta mazeppa: myrna moreno carlo scavronski: kavin john ser cuccupis: jonathan best orchestra: philharmonia orchestra conductor: david parry the right name of the should be il falegname di livonia, ossia pietro il grande, kzar delle russie, but pacini had already composed an opera with same name earlier that year so the decision to name donizetti's opera after the czar was probably made to avoid confusion. the writing is modelled on that of rossini, yet at the same time one feels that a young composer is here stretching his wits to the limit. it is rich and complex writing making use of considerable modulation and chroamtic movement as the characthers throw florid demi-semi-quaver running lines from one to another. in all, a well constructed sextet. gaetano donizetti opera: pietro il grande, kzar delle russie, melodramma burlesco in two acts, first performance 26 december 1819, teatro s.samuele, venice. libretto: gherardo bevilacqua-aldobrandini sestetto: ah qual colpo, oh ciel, quel fremito. pietro il grande: russel smythe caterina: susan bickley madama fritz: marilyn hill smith annetta mazeppa: myrna moreno carlo scavronski: kavin john ser cuccupis: jonathan best orchestra: philharmonia orchestra conductor: david parry the right name of the should be il falegname di livonia, ossia pietro il grande, kzar delle russie, but pacini had already composed an opera with same name earlier that year so the decision to name donizetti's opera after the czar was probably made to avoid confusion. the writing is modelled on that of rossini, yet at the same time one feels that a young composer is here stretching his wits to the limit. it is rich and complex writing making use of considerable modulation and chroamtic movement as the characthers throw florid demi-semi-quaver running lines from one to another. in all, a well constructed sextet.
  nationwide insurance - game show commerc...
let's do - the on your side review! latest addition to my reel. 30 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer let's do - the on your side review! latest addition to my reel. 30 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer let's do - the on your side review! latest addition to my reel. 30 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer
  nationwide insurance - game show commerc...
let's do - the on your side review! latest addition to my reel. 60 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer let's do - the on your side review! latest addition to my reel. 60 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer let's do - the on your side review! latest addition to my reel. 60 sec version agency: wunderman - new york nick moore - chief creative officer joanna peña-bickley - exec. creative director jennifer leuzzi - copy writer david cole - art director chris loccisano - art director (interactive) susan lekanides- producer
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