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1771 Videos  
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  dana international saida sultana (with o...
dana international & offer nissim 1993 video clip turkish fan http://www.yonja.com/danainternational http://dana_international.sitemynet.com/diva dana international & offer nissim 1993 video clip turkish fan http://www.yonja.com/danainternational http://dana_international.sitemynet.com/diva dana international & offer nissim 1993 video clip turkish fan http://www.yonja.com/danainternational http://dana_international.sitemynet.com/diva
  sultana - kusu kalkmaz
http://sultana.calabashmusic.com/ wondering just what sultana's 'kusu kalkmaz' is really about? it means literally 'your bird can't fly' and is a double entendre for sexual performance. the song castigates men who bully and neglect their wives while gratifying themselves with hookers. the message is righteous enough, but the video caused sufficient controversy to be banned on turkish television. http://sultana.calabashmusic.com/ wondering just what sultana's 'kusu kalkmaz' is really about? it means literally 'your bird can't fly' and is a double entendre for sexual performance. the song castigates men who bully and neglect their wives while gratifying themselves with hookers. the message is righteous enough, but the video caused sufficient controversy to be banned on turkish television. http://sultana.calabashmusic.com/ wondering just what sultana's 'kusu kalkmaz' is really about? it means literally 'your bird can't fly' and is a double entendre for sexual performance. the song castigates men who bully and neglect their wives while gratifying themselves with hookers. the message is righteous enough, but the video caused sufficient controversy to be banned on turkish television.
  begum parveen sultana, awesome bhajan
vocals -- begum parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya cd1 raga maru behag 1. alap 2. bada khayal 3. chotta khayal cd2 1. tarana in raga hansadhwani 2. meera bhajan - mai to lino govind mol 3. bhajan -- sai ram sai ram 4. bhairavi -- dayani bhairavi buy online at www.senseworldmusic.com bhajans are deeply rooted in the indian tradition. bhajan is a song form using soulful language expressing surrender to god. many bhajans are rooted in the hymns found in the sama veda, the third veda in the hindu scriptures. some of india's most loved bhajans were composed by the poetess meera (track 2). born in the sixteenth century at a time of political and social unrest in india, meera having lost her father, husband and father-in-law sought peace and dedicated her life to lord krishna. she composed hundreds of poems in a simple and unpretentious language capturing the beauty of her intense and deep love to god. bhajans are also often loosely based on the melodic phrases of ragas; in this case sai ram sai ram (track 3) carries a strong sense of ragas kirvani and shivranjani. the recital aptly concludes with bhairavi, an auspicious and deeply devotional raga traditionally sung to conclude the concert performance. notes: john ball john ball is a practicing musician and musicologist based at the university of sheffield, uk vocals -- begum parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya cd1 raga maru behag 1. alap 2. bada khayal 3. chotta khayal cd2 1. tarana in raga hansadhwani 2. meera bhajan - mai to lino govind mol 3. bhajan -- sai ram sai ram 4. bhairavi -- dayani bhairavi buy online at www.senseworldmusic.com bhajans are deeply rooted in the indian tradition. bhajan is a song form using soulful language expressing surrender to god. many bhajans are rooted in the hymns found in the sama veda, the third veda in the hindu scriptures. some of india's most loved bhajans were composed by the poetess meera (track 2). born in the sixteenth century at a time of political and social unrest in india, meera having lost her father, husband and father-in-law sought peace and dedicated her life to lord krishna. she composed hundreds of poems in a simple and unpretentious language capturing the beauty of her intense and deep love to god. bhajans are also often loosely based on the melodic phrases of ragas; in this case sai ram sai ram (track 3) carries a strong sense of ragas kirvani and shivranjani. the recital aptly concludes with bhairavi, an auspicious and deeply devotional raga traditionally sung to conclude the concert performance. notes: john ball john ball is a practicing musician and musicologist based at the university of sheffield, uk vocals -- begum parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya cd1 raga maru behag 1. alap 2. bada khayal 3. chotta khayal cd2 1. tarana in raga hansadhwani 2. meera bhajan - mai to lino govind mol 3. bhajan -- sai ram sai ram 4. bhairavi -- dayani bhairavi buy online at www.senseworldmusic.com bhajans are deeply rooted in the indian tradition. bhajan is a song form using soulful language expressing surrender to god. many bhajans are rooted in the hymns found in the sama veda, the third veda in the hindu scriptures. some of india's most loved bhajans were composed by the poetess meera (track 2). born in the sixteenth century at a time of political and social unrest in india, meera having lost her father, husband and father-in-law sought peace and dedicated her life to lord krishna. she composed hundreds of poems in a simple and unpretentious language capturing the beauty of her intense and deep love to god. bhajans are also often loosely based on the melodic phrases of ragas; in this case sai ram sai ram (track 3) carries a strong sense of ragas kirvani and shivranjani. the recital aptly concludes with bhairavi, an auspicious and deeply devotional raga traditionally sung to conclude the concert performance. notes: john ball john ball is a practicing musician and musicologist based at the university of sheffield, uk
  parveen sultana - raag hansadvani - tarana
begum parveen sultana ranks today as one of the foremost classical vocalists in india. a child prodigy, she was the youngest artist to receive the padmashri award, in 1972, from the government of india. she received her early training from her father ikramul majid and her grandfather mohammed najeef khan. both were ardent music lovers and their nurturing of her talent at an early age enabled her to give her first recital at the tender age of twelve and from then on, there has been no looking back! her father then put her under the guidance of renowned maestro acharya chinmoy lahiri of calcutta. parveen sultana subsequently found the guru who further laid down a much deeper foundation that gave a new dimension to her singing, giving it the required mastery of ragas and voice culture that would expand her range to three and a half octaves, ustad dilshad khan, her guru and husband. parveen sultana was trained according to the patiala gharana (school of music), but with ustadji's guidance the essence of other gharanas flowed into her music. she handles, with utter ease, a simple raga as well as a complicated one, moving from the slow alaap to the swift taans and bol taans, her immense confidence highlighting the most beautiful essence of the raga. whether she sings a khyal, thumri or bhajan, she keeps the form in its pristine purity. many awards have come her way. parveen sultana has been called the melody queen and has received numerous awards: 'cleopatra of music' (1970), 'poetess of music' (1972), 'gandharva kalanidhi' (1980), 'mia tansen' (1986) and 'sangeet samragni' (1994). she has also performed in major festivals and venues in india, usa, europe and australia. parveen sultana has recorded for hmv, polydor, music india, bharat records, auvidis, magnasound, sonodisc, amigo. association sargam is privileged to have represented begum parveen sultana, as also her guruji ustad dilshad khan, since 1984 on innumerable european tours. she is the 'ultimate soprano', applauded for both her outstanding musicality and breathtaking virtuosity. parveen sultana and ustad dilshad khan press extracts: 'with a paradoxical mixture of abandon and control, she masterfully expressed those subtleties of human emotion which could only ever find their expression in music (london 1991) 'she has risen to be the queen of hindustani music' (kerala kaumudi) 'her voice rings out uninhibited, clear, strong and firm. the audience thunders its applause.... the ultimate soprano.' (eve's weekly, india) 'unspoilt genius of hindustani music' (india weekly, london, 1997). 'there was an ecstatic spiritual quality to her voice, from the first note to the last, it was a keening paean of devotion to beauty, light, love, and the inner self' (zameen, uk 1997) 'the concert by begum sultana was magical! (audience member, royal festival hall (qeh), london 1997) begum parveen sultana ranks today as one of the foremost classical vocalists in india. a child prodigy, she was the youngest artist to receive the padmashri award, in 1972, from the government of india. she received her early training from her father ikramul majid and her grandfather mohammed najeef khan. both were ardent music lovers and their nurturing of her talent at an early age enabled her to give her first recital at the tender age of twelve and from then on, there has been no looking back! her father then put her under the guidance of renowned maestro acharya chinmoy lahiri of calcutta. parveen sultana subsequently found the guru who further laid down a much deeper foundation that gave a new dimension to her singing, giving it the required mastery of ragas and voice culture that would expand her range to three and a half octaves, ustad dilshad khan, her guru and husband. parveen sultana was trained according to the patiala gharana (school of music), but with ustadji's guidance the essence of other gharanas flowed into her music. she handles, with utter ease, a simple raga as well as a complicated one, moving from the slow alaap to the swift taans and bol taans, her immense confidence highlighting the most beautiful essence of the raga. whether she sings a khyal, thumri or bhajan, she keeps the form in its pristine purity. many awards have come her way. parveen sultana has been called the melody queen and has received numerous awards: 'cleopatra of music' (1970), 'poetess of music' (1972), 'gandharva kalanidhi' (1980), 'mia tansen' (1986) and 'sangeet samragni' (1994). she has also performed in major festivals and venues in india, usa, europe and australia. parveen sultana has recorded for hmv, polydor, music india, bharat records, auvidis, magnasound, sonodisc, amigo. association sargam is privileged to have represented begum parveen sultana, as also her guruji ustad dilshad khan, since 1984 on innumerable european tours. she is the 'ultimate soprano', applauded for both her outstanding musicality and breathtaking virtuosity. parveen sultana and ustad dilshad khan press extracts: 'with a paradoxical mixture of abandon and control, she masterfully expressed those subtleties of human emotion which could only ever find their expression in music (london 1991) 'she has risen to be the queen of hindustani music' (kerala kaumudi) 'her voice rings out uninhibited, clear, strong and firm. the audience thunders its applause.... the ultimate soprano.' (eve's weekly, india) 'unspoilt genius of hindustani music' (india weekly, london, 1997). 'there was an ecstatic spiritual quality to her voice, from the first note to the last, it was a keening paean of devotion to beauty, light, love, and the inner self' (zameen, uk 1997) 'the concert by begum sultana was magical! (audience member, royal festival hall (qeh), london 1997) begum parveen sultana ranks today as one of the foremost classical vocalists in india. a child prodigy, she was the youngest artist to receive the padmashri award, in 1972, from the government of india. she received her early training from her father ikramul majid and her grandfather mohammed najeef khan. both were ardent music lovers and their nurturing of her talent at an early age enabled her to give her first recital at the tender age of twelve and from then on, there has been no looking back! her father then put her under the guidance of renowned maestro acharya chinmoy lahiri of calcutta. parveen sultana subsequently found the guru who further laid down a much deeper foundation that gave a new dimension to her singing, giving it the required mastery of ragas and voice culture that would expand her range to three and a half octaves, ustad dilshad khan, her guru and husband. parveen sultana was trained according to the patiala gharana (school of music), but with ustadji's guidance the essence of other gharanas flowed into her music. she handles, with utter ease, a simple raga as well as a complicated one, moving from the slow alaap to the swift taans and bol taans, her immense confidence highlighting the most beautiful essence of the raga. whether she sings a khyal, thumri or bhajan, she keeps the form in its pristine purity. many awards have come her way. parveen sultana has been called the melody queen and has received numerous awards: 'cleopatra of music' (1970), 'poetess of music' (1972), 'gandharva kalanidhi' (1980), 'mia tansen' (1986) and 'sangeet samragni' (1994). she has also performed in major festivals and venues in india, usa, europe and australia. parveen sultana has recorded for hmv, polydor, music india, bharat records, auvidis, magnasound, sonodisc, amigo. association sargam is privileged to have represented begum parveen sultana, as also her guruji ustad dilshad khan, since 1984 on innumerable european tours. she is the 'ultimate soprano', applauded for both her outstanding musicality and breathtaking virtuosity. parveen sultana and ustad dilshad khan press extracts: 'with a paradoxical mixture of abandon and control, she masterfully expressed those subtleties of human emotion which could only ever find their expression in music (london 1991) 'she has risen to be the queen of hindustani music' (kerala kaumudi) 'her voice rings out uninhibited, clear, strong and firm. the audience thunders its applause.... the ultimate soprano.' (eve's weekly, india) 'unspoilt genius of hindustani music' (india weekly, london, 1997). 'there was an ecstatic spiritual quality to her voice, from the first note to the last, it was a keening paean of devotion to beauty, light, love, and the inner self' (zameen, uk 1997) 'the concert by begum sultana was magical! (audience member, royal festival hall (qeh), london 1997)
  live at pune - parveen sultana (vocal)
click http://www.rajshri.com/concerts/concerts.asp?page=1 to watch more concerts click http://www.rajshri.com/concerts/concerts.asp?page=1 to watch more concerts click http://www.rajshri.com/concerts/concerts.asp?page=1 to watch more concerts
  begum parveen sultana: queen of indian c...
vocals -- parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya the 'queen of indian classical music', the vocals -- parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya the 'queen of indian classical music', the vocals -- parveen sultana tabla -- mukundraj deo harmonium - shrinivas acharaya the 'queen of indian classical music', the
  sultana: titanic of the mississippi
on april 27th 1865, the overload steamboat sultana, carrying upwards of 2,400 passengers and crew, mostly union prisoners of war returning home from confederate pow camps including the andersonville death camp, was torn apart by a boiler explosion in the resulting fire storm 1,900 sick and wounded soldiers, women and children parished in the worst maratime disaster in united states history today the tragedy of the sultana is completly forgotten overshadowed by the end of the civil war and the assassination of abraham lincoln a few weeks before, dispite the fact more people died in the sultana disaster then on the titanic, or the lusitania, the only memorials are a few obscure plaques in forgotten cemetaries i apologize for the lack of variety among the pictures in this video but that should serve as a testimant to just how forgotten the sultana and the 1,900 who died on that horrible night truely are. music: sleeping sun artist: nightwish subject: the sultana on april 27th 1865, the overload steamboat sultana, carrying upwards of 2,400 passengers and crew, mostly union prisoners of war returning home from confederate pow camps including the andersonville death camp, was torn apart by a boiler explosion in the resulting fire storm 1,900 sick and wounded soldiers, women and children parished in the worst maratime disaster in united states history today the tragedy of the sultana is completly forgotten overshadowed by the end of the civil war and the assassination of abraham lincoln a few weeks before, dispite the fact more people died in the sultana disaster then on the titanic, or the lusitania, the only memorials are a few obscure plaques in forgotten cemetaries i apologize for the lack of variety among the pictures in this video but that should serve as a testimant to just how forgotten the sultana and the 1,900 who died on that horrible night truely are. music: sleeping sun artist: nightwish subject: the sultana on april 27th 1865, the overload steamboat sultana, carrying upwards of 2,400 passengers and crew, mostly union prisoners of war returning home from confederate pow camps including the andersonville death camp, was torn apart by a boiler explosion in the resulting fire storm 1,900 sick and wounded soldiers, women and children parished in the worst maratime disaster in united states history today the tragedy of the sultana is completly forgotten overshadowed by the end of the civil war and the assassination of abraham lincoln a few weeks before, dispite the fact more people died in the sultana disaster then on the titanic, or the lusitania, the only memorials are a few obscure plaques in forgotten cemetaries i apologize for the lack of variety among the pictures in this video but that should serve as a testimant to just how forgotten the sultana and the 1,900 who died on that horrible night truely are. music: sleeping sun artist: nightwish subject: the sultana
  richard sultana, partit tal-farfett. ele...
b?ala parti mis-sensiela b?ala parti mis-sensiela b?ala parti mis-sensiela
  richard sultana, partit tal-farfett. ele...
xandiriet g?all-elezzjoni, 1996. tony barbaro sant jintervista lill-mibki richard sultana tal-partit tal-farfett. din kienet l-a??ar elezzjoni li s-sur sultana kkontesta. kien ?are? fuq l-ewwel distrett u kiseb tmien voti, tnejn inqas minn spiridione sant. i?da ta' min jg?id ukoll li s-sur sant kien deher qablu alfabetikament fil-polza u dan jaf swielu ta' vanta??. avolja f'din l-intervista s-sur sultana jwieg?ed li jne??i l-vat, kien ?addie?or li reba? dik l-elezzjoni. jidher li l-partit tal-farfett miet mas-sur sultana. requiescat in pace. xandiriet g?all-elezzjoni, 1996. tony barbaro sant jintervista lill-mibki richard sultana tal-partit tal-farfett. din kienet l-a??ar elezzjoni li s-sur sultana kkontesta. kien ?are? fuq l-ewwel distrett u kiseb tmien voti, tnejn inqas minn spiridione sant. i?da ta' min jg?id ukoll li s-sur sant kien deher qablu alfabetikament fil-polza u dan jaf swielu ta' vanta??. avolja f'din l-intervista s-sur sultana jwieg?ed li jne??i l-vat, kien ?addie?or li reba? dik l-elezzjoni. jidher li l-partit tal-farfett miet mas-sur sultana. requiescat in pace. xandiriet g?all-elezzjoni, 1996. tony barbaro sant jintervista lill-mibki richard sultana tal-partit tal-farfett. din kienet l-a??ar elezzjoni li s-sur sultana kkontesta. kien ?are? fuq l-ewwel distrett u kiseb tmien voti, tnejn inqas minn spiridione sant. i?da ta' min jg?id ukoll li s-sur sant kien deher qablu alfabetikament fil-polza u dan jaf swielu ta' vanta??. avolja f'din l-intervista s-sur sultana jwieg?ed li jne??i l-vat, kien ?addie?or li reba? dik l-elezzjoni. jidher li l-partit tal-farfett miet mas-sur sultana. requiescat in pace.
  sultana support
sultana yofruit concept: ewoudt boonstra and tyler whisnand kesselskramer director: simon willows sultana yofruit concept: ewoudt boonstra and tyler whisnand kesselskramer director: simon willows sultana yofruit concept: ewoudt boonstra and tyler whisnand kesselskramer director: simon willows
  richard sultana, partit tal-farfett. ele...
xandiriet g?all-elezzjoni, 1987. il-mibki richard sultana tal-partit demokratiku indipendenti tal-farfett jispjega l-programm elettorali tieg?u. f'din l-elezzjoni, is-sur sultana kien ?are? fuq l-ewwel distrett, fejn kiseb ?ames voti (tnejn iktar minn anthony vassallo tal-partit komunista malti). kien deher fuq il-polza b?ala xandiriet g?all-elezzjoni, 1987. il-mibki richard sultana tal-partit demokratiku indipendenti tal-farfett jispjega l-programm elettorali tieg?u. f'din l-elezzjoni, is-sur sultana kien ?are? fuq l-ewwel distrett, fejn kiseb ?ames voti (tnejn iktar minn anthony vassallo tal-partit komunista malti). kien deher fuq il-polza b?ala xandiriet g?all-elezzjoni, 1987. il-mibki richard sultana tal-partit demokratiku indipendenti tal-farfett jispjega l-programm elettorali tieg?u. f'din l-elezzjoni, is-sur sultana kien ?are? fuq l-ewwel distrett, fejn kiseb ?ames voti (tnejn iktar minn anthony vassallo tal-partit komunista malti). kien deher fuq il-polza b?ala
  husnu senlendirici & sultana duet..
husnu senlendirici & sultana duet..tv makinas?.. ?inanari. husnu senlendirici & sultana duet..tv makinas?.. ?inanari. husnu senlendirici & sultana duet..tv makinas?.. ?inanari.
  sultana - dibidik
turkish female hip-hop singer turkish female hip-hop singer turkish female hip-hop singer
  anmcla carabobo: radio sultana del cobre
democratizar la palabra y las imágenes ha sido un proceso acelerado desde aquel abril, la posibilidad de acceder a la administración del espectro radioeléctrico de forma colectiva es un hecho, cientos de radios y algunas televisoras son prueba concreta de este avance de la comunicación comunitaria. este proyecto es tan sólo un aporte en este sentido que anmcla, en este caso por el colectivo voces urgentes, y fundayacucho realizan, siete talleres de video popular, 28 grupos, 84 participantes, estos son algunos resultados democratizar la palabra y las imágenes ha sido un proceso acelerado desde aquel abril, la posibilidad de acceder a la administración del espectro radioeléctrico de forma colectiva es un hecho, cientos de radios y algunas televisoras son prueba concreta de este avance de la comunicación comunitaria. este proyecto es tan sólo un aporte en este sentido que anmcla, en este caso por el colectivo voces urgentes, y fundayacucho realizan, siete talleres de video popular, 28 grupos, 84 participantes, estos son algunos resultados democratizar la palabra y las imágenes ha sido un proceso acelerado desde aquel abril, la posibilidad de acceder a la administración del espectro radioeléctrico de forma colectiva es un hecho, cientos de radios y algunas televisoras son prueba concreta de este avance de la comunicación comunitaria. este proyecto es tan sólo un aporte en este sentido que anmcla, en este caso por el colectivo voces urgentes, y fundayacucho realizan, siete talleres de video popular, 28 grupos, 84 participantes, estos son algunos resultados
  intervista ma' richard sultana, partit t...
intervista ma' richard sultana (partit tal-farfett), kandidat indipendenti g?all-elezzjoni ?enerali ta' l-1996. f'din l-intervista, is-sur sultana j?abbar li meta jie?u l-gvern ja?tar lil ruth amaira president tar-repubblika. intervista ma' richard sultana (partit tal-farfett), kandidat indipendenti g?all-elezzjoni ?enerali ta' l-1996. f'din l-intervista, is-sur sultana j?abbar li meta jie?u l-gvern ja?tar lil ruth amaira president tar-repubblika. intervista ma' richard sultana (partit tal-farfett), kandidat indipendenti g?all-elezzjoni ?enerali ta' l-1996. f'din l-intervista, is-sur sultana j?abbar li meta jie?u l-gvern ja?tar lil ruth amaira president tar-repubblika.
  sahara occidental najem alal - sultana
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