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     suivant
  hanuman chalisa by m.s.subbulakshmi
my salutaions to god hanuman .. this video is my tribute to bharatratna padmabhusan m.s.subbulakshmi amma.... english transliteration of the chalisa here follows shree gu-ru cha-ra-na sa-ro-ja ra-ja ni-ja ma-nu mu-ku-ru sud-haa-ri ba-ra-naun rag-hu-ba-ra bi-ma-la ja-su jo daa-ya-ku pha-la chaa-ri bud-hi hee-na ta-nu jaa-ni-ke su-mi-raun pa-va-na ku-maa-ra ba-la bud-hi vid-yaa de-hu mo-hin ha-ra-hu ka-le-sa bi-kaa-ra 1. ja-ya ha-nu-maa-na gyaa-na gu-na saa-ga-ra ja-ya ka-pee-sha ti-hun lo-ka u-jaa-ga-ra 2. raa-ma doo-ta a-tu-li-ta ba-la dhaa-maa an-ja-ni pu-tra pa-va-na-su-ta naa-maa 3. ma-haa-bee-ra bi-kra-ma ba-ja-ran-gee ku-ma-ti ni-vaa-ra su-ma-ti ke san-gee 4. kan-cha-na ba-ra-na bi-raa-ja su-be-saa kaa-na-na kun-da-la kun-chi-ta ke-saa 5. haa-tha baj-ra au-ra dva-jaa bi-raa-jai kaan-dhe moon-ja ja-neu saa-jai 6. shan-ka-ra su-va-na ke-sa-ree nan-da-na te-ja pra-taa-pa ma-haa ja-ga ban-da-na 7. vi-dyaa vaa-na gun-ee at-i chaa-tu-ra raa-ma kaa-ja ka-ri-be ko aa-tu-ra 8. prab-hu cha-ri-tra su-ni-be ko ra-si-yaa raa-ma lak-ha-na see-taa ma-na ba-si-yaa 9. sooksh-ma roo-pa dha-ri si-ya-hin di-khaa-vaa bi-ka-ta roo-pa dha-ri lan-ka ja-raa-waa 10. bhee-ma roo-pa dha-ri a-su-ra san-ghaa-re raa-ma-chan-dra ke kaa-ja san-vaa-re 11. laa-ya sa-jee-va-na lak-ha-na ji-yaa-ye shree rag-hu-bee-ra ha-ra-shi u-ra laa-ye 12. rag-hu-pa-ti keen-hee ba-hu-ta ba-raa-i tu-ma ma-ma pri-ya bha-ra-ta-hi sa-ma bhaa-i 13. sa-ha-sa ba-da-na tum-ha-ro ja-sa gaa-vai a-sa ka-hi shree-pa-ti kan-tha la-gaa-vai 14. sa-na-kaa-di-ka brah-maa-di mu-nee-saa naa-ra-da saa-ra-da sa-hi-ta a-hee-saa 15. ya-ma ku-be-ra di-ga-paa-la ja-haan-te ka-bi ko-bi-da ka-hi sa-ke ka-haan-te 16. tu-ma u-pa-kaa-ra su-gree-va-hin keen-haa raa-ma mi-laa-ya raa-ja pa-da deen-haa 17. tum-ha-ro man-tra vi-bhee-sha-na maa-naa lan-ke-sh-va-ra bha-ye sa-ba ja-ga jaa-naa 18. yu-ga sa-ha-sra yo-ja-na pa-ra bhaa-nu leel-yo taa-hi ma-dhu-ra pha-la jaa-nu 19. prab-hu mu-dri-kaa me-li muk-ha maa-heen ja-lad-hi laan-ghi ga-ye a-cha-ra-ja naa-heen 20. dur-ga-ma kaa-ja ja-ga-ta ke je-te su-ga-ma a-nu-gra-ha tum-ha-re te-te 21. raa-ma du-aa-re tu-ma rak-ha-vaa-re ho-ta na aa-gyaa bi-nu pai-saa-re 22. sa-ba suk-ha la-hai tum-haa-ree sha-ra-naa tu-ma rak-sha-ka kaa-hu ko da-ra-naa 23. aa-pa-na te-ja sam-haa-rau aa-pai tee-non lo-ka haan-ka ten kaan-pai 24. bhoo-ta pis-haa-cha ni-ka-ta na-hin aa-vai ma-haa-bee-ra ja-ba naa-ma su-naa-vai 25. naa-sai ro-ga ha-re sa-ba pee-raa ja-pa-ta ni-ran-ta-ra ha-nu-mat-a bee-raa 26. san-ka-ta ten ha-nu-maa-na chu-raa-vai ma-na kra-ma ba-cha-na dhyaa-na jo laa-vai 27. sab pa-ra raa-ma ta-pas-vee raa-jaa ti-na ke kaa-ja sa-ka-la tu-ma saa-jaa 28. au-ra ma-no-ra-tha jo ko-ee laa-ve so-ee a-mi-ta jee-va-na pha-la paa-ve 29. chaa-ron yu-ga pa-ra-taa-pa tum-haa-raa hai pa-ra-sid-ha ja-ga-ta u-ji-yaa-raa 30. saa-dhu san-ta ke tu-ma rak-ha-vaa-re a-su-ra ni-kan-da-na raa-ma du-laa-re 31. ash-ta sid-hi nau nid-hi ke daa-taa as-a ba-ra dee-na jaa-na-kee maa-taa 32. raa-ma ra-saa-ya-na toom-ha-re paa-saa sa-daa ra-ho ra-ghu-pa-ti ke daa-saa 33. tum-ha-re bha-ja-na raa-ma ko paa-vai ja-na-ma ja-na-ma ke duk-ha bi-sa-ra-vai 34. an-ta kaa-la rag-hu-ba-ra pu-ra jaa-ee ja-haan jan-ma ha-ri bhak-ta ka-haa-ee 35. au-ra de-va-taa chi-ta na dha-ra-ee ha-nu-ma-ta se-ee sar-va suk-ha ka-ra-ee 36. san-ka-ta ka-tai mi-te sa-ba pee-raa jo su-mi-re ha-nu-ma-ta ba-la bee-raa 37. jai jai jai ha-nu-maa-na go-saa-ee kri-paa ka-ra-hu gu-ru-de-va kee naa-ee 38. jo sa-ta baa-ra paa-ta ka-ra ko-ee choo ta-hi ban-di ma-haa suk-ha ho-ee 39. jo ya-ha pa-rai ha-nu-maa-na chaa-lee-saa ho ya sid-hi saa-khee gau-ree-saa 40. tu-la-see-daa-sa sa-daa ha-ri che-raa kee je naa -ta hri-da-ya ma-han de-raa pa-va-na ta-na-ya san-ka-ta ha-ra-na man-ga-la moo-ra-ti roo-pa raa-ma lak-kha-na see-taa sa-hi-ta hri-da-ya ba-sa-hu su-ra bhoo-pa si-yaa va-ra raa-ma-chan-dra pa-da jai sha-ra-nam my salutaions to god hanuman .. this video is my tribute to bharatratna padmabhusan m.s.subbulakshmi amma.... english transliteration of the chalisa here follows shree gu-ru cha-ra-na sa-ro-ja ra-ja ni-ja ma-nu mu-ku-ru sud-haa-ri ba-ra-naun rag-hu-ba-ra bi-ma-la ja-su jo daa-ya-ku pha-la chaa-ri bud-hi hee-na ta-nu jaa-ni-ke su-mi-raun pa-va-na ku-maa-ra ba-la bud-hi vid-yaa de-hu mo-hin ha-ra-hu ka-le-sa bi-kaa-ra 1. ja-ya ha-nu-maa-na gyaa-na gu-na saa-ga-ra ja-ya ka-pee-sha ti-hun lo-ka u-jaa-ga-ra 2. raa-ma doo-ta a-tu-li-ta ba-la dhaa-maa an-ja-ni pu-tra pa-va-na-su-ta naa-maa 3. ma-haa-bee-ra bi-kra-ma ba-ja-ran-gee ku-ma-ti ni-vaa-ra su-ma-ti ke san-gee 4. kan-cha-na ba-ra-na bi-raa-ja su-be-saa kaa-na-na kun-da-la kun-chi-ta ke-saa 5. haa-tha baj-ra au-ra dva-jaa bi-raa-jai kaan-dhe moon-ja ja-neu saa-jai 6. shan-ka-ra su-va-na ke-sa-ree nan-da-na te-ja pra-taa-pa ma-haa ja-ga ban-da-na 7. vi-dyaa vaa-na gun-ee at-i chaa-tu-ra raa-ma kaa-ja ka-ri-be ko aa-tu-ra 8. prab-hu cha-ri-tra su-ni-be ko ra-si-yaa raa-ma lak-ha-na see-taa ma-na ba-si-yaa 9. sooksh-ma roo-pa dha-ri si-ya-hin di-khaa-vaa bi-ka-ta roo-pa dha-ri lan-ka ja-raa-waa 10. bhee-ma roo-pa dha-ri a-su-ra san-ghaa-re raa-ma-chan-dra ke kaa-ja san-vaa-re 11. laa-ya sa-jee-va-na lak-ha-na ji-yaa-ye shree rag-hu-bee-ra ha-ra-shi u-ra laa-ye 12. rag-hu-pa-ti keen-hee ba-hu-ta ba-raa-i tu-ma ma-ma pri-ya bha-ra-ta-hi sa-ma bhaa-i 13. sa-ha-sa ba-da-na tum-ha-ro ja-sa gaa-vai a-sa ka-hi shree-pa-ti kan-tha la-gaa-vai 14. sa-na-kaa-di-ka brah-maa-di mu-nee-saa naa-ra-da saa-ra-da sa-hi-ta a-hee-saa 15. ya-ma ku-be-ra di-ga-paa-la ja-haan-te ka-bi ko-bi-da ka-hi sa-ke ka-haan-te 16. tu-ma u-pa-kaa-ra su-gree-va-hin keen-haa raa-ma mi-laa-ya raa-ja pa-da deen-haa 17. tum-ha-ro man-tra vi-bhee-sha-na maa-naa lan-ke-sh-va-ra bha-ye sa-ba ja-ga jaa-naa 18. yu-ga sa-ha-sra yo-ja-na pa-ra bhaa-nu leel-yo taa-hi ma-dhu-ra pha-la jaa-nu 19. prab-hu mu-dri-kaa me-li muk-ha maa-heen ja-lad-hi laan-ghi ga-ye a-cha-ra-ja naa-heen 20. dur-ga-ma kaa-ja ja-ga-ta ke je-te su-ga-ma a-nu-gra-ha tum-ha-re te-te 21. raa-ma du-aa-re tu-ma rak-ha-vaa-re ho-ta na aa-gyaa bi-nu pai-saa-re 22. sa-ba suk-ha la-hai tum-haa-ree sha-ra-naa tu-ma rak-sha-ka kaa-hu ko da-ra-naa 23. aa-pa-na te-ja sam-haa-rau aa-pai tee-non lo-ka haan-ka ten kaan-pai 24. bhoo-ta pis-haa-cha ni-ka-ta na-hin aa-vai ma-haa-bee-ra ja-ba naa-ma su-naa-vai 25. naa-sai ro-ga ha-re sa-ba pee-raa ja-pa-ta ni-ran-ta-ra ha-nu-mat-a bee-raa 26. san-ka-ta ten ha-nu-maa-na chu-raa-vai ma-na kra-ma ba-cha-na dhyaa-na jo laa-vai 27. sab pa-ra raa-ma ta-pas-vee raa-jaa ti-na ke kaa-ja sa-ka-la tu-ma saa-jaa 28. au-ra ma-no-ra-tha jo ko-ee laa-ve so-ee a-mi-ta jee-va-na pha-la paa-ve 29. chaa-ron yu-ga pa-ra-taa-pa tum-haa-raa hai pa-ra-sid-ha ja-ga-ta u-ji-yaa-raa 30. saa-dhu san-ta ke tu-ma rak-ha-vaa-re a-su-ra ni-kan-da-na raa-ma du-laa-re 31. ash-ta sid-hi nau nid-hi ke daa-taa as-a ba-ra dee-na jaa-na-kee maa-taa 32. raa-ma ra-saa-ya-na toom-ha-re paa-saa sa-daa ra-ho ra-ghu-pa-ti ke daa-saa 33. tum-ha-re bha-ja-na raa-ma ko paa-vai ja-na-ma ja-na-ma ke duk-ha bi-sa-ra-vai 34. an-ta kaa-la rag-hu-ba-ra pu-ra jaa-ee ja-haan jan-ma ha-ri bhak-ta ka-haa-ee 35. au-ra de-va-taa chi-ta na dha-ra-ee ha-nu-ma-ta se-ee sar-va suk-ha ka-ra-ee 36. san-ka-ta ka-tai mi-te sa-ba pee-raa jo su-mi-re ha-nu-ma-ta ba-la bee-raa 37. jai jai jai ha-nu-maa-na go-saa-ee kri-paa ka-ra-hu gu-ru-de-va kee naa-ee 38. jo sa-ta baa-ra paa-ta ka-ra ko-ee choo ta-hi ban-di ma-haa suk-ha ho-ee 39. jo ya-ha pa-rai ha-nu-maa-na chaa-lee-saa ho ya sid-hi saa-khee gau-ree-saa 40. tu-la-see-daa-sa sa-daa ha-ri che-raa kee je naa -ta hri-da-ya ma-han de-raa pa-va-na ta-na-ya san-ka-ta ha-ra-na man-ga-la moo-ra-ti roo-pa raa-ma lak-kha-na see-taa sa-hi-ta hri-da-ya ba-sa-hu su-ra bhoo-pa si-yaa va-ra raa-ma-chan-dra pa-da jai sha-ra-nam my salutaions to god hanuman .. this video is my tribute to bharatratna padmabhusan m.s.subbulakshmi amma.... english transliteration of the chalisa here follows shree gu-ru cha-ra-na sa-ro-ja ra-ja ni-ja ma-nu mu-ku-ru sud-haa-ri ba-ra-naun rag-hu-ba-ra bi-ma-la ja-su jo daa-ya-ku pha-la chaa-ri bud-hi hee-na ta-nu jaa-ni-ke su-mi-raun pa-va-na ku-maa-ra ba-la bud-hi vid-yaa de-hu mo-hin ha-ra-hu ka-le-sa bi-kaa-ra 1. ja-ya ha-nu-maa-na gyaa-na gu-na saa-ga-ra ja-ya ka-pee-sha ti-hun lo-ka u-jaa-ga-ra 2. raa-ma doo-ta a-tu-li-ta ba-la dhaa-maa an-ja-ni pu-tra pa-va-na-su-ta naa-maa 3. ma-haa-bee-ra bi-kra-ma ba-ja-ran-gee ku-ma-ti ni-vaa-ra su-ma-ti ke san-gee 4. kan-cha-na ba-ra-na bi-raa-ja su-be-saa kaa-na-na kun-da-la kun-chi-ta ke-saa 5. haa-tha baj-ra au-ra dva-jaa bi-raa-jai kaan-dhe moon-ja ja-neu saa-jai 6. shan-ka-ra su-va-na ke-sa-ree nan-da-na te-ja pra-taa-pa ma-haa ja-ga ban-da-na 7. vi-dyaa vaa-na gun-ee at-i chaa-tu-ra raa-ma kaa-ja ka-ri-be ko aa-tu-ra 8. prab-hu cha-ri-tra su-ni-be ko ra-si-yaa raa-ma lak-ha-na see-taa ma-na ba-si-yaa 9. sooksh-ma roo-pa dha-ri si-ya-hin di-khaa-vaa bi-ka-ta roo-pa dha-ri lan-ka ja-raa-waa 10. bhee-ma roo-pa dha-ri a-su-ra san-ghaa-re raa-ma-chan-dra ke kaa-ja san-vaa-re 11. laa-ya sa-jee-va-na lak-ha-na ji-yaa-ye shree rag-hu-bee-ra ha-ra-shi u-ra laa-ye 12. rag-hu-pa-ti keen-hee ba-hu-ta ba-raa-i tu-ma ma-ma pri-ya bha-ra-ta-hi sa-ma bhaa-i 13. sa-ha-sa ba-da-na tum-ha-ro ja-sa gaa-vai a-sa ka-hi shree-pa-ti kan-tha la-gaa-vai 14. sa-na-kaa-di-ka brah-maa-di mu-nee-saa naa-ra-da saa-ra-da sa-hi-ta a-hee-saa 15. ya-ma ku-be-ra di-ga-paa-la ja-haan-te ka-bi ko-bi-da ka-hi sa-ke ka-haan-te 16. tu-ma u-pa-kaa-ra su-gree-va-hin keen-haa raa-ma mi-laa-ya raa-ja pa-da deen-haa 17. tum-ha-ro man-tra vi-bhee-sha-na maa-naa lan-ke-sh-va-ra bha-ye sa-ba ja-ga jaa-naa 18. yu-ga sa-ha-sra yo-ja-na pa-ra bhaa-nu leel-yo taa-hi ma-dhu-ra pha-la jaa-nu 19. prab-hu mu-dri-kaa me-li muk-ha maa-heen ja-lad-hi laan-ghi ga-ye a-cha-ra-ja naa-heen 20. dur-ga-ma kaa-ja ja-ga-ta ke je-te su-ga-ma a-nu-gra-ha tum-ha-re te-te 21. raa-ma du-aa-re tu-ma rak-ha-vaa-re ho-ta na aa-gyaa bi-nu pai-saa-re 22. sa-ba suk-ha la-hai tum-haa-ree sha-ra-naa tu-ma rak-sha-ka kaa-hu ko da-ra-naa 23. aa-pa-na te-ja sam-haa-rau aa-pai tee-non lo-ka haan-ka ten kaan-pai 24. bhoo-ta pis-haa-cha ni-ka-ta na-hin aa-vai ma-haa-bee-ra ja-ba naa-ma su-naa-vai 25. naa-sai ro-ga ha-re sa-ba pee-raa ja-pa-ta ni-ran-ta-ra ha-nu-mat-a bee-raa 26. san-ka-ta ten ha-nu-maa-na chu-raa-vai ma-na kra-ma ba-cha-na dhyaa-na jo laa-vai 27. sab pa-ra raa-ma ta-pas-vee raa-jaa ti-na ke kaa-ja sa-ka-la tu-ma saa-jaa 28. au-ra ma-no-ra-tha jo ko-ee laa-ve so-ee a-mi-ta jee-va-na pha-la paa-ve 29. chaa-ron yu-ga pa-ra-taa-pa tum-haa-raa hai pa-ra-sid-ha ja-ga-ta u-ji-yaa-raa 30. saa-dhu san-ta ke tu-ma rak-ha-vaa-re a-su-ra ni-kan-da-na raa-ma du-laa-re 31. ash-ta sid-hi nau nid-hi ke daa-taa as-a ba-ra dee-na jaa-na-kee maa-taa 32. raa-ma ra-saa-ya-na toom-ha-re paa-saa sa-daa ra-ho ra-ghu-pa-ti ke daa-saa 33. tum-ha-re bha-ja-na raa-ma ko paa-vai ja-na-ma ja-na-ma ke duk-ha bi-sa-ra-vai 34. an-ta kaa-la rag-hu-ba-ra pu-ra jaa-ee ja-haan jan-ma ha-ri bhak-ta ka-haa-ee 35. au-ra de-va-taa chi-ta na dha-ra-ee ha-nu-ma-ta se-ee sar-va suk-ha ka-ra-ee 36. san-ka-ta ka-tai mi-te sa-ba pee-raa jo su-mi-re ha-nu-ma-ta ba-la bee-raa 37. jai jai jai ha-nu-maa-na go-saa-ee kri-paa ka-ra-hu gu-ru-de-va kee naa-ee 38. jo sa-ta baa-ra paa-ta ka-ra ko-ee choo ta-hi ban-di ma-haa suk-ha ho-ee 39. jo ya-ha pa-rai ha-nu-maa-na chaa-lee-saa ho ya sid-hi saa-khee gau-ree-saa 40. tu-la-see-daa-sa sa-daa ha-ri che-raa kee je naa -ta hri-da-ya ma-han de-raa pa-va-na ta-na-ya san-ka-ta ha-ra-na man-ga-la moo-ra-ti roo-pa raa-ma lak-kha-na see-taa sa-hi-ta hri-da-ya ba-sa-hu su-ra bhoo-pa si-yaa va-ra raa-ma-chan-dra pa-da jai sha-ra-nam
  ms subbulakshmi
vathapi ganapathim of muthuswami dikshithar vathapi ganapathim of muthuswami dikshithar vathapi ganapathim of muthuswami dikshithar
  m s subbulakshmi::bhaja govindam (w. eng...
bhaja govindam - from the immortal composition of adi sankaracharya, 10 verses of this hymn divinely rendedered by ms subbulakshmi. it is said that adi shankaracharya, accompanied by his disciples, was walking along a street in varanasi one day when he came across an aged scholar teaching the rules of sanskrit grammar to his students by rote. taking pity on him, adi shankaracharya went up to the scholar and advised him not to waste his time on grammar at his age but to turn his mind to god in worship and adoration, which became the origin for this hymn. song: bhaja govindam author: adi sankaracharya singer: m s subbulakshmi following 10 verses (with english subtitles): bhajagovindam bhajagovindam govindam bhajamuudhamate . sampraapte sannihite kaale nahi nahi rakshati dukr^ijnkarane 2 mudha jahiihi dhanaagamatr^ishhnaam kuru sadbuddhim manasi vitr^ishhnaam.h . yallabhase nijakarmopaattam vittam tena vinodaya chittam.h 5 yaavadvittopaarjana saktah staavannija parivaaro raktah . pashchaajjiivati jarjara dehe vaartaam ko.api na pr^ichchhati gehe 11 maa kuru dhana jana yauvana garvam harati nimeshhaatkaalah sarvam.h . maayaamayamidamakhilam hitvaa brahmapadam tvam pravisha viditvaa 18 sura ma.ndira taru muula nivaasah shayyaa bhuutala majinam vaasah . sarva parigraha bhoga tyaagah kasya sukham na karoti viraagah 20 bhagavad.h giitaa kijnchidadhiitaa gangaa jalalava kanikaapiitaa . sakridapi yena muraari samarchaa kriyate tasya yamena na charchaa 21 punarapi jananam punarapi maranam punarapi jananii jathare shayanam.h . iha samsaare bahudustaare kripayaa.apaare paahi muraare 27 geyam gita naama sahasram dhyeyam shriipati ruupamajasram.h . neyam sajjana sange chittam deyam diinajanaaya cha vittam.h 29 arthamanartham bhaavaya nityam naastitatah sukhaleshah satyam.h . putraadapi dhana bhaajaam bhiitih sarvatraishhaa vihiaa riitih 31 gurucharanaambuja nirbhara bhakatah samsaaraadachiraadbhava muktah . sendriyamaanasa niyamaadevam drakshyasi nija hridayastham devam.h bhaja govindam - from the immortal composition of adi sankaracharya, 10 verses of this hymn divinely rendedered by ms subbulakshmi. it is said that adi shankaracharya, accompanied by his disciples, was walking along a street in varanasi one day when he came across an aged scholar teaching the rules of sanskrit grammar to his students by rote. taking pity on him, adi shankaracharya went up to the scholar and advised him not to waste his time on grammar at his age but to turn his mind to god in worship and adoration, which became the origin for this hymn. song: bhaja govindam author: adi sankaracharya singer: m s subbulakshmi following 10 verses (with english subtitles): bhajagovindam bhajagovindam govindam bhajamuudhamate . sampraapte sannihite kaale nahi nahi rakshati dukr^ijnkarane 2 mudha jahiihi dhanaagamatr^ishhnaam kuru sadbuddhim manasi vitr^ishhnaam.h . yallabhase nijakarmopaattam vittam tena vinodaya chittam.h 5 yaavadvittopaarjana saktah staavannija parivaaro raktah . pashchaajjiivati jarjara dehe vaartaam ko.api na pr^ichchhati gehe 11 maa kuru dhana jana yauvana garvam harati nimeshhaatkaalah sarvam.h . maayaamayamidamakhilam hitvaa brahmapadam tvam pravisha viditvaa 18 sura ma.ndira taru muula nivaasah shayyaa bhuutala majinam vaasah . sarva parigraha bhoga tyaagah kasya sukham na karoti viraagah 20 bhagavad.h giitaa kijnchidadhiitaa gangaa jalalava kanikaapiitaa . sakridapi yena muraari samarchaa kriyate tasya yamena na charchaa 21 punarapi jananam punarapi maranam punarapi jananii jathare shayanam.h . iha samsaare bahudustaare kripayaa.apaare paahi muraare 27 geyam gita naama sahasram dhyeyam shriipati ruupamajasram.h . neyam sajjana sange chittam deyam diinajanaaya cha vittam.h 29 arthamanartham bhaavaya nityam naastitatah sukhaleshah satyam.h . putraadapi dhana bhaajaam bhiitih sarvatraishhaa vihiaa riitih 31 gurucharanaambuja nirbhara bhakatah samsaaraadachiraadbhava muktah . sendriyamaanasa niyamaadevam drakshyasi nija hridayastham devam.h bhaja govindam - from the immortal composition of adi sankaracharya, 10 verses of this hymn divinely rendedered by ms subbulakshmi. it is said that adi shankaracharya, accompanied by his disciples, was walking along a street in varanasi one day when he came across an aged scholar teaching the rules of sanskrit grammar to his students by rote. taking pity on him, adi shankaracharya went up to the scholar and advised him not to waste his time on grammar at his age but to turn his mind to god in worship and adoration, which became the origin for this hymn. song: bhaja govindam author: adi sankaracharya singer: m s subbulakshmi following 10 verses (with english subtitles): bhajagovindam bhajagovindam govindam bhajamuudhamate . sampraapte sannihite kaale nahi nahi rakshati dukr^ijnkarane 2 mudha jahiihi dhanaagamatr^ishhnaam kuru sadbuddhim manasi vitr^ishhnaam.h . yallabhase nijakarmopaattam vittam tena vinodaya chittam.h 5 yaavadvittopaarjana saktah staavannija parivaaro raktah . pashchaajjiivati jarjara dehe vaartaam ko.api na pr^ichchhati gehe 11 maa kuru dhana jana yauvana garvam harati nimeshhaatkaalah sarvam.h . maayaamayamidamakhilam hitvaa brahmapadam tvam pravisha viditvaa 18 sura ma.ndira taru muula nivaasah shayyaa bhuutala majinam vaasah . sarva parigraha bhoga tyaagah kasya sukham na karoti viraagah 20 bhagavad.h giitaa kijnchidadhiitaa gangaa jalalava kanikaapiitaa . sakridapi yena muraari samarchaa kriyate tasya yamena na charchaa 21 punarapi jananam punarapi maranam punarapi jananii jathare shayanam.h . iha samsaare bahudustaare kripayaa.apaare paahi muraare 27 geyam gita naama sahasram dhyeyam shriipati ruupamajasram.h . neyam sajjana sange chittam deyam diinajanaaya cha vittam.h 29 arthamanartham bhaavaya nityam naastitatah sukhaleshah satyam.h . putraadapi dhana bhaajaam bhiitih sarvatraishhaa vihiaa riitih 31 gurucharanaambuja nirbhara bhakatah samsaaraadachiraadbhava muktah . sendriyamaanasa niyamaadevam drakshyasi nija hridayastham devam.h
  ms subbulakshmi
bharat ratna ms subbulakshmi bharat ratna ms subbulakshmi bharat ratna ms subbulakshmi
  ms subbulakshmi
ms subbulakshmi ms subbulakshmi ms subbulakshmi
  subbulakshmi: hari awan ki awaz
m. s. subbulakshmi is one of the foremost musicians of india. as a first-time foreign listener put it: m. s. subbulakshmi is one of the foremost musicians of india. as a first-time foreign listener put it: m. s. subbulakshmi is one of the foremost musicians of india. as a first-time foreign listener put it:
  vandinam muralum by smt.m.s.subbulakshmi
tondaradipodi azhwar paasuram by the one and only mss tondaradipodi azhwar paasuram by the one and only mss tondaradipodi azhwar paasuram by the one and only mss
  entha mathramuna- ms subbulakshmi
enjoy this compostition enjoy this compostition enjoy this compostition
  m s subbulakshmi::brahma kadigina paadamu
brahma kadigina paadamu - m s subbulakshmi's rendition of annamacharya's glorification of the lotus feet of venkateswara, remembering his divine actions in his various incarnations. keerthana: brahma kadigina paadamu author: annamacharya singer: m s subbulakshmi pallavi: brahma kadigina padamu brahmamu taanenee paadamu charanam 1: chelagi vasuda golicina nee paadamu bali tala mopina paadamu talagaka gaganamu tannina paadamu balaripu gaacina paadamu charanam 2: kaamini paapamu gadigina paadamu paamu talanidina paadamu premapu shreesati pisikedi paadamu paamidi turagapu paadamu charanam 3: parama yogulaku pari pari vidhamula paramosagedi nee paadamu tiru venkatagiri tiramani coopina parama padamu nee paadamu brahma kadigina paadamu - m s subbulakshmi's rendition of annamacharya's glorification of the lotus feet of venkateswara, remembering his divine actions in his various incarnations. keerthana: brahma kadigina paadamu author: annamacharya singer: m s subbulakshmi pallavi: brahma kadigina padamu brahmamu taanenee paadamu charanam 1: chelagi vasuda golicina nee paadamu bali tala mopina paadamu talagaka gaganamu tannina paadamu balaripu gaacina paadamu charanam 2: kaamini paapamu gadigina paadamu paamu talanidina paadamu premapu shreesati pisikedi paadamu paamidi turagapu paadamu charanam 3: parama yogulaku pari pari vidhamula paramosagedi nee paadamu tiru venkatagiri tiramani coopina parama padamu nee paadamu brahma kadigina paadamu - m s subbulakshmi's rendition of annamacharya's glorification of the lotus feet of venkateswara, remembering his divine actions in his various incarnations. keerthana: brahma kadigina paadamu author: annamacharya singer: m s subbulakshmi pallavi: brahma kadigina padamu brahmamu taanenee paadamu charanam 1: chelagi vasuda golicina nee paadamu bali tala mopina paadamu talagaka gaganamu tannina paadamu balaripu gaacina paadamu charanam 2: kaamini paapamu gadigina paadamu paamu talanidina paadamu premapu shreesati pisikedi paadamu paamidi turagapu paadamu charanam 3: parama yogulaku pari pari vidhamula paramosagedi nee paadamu tiru venkatagiri tiramani coopina parama padamu nee paadamu
  ms subbulakshmi
bantu reeti by thyagaraja bantu reeti by thyagaraja bantu reeti by thyagaraja
  m s subbulakshmi - 25
engum neeraintha naathabramum engum neeraintha naathabramum engum neeraintha naathabramum
  akhilandeswari-dwijavanthi- ms subbulakshmi
another excellent krithi! another excellent krithi! another excellent krithi!
  revathi ragam by ms subbulakshmi-saranam...
another gem another gem another gem
  barath rathna - m s subbulakshmi - queen...
september 16, 1916 - december 11, 2004) was a renowned carnatic vocalist. she was the first musician ever to be awarded the bharat ratna, india's highest civilian honor. m.s.subbulakhsmi was born to shanmukhavadivu (veena vidwan) and subramaniya iyer on 16 sep,1916 in a musical family, in the temple town of madurai situated in the state of tamil nadu in south india. m.s. started learning carnatic music from a very early age and released her first recording at the age of 10. she then began her carnatic classical music training under semmangudi srinivasa iyer and then hindustani classical training under pandit narayan rao vyas. her first public performance was during the mahamaham festival at kumbakonam. then, she performed countless musical forms in different languages such as hindi, bengali , gujarati , marathi, tamil , malayalam, telugu , sanskrit and kannada. subbulakshmi had participated in music concerts all over the world,but her participation in the concerts at new york in 1970,london in 1982 and moscow in 1987 had a special significance in her life.17 january,2001 was a very important day in karnatak classical music when m.s.subbulakshmi was given a national award by ramaseva mandal in bangaluru.she was the first woman who recived this prestigious award. we are hearing the beautiful voice of ms subbulakshmi. 11/12/2004 was a sad day for indian music but we all remember her for ever. i am very happy to make this video. september 16, 1916 - december 11, 2004) was a renowned carnatic vocalist. she was the first musician ever to be awarded the bharat ratna, india's highest civilian honor. m.s.subbulakhsmi was born to shanmukhavadivu (veena vidwan) and subramaniya iyer on 16 sep,1916 in a musical family, in the temple town of madurai situated in the state of tamil nadu in south india. m.s. started learning carnatic music from a very early age and released her first recording at the age of 10. she then began her carnatic classical music training under semmangudi srinivasa iyer and then hindustani classical training under pandit narayan rao vyas. her first public performance was during the mahamaham festival at kumbakonam. then, she performed countless musical forms in different languages such as hindi, bengali , gujarati , marathi, tamil , malayalam, telugu , sanskrit and kannada. subbulakshmi had participated in music concerts all over the world,but her participation in the concerts at new york in 1970,london in 1982 and moscow in 1987 had a special significance in her life.17 january,2001 was a very important day in karnatak classical music when m.s.subbulakshmi was given a national award by ramaseva mandal in bangaluru.she was the first woman who recived this prestigious award. we are hearing the beautiful voice of ms subbulakshmi. 11/12/2004 was a sad day for indian music but we all remember her for ever. i am very happy to make this video. september 16, 1916 - december 11, 2004) was a renowned carnatic vocalist. she was the first musician ever to be awarded the bharat ratna, india's highest civilian honor. m.s.subbulakhsmi was born to shanmukhavadivu (veena vidwan) and subramaniya iyer on 16 sep,1916 in a musical family, in the temple town of madurai situated in the state of tamil nadu in south india. m.s. started learning carnatic music from a very early age and released her first recording at the age of 10. she then began her carnatic classical music training under semmangudi srinivasa iyer and then hindustani classical training under pandit narayan rao vyas. her first public performance was during the mahamaham festival at kumbakonam. then, she performed countless musical forms in different languages such as hindi, bengali , gujarati , marathi, tamil , malayalam, telugu , sanskrit and kannada. subbulakshmi had participated in music concerts all over the world,but her participation in the concerts at new york in 1970,london in 1982 and moscow in 1987 had a special significance in her life.17 january,2001 was a very important day in karnatak classical music when m.s.subbulakshmi was given a national award by ramaseva mandal in bangaluru.she was the first woman who recived this prestigious award. we are hearing the beautiful voice of ms subbulakshmi. 11/12/2004 was a sad day for indian music but we all remember her for ever. i am very happy to make this video.
  great vocalist smt. m.s. subbulakshmi - 01b
  bhare panduranga- bhajan- ms subbulakshmi
bhajan bhajan bhajan
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