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8 Videos  
page 1 / 1
       
  i want a little girl - bill perkins - ri...
i want a little girl bill perkins - richie kamuca 1956 i want a little girl bill perkins - richie kamuca 1956 i want a little girl bill perkins - richie kamuca 1956
  star eyes / richie kamuca & bill holman
west coast jazz 1959 west coast jazz 1959 west coast jazz 1959
  shelly manne and his men - straight no c...
los angeles, 1958. conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums) . los angeles, 1958. conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums) . los angeles, 1958. conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums) .
  it's sand, man. audio only.
from the cd 'primitive cats' the cy touff and richie kamuca quintet. cy touff bass trumpet. richie kamuca tenopr sax. pete jolly piano. leroy vinnegar bass. chuck flores drums. from the cd 'primitive cats' the cy touff and richie kamuca quintet. cy touff bass trumpet. richie kamuca tenopr sax. pete jolly piano. leroy vinnegar bass. chuck flores drums. from the cd 'primitive cats' the cy touff and richie kamuca quintet. cy touff bass trumpet. richie kamuca tenopr sax. pete jolly piano. leroy vinnegar bass. chuck flores drums.
  what's new (whats new) on tenor sax
heavily inspired by the richie kamuca version on his 1957 quartet album. i mess up the ending so close your ears for that bit. backing from body and soul aebersold cd/book heavily inspired by the richie kamuca version on his 1957 quartet album. i mess up the ending so close your ears for that bit. backing from body and soul aebersold cd/book heavily inspired by the richie kamuca version on his 1957 quartet album. i mess up the ending so close your ears for that bit. backing from body and soul aebersold cd/book
  shelly manne and his men - frankly - 1958.
l.a. television....1958.......conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums). l.a. television....1958.......conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums). l.a. television....1958.......conte candoli (trumpet); richie kamuca (tenor sax); russ freeman (piano); monty budwig (bass); shelly manne (drums).
  stan levey - "one for stan"
stan levey, one of the greatest drummers of his generation, was born in philadelphia in 1926. he was one of the very few white drummers involved in the formative years of bebop and accepted as one of bop's most important drummers, along with kenny clarke and max roach. he played in philly with dizzy gillespie's group in 1942, at the tender age of 16. soon after he went to new york, where he and dizzy worked on 52nd street with charlie parker and oscar pettiford. after his tenure with the stan kenton orchestra in the early 1950's he moved to the west coast in 1954, joining howard rumsey and the lighthouse all-stars, and was a major influence in what was called stan levey, one of the greatest drummers of his generation, was born in philadelphia in 1926. he was one of the very few white drummers involved in the formative years of bebop and accepted as one of bop's most important drummers, along with kenny clarke and max roach. he played in philly with dizzy gillespie's group in 1942, at the tender age of 16. soon after he went to new york, where he and dizzy worked on 52nd street with charlie parker and oscar pettiford. after his tenure with the stan kenton orchestra in the early 1950's he moved to the west coast in 1954, joining howard rumsey and the lighthouse all-stars, and was a major influence in what was called stan levey, one of the greatest drummers of his generation, was born in philadelphia in 1926. he was one of the very few white drummers involved in the formative years of bebop and accepted as one of bop's most important drummers, along with kenny clarke and max roach. he played in philly with dizzy gillespie's group in 1942, at the tender age of 16. soon after he went to new york, where he and dizzy worked on 52nd street with charlie parker and oscar pettiford. after his tenure with the stan kenton orchestra in the early 1950's he moved to the west coast in 1954, joining howard rumsey and the lighthouse all-stars, and was a major influence in what was called
  i'll close my eyes - cherokee - joanie s...
look out ! it's joanie sommers (vo) shelly manne (ds) conte candoli (tp) richie kamuca (ts) russ freeman (pf) chuck berghofer (b) recorded in 1962 studio west #106 / vsop look out ! it's joanie sommers (vo) shelly manne (ds) conte candoli (tp) richie kamuca (ts) russ freeman (pf) chuck berghofer (b) recorded in 1962 studio west #106 / vsop look out ! it's joanie sommers (vo) shelly manne (ds) conte candoli (tp) richie kamuca (ts) russ freeman (pf) chuck berghofer (b) recorded in 1962 studio west #106 / vsop
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