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6 Videos  
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  george frideric handel 'esther (hwv 50)'...
george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 air haman : pluck root and branch from out the land: shall i the god of israel fear? let jewish blood dye ev'ry hand, nor age, nor sex i spare. raze, raze their temples to the ground, and let their place no more be found. recitative : persian officer our souls with ardour glow to execute the blow. chorus of persian soldiers : shall we the god of israel's fear? nor age, nor sex we'll spare. pluck root and branch from out the land: nor age, nor sex we'll spare. recitative first israelite : now persecution shall lay by her iron rod; esther is queen, and esther serves the living god. air first israelite : tune your harps to cheerful strains, moulder idols into dust! great jehovah lives and reigns, we in great jehovah trust. tune your harps. . . da capo chorus of israelites : shall we of servitude complain, the heavy yoke and galling chain? performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 air haman : pluck root and branch from out the land: shall i the god of israel fear? let jewish blood dye ev'ry hand, nor age, nor sex i spare. raze, raze their temples to the ground, and let their place no more be found. recitative : persian officer our souls with ardour glow to execute the blow. chorus of persian soldiers : shall we the god of israel's fear? nor age, nor sex we'll spare. pluck root and branch from out the land: nor age, nor sex we'll spare. recitative first israelite : now persecution shall lay by her iron rod; esther is queen, and esther serves the living god. air first israelite : tune your harps to cheerful strains, moulder idols into dust! great jehovah lives and reigns, we in great jehovah trust. tune your harps. . . da capo chorus of israelites : shall we of servitude complain, the heavy yoke and galling chain? performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 air haman : pluck root and branch from out the land: shall i the god of israel fear? let jewish blood dye ev'ry hand, nor age, nor sex i spare. raze, raze their temples to the ground, and let their place no more be found. recitative : persian officer our souls with ardour glow to execute the blow. chorus of persian soldiers : shall we the god of israel's fear? nor age, nor sex we'll spare. pluck root and branch from out the land: nor age, nor sex we'll spare. recitative first israelite : now persecution shall lay by her iron rod; esther is queen, and esther serves the living god. air first israelite : tune your harps to cheerful strains, moulder idols into dust! great jehovah lives and reigns, we in great jehovah trust. tune your harps. . . da capo chorus of israelites : shall we of servitude complain, the heavy yoke and galling chain? performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood
  lorraine hunt- purcell: fairy queen- com...
purcell's the fairy queen 1. song in two parts: come, let us leave the town lorraine hunt, soprano richard wistreich, bass roger norrington; london classical players purcell's the fairy queen 1. song in two parts: come, let us leave the town lorraine hunt, soprano richard wistreich, bass roger norrington; london classical players purcell's the fairy queen 1. song in two parts: come, let us leave the town lorraine hunt, soprano richard wistreich, bass roger norrington; london classical players
  thomas linley - whither ye beldames do y...
lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger air - fearful observer: wither ye beldames do ye roam? love ye wild lapland's gothic night? none now shall tread the cavern's gloom, nor spy your dreadful mystic rite. none now shall see on yonder plain the gambols of titania's train. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger air - fearful observer: wither ye beldames do ye roam? love ye wild lapland's gothic night? none now shall tread the cavern's gloom, nor spy your dreadful mystic rite. none now shall see on yonder plain the gambols of titania's train. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger air - fearful observer: wither ye beldames do ye roam? love ye wild lapland's gothic night? none now shall tread the cavern's gloom, nor spy your dreadful mystic rite. none now shall see on yonder plain the gambols of titania's train. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments
  george frideric handel 'esther (hwv 50)'...
george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 accompagnato : priest : jehovah crown'd with glory bright, surrounded with eternal light, whose ministers are flames of fire: arise, and execute thine ire! chorus of israelites : he comes, he comes to end our woes, and pour his vengeance on our foes. earth trembles, lofty mountains nod! jacob, arise to meet thy god! he comes, he comes to end our woes, and pour his vengeance on our foes. performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 accompagnato : priest : jehovah crown'd with glory bright, surrounded with eternal light, whose ministers are flames of fire: arise, and execute thine ire! chorus of israelites : he comes, he comes to end our woes, and pour his vengeance on our foes. earth trembles, lofty mountains nod! jacob, arise to meet thy god! he comes, he comes to end our woes, and pour his vengeance on our foes. performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood george frideric handel (friday, 23 february 1685 -- saturday, 14 april 1759) was a german-born baroque composer who is famous for his operas, oratorios and concerti grossi. born as georg friedrich händel in halle, he spent most of his adult life in england, becoming a subject of the british crown on 22 january 1727. his most famous works are messiah, an oratorio set to texts from the king james bible; water music; and music for the royal fireworks. strongly influenced by the techniques of the great composers of the italian baroque and the english composer henry purcell, his music was known to many significant composers who came after him, including haydn, mozart, and beethoven. esther (hwv 50) is an oratorio by george frideric handel and is generally acknowledged to be the first english oratorio. handel set a libretto by john arbuthnot and alexander pope after the old testament drama by jean racine. it is a relatively short (1 hr. 40 min.) work compared to handel's later oratorios. oratorio 'esther' hwv 50 accompagnato : priest : jehovah crown'd with glory bright, surrounded with eternal light, whose ministers are flames of fire: arise, and execute thine ire! chorus of israelites : he comes, he comes to end our woes, and pour his vengeance on our foes. earth trembles, lofty mountains nod! jacob, arise to meet thy god! he comes, he comes to end our woes, and pour his vengeance on our foes. performed : ian partridge david thomas drew minter andrew king paul elliott patrizia kwella emma kirkby richard wistreich anthony rolfe johnson westminster cathedral boys choir the academy of ancient music dir : christopher hogwood
  thomas linley - for whom, at yonder livi...
lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer for whom, at yonder livid flame, do you the deed without a name? ye secret hags, whence breathes this sound? why sinks that cauldron in the ground? why do these thunders roll? tell me, what means that armed head? why comes that bloody child? the hags are fled; they're vanished into air. amazement chills my soul! fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer for whom, at yonder livid flame, do you the deed without a name? ye secret hags, whence breathes this sound? why sinks that cauldron in the ground? why do these thunders roll? tell me, what means that armed head? why comes that bloody child? the hags are fled; they're vanished into air. amazement chills my soul! fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer for whom, at yonder livid flame, do you the deed without a name? ye secret hags, whence breathes this sound? why sinks that cauldron in the ground? why do these thunders roll? tell me, what means that armed head? why comes that bloody child? the hags are fled; they're vanished into air. amazement chills my soul! fearful observer: richard wistreich (bass) paul nicholson the parley of instruments
  thomas linley - shakespeare ode part 2
lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer: but oh! what sudden gloom, what horror overcasts the low'ring day! why yawns that shagged cave, whose dreary womb ne'er felt the genial sun's enliv'ning ray? black, noisome, cheerless, lo! how all around, with feeble cries the gliding spectres throng! hark! now i hear, with hollow trem'lous sounds, the solemn mutter'd spell and horrid magic song. save me! what wither'd forms my soul affright! quartet: by the pale light of yon blue fire i know their scowling fronts and wild attire. recitative - fearful observer: see, through the glimmering darkness of the cave, by paddock warn'd, their rites they sing, and slowly stalk in dismal ring around the charmed cauldron's bubbling wave. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer: but oh! what sudden gloom, what horror overcasts the low'ring day! why yawns that shagged cave, whose dreary womb ne'er felt the genial sun's enliv'ning ray? black, noisome, cheerless, lo! how all around, with feeble cries the gliding spectres throng! hark! now i hear, with hollow trem'lous sounds, the solemn mutter'd spell and horrid magic song. save me! what wither'd forms my soul affright! quartet: by the pale light of yon blue fire i know their scowling fronts and wild attire. recitative - fearful observer: see, through the glimmering darkness of the cave, by paddock warn'd, their rites they sing, and slowly stalk in dismal ring around the charmed cauldron's bubbling wave. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments lyric ode on the fairies, aerial beings and witches of shakespeare thomas linley the younger recitative - fearful observer: but oh! what sudden gloom, what horror overcasts the low'ring day! why yawns that shagged cave, whose dreary womb ne'er felt the genial sun's enliv'ning ray? black, noisome, cheerless, lo! how all around, with feeble cries the gliding spectres throng! hark! now i hear, with hollow trem'lous sounds, the solemn mutter'd spell and horrid magic song. save me! what wither'd forms my soul affright! quartet: by the pale light of yon blue fire i know their scowling fronts and wild attire. recitative - fearful observer: see, through the glimmering darkness of the cave, by paddock warn'd, their rites they sing, and slowly stalk in dismal ring around the charmed cauldron's bubbling wave. fearful observer: richard wistreich (bass) paul nicholson the parley of instruments
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