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6 Videos  
page 1 / 1
       
  "ja endlich", by reinhard keiser (1674-1739)
  reinhard keiser "croesus" sinfonia avant...
reinhard keiser (1674-1739) reinhard keiser (1674-1739) reinhard keiser (1674-1739)
  keiser: croesus
stereo: http://br.youtube.com/watch?v=hvl_tewysb4&fmt=18 reinhard keiser (january 1674 - 1739). croesus: 1. ritornello. akademie für alte musik berlin: dorothea roschmann (soprano). roman trekel (baritone). johannes mannov (bass). werner gura (tenor). klaus hager (bass). markus schafer (tenor). salome haller (soprano). kwangchul youn (bass). graham pushee (countertenor). brigitte eisenfeld (soprano). kurt azesberger (tenor). jorg gottschick (bass). johanna stojkovic (soprano). dir: rené jacobs. reinhard keiser (january 9, 1674 - september 12, 1739) was a popular german opera composer based in hamburg. he wrote over a hundred operas, and in 1745 johann adolph scheibe considered him an equal to johann kuhnau, george frideric handel and georg philipp telemann (also related to the hamburg opera), but his work was largely forgotten for many decades. he was born in teuchern (in present saxony-anhalt), son of the organist and teacher gottfried keiser (born about 1650), and educated by other organists in the town and then from 11 at the thomas school in leipzig, where his teachers included johann schelle and johann kuhnau, direct predecessors of johann sebastian bach. in 1694, he became court-composer to the duke of brunswick-wolfenbüttel, though he had probably come to the court already as early as 1692 to study its renowned operas, which had been going on since 1691, when the city had built a 1200-seater opera-house. keiser put on his first opera procris und cephalus there and, the same year, his opera basilius was put on at hamburg and, as the musicologist johann mattheson noted, stereo: http://br.youtube.com/watch?v=hvl_tewysb4&fmt=18 reinhard keiser (january 1674 - 1739). croesus: 1. ritornello. akademie für alte musik berlin: dorothea roschmann (soprano). roman trekel (baritone). johannes mannov (bass). werner gura (tenor). klaus hager (bass). markus schafer (tenor). salome haller (soprano). kwangchul youn (bass). graham pushee (countertenor). brigitte eisenfeld (soprano). kurt azesberger (tenor). jorg gottschick (bass). johanna stojkovic (soprano). dir: rené jacobs. reinhard keiser (january 9, 1674 - september 12, 1739) was a popular german opera composer based in hamburg. he wrote over a hundred operas, and in 1745 johann adolph scheibe considered him an equal to johann kuhnau, george frideric handel and georg philipp telemann (also related to the hamburg opera), but his work was largely forgotten for many decades. he was born in teuchern (in present saxony-anhalt), son of the organist and teacher gottfried keiser (born about 1650), and educated by other organists in the town and then from 11 at the thomas school in leipzig, where his teachers included johann schelle and johann kuhnau, direct predecessors of johann sebastian bach. in 1694, he became court-composer to the duke of brunswick-wolfenbüttel, though he had probably come to the court already as early as 1692 to study its renowned operas, which had been going on since 1691, when the city had built a 1200-seater opera-house. keiser put on his first opera procris und cephalus there and, the same year, his opera basilius was put on at hamburg and, as the musicologist johann mattheson noted, stereo: http://br.youtube.com/watch?v=hvl_tewysb4&fmt=18 reinhard keiser (january 1674 - 1739). croesus: 1. ritornello. akademie für alte musik berlin: dorothea roschmann (soprano). roman trekel (baritone). johannes mannov (bass). werner gura (tenor). klaus hager (bass). markus schafer (tenor). salome haller (soprano). kwangchul youn (bass). graham pushee (countertenor). brigitte eisenfeld (soprano). kurt azesberger (tenor). jorg gottschick (bass). johanna stojkovic (soprano). dir: rené jacobs. reinhard keiser (january 9, 1674 - september 12, 1739) was a popular german opera composer based in hamburg. he wrote over a hundred operas, and in 1745 johann adolph scheibe considered him an equal to johann kuhnau, george frideric handel and georg philipp telemann (also related to the hamburg opera), but his work was largely forgotten for many decades. he was born in teuchern (in present saxony-anhalt), son of the organist and teacher gottfried keiser (born about 1650), and educated by other organists in the town and then from 11 at the thomas school in leipzig, where his teachers included johann schelle and johann kuhnau, direct predecessors of johann sebastian bach. in 1694, he became court-composer to the duke of brunswick-wolfenbüttel, though he had probably come to the court already as early as 1692 to study its renowned operas, which had been going on since 1691, when the city had built a 1200-seater opera-house. keiser put on his first opera procris und cephalus there and, the same year, his opera basilius was put on at hamburg and, as the musicologist johann mattheson noted,
  stylus luxurians plays keiser
reinhard keiser - sonata a 3, no. 1 stylus luxurians (formerly ensemble croesus) baroque ensemble in washington, d.c. recorded: summer, 2001 players on recording: carol holmes, violin michael holmes, recorder daniel rippe, bass viola da gamba tim miller, theorbo bozena jedrejczak-brown, harpsichord about the ensemble: the ensemble for early music reinhard keiser - sonata a 3, no. 1 stylus luxurians (formerly ensemble croesus) baroque ensemble in washington, d.c. recorded: summer, 2001 players on recording: carol holmes, violin michael holmes, recorder daniel rippe, bass viola da gamba tim miller, theorbo bozena jedrejczak-brown, harpsichord about the ensemble: the ensemble for early music reinhard keiser - sonata a 3, no. 1 stylus luxurians (formerly ensemble croesus) baroque ensemble in washington, d.c. recorded: summer, 2001 players on recording: carol holmes, violin michael holmes, recorder daniel rippe, bass viola da gamba tim miller, theorbo bozena jedrejczak-brown, harpsichord about the ensemble: the ensemble for early music
  ombra mai fu-handel-xerxes-franco tenelli
helden tenor franco tenelli sings handel handel was born in halle in the duchy of magdeburg (province of brandenburg-prussia) to georg and dorothea (née taust) händel in 1685, the same year that both johann sebastian bach and domenico scarlatti were born. handel displayed considerable musical talent at an early age; by the age of seven he was a skillful performer on the harpsichord and pipe organ, and at nine he began to compose music. however, his father, an eminent barber-surgeon who served as valet and barber to the courts of saxony and brandenburg,and a distinguished citizen of halle, was opposed to his son's wish to pursue a musical career, preferring him to study law; by contrast, handel's mother, dorothea, encouraged his musical aspirations. handel as a boynevertheless, the young handel was permitted to take lessons in musical composition and keyboard technique from friedrich wilhelm zachau, the organist of the liebfrauenkirche, halle. his aunt, anna, had given him a spinet for his seventh birthday, which was placed in the attic so that handel could play it whenever he could get away from his father. in 1702, following his father's wishes, handel began the study of law at the university of halle, but after his father's death the following year, he abandoned law for music, becoming the organist at the protestant cathedral. in 1704, he moved to hamburg, accepting a position as violinist and harpsichordist in the orchestra of the opera house. there, he met johann mattheson, christoph graupner and reinhard keiser. his first two operas, almira and nero, were produced in 1705. two other early operas, daphne and florindo, were produced in 1708. during 1706--09, handel travelled to italy on the invitation of gian gastone de' medici, and met his brother ferdinando, a musician himself. while opera was banned by the pope, handel found work as a composer of sacred music: the famous dixit dominus (1707) is from this era. he wrote many cantatas in operatic style for gatherings in the palace of pietro ottoboni (cardinal). his rodrigo was produced in florence in 1707, and his agrippina at venice in 1709. agrippina, which ran for an unprecedented 27 performances, showed remarkable maturity and established his reputation as an opera composer. two oratorios, la resurrezione and il trionfo del tempo, were produced in rome in 1709 and 1710, respectively. in 1710, handel became kapellmeister to george, elector of hanover, who would soon be king george i of great britain. he visited anna maria luisa de' medici on his way to london in 1710, where he settled permanently in 1712, receiving a yearly income of £200 from queen anne. during his early years in london, one of his most important patrons was the young and wealthy richard boyle, 3rd earl of burlington, who showed an early love of his music. handel had a happy time and wrote a few of his best pieces for the earl. helden tenor franco tenelli sings handel handel was born in halle in the duchy of magdeburg (province of brandenburg-prussia) to georg and dorothea (née taust) händel in 1685, the same year that both johann sebastian bach and domenico scarlatti were born. handel displayed considerable musical talent at an early age; by the age of seven he was a skillful performer on the harpsichord and pipe organ, and at nine he began to compose music. however, his father, an eminent barber-surgeon who served as valet and barber to the courts of saxony and brandenburg,and a distinguished citizen of halle, was opposed to his son's wish to pursue a musical career, preferring him to study law; by contrast, handel's mother, dorothea, encouraged his musical aspirations. handel as a boynevertheless, the young handel was permitted to take lessons in musical composition and keyboard technique from friedrich wilhelm zachau, the organist of the liebfrauenkirche, halle. his aunt, anna, had given him a spinet for his seventh birthday, which was placed in the attic so that handel could play it whenever he could get away from his father. in 1702, following his father's wishes, handel began the study of law at the university of halle, but after his father's death the following year, he abandoned law for music, becoming the organist at the protestant cathedral. in 1704, he moved to hamburg, accepting a position as violinist and harpsichordist in the orchestra of the opera house. there, he met johann mattheson, christoph graupner and reinhard keiser. his first two operas, almira and nero, were produced in 1705. two other early operas, daphne and florindo, were produced in 1708. during 1706--09, handel travelled to italy on the invitation of gian gastone de' medici, and met his brother ferdinando, a musician himself. while opera was banned by the pope, handel found work as a composer of sacred music: the famous dixit dominus (1707) is from this era. he wrote many cantatas in operatic style for gatherings in the palace of pietro ottoboni (cardinal). his rodrigo was produced in florence in 1707, and his agrippina at venice in 1709. agrippina, which ran for an unprecedented 27 performances, showed remarkable maturity and established his reputation as an opera composer. two oratorios, la resurrezione and il trionfo del tempo, were produced in rome in 1709 and 1710, respectively. in 1710, handel became kapellmeister to george, elector of hanover, who would soon be king george i of great britain. he visited anna maria luisa de' medici on his way to london in 1710, where he settled permanently in 1712, receiving a yearly income of £200 from queen anne. during his early years in london, one of his most important patrons was the young and wealthy richard boyle, 3rd earl of burlington, who showed an early love of his music. handel had a happy time and wrote a few of his best pieces for the earl. helden tenor franco tenelli sings handel handel was born in halle in the duchy of magdeburg (province of brandenburg-prussia) to georg and dorothea (née taust) händel in 1685, the same year that both johann sebastian bach and domenico scarlatti were born. handel displayed considerable musical talent at an early age; by the age of seven he was a skillful performer on the harpsichord and pipe organ, and at nine he began to compose music. however, his father, an eminent barber-surgeon who served as valet and barber to the courts of saxony and brandenburg,and a distinguished citizen of halle, was opposed to his son's wish to pursue a musical career, preferring him to study law; by contrast, handel's mother, dorothea, encouraged his musical aspirations. handel as a boynevertheless, the young handel was permitted to take lessons in musical composition and keyboard technique from friedrich wilhelm zachau, the organist of the liebfrauenkirche, halle. his aunt, anna, had given him a spinet for his seventh birthday, which was placed in the attic so that handel could play it whenever he could get away from his father. in 1702, following his father's wishes, handel began the study of law at the university of halle, but after his father's death the following year, he abandoned law for music, becoming the organist at the protestant cathedral. in 1704, he moved to hamburg, accepting a position as violinist and harpsichordist in the orchestra of the opera house. there, he met johann mattheson, christoph graupner and reinhard keiser. his first two operas, almira and nero, were produced in 1705. two other early operas, daphne and florindo, were produced in 1708. during 1706--09, handel travelled to italy on the invitation of gian gastone de' medici, and met his brother ferdinando, a musician himself. while opera was banned by the pope, handel found work as a composer of sacred music: the famous dixit dominus (1707) is from this era. he wrote many cantatas in operatic style for gatherings in the palace of pietro ottoboni (cardinal). his rodrigo was produced in florence in 1707, and his agrippina at venice in 1709. agrippina, which ran for an unprecedented 27 performances, showed remarkable maturity and established his reputation as an opera composer. two oratorios, la resurrezione and il trionfo del tempo, were produced in rome in 1709 and 1710, respectively. in 1710, handel became kapellmeister to george, elector of hanover, who would soon be king george i of great britain. he visited anna maria luisa de' medici on his way to london in 1710, where he settled permanently in 1712, receiving a yearly income of £200 from queen anne. during his early years in london, one of his most important patrons was the young and wealthy richard boyle, 3rd earl of burlington, who showed an early love of his music. handel had a happy time and wrote a few of his best pieces for the earl.
  markus-passion at st. laurentius
march 8th 2008 the choir of the st. laurentius church in toenning (peninsula of eiderstedt / north germany) performed the march 8th 2008 the choir of the st. laurentius church in toenning (peninsula of eiderstedt / north germany) performed the march 8th 2008 the choir of the st. laurentius church in toenning (peninsula of eiderstedt / north germany) performed the
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