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541 Videos  
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     suivant
  john barrowman and catherine porter too ...
sunset boulevard john barrowman and catherine porter singing too much in love to care taken off the cd the essential john barrowman sunset boulevard john barrowman and catherine porter singing too much in love to care taken off the cd the essential john barrowman sunset boulevard john barrowman and catherine porter singing too much in love to care taken off the cd the essential john barrowman
  john barrowman & catherine porter 'too m...
this is another absolute favorite of mine! the best one by far on this cd, another beautiful and romantic song sung by mr barrowman and miss porter. i hope you all enjoy him singing it as much as i do!! i own nothing this is another absolute favorite of mine! the best one by far on this cd, another beautiful and romantic song sung by mr barrowman and miss porter. i hope you all enjoy him singing it as much as i do!! i own nothing this is another absolute favorite of mine! the best one by far on this cd, another beautiful and romantic song sung by mr barrowman and miss porter. i hope you all enjoy him singing it as much as i do!! i own nothing
  janet street-porter - life's too f***ing...
the incomparable ms street-porter declares that this is an indispensable guide for women seeking optimal living in the 21st century. the incomparable ms street-porter declares that this is an indispensable guide for women seeking optimal living in the 21st century. the incomparable ms street-porter declares that this is an indispensable guide for women seeking optimal living in the 21st century.
  porter & dolly - drifting too far from t...
porter and dolly's last duet. now what are we to do? :'( from the best of grand old gospel. porter and dolly's last duet. now what are we to do? :'( from the best of grand old gospel. porter and dolly's last duet. now what are we to do? :'( from the best of grand old gospel.
  porter and dolly-you're too much to forget
porter and dolly- record porter and dolly- record porter and dolly- record
  too darn hot (cole porter) satb choir
brighton senior vocal ensemble 2002michael griffin adelaide australia mp3 at www.musiceducationworld.com brighton senior vocal ensemble 2002michael griffin adelaide australia mp3 at www.musiceducationworld.com brighton senior vocal ensemble 2002michael griffin adelaide australia mp3 at www.musiceducationworld.com
  the l word - bette (i'm too sexy)
a clip about bette a clip about bette a clip about bette
  rhs marching band 1991 "too darn hot tri...
rhs marching band 1991 rhs marching band 1991 rhs marching band 1991
  johnny cash- hey porter 1961 version
this is from what i presume made around the same time as my folsom prison blues upload. good version too, maybe they were gonna make a album of re-recording (not like the 1964 album, which in my opinion isn't the best re-recordings, too different sounding) this is from what i presume made around the same time as my folsom prison blues upload. good version too, maybe they were gonna make a album of re-recording (not like the 1964 album, which in my opinion isn't the best re-recordings, too different sounding) this is from what i presume made around the same time as my folsom prison blues upload. good version too, maybe they were gonna make a album of re-recording (not like the 1964 album, which in my opinion isn't the best re-recordings, too different sounding)
  erasure - too darn hot (red hot + blue)
erasure recorded this song for the aids benefit album red hot + blue, a tribute to songwriter cole porter. erasure recorded this song for the aids benefit album red hot + blue, a tribute to songwriter cole porter. erasure recorded this song for the aids benefit album red hot + blue, a tribute to songwriter cole porter.
  coke actors "punk'd" real life lawyers
coke paid actors tell real prospective lawyers that they want to sue coke zero, very funny coke paid actors tell real prospective lawyers that they want to sue coke zero, very funny coke paid actors tell real prospective lawyers that they want to sue coke zero, very funny
  ibrahimovic ( bad day but never too late )
il genio in his bad moment and in his best ever. song : bad day daniel porter ' never too late three day's grace. sorry for the wrong english in the video ( as = us / jop = job / comeing = coming ) thank you all (and thank you erfede for help ) il genio in his bad moment and in his best ever. song : bad day daniel porter ' never too late three day's grace. sorry for the wrong english in the video ( as = us / jop = job / comeing = coming ) thank you all (and thank you erfede for help ) il genio in his bad moment and in his best ever. song : bad day daniel porter ' never too late three day's grace. sorry for the wrong english in the video ( as = us / jop = job / comeing = coming ) thank you all (and thank you erfede for help )
  artez combo - too darn hot
ensembleweek artez, thema cole porter ryanne sambros: vocals hubert eggen: bass joop visser: drums jelmer versluis: piano freek de vos: guitar ensembleweek artez, thema cole porter ryanne sambros: vocals hubert eggen: bass joop visser: drums jelmer versluis: piano freek de vos: guitar ensembleweek artez, thema cole porter ryanne sambros: vocals hubert eggen: bass joop visser: drums jelmer versluis: piano freek de vos: guitar
  porter wagoner - green green grass of home
year: 1964 album: green green grass of home (also released on rca country legends) porter wagoner at his best! bobby bare sang this too in 1965 and later, in 1966, tom jones covered it. after that its covered by many others like elvis presley and johnny cash. lyric: the old hometown looks the same as i step down from the train and there to meet me is my mama and papa and down the road i look and there runs mary hair of gold and lips like cherries it's good to touch the green green grass of home yes they'll all come to meet me arms areached smiling sweetly it's so good to touch the green green grass of home the old house is still standing though the paint is cracked and dry and there's that old oak tree that i used to play on down the lane i walk with my sweet mary hair of gold and lips like cherries it's good to touch the green green grass of home then i awake and look around me at these four grey walls that surround me and i realize that i was only dreaming for there's a guard and there's that sad old padre arm in arm we'll walk at daybreak and again i'll touch the green green grass of home they'll all come to see me in the shade of that old oak tree as they lay me neath the green green grass of home.. year: 1964 album: green green grass of home (also released on rca country legends) porter wagoner at his best! bobby bare sang this too in 1965 and later, in 1966, tom jones covered it. after that its covered by many others like elvis presley and johnny cash. lyric: the old hometown looks the same as i step down from the train and there to meet me is my mama and papa and down the road i look and there runs mary hair of gold and lips like cherries it's good to touch the green green grass of home yes they'll all come to meet me arms areached smiling sweetly it's so good to touch the green green grass of home the old house is still standing though the paint is cracked and dry and there's that old oak tree that i used to play on down the lane i walk with my sweet mary hair of gold and lips like cherries it's good to touch the green green grass of home then i awake and look around me at these four grey walls that surround me and i realize that i was only dreaming for there's a guard and there's that sad old padre arm in arm we'll walk at daybreak and again i'll touch the green green grass of home they'll all come to see me in the shade of that old oak tree as they lay me neath the green green grass of home.. year: 1964 album: green green grass of home (also released on rca country legends) porter wagoner at his best! bobby bare sang this too in 1965 and later, in 1966, tom jones covered it. after that its covered by many others like elvis presley and johnny cash. lyric: the old hometown looks the same as i step down from the train and there to meet me is my mama and papa and down the road i look and there runs mary hair of gold and lips like cherries it's good to touch the green green grass of home yes they'll all come to meet me arms areached smiling sweetly it's so good to touch the green green grass of home the old house is still standing though the paint is cracked and dry and there's that old oak tree that i used to play on down the lane i walk with my sweet mary hair of gold and lips like cherries it's good to touch the green green grass of home then i awake and look around me at these four grey walls that surround me and i realize that i was only dreaming for there's a guard and there's that sad old padre arm in arm we'll walk at daybreak and again i'll touch the green green grass of home they'll all come to see me in the shade of that old oak tree as they lay me neath the green green grass of home..
  flight time- art porter
when i first heard this song i thought about how it would sound live in concert. sadly we'll never see the results of that. this is a reminder of a talented saxophonist that was taken from us way too early. slammin' track too! when i first heard this song i thought about how it would sound live in concert. sadly we'll never see the results of that. this is a reminder of a talented saxophonist that was taken from us way too early. slammin' track too! when i first heard this song i thought about how it would sound live in concert. sadly we'll never see the results of that. this is a reminder of a talented saxophonist that was taken from us way too early. slammin' track too!
  art porter--there's only you (1994)
review by jonathan widran when it came time to go undercover for his third verve forecast project, the late saxman must have taken his cue from fellow multi-saxman eric marienthal and realized that the ticket to a perfectly balanced collection is utilizing the relentless production funk of labelmate/keyboardist jeff lorber only half the time. lorber's trademark bounce drives the party side of porter's personality to explosive heights, taking the saxman from a staid middle ground into a challenging, dizzying but feasible realm. but as we saw on the previous album, straight to the point, too much lorber doesn't allow porter to fully embrace his silky, romantic side. ronnie foster knows just what it takes to enhance the late night smooth, however, and here he keeps the grooves cool enough to let porter's thoughtful improvisations take over. the disc jumps from tempo to tempo, somewhat indiscriminately ? just as you're boogying to the lorber edge, the slow dances of foster begin. and then back again and again. fortunately, porter's tough, well mannered tone keeps a note of consistency and fluid energy throughout, making this a playful, if all too slickly produced affair. on hand to join the two sides of midnight are soul blessed guitarists norman brown and paul jackson, jr. review by jonathan widran when it came time to go undercover for his third verve forecast project, the late saxman must have taken his cue from fellow multi-saxman eric marienthal and realized that the ticket to a perfectly balanced collection is utilizing the relentless production funk of labelmate/keyboardist jeff lorber only half the time. lorber's trademark bounce drives the party side of porter's personality to explosive heights, taking the saxman from a staid middle ground into a challenging, dizzying but feasible realm. but as we saw on the previous album, straight to the point, too much lorber doesn't allow porter to fully embrace his silky, romantic side. ronnie foster knows just what it takes to enhance the late night smooth, however, and here he keeps the grooves cool enough to let porter's thoughtful improvisations take over. the disc jumps from tempo to tempo, somewhat indiscriminately ? just as you're boogying to the lorber edge, the slow dances of foster begin. and then back again and again. fortunately, porter's tough, well mannered tone keeps a note of consistency and fluid energy throughout, making this a playful, if all too slickly produced affair. on hand to join the two sides of midnight are soul blessed guitarists norman brown and paul jackson, jr. review by jonathan widran when it came time to go undercover for his third verve forecast project, the late saxman must have taken his cue from fellow multi-saxman eric marienthal and realized that the ticket to a perfectly balanced collection is utilizing the relentless production funk of labelmate/keyboardist jeff lorber only half the time. lorber's trademark bounce drives the party side of porter's personality to explosive heights, taking the saxman from a staid middle ground into a challenging, dizzying but feasible realm. but as we saw on the previous album, straight to the point, too much lorber doesn't allow porter to fully embrace his silky, romantic side. ronnie foster knows just what it takes to enhance the late night smooth, however, and here he keeps the grooves cool enough to let porter's thoughtful improvisations take over. the disc jumps from tempo to tempo, somewhat indiscriminately ? just as you're boogying to the lorber edge, the slow dances of foster begin. and then back again and again. fortunately, porter's tough, well mannered tone keeps a note of consistency and fluid energy throughout, making this a playful, if all too slickly produced affair. on hand to join the two sides of midnight are soul blessed guitarists norman brown and paul jackson, jr.
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