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35 Videos  
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     suivant
  plunky & the oneness of juju - every way...
plunky & the oneness of juju - every way but loose plunky & the oneness of juju - every way but loose plunky & the oneness of juju - every way but loose
  plunky branch
petit clip sur plunky branch, artiste/musicien, créateur du groupe mythique (afro/soul/funk) oneness of juju. l'artiste était à paris en studio avec serge nubret (comédien/producteur)..... petit clip sur plunky branch, artiste/musicien, créateur du groupe mythique (afro/soul/funk) oneness of juju. l'artiste était à paris en studio avec serge nubret (comédien/producteur)..... petit clip sur plunky branch, artiste/musicien, créateur du groupe mythique (afro/soul/funk) oneness of juju. l'artiste était à paris en studio avec serge nubret (comédien/producteur).....
  the plunky plunks sing "she plunged her ...
the plunky plunks sing the plunky plunks sing the plunky plunks sing
  the plunky plunks play "chimp dance" on ...
the plunky plunks play the plunky plunks play the plunky plunks play
  plunky & the oneness of juju--every way ...
a band with an illustrious history. saxman and bandleader j. plunky branch had been a black activist and a fixture on the free jazz circuit in the early 70s before settling into oneness mid-70s spiritual funk groove. this one was a later dancefloor anthem from 82 a band with an illustrious history. saxman and bandleader j. plunky branch had been a black activist and a fixture on the free jazz circuit in the early 70s before settling into oneness mid-70s spiritual funk groove. this one was a later dancefloor anthem from 82 a band with an illustrious history. saxman and bandleader j. plunky branch had been a black activist and a fixture on the free jazz circuit in the early 70s before settling into oneness mid-70s spiritual funk groove. this one was a later dancefloor anthem from 82
  plunky gets lucky
mates 21st and boy does he get a surprise!! ha ha mates 21st and boy does he get a surprise!! ha ha mates 21st and boy does he get a surprise!! ha ha
  jade + plunky's box race
this is what happens when we get bored and find boxes this is what happens when we get bored and find boxes this is what happens when we get bored and find boxes
  swingin on the plunky thunk
see what this thing can do. see what this thing can do. see what this thing can do.
  juju - the end of the butterfly king (po...
before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923
  plinky plinky plunky
plinky plinky plinky
  juju - contradiction (for thulani)
before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - simbo drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923
  juju - nia (poem: complete the circle)
before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - babatunde drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - babatunde drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923 before they became the oneness of juju they were known as juju. from their second album chapter two: nia (released in 1974 as ses-7420 on the strata east imprint) comes this track. arranged by - plunky nkabinde bass [fender] - branch bells - ngoma ya uhuru congas - babatunde drums - babatunde flute - plunky nkabinde percussion - al hammel rasul , plunky nkabinde piano - al hammel rasul producer - plunky nkabinde saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde shekere - al hammel rasul vocals [poetry] - ngoma ya uhuru whistle - babatunde http://www.discogs.com/release/1223923
  under the radar - a survey of afro-cuban...
documenting the personal travels and musical research of producer-director j. plunky branch and executive producer alvin bailey, under the radar - a survey of afro-cuban music, takes viewers on a rare musical tour inside cuba today. the documentary, winner of 2005 independent black film festival audience award has been released on dvd by n.a.m.e. brand records and is available online at the film's website, www.undertheradarfilms.org, at filmbaby.com and amazon.com. for more than 40 years the united states has maintained an economic blockade against the island of cuba, restricting travel, investment and cultural exchange between americans and their caribbean neighbors just 90 miles south of florida. still, afro-cuban music is recognized as some of the most vibrant and influential rhythmic music in the world. under the radar -- a survey of afro-cuban music introduces viewers to the distinct music of cuba and examines the enigmatic island's current music scene. the film documents the in-country travel and recordings of jazz saxophonist, j. plunky branch, and features the arranged and impromptu collaborations of afro-cuban rumba, son, salsa, timba, rock, changui and hip-hop musicians and rappers. documenting the personal travels and musical research of producer-director j. plunky branch and executive producer alvin bailey, under the radar - a survey of afro-cuban music, takes viewers on a rare musical tour inside cuba today. the documentary, winner of 2005 independent black film festival audience award has been released on dvd by n.a.m.e. brand records and is available online at the film's website, www.undertheradarfilms.org, at filmbaby.com and amazon.com. for more than 40 years the united states has maintained an economic blockade against the island of cuba, restricting travel, investment and cultural exchange between americans and their caribbean neighbors just 90 miles south of florida. still, afro-cuban music is recognized as some of the most vibrant and influential rhythmic music in the world. under the radar -- a survey of afro-cuban music introduces viewers to the distinct music of cuba and examines the enigmatic island's current music scene. the film documents the in-country travel and recordings of jazz saxophonist, j. plunky branch, and features the arranged and impromptu collaborations of afro-cuban rumba, son, salsa, timba, rock, changui and hip-hop musicians and rappers. documenting the personal travels and musical research of producer-director j. plunky branch and executive producer alvin bailey, under the radar - a survey of afro-cuban music, takes viewers on a rare musical tour inside cuba today. the documentary, winner of 2005 independent black film festival audience award has been released on dvd by n.a.m.e. brand records and is available online at the film's website, www.undertheradarfilms.org, at filmbaby.com and amazon.com. for more than 40 years the united states has maintained an economic blockade against the island of cuba, restricting travel, investment and cultural exchange between americans and their caribbean neighbors just 90 miles south of florida. still, afro-cuban music is recognized as some of the most vibrant and influential rhythmic music in the world. under the radar -- a survey of afro-cuban music introduces viewers to the distinct music of cuba and examines the enigmatic island's current music scene. the film documents the in-country travel and recordings of jazz saxophonist, j. plunky branch, and features the arranged and impromptu collaborations of afro-cuban rumba, son, salsa, timba, rock, changui and hip-hop musicians and rappers.
  satan girls
plunky plunks plunky plunks plunky plunks
  juju - nairobi/chants (traditional)
before they became the oneness of juju they were known as juju. from their debut album a message from mozambique (released in 1973 as ses-19735 on the strata east imprint) comes this track. bass - ken shabala congas - babatunde double bass - ken shabala drums - babatunde flute - lon moshe flute [piccolo] - lon moshe flute [wood] - ken shabala percussion - juju percussion [shekere] - al-hammel rasul piano - al-hammel rasul producer - juju raga recorded by - marty payne remix - marzette watts saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde timbales - jalango ngoma vibraphone - lon moshe vocals - juju http://www.discogs.com/release/1271680 btw the picture is a still from the movie winners of the wilderness (1927) before they became the oneness of juju they were known as juju. from their debut album a message from mozambique (released in 1973 as ses-19735 on the strata east imprint) comes this track. bass - ken shabala congas - babatunde double bass - ken shabala drums - babatunde flute - lon moshe flute [piccolo] - lon moshe flute [wood] - ken shabala percussion - juju percussion [shekere] - al-hammel rasul piano - al-hammel rasul producer - juju raga recorded by - marty payne remix - marzette watts saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde timbales - jalango ngoma vibraphone - lon moshe vocals - juju http://www.discogs.com/release/1271680 btw the picture is a still from the movie winners of the wilderness (1927) before they became the oneness of juju they were known as juju. from their debut album a message from mozambique (released in 1973 as ses-19735 on the strata east imprint) comes this track. bass - ken shabala congas - babatunde double bass - ken shabala drums - babatunde flute - lon moshe flute [piccolo] - lon moshe flute [wood] - ken shabala percussion - juju percussion [shekere] - al-hammel rasul piano - al-hammel rasul producer - juju raga recorded by - marty payne remix - marzette watts saxophone [soprano] - plunky nkabinde saxophone [tenor] - plunky nkabinde timbales - jalango ngoma vibraphone - lon moshe vocals - juju http://www.discogs.com/release/1271680 btw the picture is a still from the movie winners of the wilderness (1927)
  goldee heart back in the day!
goldee heart's interest in music, and specifically in piano, began at the early age of seven. by age eleven goldee joined his first band as a keyboardist performing in local nightubs, and later throughout the east coast corridor. after performing with several local groups he released his first recording, goldee heart's interest in music, and specifically in piano, began at the early age of seven. by age eleven goldee joined his first band as a keyboardist performing in local nightubs, and later throughout the east coast corridor. after performing with several local groups he released his first recording, goldee heart's interest in music, and specifically in piano, began at the early age of seven. by age eleven goldee joined his first band as a keyboardist performing in local nightubs, and later throughout the east coast corridor. after performing with several local groups he released his first recording,
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