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142 Videos  
page 1 / 8
     suivant
  luttrell psalter plainchant (sneak peek)
a small segment of plainchant transcribed from the luttrell psalter by kate witney, recorded in irnham church. this music has probably not been performed for about 600 years! a full version with a quality recording by bryan rudd, will be available on the dvd. http://www.luttrellpsalter.org.uk a small segment of plainchant transcribed from the luttrell psalter by kate witney, recorded in irnham church. this music has probably not been performed for about 600 years! a full version with a quality recording by bryan rudd, will be available on the dvd. http://www.luttrellpsalter.org.uk a small segment of plainchant transcribed from the luttrell psalter by kate witney, recorded in irnham church. this music has probably not been performed for about 600 years! a full version with a quality recording by bryan rudd, will be available on the dvd. http://www.luttrellpsalter.org.uk
  caritas pater est (plainchant by chant g...
chant group psallentes consists of six professional singers, presenting a vivid performance of fifteenth century chant. here you can listen to the antiphon 'caritas pater est' while watching the same in the original manuscript (b-gu 15/1: an antiphoner from the abbey of bavo in ghent, 1481). this is from the cd 'etienne de liège - in festo sanctissimae trinitatis' ric 249. buy the cd at www.ricercar.be - other discs available as well. check it out! chant group psallentes consists of six professional singers, presenting a vivid performance of fifteenth century chant. here you can listen to the antiphon 'caritas pater est' while watching the same in the original manuscript (b-gu 15/1: an antiphoner from the abbey of bavo in ghent, 1481). this is from the cd 'etienne de liège - in festo sanctissimae trinitatis' ric 249. buy the cd at www.ricercar.be - other discs available as well. check it out! chant group psallentes consists of six professional singers, presenting a vivid performance of fifteenth century chant. here you can listen to the antiphon 'caritas pater est' while watching the same in the original manuscript (b-gu 15/1: an antiphoner from the abbey of bavo in ghent, 1481). this is from the cd 'etienne de liège - in festo sanctissimae trinitatis' ric 249. buy the cd at www.ricercar.be - other discs available as well. check it out!
  françois couperin, plain chant du kyrie ...
pièce d'ouverture de la pièce d'ouverture de la pièce d'ouverture de la
  psalm 121 ~ plainchant
watch in hq stereo at http://www.youtube.com/watch?v=yxwu_gjrqn0&fmt=18 a song of ascents. -my help comes from the lord, who made heaven and earth-. 1i will lift up my eyes to the mountains; from where shall my help come? 2my help comes from the lord, who made heaven and earth. 3he will not allow your foot to slip; he who keeps you will not slumber. 4behold, he who keeps israel will neither slumber nor sleep. 5the lord is your keeper; the lord is your shade on your right hand. 6the sun will not smite you by day, nor the moon by night. 7the lord will protect you from all evil; he will keep your soul. 8the lord will guard your going out and your coming in from this time forth and forever. - released 1995 http://www.littleportion.org/vocations/index.asp?id=14 a collection of twelve psalms, six canticles and six chants in english, latin and greek sung by john michael talbot and the monks of little portion hermitage. http://www.johnmichaeltalbot.com/albums/index.asp?id=60 watch in hq stereo at http://www.youtube.com/watch?v=yxwu_gjrqn0&fmt=18 a song of ascents. -my help comes from the lord, who made heaven and earth-. 1i will lift up my eyes to the mountains; from where shall my help come? 2my help comes from the lord, who made heaven and earth. 3he will not allow your foot to slip; he who keeps you will not slumber. 4behold, he who keeps israel will neither slumber nor sleep. 5the lord is your keeper; the lord is your shade on your right hand. 6the sun will not smite you by day, nor the moon by night. 7the lord will protect you from all evil; he will keep your soul. 8the lord will guard your going out and your coming in from this time forth and forever. - released 1995 http://www.littleportion.org/vocations/index.asp?id=14 a collection of twelve psalms, six canticles and six chants in english, latin and greek sung by john michael talbot and the monks of little portion hermitage. http://www.johnmichaeltalbot.com/albums/index.asp?id=60 watch in hq stereo at http://www.youtube.com/watch?v=yxwu_gjrqn0&fmt=18 a song of ascents. -my help comes from the lord, who made heaven and earth-. 1i will lift up my eyes to the mountains; from where shall my help come? 2my help comes from the lord, who made heaven and earth. 3he will not allow your foot to slip; he who keeps you will not slumber. 4behold, he who keeps israel will neither slumber nor sleep. 5the lord is your keeper; the lord is your shade on your right hand. 6the sun will not smite you by day, nor the moon by night. 7the lord will protect you from all evil; he will keep your soul. 8the lord will guard your going out and your coming in from this time forth and forever. - released 1995 http://www.littleportion.org/vocations/index.asp?id=14 a collection of twelve psalms, six canticles and six chants in english, latin and greek sung by john michael talbot and the monks of little portion hermitage. http://www.johnmichaeltalbot.com/albums/index.asp?id=60
  ubi caritas
me singing the soprano line of an arrangement of an old plainchant by maurice durufle. recorded on 11/20/07 in my dorm room with mixcraft. reverb was added, because plainchant sounds better with reverb. yes, i know that my voice scoops and cracks in places. :( i think i'm going to have rerecord this because all the scooping and cracking makes me annoyed. me singing the soprano line of an arrangement of an old plainchant by maurice durufle. recorded on 11/20/07 in my dorm room with mixcraft. reverb was added, because plainchant sounds better with reverb. yes, i know that my voice scoops and cracks in places. :( i think i'm going to have rerecord this because all the scooping and cracking makes me annoyed. me singing the soprano line of an arrangement of an old plainchant by maurice durufle. recorded on 11/20/07 in my dorm room with mixcraft. reverb was added, because plainchant sounds better with reverb. yes, i know that my voice scoops and cracks in places. :( i think i'm going to have rerecord this because all the scooping and cracking makes me annoyed.
  plainchant #1
original artwork by canadian artist catherine hoey http://www.catherinehoey.ca music improvisation by dylan hoey http://www.dylanhoey.com original artwork by canadian artist catherine hoey http://www.catherinehoey.ca music improvisation by dylan hoey http://www.dylanhoey.com original artwork by canadian artist catherine hoey http://www.catherinehoey.ca music improvisation by dylan hoey http://www.dylanhoey.com
  inviolata - chantres de saint-hilaire
les chantres de saint-hilaire chantent inviolata en plain-chant les chantres de saint-hilaire chantent inviolata en plain-chant les chantres de saint-hilaire chantent inviolata en plain-chant
  st. simeon prayer
st. simeon prayer sung by my girlfriend daniska at vespers out at st. john the baptist russian orthodox church in rahway, nj. this is one of my favorite chants so i recorded on my cellphone underneath a prayer book. st. simeon prayer sung by my girlfriend daniska at vespers out at st. john the baptist russian orthodox church in rahway, nj. this is one of my favorite chants so i recorded on my cellphone underneath a prayer book. st. simeon prayer sung by my girlfriend daniska at vespers out at st. john the baptist russian orthodox church in rahway, nj. this is one of my favorite chants so i recorded on my cellphone underneath a prayer book.
  oratory easter vigil 2008: the exsultet
part one of the vigil is the service of light. the paschal candle is blessed and processed into a darkened church. once at sanctuary the candle is incensed by the deacon who then announces the resurrection by singing the exsultet part one of the vigil is the service of light. the paschal candle is blessed and processed into a darkened church. once at sanctuary the candle is incensed by the deacon who then announces the resurrection by singing the exsultet part one of the vigil is the service of light. the paschal candle is blessed and processed into a darkened church. once at sanctuary the candle is incensed by the deacon who then announces the resurrection by singing the exsultet
  "ordinary" sunday gradual & alleluia @ s...
on the 16th sunday of trinity ( on the 16th sunday of trinity ( on the 16th sunday of trinity (
  divine liturgy at st. nicholas in lansfo...
a segment of the divine liturgy at st. nicholas orthodox church (american carpatho-russian orthodox diocese) on sunday, november 11, 2007. this video begins during the litany of supplication and ends after the cherubic hymn. the celebrant is fr. robert teklinski, and the cantor is raymond mastroberte. the music is a segment of the divine liturgy at st. nicholas orthodox church (american carpatho-russian orthodox diocese) on sunday, november 11, 2007. this video begins during the litany of supplication and ends after the cherubic hymn. the celebrant is fr. robert teklinski, and the cantor is raymond mastroberte. the music is a segment of the divine liturgy at st. nicholas orthodox church (american carpatho-russian orthodox diocese) on sunday, november 11, 2007. this video begins during the litany of supplication and ends after the cherubic hymn. the celebrant is fr. robert teklinski, and the cantor is raymond mastroberte. the music is
  giovanni battista pergolesi - stabat mat...
giovanni battista pergolesi - stabat mater (manuscrit des menus plaisirs du roy): 1. manuscrit d'ostuni (plain chant). stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. 2. stabat mater dolorosa. stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. les pages & les chantres de la chappele. le poème harmonique. patrizia bovi (soprano). pino de vittorio (tenor). bernard arrieta (basse). dir. olivier schneebeli. giovanni battista pergolesi - stabat mater (manuscrit des menus plaisirs du roy): 1. manuscrit d'ostuni (plain chant). stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. 2. stabat mater dolorosa. stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. les pages & les chantres de la chappele. le poème harmonique. patrizia bovi (soprano). pino de vittorio (tenor). bernard arrieta (basse). dir. olivier schneebeli. giovanni battista pergolesi - stabat mater (manuscrit des menus plaisirs du roy): 1. manuscrit d'ostuni (plain chant). stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. 2. stabat mater dolorosa. stabat mater dolorosa juxta crucem lacrimosa, dum pendebat filius. les pages & les chantres de la chappele. le poème harmonique. patrizia bovi (soprano). pino de vittorio (tenor). bernard arrieta (basse). dir. olivier schneebeli.
  messe traditionnelle à notre-dame de par...
salve regina - mot de remerciement de monsieur le curé de saint-eugène - procession à la statue de notre-dame de paris : sancta et immaculata - répons processionnel et invocation à notre-dame de paris - plain-chant grégorien et faux-bourdon de mgr jehan revert, maître de chapelle de notre-dame de paris, arrangé à 5 voix mixtes par olivier schneebeli salve regina - mot de remerciement de monsieur le curé de saint-eugène - procession à la statue de notre-dame de paris : sancta et immaculata - répons processionnel et invocation à notre-dame de paris - plain-chant grégorien et faux-bourdon de mgr jehan revert, maître de chapelle de notre-dame de paris, arrangé à 5 voix mixtes par olivier schneebeli salve regina - mot de remerciement de monsieur le curé de saint-eugène - procession à la statue de notre-dame de paris : sancta et immaculata - répons processionnel et invocation à notre-dame de paris - plain-chant grégorien et faux-bourdon de mgr jehan revert, maître de chapelle de notre-dame de paris, arrangé à 5 voix mixtes par olivier schneebeli
  michael maxwell steer plays felix namque...
tallis (c1505-85) was organist of waltham abbey at the time of its dissolution in 1540, and is best known for his 40 part motet spem in alium. felix namque is one of a pair of 'offertories': unique both for their structure, virtuosity and duration. they might have been written prior to the reformation for liturgical use, tho their blatantly applause-seeking codas render this improbable! it was the custom in the late medieval period to substitute the chanting of an offertory hymn to the virgin, felix namque, with a keyboard elaboration of the plainchant or the cantus firmus. by using its entirety as equal-length notes in the treble tallis commits himself to a nine minute piece, which he builds throu many rhythmic developments into a near-lisztian climax while keeping everything subordinated to the cantus firmus. probably written for organ, felix namque works equally well on harpsichord. doubtless intended as a tour de force it set bench-marks that were not overtaken for a century, both in keyboard technique and what we would now call 'pure' composition, that is to say music that was intended neither for the practical purposes of dance or devotion. this recording was made on a flemish-style harpsichord by michael ellis-jones (1996) for practice purposes prior to a concert. tallis (c1505-85) was organist of waltham abbey at the time of its dissolution in 1540, and is best known for his 40 part motet spem in alium. felix namque is one of a pair of 'offertories': unique both for their structure, virtuosity and duration. they might have been written prior to the reformation for liturgical use, tho their blatantly applause-seeking codas render this improbable! it was the custom in the late medieval period to substitute the chanting of an offertory hymn to the virgin, felix namque, with a keyboard elaboration of the plainchant or the cantus firmus. by using its entirety as equal-length notes in the treble tallis commits himself to a nine minute piece, which he builds throu many rhythmic developments into a near-lisztian climax while keeping everything subordinated to the cantus firmus. probably written for organ, felix namque works equally well on harpsichord. doubtless intended as a tour de force it set bench-marks that were not overtaken for a century, both in keyboard technique and what we would now call 'pure' composition, that is to say music that was intended neither for the practical purposes of dance or devotion. this recording was made on a flemish-style harpsichord by michael ellis-jones (1996) for practice purposes prior to a concert. tallis (c1505-85) was organist of waltham abbey at the time of its dissolution in 1540, and is best known for his 40 part motet spem in alium. felix namque is one of a pair of 'offertories': unique both for their structure, virtuosity and duration. they might have been written prior to the reformation for liturgical use, tho their blatantly applause-seeking codas render this improbable! it was the custom in the late medieval period to substitute the chanting of an offertory hymn to the virgin, felix namque, with a keyboard elaboration of the plainchant or the cantus firmus. by using its entirety as equal-length notes in the treble tallis commits himself to a nine minute piece, which he builds throu many rhythmic developments into a near-lisztian climax while keeping everything subordinated to the cantus firmus. probably written for organ, felix namque works equally well on harpsichord. doubtless intended as a tour de force it set bench-marks that were not overtaken for a century, both in keyboard technique and what we would now call 'pure' composition, that is to say music that was intended neither for the practical purposes of dance or devotion. this recording was made on a flemish-style harpsichord by michael ellis-jones (1996) for practice purposes prior to a concert.
  cantus - pater noster
cantus sings the pater noster (our father) plainchant, arranged by tenor gary ruschman on the 2007-08 season. cantus sings the pater noster (our father) plainchant, arranged by tenor gary ruschman on the 2007-08 season. cantus sings the pater noster (our father) plainchant, arranged by tenor gary ruschman on the 2007-08 season.
  york use - solemn te deum before the ble...
after the procession the blessed sacrament is returned to the altar and a solemn te deum is sung. the setting of the te deum used has alternate verses in plainchant and for organ and was composed by john redford (1486-1547). after the procession the blessed sacrament is returned to the altar and a solemn te deum is sung. the setting of the te deum used has alternate verses in plainchant and for organ and was composed by john redford (1486-1547). after the procession the blessed sacrament is returned to the altar and a solemn te deum is sung. the setting of the te deum used has alternate verses in plainchant and for organ and was composed by john redford (1486-1547).
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