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10 Videos  
page 1 / 1
       
  janá?ek: z mrtvého domu act 1 petrovich ...
a new prisoner, a nobleman called alexander petrovich goryanchikov (olaf bar)arrives and is interrogated by the governor (jiri sulzenko), he is robbed of his belongings and his hair is cut. when he claims to be a political prisoner the governor orders him to be flogged. the prisoners mock a wounded eagle, yet they admire it, they want it to fly, it cannot die in the prison it was born to be free: a new prisoner, a nobleman called alexander petrovich goryanchikov (olaf bar)arrives and is interrogated by the governor (jiri sulzenko), he is robbed of his belongings and his hair is cut. when he claims to be a political prisoner the governor orders him to be flogged. the prisoners mock a wounded eagle, yet they admire it, they want it to fly, it cannot die in the prison it was born to be free: a new prisoner, a nobleman called alexander petrovich goryanchikov (olaf bar)arrives and is interrogated by the governor (jiri sulzenko), he is robbed of his belongings and his hair is cut. when he claims to be a political prisoner the governor orders him to be flogged. the prisoners mock a wounded eagle, yet they admire it, they want it to fly, it cannot die in the prison it was born to be free:
  alfredo kraus sings tales of hoffmann (v...
alfredo kraus alfredo kraus alfredo kraus
  janá?ek: z mrtvého domu act 3 finale
a guard comes to call goryanchikov he is brought out to the prison yard. the commander offers a reluctant apology; he ensures his apology is accepted before telling goryanchikov that he is a free man. he orders the blacksmith to strike off his irons. at the same moment the prisoners free the eagle a guard comes to call goryanchikov he is brought out to the prison yard. the commander offers a reluctant apology; he ensures his apology is accepted before telling goryanchikov that he is a free man. he orders the blacksmith to strike off his irons. at the same moment the prisoners free the eagle a guard comes to call goryanchikov he is brought out to the prison yard. the commander offers a reluctant apology; he ensures his apology is accepted before telling goryanchikov that he is a free man. he orders the blacksmith to strike off his irons. at the same moment the prisoners free the eagle
  janá?ek: z mrtvého domu act 2 skuratov's tale
guests arrive for the holiday celebrations at the prison, a priest pronounces a blessing and the prisoners enjoy some free time. skuratov (john mark ainsley)tells the story of luisa -- a german girl he wanted to marry, she was a washerwoman and he was in love with her. but one day she said her aunt wanted her to marry a rich german watchmaker. she begged him not to ruin her opportunity. she stopped seeing him and he waited and hoped. finally he turned up uninvited at the wedding and shot the bridegroom. what became of luisa? ask the other prisoners, but skuratov just cries out guests arrive for the holiday celebrations at the prison, a priest pronounces a blessing and the prisoners enjoy some free time. skuratov (john mark ainsley)tells the story of luisa -- a german girl he wanted to marry, she was a washerwoman and he was in love with her. but one day she said her aunt wanted her to marry a rich german watchmaker. she begged him not to ruin her opportunity. she stopped seeing him and he waited and hoped. finally he turned up uninvited at the wedding and shot the bridegroom. what became of luisa? ask the other prisoners, but skuratov just cries out guests arrive for the holiday celebrations at the prison, a priest pronounces a blessing and the prisoners enjoy some free time. skuratov (john mark ainsley)tells the story of luisa -- a german girl he wanted to marry, she was a washerwoman and he was in love with her. but one day she said her aunt wanted her to marry a rich german watchmaker. she begged him not to ruin her opportunity. she stopped seeing him and he waited and hoped. finally he turned up uninvited at the wedding and shot the bridegroom. what became of luisa? ask the other prisoners, but skuratov just cries out
  janá?ek: z mrtvého domu act 2 pantomime ...
the second part of the prisoners performance is a pantomime called the second part of the prisoners performance is a pantomime called the second part of the prisoners performance is a pantomime called
  janá?ek: z mrtvého domu act 3 shishkov's...
the old prisoner says he is dying. shishkov tells his story; this is the last and longest tale in the opera. shishkov will not be hurried, he has his confession to make in the darkness of the infirmary. it is the tale of his bride akulina, the daughter of a rich merchant. shishkov was a poor devil who could hardly make ends meet. in the town there was one filka morozov who was betrothed to akulina, but now he didn't want her any more. he went to the father to get paid because he wanted to leave for the army; then he told the old man he had already slept with his daughter. filka enjoyed himself slandering the family and the neighbours could hear akulina being whipped by her parents for days on end. one day the mother got it into her head that akulina was flirting with shishkov and she arranged their marriage, since nobody else would have the girl. filka threatened he would smash shishkov's bones and sleep with his wife whenever he wanted. shishkov was drunk right up to the wedding, but finally they were left alone and he discovered she was still a virgin. olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski, the old prisoner says he is dying. shishkov tells his story; this is the last and longest tale in the opera. shishkov will not be hurried, he has his confession to make in the darkness of the infirmary. it is the tale of his bride akulina, the daughter of a rich merchant. shishkov was a poor devil who could hardly make ends meet. in the town there was one filka morozov who was betrothed to akulina, but now he didn't want her any more. he went to the father to get paid because he wanted to leave for the army; then he told the old man he had already slept with his daughter. filka enjoyed himself slandering the family and the neighbours could hear akulina being whipped by her parents for days on end. one day the mother got it into her head that akulina was flirting with shishkov and she arranged their marriage, since nobody else would have the girl. filka threatened he would smash shishkov's bones and sleep with his wife whenever he wanted. shishkov was drunk right up to the wedding, but finally they were left alone and he discovered she was still a virgin. olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski, the old prisoner says he is dying. shishkov tells his story; this is the last and longest tale in the opera. shishkov will not be hurried, he has his confession to make in the darkness of the infirmary. it is the tale of his bride akulina, the daughter of a rich merchant. shishkov was a poor devil who could hardly make ends meet. in the town there was one filka morozov who was betrothed to akulina, but now he didn't want her any more. he went to the father to get paid because he wanted to leave for the army; then he told the old man he had already slept with his daughter. filka enjoyed himself slandering the family and the neighbours could hear akulina being whipped by her parents for days on end. one day the mother got it into her head that akulina was flirting with shishkov and she arranged their marriage, since nobody else would have the girl. filka threatened he would smash shishkov's bones and sleep with his wife whenever he wanted. shishkov was drunk right up to the wedding, but finally they were left alone and he discovered she was still a virgin. olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski,
  janá?ek: z mrtvého domu act 3 shapkin's tale
in the prison infirmary goryanchikov is teaching aljeja to read the bible. luka, who is dying, accuses chekunov of licking up to goryanchikov; they fall into petty name-calling. shapkin starts to talk about the pain of getting ones ears pulled, at first he seems to be rambling, but a story begins to emerge of how he was picked up by the police for breaking and entering. at first he tried to play dumb with the district superintendent. but the superintendent pulled his ear and made him write and write, he kept pulling and shapkin kept writing. the prisoners think he has gone out of his mind! skuratov starts calling for luisa; they strap him to the bed. patrice chéreau's superb production conducted by pierre boulez olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski, in the prison infirmary goryanchikov is teaching aljeja to read the bible. luka, who is dying, accuses chekunov of licking up to goryanchikov; they fall into petty name-calling. shapkin starts to talk about the pain of getting ones ears pulled, at first he seems to be rambling, but a story begins to emerge of how he was picked up by the police for breaking and entering. at first he tried to play dumb with the district superintendent. but the superintendent pulled his ear and made him write and write, he kept pulling and shapkin kept writing. the prisoners think he has gone out of his mind! skuratov starts calling for luisa; they strap him to the bed. patrice chéreau's superb production conducted by pierre boulez olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski, in the prison infirmary goryanchikov is teaching aljeja to read the bible. luka, who is dying, accuses chekunov of licking up to goryanchikov; they fall into petty name-calling. shapkin starts to talk about the pain of getting ones ears pulled, at first he seems to be rambling, but a story begins to emerge of how he was picked up by the police for breaking and entering. at first he tried to play dumb with the district superintendent. but the superintendent pulled his ear and made him write and write, he kept pulling and shapkin kept writing. the prisoners think he has gone out of his mind! skuratov starts calling for luisa; they strap him to the bed. patrice chéreau's superb production conducted by pierre boulez olaf bär, jiri sulzenko, john mark ainsley, eric stokloßa, stefan margita, peter straka, vladmir chmelo, heinz zednik, jan galla, tomas krejcirik, martin barta, gerd grochowski,
  janá?ek: z mrtvého domu act 2 kedril and...
the prisoners stage an opera called the prisoners stage an opera called the prisoners stage an opera called
  janá?ek: z mrtvého domu finale 1
the end of the first act of z mrtvého domu, from the house of the dead. luka complains to aljeja about the rotten quality of thread they have in the prison, then he goes on to tell a story from his earlier prison experiences. he incited his fellow prisoners against the major who was particularly violent, the major would claim that he was the tsar of the prison, he said he was god! but luka had a knife in his hand, he went up to the governor and asked him the end of the first act of z mrtvého domu, from the house of the dead. luka complains to aljeja about the rotten quality of thread they have in the prison, then he goes on to tell a story from his earlier prison experiences. he incited his fellow prisoners against the major who was particularly violent, the major would claim that he was the tsar of the prison, he said he was god! but luka had a knife in his hand, he went up to the governor and asked him the end of the first act of z mrtvého domu, from the house of the dead. luka complains to aljeja about the rotten quality of thread they have in the prison, then he goes on to tell a story from his earlier prison experiences. he incited his fellow prisoners against the major who was particularly violent, the major would claim that he was the tsar of the prison, he said he was god! but luka had a knife in his hand, he went up to the governor and asked him
  janá?ek: z mrtvého domu act 3 shishkov's...
she was pure, innocent; she smiled and cried in his arms. her parents were horrified, the father even said: she was pure, innocent; she smiled and cried in his arms. her parents were horrified, the father even said: she was pure, innocent; she smiled and cried in his arms. her parents were horrified, the father even said:
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