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14 Videos  
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  i can't beleive you're in love with me -...
albany december swing dance - peter davis - keys, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar; albany december swing dance - peter davis - keys, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar; albany december swing dance - peter davis - keys, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar;
  blues - peter davis - albany december sw...
peter davis - keys, clarinet, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar; peter davis - keys, clarinet, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar; peter davis - keys, clarinet, vocal; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - guitar;
  swing dance demo - linda leverock & evan...
swing demo by evan macdonald and linda leverock at the first friday albany swing dance www.danceflurry.org with peter davis - clarinet and keys, peter ecklund - trumpet, sam zucchini - drums, mike del prete - bass, and don young on guitar. sound system provided by charltonsound. swing demo by evan macdonald and linda leverock at the first friday albany swing dance www.danceflurry.org with peter davis - clarinet and keys, peter ecklund - trumpet, sam zucchini - drums, mike del prete - bass, and don young on guitar. sound system provided by charltonsound. swing demo by evan macdonald and linda leverock at the first friday albany swing dance www.danceflurry.org with peter davis - clarinet and keys, peter ecklund - trumpet, sam zucchini - drums, mike del prete - bass, and don young on guitar. sound system provided by charltonsound.
  student showcase - ecklund
  stealin' home-gerald ross steel guitar
recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. gerald ross - steel guitar peter ecklund - trumpet marv reitz - clarinet liz masterson - guitar steve larrance - drums katie holmes - fiddle kathy reitz - bass roger bellow - guitar http://www.geraldross.com recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. gerald ross - steel guitar peter ecklund - trumpet marv reitz - clarinet liz masterson - guitar steve larrance - drums katie holmes - fiddle kathy reitz - bass roger bellow - guitar http://www.geraldross.com recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. gerald ross - steel guitar peter ecklund - trumpet marv reitz - clarinet liz masterson - guitar steve larrance - drums katie holmes - fiddle kathy reitz - bass roger bellow - guitar http://www.geraldross.com
  black bottom stomp - giordano vince 1987
black bottom stomp - giordano vince 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 vince, in this tune on bass, does a wonderful version of jelly roll morton's black bottom stomp. with some fine and exciting trumpet work by peter ecklund and with dick wellstood playing the stride piano. produced for present past productions inc entitled black bottom stomp - giordano vince 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 vince, in this tune on bass, does a wonderful version of jelly roll morton's black bottom stomp. with some fine and exciting trumpet work by peter ecklund and with dick wellstood playing the stride piano. produced for present past productions inc entitled black bottom stomp - giordano vince 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 vince, in this tune on bass, does a wonderful version of jelly roll morton's black bottom stomp. with some fine and exciting trumpet work by peter ecklund and with dick wellstood playing the stride piano. produced for present past productions inc entitled
  what a day for a daydream - don young - ...
don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; albany december swing dance don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; albany december swing dance don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; albany december swing dance
  my shoes keep walking back to you - augu...
recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. kathy reitz - bass & vocals roger bellow - guitar & vocals liz masterson - guitar & vocals peter ecklund - trumpet marv reitz - clarinet steve larrance - drums gerald ross - steel guitar katie holmes - fiddle recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. kathy reitz - bass & vocals roger bellow - guitar & vocals liz masterson - guitar & vocals peter ecklund - trumpet marv reitz - clarinet steve larrance - drums gerald ross - steel guitar katie holmes - fiddle recorded during 'swing week' at the augusta heritage center, elkins west virginia - july 13, 2008. sunday night western swing dance! an ad-hoc western swing band made up of swing week staff instructors. kathy reitz - bass & vocals roger bellow - guitar & vocals liz masterson - guitar & vocals peter ecklund - trumpet marv reitz - clarinet steve larrance - drums gerald ross - steel guitar katie holmes - fiddle
  gee baby, ain't i good to you - vince gi...
gee baby, ain't i good to you - vince giordano 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 the band plays gee baby, ain't i good to you - vince giordano 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 the band plays gee baby, ain't i good to you - vince giordano 1987 (courtesy richard roy miller & bill knowles, co-producers) vince giordano and his nighthawks is new york's leading orchestra playing jazz from the twenties and thirties. in this clip from 1987 the band plays
  rock around the clock - don young - alba...
don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass; don young - vocal and guitar; peter davis - keys; peter ecklund - trumpet; sam zucchini - drums; mike del prete - bass;
  the dandy warhols - ride
dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on
  swing that music grosz
swing that music grosz marty grosz is a one-off. but dont be misled by his role as a comic raconteur: he is also a fine jazzman, dedicated to good music. in this clip from the brecon jazz festival marty does a solo act. one of the tunes is swing that music grosz marty grosz is a one-off. but dont be misled by his role as a comic raconteur: he is also a fine jazzman, dedicated to good music. in this clip from the brecon jazz festival marty does a solo act. one of the tunes is swing that music grosz marty grosz is a one-off. but dont be misled by his role as a comic raconteur: he is also a fine jazzman, dedicated to good music. in this clip from the brecon jazz festival marty does a solo act. one of the tunes is
  cochlear ear implant and loud shirt day
a cochlear implant (ci) is a surgically implanted electronic device that provides a sense of sound to a person who is profoundly deaf or severely hard of hearing. the cochlear implant is often referred to as a bionic ear. unlike hearing aids, the cochlear implant does not amplify sound, but works by directly stimulating any functioning auditory nerves inside the cochlea with electrical impulses. external components of the cochlear implant include a microphone, speech processor and transmitter which also allows an individual to adjust the sound for quality and amplification. overview according to researchers at the university of michigan, approximately 100,000 people worldwide have received cochlear implants, with recipients split almost evenly between children and adults. the vast majority are in developed countries due to the high cost of the device, surgery and post-implantation therapy ? mexico had performed only 55 cochlear implant operations by the year 2000 (berruecos 2000). china will be having 15,000 cochlear implant surgeries on children, which are being paid for by a taiwanese philanthropist. there is concern that the follow-up services in china are not adequate to meet the needs of cochlear implanted children. a small percentage of those now have bilateral implants, or one on each cochlea. bilateral cochlear implants are a growing trend globally, cochlear americas reported that 15% of their 2006 sales in the united states were for bilateral implants. individuals who have acquired deafblindness (loss of hearing and vision combined) may find cochlear implants a radical improvement in their daily life. it may provide them with more information for safety, communication, balance, orientation and mobility and promote interaction within their environment and with other people, reducing isolation. having more auditory information that they may be familiar with may provide them independent gathering of information to become more independent. the implant often gives recipients additional auditory information, which may include sound discrimination fine enough to understand speech in quiet environments. though sufficient, and quality, post-implantation rehabilitative therapy is a critical factor affecting the success rate. the introduction of cochlear implants has seen the renewal of a century-old debate about models of deafness that often pits hearing parents of deaf children against the deaf community. there is debate whether cochlear implants are ethically sound; see ethics below. history the discovery that electrical stimulation to the auditory system can create a perception of sound occurred around 1790, when alessandro volta (the developer of the electric battery) placed metal rods in his own ears and connected them to a 50-volt circuit, experiencing a jolt and hearing a noise a cochlear implant (ci) is a surgically implanted electronic device that provides a sense of sound to a person who is profoundly deaf or severely hard of hearing. the cochlear implant is often referred to as a bionic ear. unlike hearing aids, the cochlear implant does not amplify sound, but works by directly stimulating any functioning auditory nerves inside the cochlea with electrical impulses. external components of the cochlear implant include a microphone, speech processor and transmitter which also allows an individual to adjust the sound for quality and amplification. overview according to researchers at the university of michigan, approximately 100,000 people worldwide have received cochlear implants, with recipients split almost evenly between children and adults. the vast majority are in developed countries due to the high cost of the device, surgery and post-implantation therapy ? mexico had performed only 55 cochlear implant operations by the year 2000 (berruecos 2000). china will be having 15,000 cochlear implant surgeries on children, which are being paid for by a taiwanese philanthropist. there is concern that the follow-up services in china are not adequate to meet the needs of cochlear implanted children. a small percentage of those now have bilateral implants, or one on each cochlea. bilateral cochlear implants are a growing trend globally, cochlear americas reported that 15% of their 2006 sales in the united states were for bilateral implants. individuals who have acquired deafblindness (loss of hearing and vision combined) may find cochlear implants a radical improvement in their daily life. it may provide them with more information for safety, communication, balance, orientation and mobility and promote interaction within their environment and with other people, reducing isolation. having more auditory information that they may be familiar with may provide them independent gathering of information to become more independent. the implant often gives recipients additional auditory information, which may include sound discrimination fine enough to understand speech in quiet environments. though sufficient, and quality, post-implantation rehabilitative therapy is a critical factor affecting the success rate. the introduction of cochlear implants has seen the renewal of a century-old debate about models of deafness that often pits hearing parents of deaf children against the deaf community. there is debate whether cochlear implants are ethically sound; see ethics below. history the discovery that electrical stimulation to the auditory system can create a perception of sound occurred around 1790, when alessandro volta (the developer of the electric battery) placed metal rods in his own ears and connected them to a 50-volt circuit, experiencing a jolt and hearing a noise a cochlear implant (ci) is a surgically implanted electronic device that provides a sense of sound to a person who is profoundly deaf or severely hard of hearing. the cochlear implant is often referred to as a bionic ear. unlike hearing aids, the cochlear implant does not amplify sound, but works by directly stimulating any functioning auditory nerves inside the cochlea with electrical impulses. external components of the cochlear implant include a microphone, speech processor and transmitter which also allows an individual to adjust the sound for quality and amplification. overview according to researchers at the university of michigan, approximately 100,000 people worldwide have received cochlear implants, with recipients split almost evenly between children and adults. the vast majority are in developed countries due to the high cost of the device, surgery and post-implantation therapy ? mexico had performed only 55 cochlear implant operations by the year 2000 (berruecos 2000). china will be having 15,000 cochlear implant surgeries on children, which are being paid for by a taiwanese philanthropist. there is concern that the follow-up services in china are not adequate to meet the needs of cochlear implanted children. a small percentage of those now have bilateral implants, or one on each cochlea. bilateral cochlear implants are a growing trend globally, cochlear americas reported that 15% of their 2006 sales in the united states were for bilateral implants. individuals who have acquired deafblindness (loss of hearing and vision combined) may find cochlear implants a radical improvement in their daily life. it may provide them with more information for safety, communication, balance, orientation and mobility and promote interaction within their environment and with other people, reducing isolation. having more auditory information that they may be familiar with may provide them independent gathering of information to become more independent. the implant often gives recipients additional auditory information, which may include sound discrimination fine enough to understand speech in quiet environments. though sufficient, and quality, post-implantation rehabilitative therapy is a critical factor affecting the success rate. the introduction of cochlear implants has seen the renewal of a century-old debate about models of deafness that often pits hearing parents of deaf children against the deaf community. there is debate whether cochlear implants are ethically sound; see ethics below. history the discovery that electrical stimulation to the auditory system can create a perception of sound occurred around 1790, when alessandro volta (the developer of the electric battery) placed metal rods in his own ears and connected them to a 50-volt circuit, experiencing a jolt and hearing a noise
  the dandy warhols - just try
dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic dandys rule, ok? studio album by the dandy warhols released april 6, 1995 recorded winter, 1994--1995 genre psychedelic rock length 74:02 label tim/kerr producer courtney taylor, tony lash dandys rule, ok? is the debut album by american band the dandy warhols. on set: courtney taylor -- vocals, guitar zia mccabe -- keyboards, bass peter holmstrom -- guitar eric hedford -- drums zedekiah pariah -- jew's harp on
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