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46 Videos  
page 1 / 3
     suivant
  paul hillier second solo flight
circuits around swansea airport circuits around swansea airport circuits around swansea airport
  visions of divinity (music by paul hillier)
now... for something entirely different, as john cleese would say! the religious art of kuzma petrov-vodkin is matched with... a pre-second great awakening american hymn! unlike the vacuous and vapid music currently in use amongst evangelical protestants, there was a vigorous church music tradition growing in america prior to 1800. it was destroyed by the second great awakening, which was, in actuality, a second reformation founding an entirely new faith (i would say it is closer to gnosticism than anything else). music and texts quite similar to our own in russia were replaced by treacly sentimentality and empty emotion expressing the non-credo of this new faith. i lament for a lost tradition (it exists today only in isolated pockets in the rural south, were it is known as now... for something entirely different, as john cleese would say! the religious art of kuzma petrov-vodkin is matched with... a pre-second great awakening american hymn! unlike the vacuous and vapid music currently in use amongst evangelical protestants, there was a vigorous church music tradition growing in america prior to 1800. it was destroyed by the second great awakening, which was, in actuality, a second reformation founding an entirely new faith (i would say it is closer to gnosticism than anything else). music and texts quite similar to our own in russia were replaced by treacly sentimentality and empty emotion expressing the non-credo of this new faith. i lament for a lost tradition (it exists today only in isolated pockets in the rural south, were it is known as now... for something entirely different, as john cleese would say! the religious art of kuzma petrov-vodkin is matched with... a pre-second great awakening american hymn! unlike the vacuous and vapid music currently in use amongst evangelical protestants, there was a vigorous church music tradition growing in america prior to 1800. it was destroyed by the second great awakening, which was, in actuality, a second reformation founding an entirely new faith (i would say it is closer to gnosticism than anything else). music and texts quite similar to our own in russia were replaced by treacly sentimentality and empty emotion expressing the non-credo of this new faith. i lament for a lost tradition (it exists today only in isolated pockets in the rural south, were it is known as
  perotin 'alleluia nativitas'
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  paul hillier
me me me
  perotin 'viderunt omnes' - ii
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  perotin 'viderunt omnes' - i
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  perotin 'sederunt principes' - i
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  perotin 'alleluia, posui adiutorium'
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  moteto "nesciens mater" de jean mouton
moteto moteto moteto
  perotin 'sederunt principes' - ii
pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him pérotin (circa 1165 - 1220) was a european composer, believed to be french, who lived around the end of the twelfth and beginning of the 13th century. he was the most famous member of the notre dame school of polyphony. he was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous english student at notre dame known as anonymous iv, who wrote about him. anonymous iv called him
  the lord is risen indeed! william billings
i received many nice responses from my fusion project involving an 18th century american hymn and orthodox icons, so, here is a second effort. william billings was the last prominent composer to work prior to the destruction of american sacred music during the second great awakening. the harmonics, text, and a capella setting are all familiar to an orthodox christian. there are those doing their best to preserve this heritage. i give them my regards, wish them well, and extend to them my hope that they succeed in passing on the torch to a new generation. this piece is sung by his majesty's clerkes under the direction of paul hillier. i received many nice responses from my fusion project involving an 18th century american hymn and orthodox icons, so, here is a second effort. william billings was the last prominent composer to work prior to the destruction of american sacred music during the second great awakening. the harmonics, text, and a capella setting are all familiar to an orthodox christian. there are those doing their best to preserve this heritage. i give them my regards, wish them well, and extend to them my hope that they succeed in passing on the torch to a new generation. this piece is sung by his majesty's clerkes under the direction of paul hillier. i received many nice responses from my fusion project involving an 18th century american hymn and orthodox icons, so, here is a second effort. william billings was the last prominent composer to work prior to the destruction of american sacred music during the second great awakening. the harmonics, text, and a capella setting are all familiar to an orthodox christian. there are those doing their best to preserve this heritage. i give them my regards, wish them well, and extend to them my hope that they succeed in passing on the torch to a new generation. this piece is sung by his majesty's clerkes under the direction of paul hillier.
  blagoslovi dushe moya gospoda (vespers)....
this is from the classic opus 37 setting of the vsenoshnoye vedeniye (all-night vigil) by sergei rakhmaninov. the estonian philharmonic chamber choir sings it under the direction of paul hillier, and the soloist is iris oja. it is accompanied by contemporary russian religious art. this setting is one of my particular favourites, and can move me to tears by its beauty. this is from the classic opus 37 setting of the vsenoshnoye vedeniye (all-night vigil) by sergei rakhmaninov. the estonian philharmonic chamber choir sings it under the direction of paul hillier, and the soloist is iris oja. it is accompanied by contemporary russian religious art. this setting is one of my particular favourites, and can move me to tears by its beauty. this is from the classic opus 37 setting of the vsenoshnoye vedeniye (all-night vigil) by sergei rakhmaninov. the estonian philharmonic chamber choir sings it under the direction of paul hillier, and the soloist is iris oja. it is accompanied by contemporary russian religious art. this setting is one of my particular favourites, and can move me to tears by its beauty.
  arvo part - de profundis
arvo part de profundis (1980) de profundis clamavi ad te, domine; domine, exaudi vocem meam. fiant aures tuae intendentes in vocem deprecationis meae. si iniquitates observaveris, domine, domine, quis sustinebit? quia apud te propitiatio est, et propter legem tuam. sustinui te, domine, sustinuit anima mea in verbo eius; speravit anima mea in domino a custodia matutina usque ad noctem speret israel in domino, quia apud dominum misericordia, et copiosa apud eum redemptio. et ipse redimet israel ex omnibus iniquitatibus eius. the hilliard ensemble david james counter tenor john potter tenor paul hillier baritone david bevan bass christopher bowers-broadbent organ albert bowen percussion photo: Édouard delessert arvo part de profundis (1980) de profundis clamavi ad te, domine; domine, exaudi vocem meam. fiant aures tuae intendentes in vocem deprecationis meae. si iniquitates observaveris, domine, domine, quis sustinebit? quia apud te propitiatio est, et propter legem tuam. sustinui te, domine, sustinuit anima mea in verbo eius; speravit anima mea in domino a custodia matutina usque ad noctem speret israel in domino, quia apud dominum misericordia, et copiosa apud eum redemptio. et ipse redimet israel ex omnibus iniquitatibus eius. the hilliard ensemble david james counter tenor john potter tenor paul hillier baritone david bevan bass christopher bowers-broadbent organ albert bowen percussion photo: Édouard delessert arvo part de profundis (1980) de profundis clamavi ad te, domine; domine, exaudi vocem meam. fiant aures tuae intendentes in vocem deprecationis meae. si iniquitates observaveris, domine, domine, quis sustinebit? quia apud te propitiatio est, et propter legem tuam. sustinui te, domine, sustinuit anima mea in verbo eius; speravit anima mea in domino a custodia matutina usque ad noctem speret israel in domino, quia apud dominum misericordia, et copiosa apud eum redemptio. et ipse redimet israel ex omnibus iniquitatibus eius. the hilliard ensemble david james counter tenor john potter tenor paul hillier baritone david bevan bass christopher bowers-broadbent organ albert bowen percussion photo: Édouard delessert
  slava vo vyshnikh bogu! rachmaninov
thank you mariusz for giving me the inspiration to create this video. you wished to have a version of this work done by a mixed chorus, so, here it is! this lady bows before the gentleman who gave her such a good idea! the estonian philharmonic chamber choir is directed by paul hillier, and the iconography is from the khram spas na krovi (church of our saviour on the spilled blood) in st petersburg (rf). this magnificent church was built on the very spot of the assasination of tsar aleksandr nikolaevich in 1881. vechnaya pamyat, rab bozhii aleksandr! thank you mariusz for giving me the inspiration to create this video. you wished to have a version of this work done by a mixed chorus, so, here it is! this lady bows before the gentleman who gave her such a good idea! the estonian philharmonic chamber choir is directed by paul hillier, and the iconography is from the khram spas na krovi (church of our saviour on the spilled blood) in st petersburg (rf). this magnificent church was built on the very spot of the assasination of tsar aleksandr nikolaevich in 1881. vechnaya pamyat, rab bozhii aleksandr! thank you mariusz for giving me the inspiration to create this video. you wished to have a version of this work done by a mixed chorus, so, here it is! this lady bows before the gentleman who gave her such a good idea! the estonian philharmonic chamber choir is directed by paul hillier, and the iconography is from the khram spas na krovi (church of our saviour on the spilled blood) in st petersburg (rf). this magnificent church was built on the very spot of the assasination of tsar aleksandr nikolaevich in 1881. vechnaya pamyat, rab bozhii aleksandr!
  intense asu improv
so if you become a dance major at asu you will have to take robert kaplans class, rhythmic theory. in his class towards the end of the semester you make up movement that is rhythmically pretty intense. then for a final project you take bits of that and put it into an improv. so my group showed ours at the so if you become a dance major at asu you will have to take robert kaplans class, rhythmic theory. in his class towards the end of the semester you make up movement that is rhythmically pretty intense. then for a final project you take bits of that and put it into an improv. so my group showed ours at the so if you become a dance major at asu you will have to take robert kaplans class, rhythmic theory. in his class towards the end of the semester you make up movement that is rhythmically pretty intense. then for a final project you take bits of that and put it into an improv. so my group showed ours at the
  o come, let us bow before god our king! ...
these are the first prayers of the vechernya ( these are the first prayers of the vechernya ( these are the first prayers of the vechernya (
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