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10 Videos  
page 1 / 1
       
  missa salisburgensis: sanctus & benedictus
click link for stereo sound http://www.youtube.com/watch?v=ygdlxtug4c0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. sanctus & benedictus. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=ygdlxtug4c0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. sanctus & benedictus. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=ygdlxtug4c0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. sanctus & benedictus. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  missa salisburgensis: gloria
click link for stereo sound http://www.youtube.com/watch?v=hszgvqr9df0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=hszgvqr9df0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=hszgvqr9df0&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  missa salisburgensis: agnus dei
click link for stereo sound http://www.youtube.com/watch?v=ekoy68ng1oi&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. agnus dei. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=ekoy68ng1oi&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. agnus dei. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=ekoy68ng1oi&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. agnus dei. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  missa salisburgensis: kyrie
click link for stereo sound http://www.youtube.com/watch?v=u85s0ytioog&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. kyrie. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=u85s0ytioog&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. kyrie. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. click link for stereo sound http://www.youtube.com/watch?v=u85s0ytioog&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. kyrie. musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  missa salisburgensis: gloria
stereo: http://br.youtube.com/watch?v=2ofjxhch2kk&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). ii. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=2ofjxhch2kk&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). ii. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=2ofjxhch2kk&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). ii. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  motet: plaudite tympana
click link for stereo sound http://www.youtube.com/watch?v=acvqivlqen4&fmt=18 heinrich ignaz franz biber - motet plaudite tympana (1682). musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. 1. plaudite tympana. plaudite tympana, clangite classica, fides accinite, voces applaudite, choro et jubilo, pastori maximo, applaude patria rupertum celebra. felix dies ter am?na, dies voluptatem plena, qua rupertum celebramus, qua patronum honoramus, dies felicissima. o lćta gaude patria, o lćta plaude gens, ruperti super sidera triumphat alta mens, in angelorum millibus beatorum plausibus triumphat alta mens. vive salisburgum gaude, magno patri ter applaude, in tympanis et vocibus, in barbitis et plausibus, rupertum celebra, pastori jubila. this motet is a hymn accompanying the missa salisburgensis, composed by biber in 1682 for the 1100th anniversary of the founding of the archbishopric of salzburg by saint rupert. the vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments (the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs). in this motet, only the second bass of the second choir lacks a designated solo part. the score survives as a manuscript inscribed on massive 80 centimetre tall pages. from the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer orazio benevoli (who would have been 23 years old at the assumed date of composition), or the later salzburg composer andreas hofer, however the noted biber scholar ernst hintermaier showed in the 1970s that biber is the only possible composer of the work. click link for stereo sound http://www.youtube.com/watch?v=acvqivlqen4&fmt=18 heinrich ignaz franz biber - motet plaudite tympana (1682). musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. 1. plaudite tympana. plaudite tympana, clangite classica, fides accinite, voces applaudite, choro et jubilo, pastori maximo, applaude patria rupertum celebra. felix dies ter am?na, dies voluptatem plena, qua rupertum celebramus, qua patronum honoramus, dies felicissima. o lćta gaude patria, o lćta plaude gens, ruperti super sidera triumphat alta mens, in angelorum millibus beatorum plausibus triumphat alta mens. vive salisburgum gaude, magno patri ter applaude, in tympanis et vocibus, in barbitis et plausibus, rupertum celebra, pastori jubila. this motet is a hymn accompanying the missa salisburgensis, composed by biber in 1682 for the 1100th anniversary of the founding of the archbishopric of salzburg by saint rupert. the vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments (the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs). in this motet, only the second bass of the second choir lacks a designated solo part. the score survives as a manuscript inscribed on massive 80 centimetre tall pages. from the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer orazio benevoli (who would have been 23 years old at the assumed date of composition), or the later salzburg composer andreas hofer, however the noted biber scholar ernst hintermaier showed in the 1970s that biber is the only possible composer of the work. click link for stereo sound http://www.youtube.com/watch?v=acvqivlqen4&fmt=18 heinrich ignaz franz biber - motet plaudite tympana (1682). musica antiqua köln. conducted by reinhard goebel. gabrieli consort and players. conducted by paul mccreesh. 1. plaudite tympana. plaudite tympana, clangite classica, fides accinite, voces applaudite, choro et jubilo, pastori maximo, applaude patria rupertum celebra. felix dies ter am?na, dies voluptatem plena, qua rupertum celebramus, qua patronum honoramus, dies felicissima. o lćta gaude patria, o lćta plaude gens, ruperti super sidera triumphat alta mens, in angelorum millibus beatorum plausibus triumphat alta mens. vive salisburgum gaude, magno patri ter applaude, in tympanis et vocibus, in barbitis et plausibus, rupertum celebra, pastori jubila. this motet is a hymn accompanying the missa salisburgensis, composed by biber in 1682 for the 1100th anniversary of the founding of the archbishopric of salzburg by saint rupert. the vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments (the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs). in this motet, only the second bass of the second choir lacks a designated solo part. the score survives as a manuscript inscribed on massive 80 centimetre tall pages. from the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer orazio benevoli (who would have been 23 years old at the assumed date of composition), or the later salzburg composer andreas hofer, however the noted biber scholar ernst hintermaier showed in the 1970s that biber is the only possible composer of the work.
  missa salisburgensis: agnus dei
stereo: http://br.youtube.com/watch?v=3t6o3ztxbem&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iv. agnus dei. musica antiqua köln. conducted by reinhard goebel. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=3t6o3ztxbem&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iv. agnus dei. musica antiqua köln. conducted by reinhard goebel. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=3t6o3ztxbem&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iv. agnus dei. musica antiqua köln. conducted by reinhard goebel. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  missa salisburgensis: kyrie
stereo: http://br.youtube.com/watch?v=4htsxhwzvea&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=4htsxhwzvea&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=4htsxhwzvea&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). 1. gloria. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
  1. biber: requiem a 15 / jordi savall
stereo: http://br.youtube.com/watch?v=iny0zvjfyuw&fmt=18 heinrich ignaz franz von biber (1644 - 1704). requiem a 15: i. marcia funebre. ii. introitus: requiem aeternam. la capella reial de catalunya. le concert des nations. dir: jordi savall. biber was born in wartenberg (now strá? pod ralskem, czech republic). he received his first position in 1668 as musician in the court of archbishop karl liechtenstein-kastelkorn at olmutz. but biber failed to return from a visit to innsbruck without permission. on this visit he met the at the time famous violin maker jakob stainer, who mentioned him in a later document as stereo: http://br.youtube.com/watch?v=iny0zvjfyuw&fmt=18 heinrich ignaz franz von biber (1644 - 1704). requiem a 15: i. marcia funebre. ii. introitus: requiem aeternam. la capella reial de catalunya. le concert des nations. dir: jordi savall. biber was born in wartenberg (now strá? pod ralskem, czech republic). he received his first position in 1668 as musician in the court of archbishop karl liechtenstein-kastelkorn at olmutz. but biber failed to return from a visit to innsbruck without permission. on this visit he met the at the time famous violin maker jakob stainer, who mentioned him in a later document as stereo: http://br.youtube.com/watch?v=iny0zvjfyuw&fmt=18 heinrich ignaz franz von biber (1644 - 1704). requiem a 15: i. marcia funebre. ii. introitus: requiem aeternam. la capella reial de catalunya. le concert des nations. dir: jordi savall. biber was born in wartenberg (now strá? pod ralskem, czech republic). he received his first position in 1668 as musician in the court of archbishop karl liechtenstein-kastelkorn at olmutz. but biber failed to return from a visit to innsbruck without permission. on this visit he met the at the time famous violin maker jakob stainer, who mentioned him in a later document as
  missa salisburgensis: sanctus
stereo: http://br.youtube.com/watch?v=n5o6suxhugu&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iii. sanctus. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=n5o6suxhugu&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iii. sanctus. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure. stereo: http://br.youtube.com/watch?v=n5o6suxhugu&fmt=18 heinrich ignaz franz biber - missa salisburgensis (1682). iii. sanctus. the amsterdam baroque orchestra and choir. conducted by ton koopman. the missa salisburgensis ŕ 53 voci is, perhaps, the most large-scale piece of extant sacred baroque music, an archetypical work of the colossal baroque. the author of this work is anonymous, however, recent studies of the work suggest that is almost certainly the work of heinrich ignaz franz von biber. until recently, this mass has been considered to have been a composition of orazio benevoli, or, more likely, andreas hofer, biber's close contemporary and associate. the attribution to biber is now universally accepted. the sole manuscript source narrowly escaped being used by a greengrocer to wrap vegetables for sale in the 19th century. the work is scored for very large forces and is polychoral in structure.
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