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9 Videos  
page 1 / 1
       
  new orleans -- bobby hackett, jack teaga...
new orleans -- bobby hackett, jack teagarden i could not resist to post another audio clip from this wonderful recording session from california in october 1955. many musicians have played and recorded hoagy carmichael's new orleans -- bobby hackett, jack teagarden i could not resist to post another audio clip from this wonderful recording session from california in october 1955. many musicians have played and recorded hoagy carmichael's new orleans -- bobby hackett, jack teagarden i could not resist to post another audio clip from this wonderful recording session from california in october 1955. many musicians have played and recorded hoagy carmichael's
  jim hession/little rock getaway/joe sull...
http://www.artistopia.com/hessionsession new piano cd's available as of april,2008. joe sullivan's classic swing jazz piano solo, made even more famous by bob zurke featured with bob crosby and the bobcats in the 1930's......while attending ucla music school in 1969 jim hession, the pianist, worked regular gigs with bob crosby alumnus, guitarist nappy lamare. nappy told jim that he and bob zurke had so many requests for this tune that out of boredom they converted it to a jazz waltz-one of the first jazz waltzes. according to joe sullivan's widow who came to see jim and martha's performances in the 1990's, sullivan dedicated this famous jazz classic to his http://www.artistopia.com/hessionsession new piano cd's available as of april,2008. joe sullivan's classic swing jazz piano solo, made even more famous by bob zurke featured with bob crosby and the bobcats in the 1930's......while attending ucla music school in 1969 jim hession, the pianist, worked regular gigs with bob crosby alumnus, guitarist nappy lamare. nappy told jim that he and bob zurke had so many requests for this tune that out of boredom they converted it to a jazz waltz-one of the first jazz waltzes. according to joe sullivan's widow who came to see jim and martha's performances in the 1990's, sullivan dedicated this famous jazz classic to his http://www.artistopia.com/hessionsession new piano cd's available as of april,2008. joe sullivan's classic swing jazz piano solo, made even more famous by bob zurke featured with bob crosby and the bobcats in the 1930's......while attending ucla music school in 1969 jim hession, the pianist, worked regular gigs with bob crosby alumnus, guitarist nappy lamare. nappy told jim that he and bob zurke had so many requests for this tune that out of boredom they converted it to a jazz waltz-one of the first jazz waltzes. according to joe sullivan's widow who came to see jim and martha's performances in the 1990's, sullivan dedicated this famous jazz classic to his
  i want a big butter and egg man- bobby h...
i want a big butter and egg man- bobby hackett 1955 bobbby hacket and his band started recording in some hollywood studio. the eight jazzmen set up and the engineer checked the microphone placement until all parties were satisfied with acoustics of the first tests. when the first take came back over the studio loudspeakers, it was hard to believe, hearing such relaxed and confident jazz, particularily since this group had never played together until a few days before. now, some 58 years later i cannot recall having heard such relaxed and beautiful jazz being played anywhere yet. these musicians were the champions then and as far as i'm concerned nobody has reached that level yet.. of course cornetist bobby hackett as well as trombonist jack teagarden were both at their very best and as a result of this session several more recordings were made by the two with different back-up musiccians. this california back-up team was so good that this recording still stands out and is available on cd. the other musicians were abe lincoln trombone, matty matlock clarinet, nappy lamare banjo, don owens piano, phil stephens tuba and nick fatool drums. the original lp has been in my collection since the mid fifties, shortly after being released and you guessed it: still one of my favourrites. i want a big butter and egg man- bobby hackett 1955 bobbby hacket and his band started recording in some hollywood studio. the eight jazzmen set up and the engineer checked the microphone placement until all parties were satisfied with acoustics of the first tests. when the first take came back over the studio loudspeakers, it was hard to believe, hearing such relaxed and confident jazz, particularily since this group had never played together until a few days before. now, some 58 years later i cannot recall having heard such relaxed and beautiful jazz being played anywhere yet. these musicians were the champions then and as far as i'm concerned nobody has reached that level yet.. of course cornetist bobby hackett as well as trombonist jack teagarden were both at their very best and as a result of this session several more recordings were made by the two with different back-up musiccians. this california back-up team was so good that this recording still stands out and is available on cd. the other musicians were abe lincoln trombone, matty matlock clarinet, nappy lamare banjo, don owens piano, phil stephens tuba and nick fatool drums. the original lp has been in my collection since the mid fifties, shortly after being released and you guessed it: still one of my favourrites. i want a big butter and egg man- bobby hackett 1955 bobbby hacket and his band started recording in some hollywood studio. the eight jazzmen set up and the engineer checked the microphone placement until all parties were satisfied with acoustics of the first tests. when the first take came back over the studio loudspeakers, it was hard to believe, hearing such relaxed and confident jazz, particularily since this group had never played together until a few days before. now, some 58 years later i cannot recall having heard such relaxed and beautiful jazz being played anywhere yet. these musicians were the champions then and as far as i'm concerned nobody has reached that level yet.. of course cornetist bobby hackett as well as trombonist jack teagarden were both at their very best and as a result of this session several more recordings were made by the two with different back-up musiccians. this california back-up team was so good that this recording still stands out and is available on cd. the other musicians were abe lincoln trombone, matty matlock clarinet, nappy lamare banjo, don owens piano, phil stephens tuba and nick fatool drums. the original lp has been in my collection since the mid fifties, shortly after being released and you guessed it: still one of my favourrites.
  judy garland- "swing mister charlie" 1936
-swing mister charlie- -swing mister charlie- -swing mister charlie-
  new orleans owls - pretty baby
unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926. unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926. unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926.
  julian mcmahon ~ nip/tuck ~ "king size papa"
this vid of julian mcmahon as himself, and nip/tuck's doctor christian troy, begins with a sample of sister sledge's this vid of julian mcmahon as himself, and nip/tuck's doctor christian troy, begins with a sample of sister sledge's this vid of julian mcmahon as himself, and nip/tuck's doctor christian troy, begins with a sample of sister sledge's
  new orleans owls - dynamite
by special request, i upload the flip side of the record i posted before. unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926. it should be noted that this song is a fletcher henderson composition which has nothing to do with the homonymous 1929 demille film. by special request, i upload the flip side of the record i posted before. unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926. it should be noted that this song is a fletcher henderson composition which has nothing to do with the homonymous 1929 demille film. by special request, i upload the flip side of the record i posted before. unfortunately, despite its great skill hardly anything is known about this band, except that they regularly played at hotels and elsewhere in new orleans, between 1922 and 1929. they were one of only a handful of bands that were recorded in the city of new orleans in the 1920s. 'the owls' descended from 'the invincibles string band' which had been playing around new orleans since 1912. its leader was benjie whiten who also played clarinet and alto saxophone. further instrumentists included red bowmen, cornet; sigfre christensen and moses farrar, piano; earl crumb, drums; rene gelpi, banjo, and guitar; nappy lamare, banjo; dan leblanc, tuba; frank netto, trombone; bill pardon, cornet, lester smith, tenor saxophone, as well as pinky vidacovich, clarinet and alto saxophone. this excellent record was made for columbia on april 14th, 1926. it should be noted that this song is a fletcher henderson composition which has nothing to do with the homonymous 1929 demille film.
  r. mckenzie & his mound city blue blower...
this video disappeared for a short period of time from my channel; at the same time all favorites, ratings and comments got erased. i'm really sorry for this inconvenient! since a couple of wonderful versions have recently been uploaded, i wanted to add another i particularly like, but which is not well known, as is the band interpreting this moving and skilful version. mckenzie was a versatile bandeader and musician, who led several bands under his name: red mckenzie and his mound city blue blowers, mckenzie and condon's chicagoans, mckenzie's candy kids, red mckenzie and his music box, red mckenzie and his orchestra, red mckenzie with the spirits of rhythm, as well as red mckenzie and his rhythm kings. in the band featured on this record he played comb, kazoo, and sang. later, he went on to play with the paul whiteman orchestra. in 1924, when active in chicago, his massive hit this video disappeared for a short period of time from my channel; at the same time all favorites, ratings and comments got erased. i'm really sorry for this inconvenient! since a couple of wonderful versions have recently been uploaded, i wanted to add another i particularly like, but which is not well known, as is the band interpreting this moving and skilful version. mckenzie was a versatile bandeader and musician, who led several bands under his name: red mckenzie and his mound city blue blowers, mckenzie and condon's chicagoans, mckenzie's candy kids, red mckenzie and his music box, red mckenzie and his orchestra, red mckenzie with the spirits of rhythm, as well as red mckenzie and his rhythm kings. in the band featured on this record he played comb, kazoo, and sang. later, he went on to play with the paul whiteman orchestra. in 1924, when active in chicago, his massive hit this video disappeared for a short period of time from my channel; at the same time all favorites, ratings and comments got erased. i'm really sorry for this inconvenient! since a couple of wonderful versions have recently been uploaded, i wanted to add another i particularly like, but which is not well known, as is the band interpreting this moving and skilful version. mckenzie was a versatile bandeader and musician, who led several bands under his name: red mckenzie and his mound city blue blowers, mckenzie and condon's chicagoans, mckenzie's candy kids, red mckenzie and his music box, red mckenzie and his orchestra, red mckenzie with the spirits of rhythm, as well as red mckenzie and his rhythm kings. in the band featured on this record he played comb, kazoo, and sang. later, he went on to play with the paul whiteman orchestra. in 1924, when active in chicago, his massive hit
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