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25 Videos  
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     suivant
  mr. impossible / mr. diagonal & the blac...
track from mr. diagonal & the black light orchestra's critically acclaimed debut album track from mr. diagonal & the black light orchestra's critically acclaimed debut album track from mr. diagonal & the black light orchestra's critically acclaimed debut album
  sweet 17 / mr. diagonal & the black ligh...
track from mr. diagonal & the black light orchestra's critically acclaimed debut album track from mr. diagonal & the black light orchestra's critically acclaimed debut album track from mr. diagonal & the black light orchestra's critically acclaimed debut album
  diagonal zero-como decirte
  'the diagonal steam trap' poem - jimmy ellis
now they built a big ship down in harland's she was made for to sell to the turks - and they called on the yard's chief designer to design all the engines and works. now finally the engines was ready and they screwed in the very last part an' yer man says 'let's see how she runs, lads! an' bejasus! the thing wouldn't start! so they pushed and they worked an' they footered an' the engineers' faces got red the designer he stood lookin' stupid an' scratchin' the back o' his head. but while they were fiddlin' and workin' up danders oul' jimmie dalzell he had worked twenty years in the 'island' and ten in the 'aircraft' as well. so he pushed and he worked and he muttered till he got himself through to the front and he has a good look roun' the engine an' he gives a few mutters and grunts, and then he looks up at the gaffer an' says he 'mr smith, d'ye know? they've left out the diagonal steam trap! how the hell d'ye think it could go?' now the engineer eyed the designer the designer he looks at the 'hat' and they whispered the one to the other diagonal steam trap? what's that?' but the gaffer, he wouldn't admit, like to not knowin' what this was about, so he says 'right enough, we were stupid! the diagonal steam trap's left out!' now in the meantime oul' jimmie had scarpered away down to throw in his boord and the gaffer comes up and says 'jimmy! d'ye think we could have a wee word. ye see that diagonal steam trap? i know it's left out - it's bad luck but the engine shop's terrible busy d'ye think ye could knock us one up?' now, oul' jimmy was laughin' his scone off he had made it all up for a gag he'd seen what was stoppin' the engine - the feed-pipe was blocked with a rag! but he sticks the oul' hands in the pockets an' he says 'aye, i'll give yez a han'! i'll knock yes one up in the mornin' an' the whole bloody thing will be grand!' so oul' jim starts to work the next morning to make what he called a steam trap, an oul' box an' a few bits of tubing an' a steam gauge stuck up on the top, an' he welds it all on to the engine and he says to the wonderin' mob as long as that gauge is at zero the steam trap is doin' its job!' then he pulls the rag outa the feed pipe an' he gives the oul' engine a try an' bejasus! she goes like the clappers an' oul' jimmy remarks 'that's her nye!' now the ship was the fastest seen ever so they sent her away to the turks but they toul' them 'that steam trap's a secret! we're the only ones knows how it works! but the turks they could not keep their mouths shut an' soon the whole story got roun' an' the russians got quite interested... them boys has their ears to the groun'! so they sent a spy dressed as a sailor to take photies of jimmy's steam trap and they got them all back to the kremlin an' they stood round to look at the snaps. then the head spy says 'mr kosygin! i'm damned if i see how that works! so they sent him straight off to siberia an' they bought the whole ship from the turks! when they found the steam trap was a 'cod', like, they couldn't admit they'd been had so they built a big factory in moscow to start makin' steam traps like mad! then kosygin rings up mr nixon and he says 'youse'uns thinks yez are great! but wi' our big new russian-made steam trap yez'll find that we've got yez all bate!' now oul' nixon, he nearly went 'harpic' so he thought he'd give harland's a call and he dialled the engine-shop number and of course he got sweet bugger all! but at last the call came through to jimmy in the midst of a terrible hush, 'there's a call for you here, from the white house!' says oul' jim, 'that's a shop in portrush!' there's a factory outside of seattle where they're turnin' out steam traps like hell it employs twenty-five thousand workers and the head of it... jimmy dalzell! now they built a big ship down in harland's she was made for to sell to the turks - and they called on the yard's chief designer to design all the engines and works. now finally the engines was ready and they screwed in the very last part an' yer man says 'let's see how she runs, lads! an' bejasus! the thing wouldn't start! so they pushed and they worked an' they footered an' the engineers' faces got red the designer he stood lookin' stupid an' scratchin' the back o' his head. but while they were fiddlin' and workin' up danders oul' jimmie dalzell he had worked twenty years in the 'island' and ten in the 'aircraft' as well. so he pushed and he worked and he muttered till he got himself through to the front and he has a good look roun' the engine an' he gives a few mutters and grunts, and then he looks up at the gaffer an' says he 'mr smith, d'ye know? they've left out the diagonal steam trap! how the hell d'ye think it could go?' now the engineer eyed the designer the designer he looks at the 'hat' and they whispered the one to the other diagonal steam trap? what's that?' but the gaffer, he wouldn't admit, like to not knowin' what this was about, so he says 'right enough, we were stupid! the diagonal steam trap's left out!' now in the meantime oul' jimmie had scarpered away down to throw in his boord and the gaffer comes up and says 'jimmy! d'ye think we could have a wee word. ye see that diagonal steam trap? i know it's left out - it's bad luck but the engine shop's terrible busy d'ye think ye could knock us one up?' now, oul' jimmy was laughin' his scone off he had made it all up for a gag he'd seen what was stoppin' the engine - the feed-pipe was blocked with a rag! but he sticks the oul' hands in the pockets an' he says 'aye, i'll give yez a han'! i'll knock yes one up in the mornin' an' the whole bloody thing will be grand!' so oul' jim starts to work the next morning to make what he called a steam trap, an oul' box an' a few bits of tubing an' a steam gauge stuck up on the top, an' he welds it all on to the engine and he says to the wonderin' mob as long as that gauge is at zero the steam trap is doin' its job!' then he pulls the rag outa the feed pipe an' he gives the oul' engine a try an' bejasus! she goes like the clappers an' oul' jimmy remarks 'that's her nye!' now the ship was the fastest seen ever so they sent her away to the turks but they toul' them 'that steam trap's a secret! we're the only ones knows how it works! but the turks they could not keep their mouths shut an' soon the whole story got roun' an' the russians got quite interested... them boys has their ears to the groun'! so they sent a spy dressed as a sailor to take photies of jimmy's steam trap and they got them all back to the kremlin an' they stood round to look at the snaps. then the head spy says 'mr kosygin! i'm damned if i see how that works! so they sent him straight off to siberia an' they bought the whole ship from the turks! when they found the steam trap was a 'cod', like, they couldn't admit they'd been had so they built a big factory in moscow to start makin' steam traps like mad! then kosygin rings up mr nixon and he says 'youse'uns thinks yez are great! but wi' our big new russian-made steam trap yez'll find that we've got yez all bate!' now oul' nixon, he nearly went 'harpic' so he thought he'd give harland's a call and he dialled the engine-shop number and of course he got sweet bugger all! but at last the call came through to jimmy in the midst of a terrible hush, 'there's a call for you here, from the white house!' says oul' jim, 'that's a shop in portrush!' there's a factory outside of seattle where they're turnin' out steam traps like hell it employs twenty-five thousand workers and the head of it... jimmy dalzell! now they built a big ship down in harland's she was made for to sell to the turks - and they called on the yard's chief designer to design all the engines and works. now finally the engines was ready and they screwed in the very last part an' yer man says 'let's see how she runs, lads! an' bejasus! the thing wouldn't start! so they pushed and they worked an' they footered an' the engineers' faces got red the designer he stood lookin' stupid an' scratchin' the back o' his head. but while they were fiddlin' and workin' up danders oul' jimmie dalzell he had worked twenty years in the 'island' and ten in the 'aircraft' as well. so he pushed and he worked and he muttered till he got himself through to the front and he has a good look roun' the engine an' he gives a few mutters and grunts, and then he looks up at the gaffer an' says he 'mr smith, d'ye know? they've left out the diagonal steam trap! how the hell d'ye think it could go?' now the engineer eyed the designer the designer he looks at the 'hat' and they whispered the one to the other diagonal steam trap? what's that?' but the gaffer, he wouldn't admit, like to not knowin' what this was about, so he says 'right enough, we were stupid! the diagonal steam trap's left out!' now in the meantime oul' jimmie had scarpered away down to throw in his boord and the gaffer comes up and says 'jimmy! d'ye think we could have a wee word. ye see that diagonal steam trap? i know it's left out - it's bad luck but the engine shop's terrible busy d'ye think ye could knock us one up?' now, oul' jimmy was laughin' his scone off he had made it all up for a gag he'd seen what was stoppin' the engine - the feed-pipe was blocked with a rag! but he sticks the oul' hands in the pockets an' he says 'aye, i'll give yez a han'! i'll knock yes one up in the mornin' an' the whole bloody thing will be grand!' so oul' jim starts to work the next morning to make what he called a steam trap, an oul' box an' a few bits of tubing an' a steam gauge stuck up on the top, an' he welds it all on to the engine and he says to the wonderin' mob as long as that gauge is at zero the steam trap is doin' its job!' then he pulls the rag outa the feed pipe an' he gives the oul' engine a try an' bejasus! she goes like the clappers an' oul' jimmy remarks 'that's her nye!' now the ship was the fastest seen ever so they sent her away to the turks but they toul' them 'that steam trap's a secret! we're the only ones knows how it works! but the turks they could not keep their mouths shut an' soon the whole story got roun' an' the russians got quite interested... them boys has their ears to the groun'! so they sent a spy dressed as a sailor to take photies of jimmy's steam trap and they got them all back to the kremlin an' they stood round to look at the snaps. then the head spy says 'mr kosygin! i'm damned if i see how that works! so they sent him straight off to siberia an' they bought the whole ship from the turks! when they found the steam trap was a 'cod', like, they couldn't admit they'd been had so they built a big factory in moscow to start makin' steam traps like mad! then kosygin rings up mr nixon and he says 'youse'uns thinks yez are great! but wi' our big new russian-made steam trap yez'll find that we've got yez all bate!' now oul' nixon, he nearly went 'harpic' so he thought he'd give harland's a call and he dialled the engine-shop number and of course he got sweet bugger all! but at last the call came through to jimmy in the midst of a terrible hush, 'there's a call for you here, from the white house!' says oul' jim, 'that's a shop in portrush!' there's a factory outside of seattle where they're turnin' out steam traps like hell it employs twenty-five thousand workers and the head of it... jimmy dalzell!
  olivia's secret ability
olivia attempts to do what edward calls impossible during dinner at pippin commons. olivia attempts to do what edward calls impossible during dinner at pippin commons. olivia attempts to do what edward calls impossible during dinner at pippin commons.
  mr and mrs fire eater
stunning rare footage of a fire-eating couple from the 1960s. stunning rare footage of a fire-eating couple from the 1960s. stunning rare footage of a fire-eating couple from the 1960s.
  mr twirl - 03/08/08
changing the diagonal in trot. changing the diagonal in trot. changing the diagonal in trot.
  mira mesa cheer
tha best on tha west coast- thas wasupppp !!! stuntin is a habit. sdsu competition 01/26/08 next stop; nationals in orlando, florida! *oh yeah, peep mr. j after the diagonal stunt when everyone bumps down. ahahaaaa he was soooo excited!!! teaml0ve. tha best on tha west coast- thas wasupppp !!! stuntin is a habit. sdsu competition 01/26/08 next stop; nationals in orlando, florida! *oh yeah, peep mr. j after the diagonal stunt when everyone bumps down. ahahaaaa he was soooo excited!!! teaml0ve. tha best on tha west coast- thas wasupppp !!! stuntin is a habit. sdsu competition 01/26/08 next stop; nationals in orlando, florida! *oh yeah, peep mr. j after the diagonal stunt when everyone bumps down. ahahaaaa he was soooo excited!!! teaml0ve.
  ???????????????
mr.kakuda used to tell us to hit both ends of a diagonal when using combination blows. in this video, it is remarkable that 1. he aims to lower the opponent's right hand by hitting the right shoulder again and again, in order to hit a left high kick more easily, 2. and then, he strikes a right side body blow just before finishing by left high kick at 2:44. it can keep the opponent's consciousness away from the left high kick. mr.kakuda used to tell us to hit both ends of a diagonal when using combination blows. in this video, it is remarkable that 1. he aims to lower the opponent's right hand by hitting the right shoulder again and again, in order to hit a left high kick more easily, 2. and then, he strikes a right side body blow just before finishing by left high kick at 2:44. it can keep the opponent's consciousness away from the left high kick. mr.kakuda used to tell us to hit both ends of a diagonal when using combination blows. in this video, it is remarkable that 1. he aims to lower the opponent's right hand by hitting the right shoulder again and again, in order to hit a left high kick more easily, 2. and then, he strikes a right side body blow just before finishing by left high kick at 2:44. it can keep the opponent's consciousness away from the left high kick.
  mario bros - commodore 64
nintendo's mario bros for the commodore 64. this version was ported by atarisoft, atari's home computer/console software division. atarisoft created some of the best arcade conversions of the day and mario bros was among the best arcade conversions for the c64. my friends and i spent hours on end playing this in front of the tv. here's a few phases of turtle popping action for your enjoyment. the game plays and feels very close to the arcade version, although it's a bit slower on the c64, especially if you're playing on a pal machine (or emulation). atarisoft got a lot of the little touches right that really make this feel like the original though - especially the way mario and luigi handle. the main differences are: - red, diagonal traveling fireball is missing - mr. freeze (slipice) doesn't ice over platforms - icicles don't start dive bombing you in later levels. - critters stay flipped over a bit longer the lack of red fireball(s!) and icicles make the home version a lot easier than the arcade. a few minor differences include: - floors don't deform when mario & luigi punch them - no bonus point indicators when you snag coins or kick critters off making it not so obvious the big bonuses you get kick off multiple critters - no cut scenes introducing new enemies - no high score table you may notice some of the critters, coins or fireballs appearing darker at times - they're actually flickering due to a trick atarisoft used to get more than 8 sprites the hardware was limited to on the screen at a time. mario bros is still one of my favorite arcade games and atarisoft's c64 version is a worthy tribute to the original and has held up well over the years and still worth playing in its own right. enjoy! nintendo's mario bros for the commodore 64. this version was ported by atarisoft, atari's home computer/console software division. atarisoft created some of the best arcade conversions of the day and mario bros was among the best arcade conversions for the c64. my friends and i spent hours on end playing this in front of the tv. here's a few phases of turtle popping action for your enjoyment. the game plays and feels very close to the arcade version, although it's a bit slower on the c64, especially if you're playing on a pal machine (or emulation). atarisoft got a lot of the little touches right that really make this feel like the original though - especially the way mario and luigi handle. the main differences are: - red, diagonal traveling fireball is missing - mr. freeze (slipice) doesn't ice over platforms - icicles don't start dive bombing you in later levels. - critters stay flipped over a bit longer the lack of red fireball(s!) and icicles make the home version a lot easier than the arcade. a few minor differences include: - floors don't deform when mario & luigi punch them - no bonus point indicators when you snag coins or kick critters off making it not so obvious the big bonuses you get kick off multiple critters - no cut scenes introducing new enemies - no high score table you may notice some of the critters, coins or fireballs appearing darker at times - they're actually flickering due to a trick atarisoft used to get more than 8 sprites the hardware was limited to on the screen at a time. mario bros is still one of my favorite arcade games and atarisoft's c64 version is a worthy tribute to the original and has held up well over the years and still worth playing in its own right. enjoy! nintendo's mario bros for the commodore 64. this version was ported by atarisoft, atari's home computer/console software division. atarisoft created some of the best arcade conversions of the day and mario bros was among the best arcade conversions for the c64. my friends and i spent hours on end playing this in front of the tv. here's a few phases of turtle popping action for your enjoyment. the game plays and feels very close to the arcade version, although it's a bit slower on the c64, especially if you're playing on a pal machine (or emulation). atarisoft got a lot of the little touches right that really make this feel like the original though - especially the way mario and luigi handle. the main differences are: - red, diagonal traveling fireball is missing - mr. freeze (slipice) doesn't ice over platforms - icicles don't start dive bombing you in later levels. - critters stay flipped over a bit longer the lack of red fireball(s!) and icicles make the home version a lot easier than the arcade. a few minor differences include: - floors don't deform when mario & luigi punch them - no bonus point indicators when you snag coins or kick critters off making it not so obvious the big bonuses you get kick off multiple critters - no cut scenes introducing new enemies - no high score table you may notice some of the critters, coins or fireballs appearing darker at times - they're actually flickering due to a trick atarisoft used to get more than 8 sprites the hardware was limited to on the screen at a time. mario bros is still one of my favorite arcade games and atarisoft's c64 version is a worthy tribute to the original and has held up well over the years and still worth playing in its own right. enjoy!
  ouverture des fleurs
this is from a ballet by mr. yatsuyanagi. he left this music open for me to choreograph. before everyone jumps on me for being sloppy, i realize! but you have to realize that the studio we rehearsed in is too small to do a proper diagonal, let alone a manege, and i had no coach either. so, this was the second time i'd ever even tried this choreography (the first time was in dress-rehearsal!) the soutenue at the end was accidental, but it work out musically anyways. the idea was to finish in first arabesue, then go straight to the knee. this is from a ballet by mr. yatsuyanagi. he left this music open for me to choreograph. before everyone jumps on me for being sloppy, i realize! but you have to realize that the studio we rehearsed in is too small to do a proper diagonal, let alone a manege, and i had no coach either. so, this was the second time i'd ever even tried this choreography (the first time was in dress-rehearsal!) the soutenue at the end was accidental, but it work out musically anyways. the idea was to finish in first arabesue, then go straight to the knee. this is from a ballet by mr. yatsuyanagi. he left this music open for me to choreograph. before everyone jumps on me for being sloppy, i realize! but you have to realize that the studio we rehearsed in is too small to do a proper diagonal, let alone a manege, and i had no coach either. so, this was the second time i'd ever even tried this choreography (the first time was in dress-rehearsal!) the soutenue at the end was accidental, but it work out musically anyways. the idea was to finish in first arabesue, then go straight to the knee.
  titanic - "huddle formation"
floating there with all of the powers of their buoyancy forces, shivering in the mid-atlantic and trying to resist the fatality of hypothermia, jack asks rose to promise him something. as she deliberates whether or not she can make such an important promise to him, rose has some flashbacks. and a flashforward. and a few flashsideways. and a little diagonal. song: floating there with all of the powers of their buoyancy forces, shivering in the mid-atlantic and trying to resist the fatality of hypothermia, jack asks rose to promise him something. as she deliberates whether or not she can make such an important promise to him, rose has some flashbacks. and a flashforward. and a few flashsideways. and a little diagonal. song: floating there with all of the powers of their buoyancy forces, shivering in the mid-atlantic and trying to resist the fatality of hypothermia, jack asks rose to promise him something. as she deliberates whether or not she can make such an important promise to him, rose has some flashbacks. and a flashforward. and a few flashsideways. and a little diagonal. song:
  brawl glitches and how to do them part 6
glitch explanation here here's no. 6 plz give me some more glitches derpnut plz use some and giv some =d thx luigi taunt easter egg: use your down taunt against someone on a ledge and they will go crashing down. jigglypuff exploding: hold r down all the way and you will die. ike's, marth's, yoshi's, and lucario's down b trick: keep using down b on a spring. sonic's, toon link's, mr. game and watch's down a trick: use your down a on a spring. cancel up b glitch: use your down b on a tight wall shown in the video, use your up b then quickly move and you will be tripped in mid-air. stuck on spring glitch: be mega then run fast on the spring and you will go crazy as shown in the video. ledgerunning: this one is complicated and will not work with the wii remote. on the control gamecube stick, there are eight divits. go to the right down diagonal divit. keep going down til you are still running but you are holding down. then run on the ledge and you will not run off!!! thx hope this helps will make another video soon!!!!! glitch explanation here here's no. 6 plz give me some more glitches derpnut plz use some and giv some =d thx luigi taunt easter egg: use your down taunt against someone on a ledge and they will go crashing down. jigglypuff exploding: hold r down all the way and you will die. ike's, marth's, yoshi's, and lucario's down b trick: keep using down b on a spring. sonic's, toon link's, mr. game and watch's down a trick: use your down a on a spring. cancel up b glitch: use your down b on a tight wall shown in the video, use your up b then quickly move and you will be tripped in mid-air. stuck on spring glitch: be mega then run fast on the spring and you will go crazy as shown in the video. ledgerunning: this one is complicated and will not work with the wii remote. on the control gamecube stick, there are eight divits. go to the right down diagonal divit. keep going down til you are still running but you are holding down. then run on the ledge and you will not run off!!! thx hope this helps will make another video soon!!!!! glitch explanation here here's no. 6 plz give me some more glitches derpnut plz use some and giv some =d thx luigi taunt easter egg: use your down taunt against someone on a ledge and they will go crashing down. jigglypuff exploding: hold r down all the way and you will die. ike's, marth's, yoshi's, and lucario's down b trick: keep using down b on a spring. sonic's, toon link's, mr. game and watch's down a trick: use your down a on a spring. cancel up b glitch: use your down b on a tight wall shown in the video, use your up b then quickly move and you will be tripped in mid-air. stuck on spring glitch: be mega then run fast on the spring and you will go crazy as shown in the video. ledgerunning: this one is complicated and will not work with the wii remote. on the control gamecube stick, there are eight divits. go to the right down diagonal divit. keep going down til you are still running but you are holding down. then run on the ledge and you will not run off!!! thx hope this helps will make another video soon!!!!!
  narcolepsia!?
en el hotel princess de diagonal mar saliendo del cine de ver mr.bean. en el hotel princess de diagonal mar saliendo del cine de ver mr.bean. en el hotel princess de diagonal mar saliendo del cine de ver mr.bean.
  ness underground glitch on pokemon stadium
conceived by mr. tenda, performed/captured by jeffman. do a pk thunder into ness diagonally down and left into the tree, so that ness slides along the tree and ends up inside the stage. ness should usually hit the opponent and grab the edge afterwards, but it didn't happen in this case. conceived by mr. tenda, performed/captured by jeffman. do a pk thunder into ness diagonally down and left into the tree, so that ness slides along the tree and ends up inside the stage. ness should usually hit the opponent and grab the edge afterwards, but it didn't happen in this case. conceived by mr. tenda, performed/captured by jeffman. do a pk thunder into ness diagonally down and left into the tree, so that ness slides along the tree and ends up inside the stage. ness should usually hit the opponent and grab the edge afterwards, but it didn't happen in this case.
  chuck anderson - latin casino story
when chuck was barely in his early 20s he landed the lucrative latin casino staff guitarist chair. the latin casino was a philadelphia-area nightclub just across the delaware river in cherry hill. the when chuck was barely in his early 20s he landed the lucrative latin casino staff guitarist chair. the latin casino was a philadelphia-area nightclub just across the delaware river in cherry hill. the when chuck was barely in his early 20s he landed the lucrative latin casino staff guitarist chair. the latin casino was a philadelphia-area nightclub just across the delaware river in cherry hill. the
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