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80 Videos  
page 1 / 4
     suivant
  michel godard cousins germains
michel godard/tuba cousins germains / visite wolfgang puschnig/alto saxophone christoph lauer/soprano saxophone herbert joos/trumpet franck tortiller/vibraphone wolfgang reisinger/drums video by alessio santoni roccerosse jazz michel godard/tuba cousins germains / visite wolfgang puschnig/alto saxophone christoph lauer/soprano saxophone herbert joos/trumpet franck tortiller/vibraphone wolfgang reisinger/drums video by alessio santoni roccerosse jazz michel godard/tuba cousins germains / visite wolfgang puschnig/alto saxophone christoph lauer/soprano saxophone herbert joos/trumpet franck tortiller/vibraphone wolfgang reisinger/drums video by alessio santoni roccerosse jazz
  michel godard trio
michel godard (serpent) with linda bsiri (vocal) and jarrod cagwin (percussion) live at inntöne jazzfestival (austria) 2006 michel godard (serpent) with linda bsiri (vocal) and jarrod cagwin (percussion) live at inntöne jazzfestival (austria) 2006 michel godard (serpent) with linda bsiri (vocal) and jarrod cagwin (percussion) live at inntöne jazzfestival (austria) 2006
  michel godard tuba solo on hoping jack
live in porto with rabih abou khalil quintet live in porto with rabih abou khalil quintet live in porto with rabih abou khalil quintet
  michel godard tuba solo on no mar das tu...
live in crest 2008 with rabih abou khalil quintet live in crest 2008 with rabih abou khalil quintet live in crest 2008 with rabih abou khalil quintet
  jean-luc fillon oborigins 4tet, druidos
oborigins band recorded on may 20, 2007 in oborigins band recorded on may 20, 2007 in oborigins band recorded on may 20, 2007 in
  biondini, godard, reijseger - the closer...
the closer the better(by michel godard) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv. the closer the better(by michel godard) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv. the closer the better(by michel godard) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv.
  pierre favre ensemble: serpent
pierre favre ensemble: serpent composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening pierre favre ensemble: serpent composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening pierre favre ensemble: serpent composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening
  biondini, godard, reijseger - double duty
double duty(by ernst reijseger) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv. double duty(by ernst reijseger) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv. double duty(by ernst reijseger) biondini, godard, reijseger - live in der galerie maerz 2008 04 08 luciano biondini akkordeon michel godard tuba, e-bass ernst reijseger cello italiens luciano biondini ist einer jener herausragenden musikanten, die das akkordeon nachdrücklichst zu einem vollwertigen instrument in der multistilistischen jazz-gegenwart gemacht haben. der tuba-virtuose michel godard, der das vokabular und den technischen horizont des tubaspiels beträchtlich erweitert hat, war auch maßgeblichst beteiligt am sensationellen aufbruch des französischen jazz in den 1990er jahren. und der niederländer ernst reijseger, der keine mittel und möglichkeiten auslässt, um seine cello-künste zu strukturieren, zu färben, zu dramatisieren oder zu entspannen, gehört zu jenen erfinderischen zeitgenossen, die dem cello wirklich einen platz im jazz erobert haben. luciano biondini & michel godard & ernst reijseger. drei innovatoren jazz-europas, ein nagelneues kollektiv.
  j.l. godard - the depreciation (le mepris)
the best ever love scene in cinema history. it's in french language, italian subtitles and in b/w because i use it for a job and i have it ready in this way. i suggest you try to find the original film. scorsese cite it in casino. and chanel recently did the same for a commercial http://www.youtube.com/watch?v=ngm40jwr_0e the best ever love scene in cinema history. it's in french language, italian subtitles and in b/w because i use it for a job and i have it ready in this way. i suggest you try to find the original film. scorsese cite it in casino. and chanel recently did the same for a commercial http://www.youtube.com/watch?v=ngm40jwr_0e the best ever love scene in cinema history. it's in french language, italian subtitles and in b/w because i use it for a job and i have it ready in this way. i suggest you try to find the original film. scorsese cite it in casino. and chanel recently did the same for a commercial http://www.youtube.com/watch?v=ngm40jwr_0e
  pierre favre ensemble: erba luce
pierre favre ensemble: erba luce composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening pierre favre ensemble: erba luce composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening pierre favre ensemble: erba luce composed by pierre favre pierre favre: drums, percussion hélène breschand: harp chris biscoe: saxes, alto clarinette michel godard: tuba, serpent baenz oester: double bass philipp schaufelberger: guitar wolfgang zwiauer: bass guitar back with ecm after a decade, percussionist pierre favre has delivered one of his most captivating albums. it is hardly surprising that the musician who produced such unexpected colours and textures as a solo act and from a percussion quartet (the singing drums of the 1980s) should find so many possibilities in the almost wilfully unconventional instrumentation employed for this edition of the ensemble. while there is a strong rhythmic backbone to these seven favre compositions, with bass, drums, harp and guitar often acting together as a unit to carry the pulse, it is the agreeable melodies and the ingenious, fresh and attractive voicings that distinguish the session. from the opening
  breathless - jean-luc godard
video clip synopsis of jean-luc godard's film breathless, with music by the verve. plot: michel poiccard (jean-paul belmondo) is a petty thief who makes money by stealing cars and driving them to paris to resell. when during a job michel is pulled over by a motorcycle policeman he shoots him dead and must find a way to escape the closing dragnet. in paris michel pilfers more money from an old girlfriend, and mugs a stranger in a rest room, and looks up american girl friend patricia franchini (jean seberg) an aspiring journalist who hawks the new york herald tribune on the champs elysees. michel needs to collect money for his car but also emotionally is drawn to patricia having slept with her previously and seeking some more stable bond but patricia is apprehensive about their eventual success together. after michel has collected his money and makes plans for him and patricia to go away together, patricia learns from the police about michels crime background and must make a heartfelt decision that may change their lives forever. video clip synopsis of jean-luc godard's film breathless, with music by the verve. plot: michel poiccard (jean-paul belmondo) is a petty thief who makes money by stealing cars and driving them to paris to resell. when during a job michel is pulled over by a motorcycle policeman he shoots him dead and must find a way to escape the closing dragnet. in paris michel pilfers more money from an old girlfriend, and mugs a stranger in a rest room, and looks up american girl friend patricia franchini (jean seberg) an aspiring journalist who hawks the new york herald tribune on the champs elysees. michel needs to collect money for his car but also emotionally is drawn to patricia having slept with her previously and seeking some more stable bond but patricia is apprehensive about their eventual success together. after michel has collected his money and makes plans for him and patricia to go away together, patricia learns from the police about michels crime background and must make a heartfelt decision that may change their lives forever. video clip synopsis of jean-luc godard's film breathless, with music by the verve. plot: michel poiccard (jean-paul belmondo) is a petty thief who makes money by stealing cars and driving them to paris to resell. when during a job michel is pulled over by a motorcycle policeman he shoots him dead and must find a way to escape the closing dragnet. in paris michel pilfers more money from an old girlfriend, and mugs a stranger in a rest room, and looks up american girl friend patricia franchini (jean seberg) an aspiring journalist who hawks the new york herald tribune on the champs elysees. michel needs to collect money for his car but also emotionally is drawn to patricia having slept with her previously and seeking some more stable bond but patricia is apprehensive about their eventual success together. after michel has collected his money and makes plans for him and patricia to go away together, patricia learns from the police about michels crime background and must make a heartfelt decision that may change their lives forever.
  michel godrad
voila un conert encor voila un conert encor voila un conert encor
  band of outsiders (jean-luc godard, 1964...
one of the most beautiful scene ever. the famous one of the most beautiful scene ever. the famous one of the most beautiful scene ever. the famous
  breathless (jean-luc godard, 1960) the ending
greatest ending ever! jean-luc godard's breathless (À bout de souffle; literally greatest ending ever! jean-luc godard's breathless (À bout de souffle; literally greatest ending ever! jean-luc godard's breathless (À bout de souffle; literally
  "le mépris" de jean-luc godard - bande-a...
bande-annonce originale du fim mythique de godard bande-annonce originale du fim mythique de godard bande-annonce originale du fim mythique de godard
  interview with rabih abou khalil, part 1/3
interview with rabih abou khalil in lyon, france, january 26th 2007. in tour with the rabih abou khalil quintet. line up: rabih abou khalil: oud, words michel godard: tuba jarod cagwin: drums, frame drums, percs gabriel mirabassi: accordion gavino murgia: vocals, clarinet interview with rabih abou khalil in lyon, france, january 26th 2007. in tour with the rabih abou khalil quintet. line up: rabih abou khalil: oud, words michel godard: tuba jarod cagwin: drums, frame drums, percs gabriel mirabassi: accordion gavino murgia: vocals, clarinet interview with rabih abou khalil in lyon, france, january 26th 2007. in tour with the rabih abou khalil quintet. line up: rabih abou khalil: oud, words michel godard: tuba jarod cagwin: drums, frame drums, percs gabriel mirabassi: accordion gavino murgia: vocals, clarinet
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