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12 Videos  
page 1 / 1
       
  britten: the turn of the screw (opus arte)
www.opusarte.com / benjamin britten's haunting and sinister opera, composed in 1954, is based on the famous novella written by henry james in 1898. katie mitchell's atmospheric and innovative film of the opera returns to the late 19th century setting of the original story, fulbeck hall in lincolnshire. more info at: www.opusarte.com www.opusarte.com / benjamin britten's haunting and sinister opera, composed in 1954, is based on the famous novella written by henry james in 1898. katie mitchell's atmospheric and innovative film of the opera returns to the late 19th century setting of the original story, fulbeck hall in lincolnshire. more info at: www.opusarte.com www.opusarte.com / benjamin britten's haunting and sinister opera, composed in 1954, is based on the famous novella written by henry james in 1898. katie mitchell's atmospheric and innovative film of the opera returns to the late 19th century setting of the original story, fulbeck hall in lincolnshire. more info at: www.opusarte.com
  bizet: carmen (opus arte)
www.opusarte.com / an exhilarating carmen from glyndebourne. director david mcvicar describes carmen as www.opusarte.com / an exhilarating carmen from glyndebourne. director david mcvicar describes carmen as www.opusarte.com / an exhilarating carmen from glyndebourne. director david mcvicar describes carmen as
  s'altro che lagrime
mozart's la clemenza di tito 1. non giova lusingarsi (vitellia, annio, servilia) 2. s'altro che lagrime (servilia) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello mozart's la clemenza di tito 1. non giova lusingarsi (vitellia, annio, servilia) 2. s'altro che lagrime (servilia) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello mozart's la clemenza di tito 1. non giova lusingarsi (vitellia, annio, servilia) 2. s'altro che lagrime (servilia) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello
  mozart idomeneo quando avran/ padre germani
sir charles mackerras lisa milne even the recicative is great! recitative ilia when will my bitter misfortunes be ended? unhappy ilia, wretched survivor of a dreadful tempest, bereft of father and brothers, the victims' blood spilt and mingled with the blood of their savage foes, for what harsher fate have the gods preserved you? ... are the loss and shame of priam and troy avenged? the greek fleet is destroyed, and idomeneo perhaps will be a meal for hungry fish ... but what comfort is that to me, ye heavens, if at the first sight of that valiant idamante who snatched me from the waves i forgot my hatred, and my heart was enslaved before i realised i was a prisoner. o god, what a conflict of warring emotions you rouse in my breast, hate and love! i owe vengeance to him who gave me life, gratitude to him who restored it ... o ilia! o father, o prince, o destiny! ill?fated life, o sweet death! but yet does idamante love me? ... ah no; ungratefully he sighs for electra; and that electra, unhappy princess, an exile from argos and the torments of orestes, who fled, a wanderer, to these shores, is my rival. ruthless butchers, how many of you surround me?... then up and shatter vengeance, jealousy, hate and love; yes, shatter my unhappy heart! no. 1 - aria ilia father, brothers, farewell! you are no more; i have lost you. greece, you are the cause; and shall i now love a greek? i know that i am guilty of abandoning my kin; but i cannot bring myself, o gods, to hate that face. recitativo ilia quando avran fine omai l'aspre sventure mie? ilia infelice! di tempesta crudel misero avanzo, del genitor, e de' germani priva del barbaro nemico misto col sangue il sangue vittime generose, a qual sorte più rea ti riserbano i numi?... pur vendicaste voi di priamo, e di troia i danni, e l'onte? perì la flotta argiva, e idomeneo pasto forse sarà d'orca vorace... ma che mi giova, oh ciel! se al primo aspetto di quel prode idamante, che all'onde mi rapì, l'odio deposi, e pria fu schiavo il cor, che m'accorgessi d'essere prigioniera. ah qual contrasto, oh dio! d'opposti affetti mi destate nel sen odio, ed amore! vendetta deggio a chi mi diè la vita, gratitudine a chi vita mi rende... oh ilia! oh genitor! oh prence! oh sorte! oh vita sventurata! oh dolce morte! ma che? m'ama idamante?... ah no; l'ingrato per elettra sospira, e quell' elettra meschina principessa esule d'argo, d'oreste alle sciagure a queste arene fuggitiva, raminga, è mia rivale. quanti mi siete intorno carnefici spietati?... orsù sbranate vendetta, gelosia, odio, ed amore, sbranate sì quest'infelice core! no. 1 - aria ilia padre, germani, addio! voi foste, io vi perdei. grecia, cagion tu sei. e un greco adorerò? d'ingrata al sangue mio so, che la colpa avrei; ma quel sembiante, oh dei! odiare ancor non so. sir charles mackerras lisa milne even the recicative is great! recitative ilia when will my bitter misfortunes be ended? unhappy ilia, wretched survivor of a dreadful tempest, bereft of father and brothers, the victims' blood spilt and mingled with the blood of their savage foes, for what harsher fate have the gods preserved you? ... are the loss and shame of priam and troy avenged? the greek fleet is destroyed, and idomeneo perhaps will be a meal for hungry fish ... but what comfort is that to me, ye heavens, if at the first sight of that valiant idamante who snatched me from the waves i forgot my hatred, and my heart was enslaved before i realised i was a prisoner. o god, what a conflict of warring emotions you rouse in my breast, hate and love! i owe vengeance to him who gave me life, gratitude to him who restored it ... o ilia! o father, o prince, o destiny! ill?fated life, o sweet death! but yet does idamante love me? ... ah no; ungratefully he sighs for electra; and that electra, unhappy princess, an exile from argos and the torments of orestes, who fled, a wanderer, to these shores, is my rival. ruthless butchers, how many of you surround me?... then up and shatter vengeance, jealousy, hate and love; yes, shatter my unhappy heart! no. 1 - aria ilia father, brothers, farewell! you are no more; i have lost you. greece, you are the cause; and shall i now love a greek? i know that i am guilty of abandoning my kin; but i cannot bring myself, o gods, to hate that face. recitativo ilia quando avran fine omai l'aspre sventure mie? ilia infelice! di tempesta crudel misero avanzo, del genitor, e de' germani priva del barbaro nemico misto col sangue il sangue vittime generose, a qual sorte più rea ti riserbano i numi?... pur vendicaste voi di priamo, e di troia i danni, e l'onte? perì la flotta argiva, e idomeneo pasto forse sarà d'orca vorace... ma che mi giova, oh ciel! se al primo aspetto di quel prode idamante, che all'onde mi rapì, l'odio deposi, e pria fu schiavo il cor, che m'accorgessi d'essere prigioniera. ah qual contrasto, oh dio! d'opposti affetti mi destate nel sen odio, ed amore! vendetta deggio a chi mi diè la vita, gratitudine a chi vita mi rende... oh ilia! oh genitor! oh prence! oh sorte! oh vita sventurata! oh dolce morte! ma che? m'ama idamante?... ah no; l'ingrato per elettra sospira, e quell' elettra meschina principessa esule d'argo, d'oreste alle sciagure a queste arene fuggitiva, raminga, è mia rivale. quanti mi siete intorno carnefici spietati?... orsù sbranate vendetta, gelosia, odio, ed amore, sbranate sì quest'infelice core! no. 1 - aria ilia padre, germani, addio! voi foste, io vi perdei. grecia, cagion tu sei. e un greco adorerò? d'ingrata al sangue mio so, che la colpa avrei; ma quel sembiante, oh dei! odiare ancor non so. sir charles mackerras lisa milne even the recicative is great! recitative ilia when will my bitter misfortunes be ended? unhappy ilia, wretched survivor of a dreadful tempest, bereft of father and brothers, the victims' blood spilt and mingled with the blood of their savage foes, for what harsher fate have the gods preserved you? ... are the loss and shame of priam and troy avenged? the greek fleet is destroyed, and idomeneo perhaps will be a meal for hungry fish ... but what comfort is that to me, ye heavens, if at the first sight of that valiant idamante who snatched me from the waves i forgot my hatred, and my heart was enslaved before i realised i was a prisoner. o god, what a conflict of warring emotions you rouse in my breast, hate and love! i owe vengeance to him who gave me life, gratitude to him who restored it ... o ilia! o father, o prince, o destiny! ill?fated life, o sweet death! but yet does idamante love me? ... ah no; ungratefully he sighs for electra; and that electra, unhappy princess, an exile from argos and the torments of orestes, who fled, a wanderer, to these shores, is my rival. ruthless butchers, how many of you surround me?... then up and shatter vengeance, jealousy, hate and love; yes, shatter my unhappy heart! no. 1 - aria ilia father, brothers, farewell! you are no more; i have lost you. greece, you are the cause; and shall i now love a greek? i know that i am guilty of abandoning my kin; but i cannot bring myself, o gods, to hate that face. recitativo ilia quando avran fine omai l'aspre sventure mie? ilia infelice! di tempesta crudel misero avanzo, del genitor, e de' germani priva del barbaro nemico misto col sangue il sangue vittime generose, a qual sorte più rea ti riserbano i numi?... pur vendicaste voi di priamo, e di troia i danni, e l'onte? perì la flotta argiva, e idomeneo pasto forse sarà d'orca vorace... ma che mi giova, oh ciel! se al primo aspetto di quel prode idamante, che all'onde mi rapì, l'odio deposi, e pria fu schiavo il cor, che m'accorgessi d'essere prigioniera. ah qual contrasto, oh dio! d'opposti affetti mi destate nel sen odio, ed amore! vendetta deggio a chi mi diè la vita, gratitudine a chi vita mi rende... oh ilia! oh genitor! oh prence! oh sorte! oh vita sventurata! oh dolce morte! ma che? m'ama idamante?... ah no; l'ingrato per elettra sospira, e quell' elettra meschina principessa esule d'argo, d'oreste alle sciagure a queste arene fuggitiva, raminga, è mia rivale. quanti mi siete intorno carnefici spietati?... orsù sbranate vendetta, gelosia, odio, ed amore, sbranate sì quest'infelice core! no. 1 - aria ilia padre, germani, addio! voi foste, io vi perdei. grecia, cagion tu sei. e un greco adorerò? d'ingrata al sangue mio so, che la colpa avrei; ma quel sembiante, oh dei! odiare ancor non so.
  ah perdona al primo affeto
mozart's la clemenza di tito 1. non ci pentiam (annio, servilia) 2. ah perdona al primo affeto (same) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello mozart's la clemenza di tito 1. non ci pentiam (annio, servilia) 2. ah perdona al primo affeto (same) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello mozart's la clemenza di tito 1. non ci pentiam (annio, servilia) 2. ah perdona al primo affeto (same) lisa milne, soprano (servilia) christine rice, mezzo (annio) sir charles mackerras; scottish chamber orchestra continuo: ronald schneider, fortepiano david watkin, cello
  ma che giorno mai questo...tu e ver m'as...
mozart's la clemenza di tito 1. ma che giorno mai questo (tito) 2. tu e ver m'assolvi augusto (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) ranier trost, tenor (tito) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus mozart's la clemenza di tito 1. ma che giorno mai questo (tito) 2. tu e ver m'assolvi augusto (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) ranier trost, tenor (tito) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus mozart's la clemenza di tito 1. ma che giorno mai questo (tito) 2. tu e ver m'assolvi augusto (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) ranier trost, tenor (tito) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus
  working in partnership - anne and lisa
the video shows an innovative project embedding higher education within the lifestyles and locality of a group of young asian women through a partnership arrangement between the open university and sure start, the government's programme for delivering the best start for every child. lisa cahill is a programme manager at sure start west central halifax. anne milne is a project worker at the open university in yorkshire. for more information see: http://www.open.ac.uk/widening-participation/ http://www.open.ac.uk/use - the video shows an innovative project embedding higher education within the lifestyles and locality of a group of young asian women through a partnership arrangement between the open university and sure start, the government's programme for delivering the best start for every child. lisa cahill is a programme manager at sure start west central halifax. anne milne is a project worker at the open university in yorkshire. for more information see: http://www.open.ac.uk/widening-participation/ http://www.open.ac.uk/use - the video shows an innovative project embedding higher education within the lifestyles and locality of a group of young asian women through a partnership arrangement between the open university and sure start, the government's programme for delivering the best start for every child. lisa cahill is a programme manager at sure start west central halifax. anne milne is a project worker at the open university in yorkshire. for more information see: http://www.open.ac.uk/widening-participation/ http://www.open.ac.uk/use -
  o dei che smania...deh conservate o dei
mozart's la clemenza di tito 1. o dei che smania (sesto) 2. deh conservate o dei (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus mozart's la clemenza di tito 1. o dei che smania (sesto) 2. deh conservate o dei (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus mozart's la clemenza di tito 1. o dei che smania (sesto) 2. deh conservate o dei (all) hillevi martinpelto, soprano (vitellia) lisa milne, soprano (servilia) magdalena kozena, mezzo (sesto) christine rice, mezzo (annio) john relyea, bass (publio) sir charles mackerras; scottish chamber orchestra and chorus
  bus to glasgow
decided to upload some of my old videos decided to upload some of my old videos decided to upload some of my old videos
  karokeee =d
me carrie nicole & lisa =d me carrie nicole & lisa =d me carrie nicole & lisa =d
  haha nic & feef
a night before cheer =)! a night before cheer =)! a night before cheer =)!
  the dwarf, the rose, and the swallow, 1m...
as performed at ayden gallery in summer 2006. staring megan nadain, mary-anne wong, and andrew milne. music by kris mitchell. costumes by tyr jami, choreography by lisa gough. as performed at ayden gallery in summer 2006. staring megan nadain, mary-anne wong, and andrew milne. music by kris mitchell. costumes by tyr jami, choreography by lisa gough. as performed at ayden gallery in summer 2006. staring megan nadain, mary-anne wong, and andrew milne. music by kris mitchell. costumes by tyr jami, choreography by lisa gough.
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