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82 Videos  
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  la jazz institute lennie niehaus
end of a love affair end of a love affair end of a love affair
  lioness by lennie niehaus - sax quartet
this is an old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 2nd movement, lioness, from the miniature jazz suite #6 by lennie niehaus. we played that and the 3rd movement, hornist nest, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). i also made a video of us playing hornist nest but the sound quality was a bit distorted. i know in this video we have some little issues with breathing all at the same time and stuff like that, but in general i think it was pretty good. take into consideration that we were playing in a storage room with hardly enough space to play and that does have some effect on sound quality and stuff. we made a 1+ (the + technically wasn't allowed). instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature. this is an old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 2nd movement, lioness, from the miniature jazz suite #6 by lennie niehaus. we played that and the 3rd movement, hornist nest, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). i also made a video of us playing hornist nest but the sound quality was a bit distorted. i know in this video we have some little issues with breathing all at the same time and stuff like that, but in general i think it was pretty good. take into consideration that we were playing in a storage room with hardly enough space to play and that does have some effect on sound quality and stuff. we made a 1+ (the + technically wasn't allowed). instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature. this is an old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 2nd movement, lioness, from the miniature jazz suite #6 by lennie niehaus. we played that and the 3rd movement, hornist nest, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). i also made a video of us playing hornist nest but the sound quality was a bit distorted. i know in this video we have some little issues with breathing all at the same time and stuff like that, but in general i think it was pretty good. take into consideration that we were playing in a storage room with hardly enough space to play and that does have some effect on sound quality and stuff. we made a 1+ (the + technically wasn't allowed). instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature.
  unforgiven - 24 - claudia's theme (lenni...
original soundtrack by lennie niehaus original soundtrack by lennie niehaus original soundtrack by lennie niehaus
  sullivan's revenge composed by lennie niehaus
from the original score for the clint eastwood film from the original score for the clint eastwood film from the original score for the clint eastwood film
  lennie niehaus - advanced etude no. 13 -...
juicy lil' tune. not sure if you're gonna be able to hear it on the audio after two recompressions, but the altissimo a on the recap lights up a big echo at the back of the crowd. heh heh juicy lil' tune. not sure if you're gonna be able to hear it on the audio after two recompressions, but the altissimo a on the recap lights up a big echo at the back of the crowd. heh heh juicy lil' tune. not sure if you're gonna be able to hear it on the audio after two recompressions, but the altissimo a on the recap lights up a big echo at the back of the crowd. heh heh
  la jazz inst. lennie niehaus stan kenton...
ev'ry time we say goodbye ev'ry time we say goodbye ev'ry time we say goodbye
  flags of our fathers (music sample)
fyc: best score a sampling of music written by clint eastwood for his movie flags of our fathers. orchestrated by lennie niehaus. the soundtrack, released on october 17, 2006, contains the original score as well as period songs. clint eastwood has achieved his best musical composition to date, with a beautiful yet subtle orchestration. the music is nostalgic, not overpowering, and effectively conveys the melancholic feelings of the surviving flagraisers, whose celebrity back home conflicts with their memories of iwo jima. for your consideration: best score. hollywood foreign press association academy of motion picture arts & sciences fyc: best score a sampling of music written by clint eastwood for his movie flags of our fathers. orchestrated by lennie niehaus. the soundtrack, released on october 17, 2006, contains the original score as well as period songs. clint eastwood has achieved his best musical composition to date, with a beautiful yet subtle orchestration. the music is nostalgic, not overpowering, and effectively conveys the melancholic feelings of the surviving flagraisers, whose celebrity back home conflicts with their memories of iwo jima. for your consideration: best score. hollywood foreign press association academy of motion picture arts & sciences fyc: best score a sampling of music written by clint eastwood for his movie flags of our fathers. orchestrated by lennie niehaus. the soundtrack, released on october 17, 2006, contains the original score as well as period songs. clint eastwood has achieved his best musical composition to date, with a beautiful yet subtle orchestration. the music is nostalgic, not overpowering, and effectively conveys the melancholic feelings of the surviving flagraisers, whose celebrity back home conflicts with their memories of iwo jima. for your consideration: best score. hollywood foreign press association academy of motion picture arts & sciences
  la jazz inst. lennie niehaus stan kenton...
all at once you love her all at once you love her all at once you love her
  risax quartet - lo and behold¡ de lennie...
el cuerteto de saxfones del conservatorio de gijón ,el risax quartet, interpreta lo and behold¡ de los jazz mosaics de lennie niehaus en los encuentro musicales de el entrego del 2008 el cuerteto de saxfones del conservatorio de gijón ,el risax quartet, interpreta lo and behold¡ de los jazz mosaics de lennie niehaus en los encuentro musicales de el entrego del 2008 el cuerteto de saxfones del conservatorio de gijón ,el risax quartet, interpreta lo and behold¡ de los jazz mosaics de lennie niehaus en los encuentro musicales de el entrego del 2008
  hornist nest by lennie niehaus - sax quartet
this is an another old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 3rd movement, hornist nest, from the miniature jazz suite #6 by lennie niehaus. we played that and the 2nd movement, lioness, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). since we were playing in a pretty tight space, the dynamic are a bit distorted. the sound quality isn't amazing, but it's still pretty good. instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature. this is an another old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 3rd movement, hornist nest, from the miniature jazz suite #6 by lennie niehaus. we played that and the 2nd movement, lioness, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). since we were playing in a pretty tight space, the dynamic are a bit distorted. the sound quality isn't amazing, but it's still pretty good. instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature. this is an another old video that i didn't even remember making. it was my 8th grade saxophone quartet playing the 3rd movement, hornist nest, from the miniature jazz suite #6 by lennie niehaus. we played that and the 2nd movement, lioness, for our district solo and ensemble competition. (obviously this was an ensemble, not a solo). since we were playing in a pretty tight space, the dynamic are a bit distorted. the sound quality isn't amazing, but it's still pretty good. instrumentation: 1st alto - jared beu (me) (8th) 2nd alto - sindhu (7th) tenor - minsuk (7th) baritone - david nguyen (8th) for anyone interested, on alto i am playing a vandoren traditional strength 5 on a selmer s-80 d mouthpiece with a vandoren optimum ligature. on bari, david is playing a vandoren traditional strength 5 on a selmer s-80 c* mouthpiece with a rovner ligature.
  la jazz inst. lennie niehaus 7
stella by starlight stella by starlight stella by starlight
  la jazz inst. lennie niehaus 3
time after time & lullaby of birdland time after time & lullaby of birdland time after time & lullaby of birdland
  la jazz inst. lennie niehaus 4
it's all right with me it's all right with me it's all right with me
  lucky seven by lennie niehaus
hernasax saxophone ensemble hernasax saxophone choir itsaso pacheco (spr. sx.); maialen alberro (clar.); bingen eletxigerra (alto sax); ander loiarte (alto sax); imanol garcía (tenor sax); axel tranche (tenor sax); aritz ostolaza (barit. sax); imanol andres (barit sax) miren zubillaga (keyboard) hernasax saxofoi taldea hernasax saxophone ensemble hernasax saxophone choir itsaso pacheco (spr. sx.); maialen alberro (clar.); bingen eletxigerra (alto sax); ander loiarte (alto sax); imanol garcía (tenor sax); axel tranche (tenor sax); aritz ostolaza (barit. sax); imanol andres (barit sax) miren zubillaga (keyboard) hernasax saxofoi taldea hernasax saxophone ensemble hernasax saxophone choir itsaso pacheco (spr. sx.); maialen alberro (clar.); bingen eletxigerra (alto sax); ander loiarte (alto sax); imanol garcía (tenor sax); axel tranche (tenor sax); aritz ostolaza (barit. sax); imanol andres (barit sax) miren zubillaga (keyboard) hernasax saxofoi taldea
  la jazz inst. lennie niehaus cole porter...
i love paris i love paris i love paris
  la jazz inst. lennie niehaus i've never ...
i've never been in love before i've never been in love before i've never been in love before
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