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2 Videos  
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  irina mataeva- «you» and «thou» (ty i v...
irina mataeva, lyric soprano (repost) although anna netrebko is undoubtedly a wonderful singer, her fame has tended to overshadow other talented lyric sopranos that have emerged from russia in the last decade or so. galina gorchakova is one such example. another is irina mataeva, a native of tyumen and member of the mariinsky (kirov) theater, with which she has appeared on tour at the met. i had the pleasure of seeing ms. mataeva on stage twice a few years ago. the first was an evening of operetta arias and duets, with other young members of the mariinsky academy of young singers. the other was in the role of amour- in a concert performance of berlioz's 1859 revision of gluck's orphee, alongside a stupendous ewa podles. mataeva's voice, while not a large instrument, is clear, pure, and limpid as a mountain brook- a true delight to listen to. and she is a lovely and gracious young lady. the only other youtube clip of the singer (tatiana's letter scene) does not show her at her best, so i thought i'd provide a recording that does. césar cui's romance «you» and «thou» (ty i vy), op. 57, no.11, is a setting of a tender poem by aleksandr pushkin, which plays on the subtle difference between formal and informal means of address in the russian language. a young girl's slight slip of the tongue in favor of the informal irina mataeva, lyric soprano (repost) although anna netrebko is undoubtedly a wonderful singer, her fame has tended to overshadow other talented lyric sopranos that have emerged from russia in the last decade or so. galina gorchakova is one such example. another is irina mataeva, a native of tyumen and member of the mariinsky (kirov) theater, with which she has appeared on tour at the met. i had the pleasure of seeing ms. mataeva on stage twice a few years ago. the first was an evening of operetta arias and duets, with other young members of the mariinsky academy of young singers. the other was in the role of amour- in a concert performance of berlioz's 1859 revision of gluck's orphee, alongside a stupendous ewa podles. mataeva's voice, while not a large instrument, is clear, pure, and limpid as a mountain brook- a true delight to listen to. and she is a lovely and gracious young lady. the only other youtube clip of the singer (tatiana's letter scene) does not show her at her best, so i thought i'd provide a recording that does. césar cui's romance «you» and «thou» (ty i vy), op. 57, no.11, is a setting of a tender poem by aleksandr pushkin, which plays on the subtle difference between formal and informal means of address in the russian language. a young girl's slight slip of the tongue in favor of the informal irina mataeva, lyric soprano (repost) although anna netrebko is undoubtedly a wonderful singer, her fame has tended to overshadow other talented lyric sopranos that have emerged from russia in the last decade or so. galina gorchakova is one such example. another is irina mataeva, a native of tyumen and member of the mariinsky (kirov) theater, with which she has appeared on tour at the met. i had the pleasure of seeing ms. mataeva on stage twice a few years ago. the first was an evening of operetta arias and duets, with other young members of the mariinsky academy of young singers. the other was in the role of amour- in a concert performance of berlioz's 1859 revision of gluck's orphee, alongside a stupendous ewa podles. mataeva's voice, while not a large instrument, is clear, pure, and limpid as a mountain brook- a true delight to listen to. and she is a lovely and gracious young lady. the only other youtube clip of the singer (tatiana's letter scene) does not show her at her best, so i thought i'd provide a recording that does. césar cui's romance «you» and «thou» (ty i vy), op. 57, no.11, is a setting of a tender poem by aleksandr pushkin, which plays on the subtle difference between formal and informal means of address in the russian language. a young girl's slight slip of the tongue in favor of the informal
  larissa gergieva
clip from a lecture by larissa gergieva, director of the mariinsky conservatory and professor of staging clip from a lecture by larissa gergieva, director of the mariinsky conservatory and professor of staging clip from a lecture by larissa gergieva, director of the mariinsky conservatory and professor of staging
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