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6 Videos  
page 1 / 1
       
  kahvas jute - parade of fools
where were you in 1971? i was at the arts factory, sydney, australia, watching this fine little band... where were you in 1971? i was at the arts factory, sydney, australia, watching this fine little band... where were you in 1971? i was at the arts factory, sydney, australia, watching this fine little band...
  kahvas jute - odyssey [made by strappado]
a progressive hard rock combo based in sydney and active between 1970-74. their album is renowned for the stunning guitar playing of wilson (ex-mecca) and gaze (ex-tamam shud) and the strength of the songwriting. the stand-out and longest track is 'parade of fools'. it opens with some pulsating wah wah guitar from wilson and the band then branch out into a lengthy but wholly effective jam which underscores wilson and gaze as one of the great pairings of aussie rock in this era. their 45 was taken from the album. gaze returned to tamam shud soon after the album was recorded. the band went on to become one of the finest acts of the era, but they never recorded again. it also made the top 30. maxey replaced daisley in 1971. 'free' can also be heard on 'group therapy', which was a sampler for albums released by festival on their new infinity label in 1971. after their demise wilson joined chariot, davidson went on to session work and daisley moved to england and became bassist with outfits like ritchie blackmore's rainbow, gary moore band, widowmaker and ozzy osbourne's blizzard of ozz. go to my profile to find other rare music. a progressive hard rock combo based in sydney and active between 1970-74. their album is renowned for the stunning guitar playing of wilson (ex-mecca) and gaze (ex-tamam shud) and the strength of the songwriting. the stand-out and longest track is 'parade of fools'. it opens with some pulsating wah wah guitar from wilson and the band then branch out into a lengthy but wholly effective jam which underscores wilson and gaze as one of the great pairings of aussie rock in this era. their 45 was taken from the album. gaze returned to tamam shud soon after the album was recorded. the band went on to become one of the finest acts of the era, but they never recorded again. it also made the top 30. maxey replaced daisley in 1971. 'free' can also be heard on 'group therapy', which was a sampler for albums released by festival on their new infinity label in 1971. after their demise wilson joined chariot, davidson went on to session work and daisley moved to england and became bassist with outfits like ritchie blackmore's rainbow, gary moore band, widowmaker and ozzy osbourne's blizzard of ozz. go to my profile to find other rare music. a progressive hard rock combo based in sydney and active between 1970-74. their album is renowned for the stunning guitar playing of wilson (ex-mecca) and gaze (ex-tamam shud) and the strength of the songwriting. the stand-out and longest track is 'parade of fools'. it opens with some pulsating wah wah guitar from wilson and the band then branch out into a lengthy but wholly effective jam which underscores wilson and gaze as one of the great pairings of aussie rock in this era. their 45 was taken from the album. gaze returned to tamam shud soon after the album was recorded. the band went on to become one of the finest acts of the era, but they never recorded again. it also made the top 30. maxey replaced daisley in 1971. 'free' can also be heard on 'group therapy', which was a sampler for albums released by festival on their new infinity label in 1971. after their demise wilson joined chariot, davidson went on to session work and daisley moved to england and became bassist with outfits like ritchie blackmore's rainbow, gary moore band, widowmaker and ozzy osbourne's blizzard of ozz. go to my profile to find other rare music.
  bob daisley interview - 1 of 8
hunt's annex studios presents: hunt's annex studios presents: hunt's annex studios presents:
  kahvas jute - free
dennis wilson, tim gaze, bob daisley and donnie davidson. circa 1971... dennis wilson, tim gaze, bob daisley and donnie davidson. circa 1971... dennis wilson, tim gaze, bob daisley and donnie davidson. circa 1971...
  band of light - total union - the cat (b...
between 1972-75 with their distinctive slide guitar sound. vocalist / guitarist phil keys had previously spent eight years with the la de da's before forming this band. other original members were former fraternity drummer tony buettel, ace slide guitarist norm roue (previously of gutbucket) and former la de da's bassist peter roberts, who was quickly replaced by ian rilen. rilen had earlier been in space and was later in blue aliens, blackfeather, rose tattoo, sardine v, illustrated man, songs of exile, the big rider and hell to pay. their debut album total union sold well and spent fifteen weeks in the album charts and they also enjoyed a hit single with destiny song, which entered the charts on 14th may 1973 climbing to no. 26. it can also be heard on boogie balls and blues, vol. 1 and they also figured on sunbury 1973 singing messin' with the kid. ian mcfarlane described the band's music as a slow heavy blues, with an emphasis on rhythm, beat and slide guitar. their lyrics invoked a quasi-religious philosophy incorporating social justice, racial equality and spiritual harmony. they used a symbol comprising a divided circle set within two divided triangles. apparently the black and white parts of the circle represented positive and negative forces with the centre being the heart. the solid triangle symbolised life as we know it on the physical plane with the outer corners standing for the spiritual, mental and physical planes. the dotted triangles corners represented the holy trinity, while the dotted triangle itself was the afterlife - so now you know! fprivate between 1972-75 with their distinctive slide guitar sound. vocalist / guitarist phil keys had previously spent eight years with the la de da's before forming this band. other original members were former fraternity drummer tony buettel, ace slide guitarist norm roue (previously of gutbucket) and former la de da's bassist peter roberts, who was quickly replaced by ian rilen. rilen had earlier been in space and was later in blue aliens, blackfeather, rose tattoo, sardine v, illustrated man, songs of exile, the big rider and hell to pay. their debut album total union sold well and spent fifteen weeks in the album charts and they also enjoyed a hit single with destiny song, which entered the charts on 14th may 1973 climbing to no. 26. it can also be heard on boogie balls and blues, vol. 1 and they also figured on sunbury 1973 singing messin' with the kid. ian mcfarlane described the band's music as a slow heavy blues, with an emphasis on rhythm, beat and slide guitar. their lyrics invoked a quasi-religious philosophy incorporating social justice, racial equality and spiritual harmony. they used a symbol comprising a divided circle set within two divided triangles. apparently the black and white parts of the circle represented positive and negative forces with the centre being the heart. the solid triangle symbolised life as we know it on the physical plane with the outer corners standing for the spiritual, mental and physical planes. the dotted triangles corners represented the holy trinity, while the dotted triangle itself was the afterlife - so now you know! fprivate between 1972-75 with their distinctive slide guitar sound. vocalist / guitarist phil keys had previously spent eight years with the la de da's before forming this band. other original members were former fraternity drummer tony buettel, ace slide guitarist norm roue (previously of gutbucket) and former la de da's bassist peter roberts, who was quickly replaced by ian rilen. rilen had earlier been in space and was later in blue aliens, blackfeather, rose tattoo, sardine v, illustrated man, songs of exile, the big rider and hell to pay. their debut album total union sold well and spent fifteen weeks in the album charts and they also enjoyed a hit single with destiny song, which entered the charts on 14th may 1973 climbing to no. 26. it can also be heard on boogie balls and blues, vol. 1 and they also figured on sunbury 1973 singing messin' with the kid. ian mcfarlane described the band's music as a slow heavy blues, with an emphasis on rhythm, beat and slide guitar. their lyrics invoked a quasi-religious philosophy incorporating social justice, racial equality and spiritual harmony. they used a symbol comprising a divided circle set within two divided triangles. apparently the black and white parts of the circle represented positive and negative forces with the centre being the heart. the solid triangle symbolised life as we know it on the physical plane with the outer corners standing for the spiritual, mental and physical planes. the dotted triangles corners represented the holy trinity, while the dotted triangle itself was the afterlife - so now you know! fprivate
  bob daisley interview - 2 of 8
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