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143 Videos  
page 1 / 8
     suivant
  j. strauss ii tritsch-tratsch polka carl...
johann strauss: tritsch-tratsch polka carlos kleiber, conductor wiener philharmoniker vienna, 1992 johann strauss: tritsch-tratsch polka carlos kleiber, conductor wiener philharmoniker vienna, 1992 johann strauss: tritsch-tratsch polka carlos kleiber, conductor wiener philharmoniker vienna, 1992
  j. strauss ii polka unter donner und bli...
johann strauss: die fledermaus - polka unter donner und blitz carlos kleiber, conductor wiener philharmoniker vienna, 1992 johann strauss: die fledermaus - polka unter donner und blitz carlos kleiber, conductor wiener philharmoniker vienna, 1992 johann strauss: die fledermaus - polka unter donner und blitz carlos kleiber, conductor wiener philharmoniker vienna, 1992
  j. strauss ii die fledermaus overture ca...
johann strauss: die fledermaus overturez carlos kleiber, conductor wiener philharmoniker vienna, 1989 johann strauss: die fledermaus overturez carlos kleiber, conductor wiener philharmoniker vienna, 1989 johann strauss: die fledermaus overturez carlos kleiber, conductor wiener philharmoniker vienna, 1989
  j strauss ii--"blue danube" waltz--erich...
stauss first performed this piece with a text set to a four-part chorus. it met with limited success. it was an immediate hit at the paris exhibition later in 1867 when he performed it in the familar instrumental version. performed here by the orch of the berlin opera, conducted by erich kleiber. in 1919, h.l.menken wrote: the waltz never quite goes out of fashion; it is always just around the corner; every now and then it returns with a bang . . . it is sneaking, insidious, disarming, lovely. . . . the waltz, in fact, is magnificently improper.. the art of tone turned lubricious. . . kleiber (august 5, 1890 in vienna--january 27, 1956) was a bit less-known and less appreciated than his more celebrated contemporaries like walter, toscanini, furtwängler and such. he was a perfectionist who studied scores relentlessly, and didn't enjoy the recording process. he shared these traits with his son carlos, another celebrated conductor. kleiber became music director of the berlin opera in 1923, and resigned in protest to the nazis after they denounced webern's opera stauss first performed this piece with a text set to a four-part chorus. it met with limited success. it was an immediate hit at the paris exhibition later in 1867 when he performed it in the familar instrumental version. performed here by the orch of the berlin opera, conducted by erich kleiber. in 1919, h.l.menken wrote: the waltz never quite goes out of fashion; it is always just around the corner; every now and then it returns with a bang . . . it is sneaking, insidious, disarming, lovely. . . . the waltz, in fact, is magnificently improper.. the art of tone turned lubricious. . . kleiber (august 5, 1890 in vienna--january 27, 1956) was a bit less-known and less appreciated than his more celebrated contemporaries like walter, toscanini, furtwängler and such. he was a perfectionist who studied scores relentlessly, and didn't enjoy the recording process. he shared these traits with his son carlos, another celebrated conductor. kleiber became music director of the berlin opera in 1923, and resigned in protest to the nazis after they denounced webern's opera stauss first performed this piece with a text set to a four-part chorus. it met with limited success. it was an immediate hit at the paris exhibition later in 1867 when he performed it in the familar instrumental version. performed here by the orch of the berlin opera, conducted by erich kleiber. in 1919, h.l.menken wrote: the waltz never quite goes out of fashion; it is always just around the corner; every now and then it returns with a bang . . . it is sneaking, insidious, disarming, lovely. . . . the waltz, in fact, is magnificently improper.. the art of tone turned lubricious. . . kleiber (august 5, 1890 in vienna--january 27, 1956) was a bit less-known and less appreciated than his more celebrated contemporaries like walter, toscanini, furtwängler and such. he was a perfectionist who studied scores relentlessly, and didn't enjoy the recording process. he shared these traits with his son carlos, another celebrated conductor. kleiber became music director of the berlin opera in 1923, and resigned in protest to the nazis after they denounced webern's opera
  j. strauss ii elijen a magyar carlos kleiber
johann strauss: elijen a magyar! carlos kleiber, conductor wiener philharmoniker vienna, 1989 johann strauss: elijen a magyar! carlos kleiber, conductor wiener philharmoniker vienna, 1989 johann strauss: elijen a magyar! carlos kleiber, conductor wiener philharmoniker vienna, 1989
  kathleen battle - karajan (frühlingsstim...
frÜhlingsstimmen frühlingsstimmen ( frÜhlingsstimmen frühlingsstimmen ( frÜhlingsstimmen frühlingsstimmen (
  j. strauss ii?die fledermaus-mein herr m...
jennifer ma in final exam jennifer ma in final exam jennifer ma in final exam
  orchestra di fiati costa d'amalfi
j. strauss - orchestra di fiati costa d'amalfi j. strauss - orchestra di fiati costa d'amalfi j. strauss - orchestra di fiati costa d'amalfi
  ????????????????????2? - tritsch tratch ...
a full combo of johann strauss ii's tristsch tratch polka on rokudaime. a full combo of johann strauss ii's tristsch tratch polka on rokudaime. a full combo of johann strauss ii's tristsch tratch polka on rokudaime.
  kaiser franz josep i.-rettungs-jubelmars...
kaiser franz joseph i.-rettungs-jubelmarsch op. 126 von johann strauss ii (1825 - 1899) kaiser franz joseph i.-rettungs-jubelmarsch op. 126 von johann strauss ii (1825 - 1899) kaiser franz joseph i.-rettungs-jubelmarsch op. 126 von johann strauss ii (1825 - 1899)
  marcha radetzki j strauss v.2
mayo 22, 2007, interpreta la orquesta de pulso y pua ciudad de lima mayo 22, 2007, interpreta la orquesta de pulso y pua ciudad de lima mayo 22, 2007, interpreta la orquesta de pulso y pua ciudad de lima
  russischer marsch by j.strauss ii
violin practice of grade 2 exam violin practice of grade 2 exam violin practice of grade 2 exam
  corinne stevens sings schwipslied by j s...
corinne stevens sings schwipslied by johann strauss ii (eine nacht in venedig) at her concert lucia's first love in friday harbor, wa on march 15, 2008 http://www.corinnestevens.com footage by karen woldtvedt of elan video corinne stevens sings schwipslied by johann strauss ii (eine nacht in venedig) at her concert lucia's first love in friday harbor, wa on march 15, 2008 http://www.corinnestevens.com footage by karen woldtvedt of elan video corinne stevens sings schwipslied by johann strauss ii (eine nacht in venedig) at her concert lucia's first love in friday harbor, wa on march 15, 2008 http://www.corinnestevens.com footage by karen woldtvedt of elan video
  j. strauss"neue pizzicato-polka" op.449
kreativ + ing.nedev,cameraman valentina, 1.1.2000 kreativ + ing.nedev,cameraman valentina, 1.1.2000 kreativ + ing.nedev,cameraman valentina, 1.1.2000
  the great composers 2 (1997)
a 1997 morphing experiment that was converted to video. it features 55 composers and a two-second highlight of their music. the composers are (in order of appearance): gershwin bizet rimsky-korsakov stravinsky purcell berlioz corelli rameau scarlatti handel albinoni telemann vivaldi bach haydn mozart listz chopin wagner mahler schubert beethoven orff ravel verdi brahms tchaikovsky dvorak borodin lehar sibelius puccini leoncavallo janacek schumann gounod rossini donizetti j.strauss r.strauss mussorgsky offenbach smetana mendellsohn rodrigo debussy saint-saens elgar rachmaninov holst shostakovich prokofiev britten grieg paganini a 1997 morphing experiment that was converted to video. it features 55 composers and a two-second highlight of their music. the composers are (in order of appearance): gershwin bizet rimsky-korsakov stravinsky purcell berlioz corelli rameau scarlatti handel albinoni telemann vivaldi bach haydn mozart listz chopin wagner mahler schubert beethoven orff ravel verdi brahms tchaikovsky dvorak borodin lehar sibelius puccini leoncavallo janacek schumann gounod rossini donizetti j.strauss r.strauss mussorgsky offenbach smetana mendellsohn rodrigo debussy saint-saens elgar rachmaninov holst shostakovich prokofiev britten grieg paganini a 1997 morphing experiment that was converted to video. it features 55 composers and a two-second highlight of their music. the composers are (in order of appearance): gershwin bizet rimsky-korsakov stravinsky purcell berlioz corelli rameau scarlatti handel albinoni telemann vivaldi bach haydn mozart listz chopin wagner mahler schubert beethoven orff ravel verdi brahms tchaikovsky dvorak borodin lehar sibelius puccini leoncavallo janacek schumann gounod rossini donizetti j.strauss r.strauss mussorgsky offenbach smetana mendellsohn rodrigo debussy saint-saens elgar rachmaninov holst shostakovich prokofiev britten grieg paganini
  carlos kleiber -johann strauss ii "die f...
with bavarian state orchestra may 19th,1986 syowa women's univ. hitomi memorial hall, tokyo with bavarian state orchestra may 19th,1986 syowa women's univ. hitomi memorial hall, tokyo with bavarian state orchestra may 19th,1986 syowa women's univ. hitomi memorial hall, tokyo
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