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243 Videos  
page 1 / 13
     suivant
  hermann hesse's steppenwolf revisited 1...
to skip the credits, let the red libe below the vid fill most of the way, and start the vid at 4:50/ the entire to skip the credits, let the red libe below the vid fill most of the way, and start the vid at 4:50/ the entire to skip the credits, let the red libe below the vid fill most of the way, and start the vid at 4:50/ the entire
  max stalling
bass run, live at the sons of hermann hall 02-09-07 bass run, live at the sons of hermann hall 02-09-07 bass run, live at the sons of hermann hall 02-09-07
  "willkomenn" from cabaret the musical
we did this in the style of the revival (costumes, make-up, some choreography, etc.). directed/choreographed by t.j. dawson, song features, jesse rhodus (emcee), jeanette dawson (sally bowles), ryann crofoot (rosie), lola ward (lulu), annie riley (frenchie), hannah juliano (texas), raeleen juliano (fritzie/fr. kost), gretchen dawson (helga), josh lay (bobby), adam mantell (victor), steve jakimski (hans), david belowich (hermann/max) we did this in the style of the revival (costumes, make-up, some choreography, etc.). directed/choreographed by t.j. dawson, song features, jesse rhodus (emcee), jeanette dawson (sally bowles), ryann crofoot (rosie), lola ward (lulu), annie riley (frenchie), hannah juliano (texas), raeleen juliano (fritzie/fr. kost), gretchen dawson (helga), josh lay (bobby), adam mantell (victor), steve jakimski (hans), david belowich (hermann/max) we did this in the style of the revival (costumes, make-up, some choreography, etc.). directed/choreographed by t.j. dawson, song features, jesse rhodus (emcee), jeanette dawson (sally bowles), ryann crofoot (rosie), lola ward (lulu), annie riley (frenchie), hannah juliano (texas), raeleen juliano (fritzie/fr. kost), gretchen dawson (helga), josh lay (bobby), adam mantell (victor), steve jakimski (hans), david belowich (hermann/max)
  cape fear 'max' - bernard herrmann (hq)
cape fear is a 1991 film, directed by martin scorsese. it is a remake of the 1962 film of the same name and tells the story of a family man, a former public defender, whose family is threatened by a convicted rapist who wants vengeance for having been imprisoned for 14 years because of the lawyer's purposefully faulty defense tactics, prejudicing the accused. it received academy award nominations for best actor (robert de niro) and best supporting actress (juliette lewis). sam bowden (nick nolte) is a former atlanta public defender who seeks to start a life in corporate law for him and his family in the quiet resort town of new essex, north carolina. max cady (robert de niro) is a client sam defended prior to the setting of the movie. cady, who was being tried for the rape and battery of a 16-year-old girl, was illiterate at the time of the trial and was unable to read a report sam kept hidden from him and the court that could have lightened his sentence or acquitted him. now a well-read, recently-released ex-convict, cady stalks bowden and plans to seek vengeance for his imprisonment. the movie's climax has the two men engaging in a showdown during a severe thunderstorm on cape fear. mitchum, peck, and balsam all starred in the 1962 original but in different roles for the 1991 version. in the original, mitchum was cady and peck was bowden. although a remake of the original cape fear, scorsese's update is also greatly influenced by another mitchum film, the night of the hunter (1955), and the work of alfred hitchcock (signaled by the opening credits by regular hitchcock collaborator saul bass and its score by another, bernard herrmann). cape fear is a 1991 film, directed by martin scorsese. it is a remake of the 1962 film of the same name and tells the story of a family man, a former public defender, whose family is threatened by a convicted rapist who wants vengeance for having been imprisoned for 14 years because of the lawyer's purposefully faulty defense tactics, prejudicing the accused. it received academy award nominations for best actor (robert de niro) and best supporting actress (juliette lewis). sam bowden (nick nolte) is a former atlanta public defender who seeks to start a life in corporate law for him and his family in the quiet resort town of new essex, north carolina. max cady (robert de niro) is a client sam defended prior to the setting of the movie. cady, who was being tried for the rape and battery of a 16-year-old girl, was illiterate at the time of the trial and was unable to read a report sam kept hidden from him and the court that could have lightened his sentence or acquitted him. now a well-read, recently-released ex-convict, cady stalks bowden and plans to seek vengeance for his imprisonment. the movie's climax has the two men engaging in a showdown during a severe thunderstorm on cape fear. mitchum, peck, and balsam all starred in the 1962 original but in different roles for the 1991 version. in the original, mitchum was cady and peck was bowden. although a remake of the original cape fear, scorsese's update is also greatly influenced by another mitchum film, the night of the hunter (1955), and the work of alfred hitchcock (signaled by the opening credits by regular hitchcock collaborator saul bass and its score by another, bernard herrmann). cape fear is a 1991 film, directed by martin scorsese. it is a remake of the 1962 film of the same name and tells the story of a family man, a former public defender, whose family is threatened by a convicted rapist who wants vengeance for having been imprisoned for 14 years because of the lawyer's purposefully faulty defense tactics, prejudicing the accused. it received academy award nominations for best actor (robert de niro) and best supporting actress (juliette lewis). sam bowden (nick nolte) is a former atlanta public defender who seeks to start a life in corporate law for him and his family in the quiet resort town of new essex, north carolina. max cady (robert de niro) is a client sam defended prior to the setting of the movie. cady, who was being tried for the rape and battery of a 16-year-old girl, was illiterate at the time of the trial and was unable to read a report sam kept hidden from him and the court that could have lightened his sentence or acquitted him. now a well-read, recently-released ex-convict, cady stalks bowden and plans to seek vengeance for his imprisonment. the movie's climax has the two men engaging in a showdown during a severe thunderstorm on cape fear. mitchum, peck, and balsam all starred in the 1962 original but in different roles for the 1991 version. in the original, mitchum was cady and peck was bowden. although a remake of the original cape fear, scorsese's update is also greatly influenced by another mitchum film, the night of the hunter (1955), and the work of alfred hitchcock (signaled by the opening credits by regular hitchcock collaborator saul bass and its score by another, bernard herrmann).
  the music of tunder
classical music for your day. in keeping with the baroque setting, here's some vocal music from tunder. a german composer born in lubeck, tunder wrote a number of works for choir (motets and other) and organ. a sinfonia for strings is also around. other than that, there seems to be little else. starting a series of public concerts called 'abendmusiken', tunder wrote these choral pieces for these events. from his choral output here's part of his vocal concerti: franz tunder - (1613/14-1667) 'nisi dominus aedificaverit': 7'48 performed by: [singers] rheinische kantorei and [instrumentalists] das kleine konzert under hermann max label: cpo classical music for your day. in keeping with the baroque setting, here's some vocal music from tunder. a german composer born in lubeck, tunder wrote a number of works for choir (motets and other) and organ. a sinfonia for strings is also around. other than that, there seems to be little else. starting a series of public concerts called 'abendmusiken', tunder wrote these choral pieces for these events. from his choral output here's part of his vocal concerti: franz tunder - (1613/14-1667) 'nisi dominus aedificaverit': 7'48 performed by: [singers] rheinische kantorei and [instrumentalists] das kleine konzert under hermann max label: cpo classical music for your day. in keeping with the baroque setting, here's some vocal music from tunder. a german composer born in lubeck, tunder wrote a number of works for choir (motets and other) and organ. a sinfonia for strings is also around. other than that, there seems to be little else. starting a series of public concerts called 'abendmusiken', tunder wrote these choral pieces for these events. from his choral output here's part of his vocal concerti: franz tunder - (1613/14-1667) 'nisi dominus aedificaverit': 7'48 performed by: [singers] rheinische kantorei and [instrumentalists] das kleine konzert under hermann max label: cpo
  hermann hesse "stufen"
das beliebteste gedicht der deutschen. rezitiert von ulrich mühe text: wie jede blüte welkt und jede jugend dem alter weicht, blüht jede lebensstufe blüht jede weisheit auch und jede tugend zu ihrer zeit und darf nicht ewig dauern. es muss das herz bei jedem lebensrufe bereit zum abschied sein und neubeginne, um sich in tapferkeit und ohne trauern in and're, neue bindungen zu geben. und jedem anfang wohnt ein zauber inne, der uns beschützt und der uns hilft zu leben. wir wollen heiter raum um raum durchschreiten, an keinem wie an einer heimat hängen, der weltgeist will nicht fesseln uns und engen, er will uns stuf' um stufe heben, weiten. kaum sind wir heimisch einem lebenskreise und traulich eingewohnt, so droht erschlaffen, nur wer bereit zu aufbruch ist und reise, mag lähmender gewöhnung sich entraffen. es wird vielleicht auch noch die todesstunde uns neuen räumen jung entgegensenden, des lebens ruf an uns wird niemals enden... wohlan denn, herz, nimm abschied und gesunde! bilder: liebermann, max - liebesszene serow, walentin alexandrowitsch - portrait of ida rubenstein slevogt, max -- mater gloriosa hermann hesse 1927 photo gret widmann das beliebteste gedicht der deutschen. rezitiert von ulrich mühe text: wie jede blüte welkt und jede jugend dem alter weicht, blüht jede lebensstufe blüht jede weisheit auch und jede tugend zu ihrer zeit und darf nicht ewig dauern. es muss das herz bei jedem lebensrufe bereit zum abschied sein und neubeginne, um sich in tapferkeit und ohne trauern in and're, neue bindungen zu geben. und jedem anfang wohnt ein zauber inne, der uns beschützt und der uns hilft zu leben. wir wollen heiter raum um raum durchschreiten, an keinem wie an einer heimat hängen, der weltgeist will nicht fesseln uns und engen, er will uns stuf' um stufe heben, weiten. kaum sind wir heimisch einem lebenskreise und traulich eingewohnt, so droht erschlaffen, nur wer bereit zu aufbruch ist und reise, mag lähmender gewöhnung sich entraffen. es wird vielleicht auch noch die todesstunde uns neuen räumen jung entgegensenden, des lebens ruf an uns wird niemals enden... wohlan denn, herz, nimm abschied und gesunde! bilder: liebermann, max - liebesszene serow, walentin alexandrowitsch - portrait of ida rubenstein slevogt, max -- mater gloriosa hermann hesse 1927 photo gret widmann das beliebteste gedicht der deutschen. rezitiert von ulrich mühe text: wie jede blüte welkt und jede jugend dem alter weicht, blüht jede lebensstufe blüht jede weisheit auch und jede tugend zu ihrer zeit und darf nicht ewig dauern. es muss das herz bei jedem lebensrufe bereit zum abschied sein und neubeginne, um sich in tapferkeit und ohne trauern in and're, neue bindungen zu geben. und jedem anfang wohnt ein zauber inne, der uns beschützt und der uns hilft zu leben. wir wollen heiter raum um raum durchschreiten, an keinem wie an einer heimat hängen, der weltgeist will nicht fesseln uns und engen, er will uns stuf' um stufe heben, weiten. kaum sind wir heimisch einem lebenskreise und traulich eingewohnt, so droht erschlaffen, nur wer bereit zu aufbruch ist und reise, mag lähmender gewöhnung sich entraffen. es wird vielleicht auch noch die todesstunde uns neuen räumen jung entgegensenden, des lebens ruf an uns wird niemals enden... wohlan denn, herz, nimm abschied und gesunde! bilder: liebermann, max - liebesszene serow, walentin alexandrowitsch - portrait of ida rubenstein slevogt, max -- mater gloriosa hermann hesse 1927 photo gret widmann
  rushmore revenge
best revenge sequence ever conceived! the song is best revenge sequence ever conceived! the song is best revenge sequence ever conceived! the song is
  max hansen - ich red mir ein, es geht mir gut
max hansen * 22. 12. 1897 mannheim ? 13. 11. 1961 kopenhagen komposition: hermann leopoldi max hansen * 22. 12. 1897 mannheim ? 13. 11. 1961 kopenhagen komposition: hermann leopoldi max hansen * 22. 12. 1897 mannheim ? 13. 11. 1961 kopenhagen komposition: hermann leopoldi
  oh yoko by john lennon (rushmore clip)
no copyright infringement. i do not own anything. movie:rushmore music: oh yoko by john lennon director: wes anderson no copyright infringement. i do not own anything. movie:rushmore music: oh yoko by john lennon director: wes anderson no copyright infringement. i do not own anything. movie:rushmore music: oh yoko by john lennon director: wes anderson
  max & michael - imaginary (the lost boys)
title: max & michael - imaginary (the lost boys) fanvid type: music video song: title: max & michael - imaginary (the lost boys) fanvid type: music video song: title: max & michael - imaginary (the lost boys) fanvid type: music video song:
  max herrmann-neisse ?ewige heimat"
rezitation: hanns zischler text: bilder: mondrian, piet -- baum nicanor piñole - ohne titel andré louis derain -- arboleda salvador dali -- cadaqués thomas hart benton - central park paul cezanne -- chateau noir vincent van gogh - blumengarten nicanor piñole - schwarzer mann paul cezanne -- haus und bäume foto max herrmann-neisse rezitation: hanns zischler text: bilder: mondrian, piet -- baum nicanor piñole - ohne titel andré louis derain -- arboleda salvador dali -- cadaqués thomas hart benton - central park paul cezanne -- chateau noir vincent van gogh - blumengarten nicanor piñole - schwarzer mann paul cezanne -- haus und bäume foto max herrmann-neisse rezitation: hanns zischler text: bilder: mondrian, piet -- baum nicanor piñole - ohne titel andré louis derain -- arboleda salvador dali -- cadaqués thomas hart benton - central park paul cezanne -- chateau noir vincent van gogh - blumengarten nicanor piñole - schwarzer mann paul cezanne -- haus und bäume foto max herrmann-neisse
  wide afternoon
max stalling live at the sons of hermann hall max stalling live at the sons of hermann hall max stalling live at the sons of hermann hall
  school montage
tidian beaerens, janek herman, max herchen, erik walther, simon staneker ... tidian beaerens, janek herman, max herchen, erik walther, simon staneker ... tidian beaerens, janek herman, max herchen, erik walther, simon staneker ...
  bach,bwv 243 magnificat:esurientes imple...
js bach,bwv 243 magnificat : esurientes implevit bonis js bach,bwv 243 magnificat : esurientes implevit bonis js bach,bwv 243 magnificat : esurientes implevit bonis
  hermann hesse's demian
a short film based on hermann hesse's demian. a short film based on hermann hesse's demian. a short film based on hermann hesse's demian.
  georg philipp telemann - "erblasster jesu"
georg philipp telemann - passions-oratorium georg philipp telemann - passions-oratorium georg philipp telemann - passions-oratorium
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