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5 Videos  
page 1 / 1
       
  mosolov - piano sonata no. 2; first movement
first movement of mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works. first movement of mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works. first movement of mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
  music of changes 3
music dating 1958 by john cage and herbert henck on the piano, originally composed built up with sounds chosen acc0rding to chance operations and play outs and is downloaded for this clip from the cd as an excerpt of 3minutes 26 seconds for a multi media clip of teoman madra and his archive visuals the visuals here also are other chance videos of one decade ago from works done by amiga 2000 computers of 15 years ago... therefore this clip is an experimental one based on the above detailed information and is like an interactivation amongst successive generation technologies music dating 1958 by john cage and herbert henck on the piano, originally composed built up with sounds chosen acc0rding to chance operations and play outs and is downloaded for this clip from the cd as an excerpt of 3minutes 26 seconds for a multi media clip of teoman madra and his archive visuals the visuals here also are other chance videos of one decade ago from works done by amiga 2000 computers of 15 years ago... therefore this clip is an experimental one based on the above detailed information and is like an interactivation amongst successive generation technologies music dating 1958 by john cage and herbert henck on the piano, originally composed built up with sounds chosen acc0rding to chance operations and play outs and is downloaded for this clip from the cd as an excerpt of 3minutes 26 seconds for a multi media clip of teoman madra and his archive visuals the visuals here also are other chance videos of one decade ago from works done by amiga 2000 computers of 15 years ago... therefore this clip is an experimental one based on the above detailed information and is like an interactivation amongst successive generation technologies
  stockhausen : klavierstücke
nrs i-v, and no viii. herbert henck, piano. nrs i-v, and no viii. herbert henck, piano. nrs i-v, and no viii. herbert henck, piano.
  mosolov - piano sonata no. 2; third movement
third movement from mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works. third movement from mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works. third movement from mosolov's piano sonata no. 2 in b minor op. 4 published in 1924. performed by herbert henck. alexander mosolov (1900-1973) was a part of the soviet avant-garde prominent in the 1920s. he was oppressed by the rapm (russian association of proletarian musicians) for writing inaccessible and highly pessimistic music; i.e., not conforming to soviet realism. by 1929 his compositions were banned and in 1936 he moved to central asia to collect folk music. from then until his death, mosolov abandoned his earlier compositional style and wrote tame often folk-inspired works.
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