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7 Videos  
page 1 / 1
       
  henry lowther & john russell
trumpeter henry lowther & guitarist john russell performing at the paul rutherford memorial concert, which was held at the red rose, finsbury park, london, 24/10/2007. trumpeter henry lowther & guitarist john russell performing at the paul rutherford memorial concert, which was held at the red rose, finsbury park, london, 24/10/2007. trumpeter henry lowther & guitarist john russell performing at the paul rutherford memorial concert, which was held at the red rose, finsbury park, london, 24/10/2007.
  last notes at the red rose
john russell on guita and henry lowther on trumpet play the last notes of music at the red rose club which was the home of improvised music in north london for nearly 20 years john russell on guita and henry lowther on trumpet play the last notes of music at the red rose club which was the home of improvised music in north london for nearly 20 years john russell on guita and henry lowther on trumpet play the last notes of music at the red rose club which was the home of improvised music in north london for nearly 20 years
  henry lowther and john russell at mopomoso
lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts. lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts. lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts.
  jazz sundays: henry lowther - 3/4 skip o...
this track is off of lowther's child song album on deram. it's a pretty rare bit of uk jazz. it was re-issued in 2005, so you can buy it now. lots of rhodes and miles influences, which are a plus for me. very mellow throughout. for similar artists and 100% legit reissued music, see www.rerelease.net. this track is off of lowther's child song album on deram. it's a pretty rare bit of uk jazz. it was re-issued in 2005, so you can buy it now. lots of rhodes and miles influences, which are a plus for me. very mellow throughout. for similar artists and 100% legit reissued music, see www.rerelease.net. this track is off of lowther's child song album on deram. it's a pretty rare bit of uk jazz. it was re-issued in 2005, so you can buy it now. lots of rhodes and miles influences, which are a plus for me. very mellow throughout. for similar artists and 100% legit reissued music, see www.rerelease.net.
  jasper-ain`t no peace
great uk prog bluesrock 1969 in the crowded underbrush of the late sixties british psych/blues scene jasper was definitely at the head of its class. the quintet's personalized blues style, with steve radford's excellent lead-guitar lighting the way (punctuated also by their keen use of flute and harpsichord) is well expressed in the inspired version of 'baby please don't go' and 'ain't no peace'. unfortunately soon after the release of their rare l969 debut album liberation the group disbanded and disappeared from the scene. miniature lp sleeve. strings (courtesy of henry lowther and at times disturbingly out of key), dissonant flutes, half-competent guitars and a confusing array of mostly blues-based styles are the ingredients on this one-off album for spark. where the blues come out on top, there is nothing very special to attract the ear, apart from the fact that blues are often used not to express a blue state of mind, but rather to attempt to reflect some lost region of childlike innocence. tribal rhythms are used throughout the album, to good effect especially on confusion, the best cut. otherwise the sound is often amateurish with many useless jams and repeats. considering the low-key performances it is not easy to understand, why this has been so intensively sought-after, apart from its sheer rarity. to be filed under unnecessary purchases. it did come in a wonderfully psychedelic cover. great uk prog bluesrock 1969 in the crowded underbrush of the late sixties british psych/blues scene jasper was definitely at the head of its class. the quintet's personalized blues style, with steve radford's excellent lead-guitar lighting the way (punctuated also by their keen use of flute and harpsichord) is well expressed in the inspired version of 'baby please don't go' and 'ain't no peace'. unfortunately soon after the release of their rare l969 debut album liberation the group disbanded and disappeared from the scene. miniature lp sleeve. strings (courtesy of henry lowther and at times disturbingly out of key), dissonant flutes, half-competent guitars and a confusing array of mostly blues-based styles are the ingredients on this one-off album for spark. where the blues come out on top, there is nothing very special to attract the ear, apart from the fact that blues are often used not to express a blue state of mind, but rather to attempt to reflect some lost region of childlike innocence. tribal rhythms are used throughout the album, to good effect especially on confusion, the best cut. otherwise the sound is often amateurish with many useless jams and repeats. considering the low-key performances it is not easy to understand, why this has been so intensively sought-after, apart from its sheer rarity. to be filed under unnecessary purchases. it did come in a wonderfully psychedelic cover. great uk prog bluesrock 1969 in the crowded underbrush of the late sixties british psych/blues scene jasper was definitely at the head of its class. the quintet's personalized blues style, with steve radford's excellent lead-guitar lighting the way (punctuated also by their keen use of flute and harpsichord) is well expressed in the inspired version of 'baby please don't go' and 'ain't no peace'. unfortunately soon after the release of their rare l969 debut album liberation the group disbanded and disappeared from the scene. miniature lp sleeve. strings (courtesy of henry lowther and at times disturbingly out of key), dissonant flutes, half-competent guitars and a confusing array of mostly blues-based styles are the ingredients on this one-off album for spark. where the blues come out on top, there is nothing very special to attract the ear, apart from the fact that blues are often used not to express a blue state of mind, but rather to attempt to reflect some lost region of childlike innocence. tribal rhythms are used throughout the album, to good effect especially on confusion, the best cut. otherwise the sound is often amateurish with many useless jams and repeats. considering the low-key performances it is not easy to understand, why this has been so intensively sought-after, apart from its sheer rarity. to be filed under unnecessary purchases. it did come in a wonderfully psychedelic cover.
  henry lowther and john russell at mopomo...
lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts. lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts. lowther (trumpet) and russell (guitar) play the mopomoso free imrovisation night at the vortex jazz bar in london on 16th june 2008. filmed by helen petts.
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