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10 Videos  
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  t?ma - partita a quattro in d minor - mo...
franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 1. andante 2. presto 3. arietta: andante performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 1. andante 2. presto 3. arietta: andante performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 1. andante 2. presto 3. arietta: andante performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera
  frantisek tuma - partita
partita in c minor allegro and allegro moderato partita in c minor allegro and allegro moderato partita in c minor allegro and allegro moderato
  reklama na t-mobile
reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na
  t?ma - partita a quattro in d minor - mo...
franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 4. menuet & trio [menuet da capo] 5. presto performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 4. menuet & trio [menuet da capo] 5. presto performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera franti?ek ignÁc antonÍn t?ma (1704-1774) partita a quattro for two violins, viola, and basso continuo in in d minor 4. menuet & trio [menuet da capo] 5. presto performed by concerto italiano directed by rinaldo alessandrini *franti?ek ignác antonín t?ma was an important czech composer of the baroque era. born in kostelec nad orlici, bohemia, he lived the greater part of his life in vienna, first as director of music for count franz ferdinand kinsky, later filling a similar office for the widow of emperor karl vi. he was an important late-baroque composer, organist, gambist and theorbist. t?ma received his early musical training from his father, parish organist at kostelec, and probably studied at the clementinum, an important jesuit seminary in prague. he likely sang as a tenor chorister under b.m. ?ernohorský (an important composer and organist) at the minorite church of st james, and he is believed to have received musical instruction from him. t?ma then went to vienna, where he was active as a church musician; according to marpurg he became a vice-kapellmeister at vienna in 1722. t?ma's name first appears in viennese records in april 1729, when the birth of a son was recorded. in 1731 he became 'compositor und capellen-meister' to count franz ferdinand kinsky, who was the high chancellor of bohemia. kinsky's patronage made it possible for him to study counterpoint with j.j. fux in vienna. he participated in the premiere of fux's opera
  reklama na t-mobile (parody)
reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega
  reklama na t-mobile (parody)
reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega
  reklama na t-mobile (parody)
reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega
  reklama na t-mobile (parody)
reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega reklama na t-mobile v podání poloviny t?ídy tercie hráli: nápadník: jakub málek bratr jany: franti?ek t?ma jana: sylvie jake?ová matka jany: tereza rasochová neznámá postava: lenka jindrová kamera(mobil): radka ?echová re?ie: polovina t?ídy tercie 2008 co byla na mega
  zuzana r??i?kovÁ plays gigue from french...
zuzana r??i?kovÁ was born on 14 january 1927 in the city of plze? in western bohemia. her musical ability and predilection for bach were apparent from an early age, and she prepared for admission to wanda landowska's classes at saint-leu-la-foręt near paris. the opportunity to study abroad soon became an impossibility with the german occupation of czechoslovakia in 1938, and in january 1942 she and her family were interred at the terezin ghetto. after the death of her father and grandparents at terezin, she was sent to aushwitz along with her mother. in 1944 they were both sent to hamburg as forced laborers, and later spent the final days of the war interred at the bergen-belson concentration camp. upon her recovery she was determined to resume her musical education and studied piano with bohdan gsölhofer in plze?. from 1947-51 she attended the academy of performing arts in prague where her professors included pianists albín ?íma, franti?ek rauch and harpsichordist old?ich kredba. at this time she decided to specialize in the interpretation of early music and gave her first harpsichord recital in 1951. in 1956 she won the international music competition in munich and accepted a scholarship from jury member marguerite roesgen-champion to continue her harpsichord studies in paris. her success at the munich competition marked the beginning of an international career. since that time she has performed regularly throughout europe and has made repeated visits to japan and the united states. she has performed at bach festivals in leipzig, stuttgart, heidelberg, ansbach, frankfurt, schaffhausen, bath and oregon. in 1962 she co-founded the prague chamber soloists with conductor václav neumann and in 1963 she formed a very successful duo with violinist josef suk. other chamber music partners have included jános starker, pierre fournier, jean-pierre rampal, aurčle nicolet and maxence larrieu. she has also worked with noted conductors including serge baudo, paul sacher, herbert blomstedt, libor pe?ek, neville marriner and helmut rilling. her recorded repertoire is vast, spanning works from the english virginalists through those by modern composers such as martin?, poulenc, de falla and martin. the music of bach, however, has always remained central to her art, culminating in an integral edition of his solo harpsichord works published by the french label erato in 1975. contemporary composers have also dedicated works to her, including jan rychlík's hommagi clavicembalistici (1964), and she has premiered works by emil hlobil, hans-georg görner and elizabeth maconchy. for 54 years she was married to the outstanding composer viktor kalabis (1923-2006), and she inspired him to compose several significant works for harpsichord: six two-part canonic inventions (1962), aquarelles (1979), preludio, aria e toccata (1992), and the magnificent concerto for harpsichord and strings (1975). her career as an educator began at the academy of performing arts in 1951, but only after the fall of communism was she finally given the title professor in 1990. she also established a harpsichord class at the music academy in bratislava where she was guest professor from 1978-82. for twenty-five years she gave master classes in zürich, with other classes taking place in stuttgart, kraków, budapest, riga and tokyo. her many students include jaroslav t?ma, giedré luk?aité-mrázková, anikó horváth and borbála dobozy. today she is retired from performing and teaching but is still very active in czech musical life. zuzana r??i?kovÁ was born on 14 january 1927 in the city of plze? in western bohemia. her musical ability and predilection for bach were apparent from an early age, and she prepared for admission to wanda landowska's classes at saint-leu-la-foręt near paris. the opportunity to study abroad soon became an impossibility with the german occupation of czechoslovakia in 1938, and in january 1942 she and her family were interred at the terezin ghetto. after the death of her father and grandparents at terezin, she was sent to aushwitz along with her mother. in 1944 they were both sent to hamburg as forced laborers, and later spent the final days of the war interred at the bergen-belson concentration camp. upon her recovery she was determined to resume her musical education and studied piano with bohdan gsölhofer in plze?. from 1947-51 she attended the academy of performing arts in prague where her professors included pianists albín ?íma, franti?ek rauch and harpsichordist old?ich kredba. at this time she decided to specialize in the interpretation of early music and gave her first harpsichord recital in 1951. in 1956 she won the international music competition in munich and accepted a scholarship from jury member marguerite roesgen-champion to continue her harpsichord studies in paris. her success at the munich competition marked the beginning of an international career. since that time she has performed regularly throughout europe and has made repeated visits to japan and the united states. she has performed at bach festivals in leipzig, stuttgart, heidelberg, ansbach, frankfurt, schaffhausen, bath and oregon. in 1962 she co-founded the prague chamber soloists with conductor václav neumann and in 1963 she formed a very successful duo with violinist josef suk. other chamber music partners have included jános starker, pierre fournier, jean-pierre rampal, aurčle nicolet and maxence larrieu. she has also worked with noted conductors including serge baudo, paul sacher, herbert blomstedt, libor pe?ek, neville marriner and helmut rilling. her recorded repertoire is vast, spanning works from the english virginalists through those by modern composers such as martin?, poulenc, de falla and martin. the music of bach, however, has always remained central to her art, culminating in an integral edition of his solo harpsichord works published by the french label erato in 1975. contemporary composers have also dedicated works to her, including jan rychlík's hommagi clavicembalistici (1964), and she has premiered works by emil hlobil, hans-georg görner and elizabeth maconchy. for 54 years she was married to the outstanding composer viktor kalabis (1923-2006), and she inspired him to compose several significant works for harpsichord: six two-part canonic inventions (1962), aquarelles (1979), preludio, aria e toccata (1992), and the magnificent concerto for harpsichord and strings (1975). her career as an educator began at the academy of performing arts in 1951, but only after the fall of communism was she finally given the title professor in 1990. she also established a harpsichord class at the music academy in bratislava where she was guest professor from 1978-82. for twenty-five years she gave master classes in zürich, with other classes taking place in stuttgart, kraków, budapest, riga and tokyo. her many students include jaroslav t?ma, giedré luk?aité-mrázková, anikó horváth and borbála dobozy. today she is retired from performing and teaching but is still very active in czech musical life. zuzana r??i?kovÁ was born on 14 january 1927 in the city of plze? in western bohemia. her musical ability and predilection for bach were apparent from an early age, and she prepared for admission to wanda landowska's classes at saint-leu-la-foręt near paris. the opportunity to study abroad soon became an impossibility with the german occupation of czechoslovakia in 1938, and in january 1942 she and her family were interred at the terezin ghetto. after the death of her father and grandparents at terezin, she was sent to aushwitz along with her mother. in 1944 they were both sent to hamburg as forced laborers, and later spent the final days of the war interred at the bergen-belson concentration camp. upon her recovery she was determined to resume her musical education and studied piano with bohdan gsölhofer in plze?. from 1947-51 she attended the academy of performing arts in prague where her professors included pianists albín ?íma, franti?ek rauch and harpsichordist old?ich kredba. at this time she decided to specialize in the interpretation of early music and gave her first harpsichord recital in 1951. in 1956 she won the international music competition in munich and accepted a scholarship from jury member marguerite roesgen-champion to continue her harpsichord studies in paris. her success at the munich competition marked the beginning of an international career. since that time she has performed regularly throughout europe and has made repeated visits to japan and the united states. she has performed at bach festivals in leipzig, stuttgart, heidelberg, ansbach, frankfurt, schaffhausen, bath and oregon. in 1962 she co-founded the prague chamber soloists with conductor václav neumann and in 1963 she formed a very successful duo with violinist josef suk. other chamber music partners have included jános starker, pierre fournier, jean-pierre rampal, aurčle nicolet and maxence larrieu. she has also worked with noted conductors including serge baudo, paul sacher, herbert blomstedt, libor pe?ek, neville marriner and helmut rilling. her recorded repertoire is vast, spanning works from the english virginalists through those by modern composers such as martin?, poulenc, de falla and martin. the music of bach, however, has always remained central to her art, culminating in an integral edition of his solo harpsichord works published by the french label erato in 1975. contemporary composers have also dedicated works to her, including jan rychlík's hommagi clavicembalistici (1964), and she has premiered works by emil hlobil, hans-georg görner and elizabeth maconchy. for 54 years she was married to the outstanding composer viktor kalabis (1923-2006), and she inspired him to compose several significant works for harpsichord: six two-part canonic inventions (1962), aquarelles (1979), preludio, aria e toccata (1992), and the magnificent concerto for harpsichord and strings (1975). her career as an educator began at the academy of performing arts in 1951, but only after the fall of communism was she finally given the title professor in 1990. she also established a harpsichord class at the music academy in bratislava where she was guest professor from 1978-82. for twenty-five years she gave master classes in zürich, with other classes taking place in stuttgart, kraków, budapest, riga and tokyo. her many students include jaroslav t?ma, giedré luk?aité-mrázková, anikó horváth and borbála dobozy. today she is retired from performing and teaching but is still very active in czech musical life.
  co se nesmí v u?ebn? ivt
co se nesmí v u?ebn? ivt ú?inkují: nováková al?b?ta rybá?ek roman t?ma franti?ek phamová ane?ka phamová andrea kubátová anna kubát roman urbanová aneta rasochová tereza zubálová monika kamera: kubát roman t?mová eva st?ih: jindrová lenka co se nesmí v u?ebn? ivt ú?inkují: nováková al?b?ta rybá?ek roman t?ma franti?ek phamová ane?ka phamová andrea kubátová anna kubát roman urbanová aneta rasochová tereza zubálová monika kamera: kubát roman t?mová eva st?ih: jindrová lenka co se nesmí v u?ebn? ivt ú?inkují: nováková al?b?ta rybá?ek roman t?ma franti?ek phamová ane?ka phamová andrea kubátová anna kubát roman urbanová aneta rasochová tereza zubálová monika kamera: kubát roman t?mová eva st?ih: jindrová lenka
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