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93 Videos  
page 1 / 5
     suivant
  emma by beta 80 group al tgr nea polis
la famosa testata giornalistica di rai 3 la famosa testata giornalistica di rai 3 la famosa testata giornalistica di rai 3
  emma milano fou rire
emma fou rire restaurant emma fou rire restaurant emma fou rire restaurant
  vogue's emma elwick on gucci a/w 2008
to see the whole collection, all the shows and expert opinion on the top shows from paris, milan, london and new york, go to vogue.co.uk/shows. frida giannini's autumn/winter 2008-9 collection for gucci was another step away from the fashion house's legacy of supersexy, vampish outfits, in favour of a new line that is easier to wear but just as elegant and luxurious. while the last autumn/winter collection was inspired by world war ii and photographer lee miller, this time giannini's muse was a glamorously bohemian seventies russian hippie. to see the whole collection, all the shows and expert opinion on the top shows from paris, milan, london and new york, go to vogue.co.uk/shows. frida giannini's autumn/winter 2008-9 collection for gucci was another step away from the fashion house's legacy of supersexy, vampish outfits, in favour of a new line that is easier to wear but just as elegant and luxurious. while the last autumn/winter collection was inspired by world war ii and photographer lee miller, this time giannini's muse was a glamorously bohemian seventies russian hippie. to see the whole collection, all the shows and expert opinion on the top shows from paris, milan, london and new york, go to vogue.co.uk/shows. frida giannini's autumn/winter 2008-9 collection for gucci was another step away from the fashion house's legacy of supersexy, vampish outfits, in favour of a new line that is easier to wear but just as elegant and luxurious. while the last autumn/winter collection was inspired by world war ii and photographer lee miller, this time giannini's muse was a glamorously bohemian seventies russian hippie.
  emma at duomo, milan (part1)
none none none
  spice girls live in milan (1998)
the spice girls live in milan, from the spice world tour in 1998. the spice girls live in milan, from the spice world tour in 1998. the spice girls live in milan, from the spice world tour in 1998.
  il compleanno di emma
emma compie 1 anno emma compie 1 anno emma compie 1 anno
  miracolo a milano..(1951)
miracolo a milan..(1951) de vittorio de sica..avec francesco golisano, emma gramatica, paolo stoppa..(miracle a milan) miracolo a milan..(1951) de vittorio de sica..avec francesco golisano, emma gramatica, paolo stoppa..(miracle a milan) miracolo a milan..(1951) de vittorio de sica..avec francesco golisano, emma gramatica, paolo stoppa..(miracle a milan)
  "l'impresa che vorrei" - emma marcegagli...
l'impresa che vorrei: profilo e strategie delle imprese di domani. il gruppo giovani imprenditori di assolombarda con il supporto dell'università bocconi ha tracciato il profilo dell'impresa che può vincere le sfide competitive di domani. link: http://www.areavideo.assolombarda.it/giovani_imprenditori_26_03_07/ l'impresa che vorrei: profilo e strategie delle imprese di domani. il gruppo giovani imprenditori di assolombarda con il supporto dell'università bocconi ha tracciato il profilo dell'impresa che può vincere le sfide competitive di domani. link: http://www.areavideo.assolombarda.it/giovani_imprenditori_26_03_07/ l'impresa che vorrei: profilo e strategie delle imprese di domani. il gruppo giovani imprenditori di assolombarda con il supporto dell'università bocconi ha tracciato il profilo dell'impresa che può vincere le sfide competitive di domani. link: http://www.areavideo.assolombarda.it/giovani_imprenditori_26_03_07/
  emma watson - "a present for you"
this is my first video that i have made... this is my first video that i have made... this is my first video that i have made...
  emma, phil stumpf & lorenzo fassi
@ tunnel 2nd november, milan @ tunnel 2nd november, milan @ tunnel 2nd november, milan
  spice girls in milan
spice girls in milan, 1998. spice girls in milan, 1998. spice girls in milan, 1998.
  jonas brothers at alcatraz (milan) - 5/1...
jonas brothers at alcatraz in milano. amazing evening*___* joe i love you. song: burnin up don't steal. jonas brothers at alcatraz in milano. amazing evening*___* joe i love you. song: burnin up don't steal. jonas brothers at alcatraz in milano. amazing evening*___* joe i love you. song: burnin up don't steal.
  thea philips - early one morning
the theme from friendly giant sun by operatic soprano phillips, dorothy jane ('thea philips') (1892-1960), soprano and teacher of singing, was born on christmas eve 1892 at dorchester, dorset, england, daughter of david phillips, clothier and outfitter, and his wife emma, née chapple. dorothy made her operatic début at manchester before she was 20, studied singing with emma molajoli at milan, italy, and sang at naples with tullio serafin. on 18 july 1916 at the register office, king's norton, birmingham, she married robert alfred clement pike, a 39-year-old divorcee and a lieutenant in the army ordnance department. after the birth of their three sons, dorothy embarked on a professional singing career, leaving her husband, from whom she was to be divorced in 1935. her early engagements included revues and seaside concerts, but she later worked in opera and oratorio. in 1930 she caught the attention of sir thomas beecham and made her london début as agatha in der freischütz to excellent reviews. concert and opera engagements followed in london and the provinces, but the highlight of her career was her appearance before the royal family in may 1932 at covent garden, when she replaced lotte lehmann as elisabeth in tannhäuser. 'thea philips', as she was by then known professionally, arrived in australia in 1934 to perform with sir benjamin fuller's grand opera company in a six-month melbourne-sydney season. she sang both lyric and dramatic soprano roles in il trovatore, rigoletto, faust, die walküre, lohengrin, tannhäuser, la bohème and die fledermaus. although overshadowed by florence austral, she was well received. further engagements extended her stay to more than three years. she performed in a 1935-36 season of studio broadcast operas, and toured for the australian broadcasting commission and its new zealand counterpart. philips made the first of nineteen appearances as soprano for the (royal) melbourne philharmonic society in september 1935. in the following year she was soloist in verdi's requiem with the sydney symphony orchestra. she returned to britain late in 1938 and sang marguerite in faust at the royal albert hall, but was back in australia before the outbreak of world war ii. her professional life for the next decade consisted mostly of appearances in oratorio and recitals, with some adjudication and teaching. she sang with leading victorian choirs and appeared in sydney for the a.b.c. at the congregational manse, kew, on 4 december 1941 she married claude mackay wallis, a 53-year-old widower and an accountant. an imposing, well groomed and attractive woman with dark hair and large brown eyes, philips had a strong, 'theatrical' yet genuinely warm personality and abundant charm. in april 1944 she gave her first solo public recital in melbourne; three others took place in 1945. she performed works by local composers, took part in two recitals (1941 and 1945) of songs by edith harrhy and founded the short-lived thea philips school of opera in march 1947. partiality to alcohol impeded her career. as her public performances tapered off she took on more private pupils. while in sydney to play a non-singing role in the merry widow, she died of heart disease on 15 november 1960 in a goulburn street hotel and was cremated with presbyterian forms. her husband survived her, as did two of the sons of her first marriage. the theme from friendly giant sun by operatic soprano phillips, dorothy jane ('thea philips') (1892-1960), soprano and teacher of singing, was born on christmas eve 1892 at dorchester, dorset, england, daughter of david phillips, clothier and outfitter, and his wife emma, née chapple. dorothy made her operatic début at manchester before she was 20, studied singing with emma molajoli at milan, italy, and sang at naples with tullio serafin. on 18 july 1916 at the register office, king's norton, birmingham, she married robert alfred clement pike, a 39-year-old divorcee and a lieutenant in the army ordnance department. after the birth of their three sons, dorothy embarked on a professional singing career, leaving her husband, from whom she was to be divorced in 1935. her early engagements included revues and seaside concerts, but she later worked in opera and oratorio. in 1930 she caught the attention of sir thomas beecham and made her london début as agatha in der freischütz to excellent reviews. concert and opera engagements followed in london and the provinces, but the highlight of her career was her appearance before the royal family in may 1932 at covent garden, when she replaced lotte lehmann as elisabeth in tannhäuser. 'thea philips', as she was by then known professionally, arrived in australia in 1934 to perform with sir benjamin fuller's grand opera company in a six-month melbourne-sydney season. she sang both lyric and dramatic soprano roles in il trovatore, rigoletto, faust, die walküre, lohengrin, tannhäuser, la bohème and die fledermaus. although overshadowed by florence austral, she was well received. further engagements extended her stay to more than three years. she performed in a 1935-36 season of studio broadcast operas, and toured for the australian broadcasting commission and its new zealand counterpart. philips made the first of nineteen appearances as soprano for the (royal) melbourne philharmonic society in september 1935. in the following year she was soloist in verdi's requiem with the sydney symphony orchestra. she returned to britain late in 1938 and sang marguerite in faust at the royal albert hall, but was back in australia before the outbreak of world war ii. her professional life for the next decade consisted mostly of appearances in oratorio and recitals, with some adjudication and teaching. she sang with leading victorian choirs and appeared in sydney for the a.b.c. at the congregational manse, kew, on 4 december 1941 she married claude mackay wallis, a 53-year-old widower and an accountant. an imposing, well groomed and attractive woman with dark hair and large brown eyes, philips had a strong, 'theatrical' yet genuinely warm personality and abundant charm. in april 1944 she gave her first solo public recital in melbourne; three others took place in 1945. she performed works by local composers, took part in two recitals (1941 and 1945) of songs by edith harrhy and founded the short-lived thea philips school of opera in march 1947. partiality to alcohol impeded her career. as her public performances tapered off she took on more private pupils. while in sydney to play a non-singing role in the merry widow, she died of heart disease on 15 november 1960 in a goulburn street hotel and was cremated with presbyterian forms. her husband survived her, as did two of the sons of her first marriage. the theme from friendly giant sun by operatic soprano phillips, dorothy jane ('thea philips') (1892-1960), soprano and teacher of singing, was born on christmas eve 1892 at dorchester, dorset, england, daughter of david phillips, clothier and outfitter, and his wife emma, née chapple. dorothy made her operatic début at manchester before she was 20, studied singing with emma molajoli at milan, italy, and sang at naples with tullio serafin. on 18 july 1916 at the register office, king's norton, birmingham, she married robert alfred clement pike, a 39-year-old divorcee and a lieutenant in the army ordnance department. after the birth of their three sons, dorothy embarked on a professional singing career, leaving her husband, from whom she was to be divorced in 1935. her early engagements included revues and seaside concerts, but she later worked in opera and oratorio. in 1930 she caught the attention of sir thomas beecham and made her london début as agatha in der freischütz to excellent reviews. concert and opera engagements followed in london and the provinces, but the highlight of her career was her appearance before the royal family in may 1932 at covent garden, when she replaced lotte lehmann as elisabeth in tannhäuser. 'thea philips', as she was by then known professionally, arrived in australia in 1934 to perform with sir benjamin fuller's grand opera company in a six-month melbourne-sydney season. she sang both lyric and dramatic soprano roles in il trovatore, rigoletto, faust, die walküre, lohengrin, tannhäuser, la bohème and die fledermaus. although overshadowed by florence austral, she was well received. further engagements extended her stay to more than three years. she performed in a 1935-36 season of studio broadcast operas, and toured for the australian broadcasting commission and its new zealand counterpart. philips made the first of nineteen appearances as soprano for the (royal) melbourne philharmonic society in september 1935. in the following year she was soloist in verdi's requiem with the sydney symphony orchestra. she returned to britain late in 1938 and sang marguerite in faust at the royal albert hall, but was back in australia before the outbreak of world war ii. her professional life for the next decade consisted mostly of appearances in oratorio and recitals, with some adjudication and teaching. she sang with leading victorian choirs and appeared in sydney for the a.b.c. at the congregational manse, kew, on 4 december 1941 she married claude mackay wallis, a 53-year-old widower and an accountant. an imposing, well groomed and attractive woman with dark hair and large brown eyes, philips had a strong, 'theatrical' yet genuinely warm personality and abundant charm. in april 1944 she gave her first solo public recital in melbourne; three others took place in 1945. she performed works by local composers, took part in two recitals (1941 and 1945) of songs by edith harrhy and founded the short-lived thea philips school of opera in march 1947. partiality to alcohol impeded her career. as her public performances tapered off she took on more private pupils. while in sydney to play a non-singing role in the merry widow, she died of heart disease on 15 november 1960 in a goulburn street hotel and was cremated with presbyterian forms. her husband survived her, as did two of the sons of her first marriage.
  flemita fc 1 - 0 inter de milan
gol de emma!!! :d gol de emma!!! :d gol de emma!!! :d
  klash andrea bertolini
20 october 2007, magazzini generali, milan. playing andrea bertolini emma mitsu & uabos some records played: the voidz - need no bump... ...chemical brothers - salmon dance (herve rmx) dahlback & dahlback - bempa... ...tonio & david carretta - my telephone is dead 20 october 2007, magazzini generali, milan. playing andrea bertolini emma mitsu & uabos some records played: the voidz - need no bump... ...chemical brothers - salmon dance (herve rmx) dahlback & dahlback - bempa... ...tonio & david carretta - my telephone is dead 20 october 2007, magazzini generali, milan. playing andrea bertolini emma mitsu & uabos some records played: the voidz - need no bump... ...chemical brothers - salmon dance (herve rmx) dahlback & dahlback - bempa... ...tonio & david carretta - my telephone is dead
  mostro marino - emma maersk
una delle piu grandi navi da trasporto containers mai costruite una delle piu grandi navi da trasporto containers mai costruite una delle piu grandi navi da trasporto containers mai costruite
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