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76 Videos  
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  lotus land by cyril scott op. 47.1
lotus land - andante languido composer: cyril scott, op. 47.1 i`ve got posted this piece two times from different camera views. please look into my video-listing. lotus land - andante languido composer: cyril scott, op. 47.1 i`ve got posted this piece two times from different camera views. please look into my video-listing. lotus land - andante languido composer: cyril scott, op. 47.1 i`ve got posted this piece two times from different camera views. please look into my video-listing.
  cyril scott: bells, from 'poems'
cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (published in 1912) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. note: for anyone with a score, i have assumed that the lh semiquaver f at the end of bar #8 is a natural, as printed in the schott edition, but accept that it could be an f#. it is impossible to tell from the context, but if anyone has seen the manuscript, let me know the answer on this! for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (published in 1912) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. note: for anyone with a score, i have assumed that the lh semiquaver f at the end of bar #8 is a natural, as printed in the schott edition, but accept that it could be an f#. it is impossible to tell from the context, but if anyone has seen the manuscript, let me know the answer on this! for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (published in 1912) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. note: for anyone with a score, i have assumed that the lh semiquaver f at the end of bar #8 is a natural, as printed in the schott edition, but accept that it could be an f#. it is impossible to tell from the context, but if anyone has seen the manuscript, let me know the answer on this! for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk
  cyril scott: intermezzo, op. 67 no. 3
cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is sometimes heard in a version for violin and piano. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is sometimes heard in a version for violin and piano. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is sometimes heard in a version for violin and piano. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk
  fritz kreisler plays "lotus land" op. 47...
fritz kreisler was an exquisite virtuoso on the violin. he made dozens of records during the first 25 jears of the 20th century, before the invention of electrical recording technique. this one is a brilliant interpretation of a lovely, mysterious and dreamlike piece by the outstanding, but largely forgotten british composer cyril scott (although very recently, some of his symphonic and piano works have been reissued). this recording for victor was made on april 24th, 1922. nb the accompanying pianist remained uncredited. fritz kreisler was an exquisite virtuoso on the violin. he made dozens of records during the first 25 jears of the 20th century, before the invention of electrical recording technique. this one is a brilliant interpretation of a lovely, mysterious and dreamlike piece by the outstanding, but largely forgotten british composer cyril scott (although very recently, some of his symphonic and piano works have been reissued). this recording for victor was made on april 24th, 1922. nb the accompanying pianist remained uncredited. fritz kreisler was an exquisite virtuoso on the violin. he made dozens of records during the first 25 jears of the 20th century, before the invention of electrical recording technique. this one is a brilliant interpretation of a lovely, mysterious and dreamlike piece by the outstanding, but largely forgotten british composer cyril scott (although very recently, some of his symphonic and piano works have been reissued). this recording for victor was made on april 24th, 1922. nb the accompanying pianist remained uncredited.
  cyril scott- lotus land
a performance of cyril scott's lotus land. i thought it could have been better, but overall i like it. a performance of cyril scott's lotus land. i thought it could have been better, but overall i like it. a performance of cyril scott's lotus land. i thought it could have been better, but overall i like it.
  cyril scott (after ce horn): cherry ripe
cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is scott's 1915 piano transcription of the well-known herrick setting by charles edward horn (1786-1849). scott dedicated the piece (which also exists in a version for violin and piano) to percy grainger. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is scott's 1915 piano transcription of the well-known herrick setting by charles edward horn (1786-1849). scott dedicated the piece (which also exists in a version for violin and piano) to percy grainger. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece is scott's 1915 piano transcription of the well-known herrick setting by charles edward horn (1786-1849). scott dedicated the piece (which also exists in a version for violin and piano) to percy grainger. for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ------------------------------------------------------------ ---------------------------------------------------------- played by phillip sear http://www.psear.co.uk
  cyril scott: the twilight of the year, f...
cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (an appropriate upload for the british mid-winter) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. to give a flavour of its style, it ends woth the words 'we sing entwined - no longer can we read the sunless dial; / and e'en the wasted willows whisper weary words.' for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ---------------------------------------------------------------------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (an appropriate upload for the british mid-winter) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. to give a flavour of its style, it ends woth the words 'we sing entwined - no longer can we read the sunless dial; / and e'en the wasted willows whisper weary words.' for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ---------------------------------------------------------------------------------------------------------------------- played by phillip sear http://www.psear.co.uk cyril scott (1879-1970) is best known today for his piano piece 'lotus land', but is other works (harmonically advanced for their day) are beginning to be recorded and performed more widely than for many years. this piece (an appropriate upload for the british mid-winter) is prefaced by a poem from scott's own collection 'the grave of eros and the book of mournful melodies with dreams from the east'. to give a flavour of its style, it ends woth the words 'we sing entwined - no longer can we read the sunless dial; / and e'en the wasted willows whisper weary words.' for more information on scott's life and music, have a look at the site set up by his granddaughter amanta (herself a musician): http://www.cyrilscott.net ---------------------------------------------------------------------------------------------------------------------- played by phillip sear http://www.psear.co.uk
  lotus land/cyril scott op. 47.1
lotus land - andante languido composer: cyril scott, op. 47.1 lotus land - andante languido composer: cyril scott, op. 47.1 lotus land - andante languido composer: cyril scott, op. 47.1
  cyril scott - pastoral and reel for cello
this extraordinary piece was written for the british cellist beatrice harrison. julian lloyd webber, cello john lenehan, piano this extraordinary piece was written for the british cellist beatrice harrison. julian lloyd webber, cello john lenehan, piano this extraordinary piece was written for the british cellist beatrice harrison. julian lloyd webber, cello john lenehan, piano
  cyril scott and percy grainger play scot...
cyril scott and percy grainger play symphonic dance op. 22 no. 1 by cyril scott, arranged by grainger for two pianos. recorded in 1922 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art piano. cyril scott and percy grainger play symphonic dance op. 22 no. 1 by cyril scott, arranged by grainger for two pianos. recorded in 1922 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art piano. cyril scott and percy grainger play symphonic dance op. 22 no. 1 by cyril scott, arranged by grainger for two pianos. recorded in 1922 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art piano.
  composer cyril scott plays danse negre o...
cyril scott plays his own short composition, danse negre, op. 58 no. 5. recorded october 4, 1928 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art. cyril scott plays his own short composition, danse negre, op. 58 no. 5. recorded october 4, 1928 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art. cyril scott plays his own short composition, danse negre, op. 58 no. 5. recorded october 4, 1928 on duo-art reproducing piano roll and played on a ca. 1929 chickering duo-art.
  percy grainger plays lotus land by cyril...
percy grainger plays cyril scott, lotus land op. 47 no. 1., in a 1929 duo-art reproducing piano roll recording. it is played on a ca. 1929 chickering duo-art that i recently restored. grainger was a close friend of scott, and they even recorded some two-piano music together, so this is a version that scott heard and approved of. it is considered by some (like the pianola institute) to be one of the best duo-art recordings ever made. percy grainger plays cyril scott, lotus land op. 47 no. 1., in a 1929 duo-art reproducing piano roll recording. it is played on a ca. 1929 chickering duo-art that i recently restored. grainger was a close friend of scott, and they even recorded some two-piano music together, so this is a version that scott heard and approved of. it is considered by some (like the pianola institute) to be one of the best duo-art recordings ever made. percy grainger plays cyril scott, lotus land op. 47 no. 1., in a 1929 duo-art reproducing piano roll recording. it is played on a ca. 1929 chickering duo-art that i recently restored. grainger was a close friend of scott, and they even recorded some two-piano music together, so this is a version that scott heard and approved of. it is considered by some (like the pianola institute) to be one of the best duo-art recordings ever made.
  oz - boxing - last fight - cyril vs hami...
http://www.myspace.com/gloomysundaynet cyril accidentaly kills hamid khan (with a little help from ryan), and then ryan is beaten by dear cyril...hahaha!!! amazing performance by scott william winters once again... p.s.: sheamus o'reily is a effin a-hole and he should die !!!! http://www.myspace.com/gloomysundaynet cyril accidentaly kills hamid khan (with a little help from ryan), and then ryan is beaten by dear cyril...hahaha!!! amazing performance by scott william winters once again... p.s.: sheamus o'reily is a effin a-hole and he should die !!!! http://www.myspace.com/gloomysundaynet cyril accidentaly kills hamid khan (with a little help from ryan), and then ryan is beaten by dear cyril...hahaha!!! amazing performance by scott william winters once again... p.s.: sheamus o'reily is a effin a-hole and he should die !!!!
  lotus land
an interesting peice by british composer cyril scott. i only just finished learning it so it's not perfect; i may repost in a couple of weeks. an interesting peice by british composer cyril scott. i only just finished learning it so it's not perfect; i may repost in a couple of weeks. an interesting peice by british composer cyril scott. i only just finished learning it so it's not perfect; i may repost in a couple of weeks.
  dave ball, art themen, alan glen - cyril...
henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. artists henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. dave ball, spy, richard simmons, sam kelly, art themen, alan glen play stormy monday other artists on the night were pete brown, phil ryan, laurie garman, john o'leary dave henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. artists henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. dave ball, spy, richard simmons, sam kelly, art themen, alan glen play stormy monday other artists on the night were pete brown, phil ryan, laurie garman, john o'leary dave henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. artists henry scott-irving, henry's gigs and www.cyrildavies.com , ran a tribute gig at the dome, tufnell park, london 1 may 2008. dave ball, spy, richard simmons, sam kelly, art themen, alan glen play stormy monday other artists on the night were pete brown, phil ryan, laurie garman, john o'leary dave
  grainger plays bach/liszt prelude & fugu...
after yudina and solomon, a third version of johann sebastian bach's bwv 543, transcribed for piano by franz liszt. percy aldridge grainger (1882-1961), piano recorded in 1931. george percy (aldridge) grainger was born on 8 july 1882 at brighton, victoria. his father, john h. grainger, was a well-known architect whose designs included the princes bridge in melbourne. quite precocious, percy made his first concert tour when he was twelve. soon afterwards, he went to germany with his mother rose to further his training as a pianist and composer. between 1901 and 1914, percy and his mother lived in london where his talents flourished. during this time, colonial song and mock morris were published. in these years he befriended the norwegian composer, edvard grieg, whose love of national music inspired percy to look closely at english folk music. with the aid of a phonograph, percy collected songs from folk-singers and made many famous arrangements from these. his friendships with scandinavian and english musical figures (herman sandby, delius, cyril scott, balfour gardiner) developed during this period. in 1914, grainger moved to america, where he lived for the rest of his life. he became an american citizen (although he always described himself as australian) and during a brief spell in the u.s. army bands, he after yudina and solomon, a third version of johann sebastian bach's bwv 543, transcribed for piano by franz liszt. percy aldridge grainger (1882-1961), piano recorded in 1931. george percy (aldridge) grainger was born on 8 july 1882 at brighton, victoria. his father, john h. grainger, was a well-known architect whose designs included the princes bridge in melbourne. quite precocious, percy made his first concert tour when he was twelve. soon afterwards, he went to germany with his mother rose to further his training as a pianist and composer. between 1901 and 1914, percy and his mother lived in london where his talents flourished. during this time, colonial song and mock morris were published. in these years he befriended the norwegian composer, edvard grieg, whose love of national music inspired percy to look closely at english folk music. with the aid of a phonograph, percy collected songs from folk-singers and made many famous arrangements from these. his friendships with scandinavian and english musical figures (herman sandby, delius, cyril scott, balfour gardiner) developed during this period. in 1914, grainger moved to america, where he lived for the rest of his life. he became an american citizen (although he always described himself as australian) and during a brief spell in the u.s. army bands, he after yudina and solomon, a third version of johann sebastian bach's bwv 543, transcribed for piano by franz liszt. percy aldridge grainger (1882-1961), piano recorded in 1931. george percy (aldridge) grainger was born on 8 july 1882 at brighton, victoria. his father, john h. grainger, was a well-known architect whose designs included the princes bridge in melbourne. quite precocious, percy made his first concert tour when he was twelve. soon afterwards, he went to germany with his mother rose to further his training as a pianist and composer. between 1901 and 1914, percy and his mother lived in london where his talents flourished. during this time, colonial song and mock morris were published. in these years he befriended the norwegian composer, edvard grieg, whose love of national music inspired percy to look closely at english folk music. with the aid of a phonograph, percy collected songs from folk-singers and made many famous arrangements from these. his friendships with scandinavian and english musical figures (herman sandby, delius, cyril scott, balfour gardiner) developed during this period. in 1914, grainger moved to america, where he lived for the rest of his life. he became an american citizen (although he always described himself as australian) and during a brief spell in the u.s. army bands, he
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