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6310 Videos  
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  clifford brown - easy living
clifford brown - easy living ?memorial album? clifford brown (tp) gigi gryce (as, fl) charlie rouse (ts) john lewis (pf) percy heath (b) art blakey (ds) recorded at audio-video studios, nyc, august 28, 1953 blue note blp 1526 clifford brown - easy living ?memorial album? clifford brown (tp) gigi gryce (as, fl) charlie rouse (ts) john lewis (pf) percy heath (b) art blakey (ds) recorded at audio-video studios, nyc, august 28, 1953 blue note blp 1526 clifford brown - easy living ?memorial album? clifford brown (tp) gigi gryce (as, fl) charlie rouse (ts) john lewis (pf) percy heath (b) art blakey (ds) recorded at audio-video studios, nyc, august 28, 1953 blue note blp 1526
  clifford brown- oh, lady be good/ memori...
clifford brown is interviewed and plays oh, lady be good & memories of you (1955-56) clifford brown is interviewed and plays oh, lady be good & memories of you (1955-56) clifford brown is interviewed and plays oh, lady be good & memories of you (1955-56)
  the max roach-clifford brown quintet: "j...
  clifford brown with strings
clifford brown with strings yesterdays memories of you clifford brown (tp) richie powell (pf) barry galbraith (g) george morrow (b) max roach (ds) neal hefti (arr, cond) 6 violins, 2 violas, 1 violoncello recorded at fine sound studios, nyc, january 18.19.20, 1955 emarcy mg 36005 clifford brown with strings yesterdays memories of you clifford brown (tp) richie powell (pf) barry galbraith (g) george morrow (b) max roach (ds) neal hefti (arr, cond) 6 violins, 2 violas, 1 violoncello recorded at fine sound studios, nyc, january 18.19.20, 1955 emarcy mg 36005 clifford brown with strings yesterdays memories of you clifford brown (tp) richie powell (pf) barry galbraith (g) george morrow (b) max roach (ds) neal hefti (arr, cond) 6 violins, 2 violas, 1 violoncello recorded at fine sound studios, nyc, january 18.19.20, 1955 emarcy mg 36005
  clifford brown-max roach quintet : "vals...
patrice gelsi et jazzart1 présentent : clifford brown - max roach quintet : valse hot ( trumpet : clifford brown drums : max roach saxophone ténor : sonny rollins piano : richie powell ) patrice gelsi et jazzart1 présentent : clifford brown - max roach quintet : valse hot ( trumpet : clifford brown drums : max roach saxophone ténor : sonny rollins piano : richie powell ) patrice gelsi et jazzart1 présentent : clifford brown - max roach quintet : valse hot ( trumpet : clifford brown drums : max roach saxophone ténor : sonny rollins piano : richie powell )
  clifford brown : night in tunisia
night in tunisia clifford brown quintet night in tunisia clifford brown quintet night in tunisia clifford brown quintet
  clifford brown & max roach quintet - jac...
clifford brown was born october 30, 1930 in wilmington, delaware. as a young high school student brown began playing trumpet and within a very short time was active in college and other youth bands. by his late teens he had attracted the favourable attention of leading jazzmen, including fellow trumpeters dizzy gillespie, miles davis and fats navarro. at the end of the 40s he was studying music at maryland university and in 1952, following recovery from a serious road accident, he made his first records with chris powell and tadd dameron. in the autumn of 1953 he was a member of the big band lionel hampton took to europe. liberally filled with precocious talent, this band attracted considerable attention during its tour. contrary to contractual stipulations, many of the young musicians moonlighted on various recordings and brown in particular was singled out for such sessions. back in the usa, brown was fired along with most of the rest of the band when hampton learned of the records they had made. brown then joined art blakey and in mid-1954 teamed up with max roach to form the clifford brown-max roach quintet. the quintet was quickly recognized as one of the outstanding groups in contemporary jazz and brown as a major trumpeter and composer. on june 26th, 1956, while driving between engagements during a nationwide tour, brown and another quintet member, pianist richie powell, were killed in a road accident. clifford brown the early death of musicians in jazz, and of talented artists in other fields, has often led to the creation of legends. inevitably, in many cases the legend greatly exceeds the reality, and speculation on what might have been relies more upon the imagination of the recounter than upon any hard evidence. in the case of clifford brown, the reality of the legend is impossible to refute. at a time when many modern jazz trumpeters sought technical expertise at the expense of tone, brown, in common with his friend and paradigm, navarro, had technique to spare but also developed a rich, full and frequently beautiful tone. at the same time, whether playing at scorching tempos or on languorous ballads, his range was exhaustive. he was enormously and brilliantly inventive but his search for original ideas was never executed at the expense of taste. in all his work, brown displayed the rare combination of supreme intelligence and great emotional depths. his playing was only one aspect of his talent; he was also a fine composer, creating many works that have become modern jazz standards. although his career was brief, brown's influence persisted for a while in the work of lee morgan and throughout succeeding decades in that of freddie hubbard. fortunately for jazz fans, brown's own work persists in the form of his recordings, almost any of which can be safely recommended as outstanding examples of the very best of jazz. indeed, all of his recordings with roach are classics. like what u heard? subscribe if you will for more excellent music clifford brown was born october 30, 1930 in wilmington, delaware. as a young high school student brown began playing trumpet and within a very short time was active in college and other youth bands. by his late teens he had attracted the favourable attention of leading jazzmen, including fellow trumpeters dizzy gillespie, miles davis and fats navarro. at the end of the 40s he was studying music at maryland university and in 1952, following recovery from a serious road accident, he made his first records with chris powell and tadd dameron. in the autumn of 1953 he was a member of the big band lionel hampton took to europe. liberally filled with precocious talent, this band attracted considerable attention during its tour. contrary to contractual stipulations, many of the young musicians moonlighted on various recordings and brown in particular was singled out for such sessions. back in the usa, brown was fired along with most of the rest of the band when hampton learned of the records they had made. brown then joined art blakey and in mid-1954 teamed up with max roach to form the clifford brown-max roach quintet. the quintet was quickly recognized as one of the outstanding groups in contemporary jazz and brown as a major trumpeter and composer. on june 26th, 1956, while driving between engagements during a nationwide tour, brown and another quintet member, pianist richie powell, were killed in a road accident. clifford brown the early death of musicians in jazz, and of talented artists in other fields, has often led to the creation of legends. inevitably, in many cases the legend greatly exceeds the reality, and speculation on what might have been relies more upon the imagination of the recounter than upon any hard evidence. in the case of clifford brown, the reality of the legend is impossible to refute. at a time when many modern jazz trumpeters sought technical expertise at the expense of tone, brown, in common with his friend and paradigm, navarro, had technique to spare but also developed a rich, full and frequently beautiful tone. at the same time, whether playing at scorching tempos or on languorous ballads, his range was exhaustive. he was enormously and brilliantly inventive but his search for original ideas was never executed at the expense of taste. in all his work, brown displayed the rare combination of supreme intelligence and great emotional depths. his playing was only one aspect of his talent; he was also a fine composer, creating many works that have become modern jazz standards. although his career was brief, brown's influence persisted for a while in the work of lee morgan and throughout succeeding decades in that of freddie hubbard. fortunately for jazz fans, brown's own work persists in the form of his recordings, almost any of which can be safely recommended as outstanding examples of the very best of jazz. indeed, all of his recordings with roach are classics. like what u heard? subscribe if you will for more excellent music clifford brown was born october 30, 1930 in wilmington, delaware. as a young high school student brown began playing trumpet and within a very short time was active in college and other youth bands. by his late teens he had attracted the favourable attention of leading jazzmen, including fellow trumpeters dizzy gillespie, miles davis and fats navarro. at the end of the 40s he was studying music at maryland university and in 1952, following recovery from a serious road accident, he made his first records with chris powell and tadd dameron. in the autumn of 1953 he was a member of the big band lionel hampton took to europe. liberally filled with precocious talent, this band attracted considerable attention during its tour. contrary to contractual stipulations, many of the young musicians moonlighted on various recordings and brown in particular was singled out for such sessions. back in the usa, brown was fired along with most of the rest of the band when hampton learned of the records they had made. brown then joined art blakey and in mid-1954 teamed up with max roach to form the clifford brown-max roach quintet. the quintet was quickly recognized as one of the outstanding groups in contemporary jazz and brown as a major trumpeter and composer. on june 26th, 1956, while driving between engagements during a nationwide tour, brown and another quintet member, pianist richie powell, were killed in a road accident. clifford brown the early death of musicians in jazz, and of talented artists in other fields, has often led to the creation of legends. inevitably, in many cases the legend greatly exceeds the reality, and speculation on what might have been relies more upon the imagination of the recounter than upon any hard evidence. in the case of clifford brown, the reality of the legend is impossible to refute. at a time when many modern jazz trumpeters sought technical expertise at the expense of tone, brown, in common with his friend and paradigm, navarro, had technique to spare but also developed a rich, full and frequently beautiful tone. at the same time, whether playing at scorching tempos or on languorous ballads, his range was exhaustive. he was enormously and brilliantly inventive but his search for original ideas was never executed at the expense of taste. in all his work, brown displayed the rare combination of supreme intelligence and great emotional depths. his playing was only one aspect of his talent; he was also a fine composer, creating many works that have become modern jazz standards. although his career was brief, brown's influence persisted for a while in the work of lee morgan and throughout succeeding decades in that of freddie hubbard. fortunately for jazz fans, brown's own work persists in the form of his recordings, almost any of which can be safely recommended as outstanding examples of the very best of jazz. indeed, all of his recordings with roach are classics. like what u heard? subscribe if you will for more excellent music
  m roach, clifford brown, c terry, g gryc...
lover come back to me, 1954: drums: max roach trumpet: clifford brown, clark terry and meynard fergusson alto saxophone: gigi gryce tenor saxophone: teddy edwards piano:richie powell bass: george morrow ordre d'apparition des solos: dinah washington clark terry teddy edwards clifford brown george morrow gigi gryce maynard fergusson max roach richie powell re-expo theme dinah washington lover come back to me, 1954: drums: max roach trumpet: clifford brown, clark terry and meynard fergusson alto saxophone: gigi gryce tenor saxophone: teddy edwards piano:richie powell bass: george morrow ordre d'apparition des solos: dinah washington clark terry teddy edwards clifford brown george morrow gigi gryce maynard fergusson max roach richie powell re-expo theme dinah washington lover come back to me, 1954: drums: max roach trumpet: clifford brown, clark terry and meynard fergusson alto saxophone: gigi gryce tenor saxophone: teddy edwards piano:richie powell bass: george morrow ordre d'apparition des solos: dinah washington clark terry teddy edwards clifford brown george morrow gigi gryce maynard fergusson max roach richie powell re-expo theme dinah washington
  clifford brown: i don't stand a ghost of...
clifford brown: i don't stand a ghost of a chance with you clifford brown: i don't stand a ghost of a chance with you clifford brown: i don't stand a ghost of a chance with you
  clifford brown: what's new
clifford brown: what's new clifford brown: what's new clifford brown: what's new
  joy spring by clifford brown
marylee and i riffing on clifford brown's great song. warning: this is harder than it looks, so make sure you take adequate precautions before trying this at home. guitar: 1970 giannini craviola nylon string marylee and i riffing on clifford brown's great song. warning: this is harder than it looks, so make sure you take adequate precautions before trying this at home. guitar: 1970 giannini craviola nylon string marylee and i riffing on clifford brown's great song. warning: this is harder than it looks, so make sure you take adequate precautions before trying this at home. guitar: 1970 giannini craviola nylon string
  get happy
clifford brown max roach with sonny rollins clifford brown max roach with sonny rollins clifford brown max roach with sonny rollins
  clifford brown - george's dilemma
clifford brown - george's dilemma clifford brown - george's dilemma clifford brown - george's dilemma
  john digiovanni @ clifford brown jazz fe...
john digiovanni @ clifford brown jazz festival - john digiovanni's drum solo for john digiovanni @ clifford brown jazz festival - john digiovanni's drum solo for john digiovanni @ clifford brown jazz festival - john digiovanni's drum solo for
  the new mastersounds clifford brown 6/20...
clips of the new mastersounds from a gig that put everyone off their lawwnchairs and on their feet! clips of the new mastersounds from a gig that put everyone off their lawwnchairs and on their feet! clips of the new mastersounds from a gig that put everyone off their lawwnchairs and on their feet!
  brownie speaks by clifford brown, sax so...
martin kern / tony hurdle quintet plays martin kern / tony hurdle quintet plays martin kern / tony hurdle quintet plays
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