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441 Videos  
page 1 / 23
     suivant
  carl-anton 2
carl anton återvänder för att besöka sin fars gamla circus. slutar i vemod och raserianfall som vanligt. carl anton återvänder för att besöka sin fars gamla circus. slutar i vemod och raserianfall som vanligt. carl anton återvänder för att besöka sin fars gamla circus. slutar i vemod och raserianfall som vanligt.
  carl anton & sofia karlsson - om maskros...
carl anton & sofia karlsson - om maskros och tjärdoft (live skansen 2006) carl anton & sofia karlsson - om maskros och tjärdoft (live skansen 2006) carl anton & sofia karlsson - om maskros och tjärdoft (live skansen 2006)
  carl anton i vita bergen
click to add a description... click to add a description... click to add a description...
  carl anton
carl anton carl anton carl anton
  fisketuren med karl-anton
tzatziki morsan och polisen tzatziki morsan och polisen tzatziki morsan och polisen
  carl anton
a mentally retarded man suckered by his only friend. a mentally retarded man suckered by his only friend. a mentally retarded man suckered by his only friend.
  karl anton ja norman niklus - jää-äär
poisid laulavad. poisid laulavad. poisid laulavad.
  karl anton: devil's child
he is the world's first cartoon rock'n'roll star. he has all a pop star needs: he is good looking. he is the world's first cartoon rock'n'roll star. he has all a pop star needs: he is good looking. he is the world's first cartoon rock'n'roll star. he has all a pop star needs: he is good looking.
  leonard pennario/joh.strauss "on the bea...
================================ johann strauss ii an der schönen, blauen donau (on the beautiful, blue danube), waltz for orchestra (with chorus ad lib), op. 314 (rv 314) waltz for orchestra leonard pennario,piano. ================================ related information: the title an der schönen, blauen donau may have been derived from a poem by karl beck (1817-1879) entitled, an der donau; the poem, die feindlichen brüder also contains the line, ================================ johann strauss ii an der schönen, blauen donau (on the beautiful, blue danube), waltz for orchestra (with chorus ad lib), op. 314 (rv 314) waltz for orchestra leonard pennario,piano. ================================ related information: the title an der schönen, blauen donau may have been derived from a poem by karl beck (1817-1879) entitled, an der donau; the poem, die feindlichen brüder also contains the line, ================================ johann strauss ii an der schönen, blauen donau (on the beautiful, blue danube), waltz for orchestra (with chorus ad lib), op. 314 (rv 314) waltz for orchestra leonard pennario,piano. ================================ related information: the title an der schönen, blauen donau may have been derived from a poem by karl beck (1817-1879) entitled, an der donau; the poem, die feindlichen brüder also contains the line,
  kurtis anton vs. carl nielson 11.30.08
kurtis anton (motor city machine) vs. carl nielson (mahoning valley phantoms) kurtis anton (motor city machine) vs. carl nielson (mahoning valley phantoms) kurtis anton (motor city machine) vs. carl nielson (mahoning valley phantoms)
  a. diabelli sonatina in f
sonatina in f - pianist lana gnus photos used in the video: mattsee (place of birth), portrait and city of vienna. about the composer: anton diabeli (september 6, 1781-april 7, 1858) was an austrian music publisher, editor and composer. best known in his time as a publisher, he is most familiar today as the composer of the waltz on which ludwig van beethoven wrote his set of thirty-three diabelli variations. diabelli was born in mattsee near salzburg. he was trained to enter the priesthood, but also took music lessons with michael haydn. he moved to vienna to teach the piano and guitar before becoming partners with pietro cappi in 1818 and setting up a music publishing firm with him. the firm, cappi & diabelli (which became diabelli & co. in 1824) became well known by arranging popular pieces so they could be played by amateurs at home. the firm became well known in more serious music circles by becoming the first to publish works by franz schubert, a composer the firm later championed. diabelli produced a modest number of works as a composer, including an operetta called adam in der klemme, a number of masses and songs and a large number of piano and classical guitar pieces. among these are pieces for four hands (two pianists playing at one piano), which are popular amongst amateur pianists. ironically, perhaps, the composition for which diabelli is now best known was actually written as part of a publishing venture. in 1819, he decided to try to publish a volume of variations on a waltz he had penned expressly for this purpose, with one variation by every important austrian composer living at the time, as well as several significant non-austrians. fifty composers responded with pieces, including schubert, an eight-year-old franz liszt, and johann nepomuk hummel. carl czerny was enlisted to write a coda, and they were published as vaterländische künstlerverein. beethoven, however, instead of providing just one variation, provided thirty-three, and his were published in a volume of their own in 1824. they constitute what is generally regarded as one of the greatest of beethoven's piano pieces and as the greatest set of variations of their time, and are generally known simply as the diabelli variations. diabelli's publishing house expanded throughout his life, before he retired in 1851, leaving it under the control of carl anton spina. when diabelli died in 1858, spina continued to run the firm, and published much music by johann strauss ii and josef strauss. in 1872, the firm was taken over by friedrich schreiber, and in 1876 it merged with the firm of august cranz, who bought the company in 1879 and ran it under his name. diabelli's pleasures of youth: six sonatinas was a collection of six sonatinas written and composed by himself. pleasures of youth could be described as an ever-thickening battle between good and evil, noting that the song always very frequently changes from forte to pianoforte. forte is loud, and has the evil feel, making it the evil enemy, while pianoforte is soft, and creates the message that it is the good one. sonatina in f - pianist lana gnus photos used in the video: mattsee (place of birth), portrait and city of vienna. about the composer: anton diabeli (september 6, 1781-april 7, 1858) was an austrian music publisher, editor and composer. best known in his time as a publisher, he is most familiar today as the composer of the waltz on which ludwig van beethoven wrote his set of thirty-three diabelli variations. diabelli was born in mattsee near salzburg. he was trained to enter the priesthood, but also took music lessons with michael haydn. he moved to vienna to teach the piano and guitar before becoming partners with pietro cappi in 1818 and setting up a music publishing firm with him. the firm, cappi & diabelli (which became diabelli & co. in 1824) became well known by arranging popular pieces so they could be played by amateurs at home. the firm became well known in more serious music circles by becoming the first to publish works by franz schubert, a composer the firm later championed. diabelli produced a modest number of works as a composer, including an operetta called adam in der klemme, a number of masses and songs and a large number of piano and classical guitar pieces. among these are pieces for four hands (two pianists playing at one piano), which are popular amongst amateur pianists. ironically, perhaps, the composition for which diabelli is now best known was actually written as part of a publishing venture. in 1819, he decided to try to publish a volume of variations on a waltz he had penned expressly for this purpose, with one variation by every important austrian composer living at the time, as well as several significant non-austrians. fifty composers responded with pieces, including schubert, an eight-year-old franz liszt, and johann nepomuk hummel. carl czerny was enlisted to write a coda, and they were published as vaterländische künstlerverein. beethoven, however, instead of providing just one variation, provided thirty-three, and his were published in a volume of their own in 1824. they constitute what is generally regarded as one of the greatest of beethoven's piano pieces and as the greatest set of variations of their time, and are generally known simply as the diabelli variations. diabelli's publishing house expanded throughout his life, before he retired in 1851, leaving it under the control of carl anton spina. when diabelli died in 1858, spina continued to run the firm, and published much music by johann strauss ii and josef strauss. in 1872, the firm was taken over by friedrich schreiber, and in 1876 it merged with the firm of august cranz, who bought the company in 1879 and ran it under his name. diabelli's pleasures of youth: six sonatinas was a collection of six sonatinas written and composed by himself. pleasures of youth could be described as an ever-thickening battle between good and evil, noting that the song always very frequently changes from forte to pianoforte. forte is loud, and has the evil feel, making it the evil enemy, while pianoforte is soft, and creates the message that it is the good one. sonatina in f - pianist lana gnus photos used in the video: mattsee (place of birth), portrait and city of vienna. about the composer: anton diabeli (september 6, 1781-april 7, 1858) was an austrian music publisher, editor and composer. best known in his time as a publisher, he is most familiar today as the composer of the waltz on which ludwig van beethoven wrote his set of thirty-three diabelli variations. diabelli was born in mattsee near salzburg. he was trained to enter the priesthood, but also took music lessons with michael haydn. he moved to vienna to teach the piano and guitar before becoming partners with pietro cappi in 1818 and setting up a music publishing firm with him. the firm, cappi & diabelli (which became diabelli & co. in 1824) became well known by arranging popular pieces so they could be played by amateurs at home. the firm became well known in more serious music circles by becoming the first to publish works by franz schubert, a composer the firm later championed. diabelli produced a modest number of works as a composer, including an operetta called adam in der klemme, a number of masses and songs and a large number of piano and classical guitar pieces. among these are pieces for four hands (two pianists playing at one piano), which are popular amongst amateur pianists. ironically, perhaps, the composition for which diabelli is now best known was actually written as part of a publishing venture. in 1819, he decided to try to publish a volume of variations on a waltz he had penned expressly for this purpose, with one variation by every important austrian composer living at the time, as well as several significant non-austrians. fifty composers responded with pieces, including schubert, an eight-year-old franz liszt, and johann nepomuk hummel. carl czerny was enlisted to write a coda, and they were published as vaterländische künstlerverein. beethoven, however, instead of providing just one variation, provided thirty-three, and his were published in a volume of their own in 1824. they constitute what is generally regarded as one of the greatest of beethoven's piano pieces and as the greatest set of variations of their time, and are generally known simply as the diabelli variations. diabelli's publishing house expanded throughout his life, before he retired in 1851, leaving it under the control of carl anton spina. when diabelli died in 1858, spina continued to run the firm, and published much music by johann strauss ii and josef strauss. in 1872, the firm was taken over by friedrich schreiber, and in 1876 it merged with the firm of august cranz, who bought the company in 1879 and ran it under his name. diabelli's pleasures of youth: six sonatinas was a collection of six sonatinas written and composed by himself. pleasures of youth could be described as an ever-thickening battle between good and evil, noting that the song always very frequently changes from forte to pianoforte. forte is loud, and has the evil feel, making it the evil enemy, while pianoforte is soft, and creates the message that it is the good one.
  bidrag 3: jag slog ihjäl min älsklings n...
  estonia's luminaries: paul keres, karl e...
http://suprememastertv.com/ - models of success - estonia's luminaries: paul keres, karl ernst von baer & anton tammsaare (in estonian), episode: 671, air date: 16 - july - 2008 http://suprememastertv.com/ - models of success - estonia's luminaries: paul keres, karl ernst von baer & anton tammsaare (in estonian), episode: 671, air date: 16 - july - 2008 http://suprememastertv.com/ - models of success - estonia's luminaries: paul keres, karl ernst von baer & anton tammsaare (in estonian), episode: 671, air date: 16 - july - 2008
  anton carl tobbe julle är så duktiga på ...
blablabla.. blablabla.. blablabla..
  90 key carl frei street organ de negenti...
de negentiger is een echt klassiek carl frei straatorgel dat onlangs is gerestaureerd door het nederlands boekorgel centrum (nbc). het resultaat mag er dan ook zijn! het orgel speelt hier het kerstnummer de negentiger is een echt klassiek carl frei straatorgel dat onlangs is gerestaureerd door het nederlands boekorgel centrum (nbc). het resultaat mag er dan ook zijn! het orgel speelt hier het kerstnummer de negentiger is een echt klassiek carl frei straatorgel dat onlangs is gerestaureerd door het nederlands boekorgel centrum (nbc). het resultaat mag er dan ook zijn! het orgel speelt hier het kerstnummer
  karl anton
so many balls so many balls so many balls
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