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553 Videos  
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     suivant
  busoni: chopin prelude no 15 "raindrop" ...
duo-art reproducing piano roll #033 prelude op 28 no 15 in d flat major frederic chopin ferruccio busoni, piano duo-art reproducing piano roll #033 prelude op 28 no 15 in d flat major frederic chopin ferruccio busoni, piano duo-art reproducing piano roll #033 prelude op 28 no 15 in d flat major frederic chopin ferruccio busoni, piano
  bach - busoni - chaconne d minor
fazil say, prague 2002 fazil say, prague 2002 fazil say, prague 2002
  bach busoni chaconne alicia de larrocha ...
alica played several bach busoni and bach lizst arrangements the chacone was one of her favorites alica played several bach busoni and bach lizst arrangements the chacone was one of her favorites alica played several bach busoni and bach lizst arrangements the chacone was one of her favorites
  horowitz plays bach-busoni
horowitz plays bach-busoni horowitz plays bach-busoni horowitz plays bach-busoni
  alvaro ordońez plays busoni contrappunta...
the pianist alvaro ordońez plays contrappuntal fantasy (part i) by ferruccio busoni. this is a live recording from an exam made in 2003. mmmmmmmm my only piano exam recorded.......it`s funny i played this in concert some times before and after this exam but this was the best recording that i have of it........ this crazy work is hard for memory among other things....... agordonezt@yahoo.com the pianist alvaro ordońez plays contrappuntal fantasy (part i) by ferruccio busoni. this is a live recording from an exam made in 2003. mmmmmmmm my only piano exam recorded.......it`s funny i played this in concert some times before and after this exam but this was the best recording that i have of it........ this crazy work is hard for memory among other things....... agordonezt@yahoo.com the pianist alvaro ordońez plays contrappuntal fantasy (part i) by ferruccio busoni. this is a live recording from an exam made in 2003. mmmmmmmm my only piano exam recorded.......it`s funny i played this in concert some times before and after this exam but this was the best recording that i have of it........ this crazy work is hard for memory among other things....... agordonezt@yahoo.com
  busoni nuit de noel
alexander bildau live nuit de noel - expression of tranquility. the sound of carrillons, fragmentary citation of a german christmas-song, composed 1909, showing busoni somewhat closer to debussy. during that period of time he found himself more than once compared with the french composer. ???????? (comment by a. bildau, added by kcb) alexander bildau live nuit de noel - expression of tranquility. the sound of carrillons, fragmentary citation of a german christmas-song, composed 1909, showing busoni somewhat closer to debussy. during that period of time he found himself more than once compared with the french composer. ???????? (comment by a. bildau, added by kcb) alexander bildau live nuit de noel - expression of tranquility. the sound of carrillons, fragmentary citation of a german christmas-song, composed 1909, showing busoni somewhat closer to debussy. during that period of time he found himself more than once compared with the french composer. ???????? (comment by a. bildau, added by kcb)
  busoni chopin variations geoffrey madge ...
geoffrey douglas madge plays live at vpro's vrije geluiden at the muziekgebouw aan 't ij amsterdam, may 4th 2008. ferruccio busoni variations on a prelude by chopin: theme and variations nine + ten. for a better (color + sound) version of this video, please visit http://www.cameratabusoni.com geoffrey douglas madge, piano camerata busoni is the synthesis of attuned musicians from different generations and from from several countries. all its musicians have notable careers performing chamber music or/and are successful soloists. founded in 2006 they started from the outset with a regular formation to perform traditional chamber music; - piano quartet, piano trio and string trio - pianist geoffrey madge, violinist marco roosink, violist ferdinand erblich (párkányi quartet, former orlando quartet) and the austrian solo cellist katharina gross. camerata busoni programs chamber music from bach to ravel. from solo works, piano trio's and quartets to the larger works like schubert's trout quintet, brahms' piano quintet and messiaen's 'quatuor pour la fin du temps'. if possible, camerata busoni combines in its concerts works for changing formations, e.g. quartet, trio, duo & solo. for the first season 2007-2008, camerata busoni was invited to play concerts a.o. in the concertgebouw amsterdam, musis sacrum arnhem, eindhoven, veere and for a series of concerts in den-bosch (de toonzaal). in the 08-09 season they will again perform at the concertgebouw amsterdam and the schnittke chamber music days (in collaboration with a.o. mark lubotsky and the parkanyi kwartet) will be held on their initiative at four prominent chambermusic venues in the netherlands: amsterdam, utrecht, enschede and den bosch. see also: http://kamermuziekdagen.nl more info at www.cameratabusoni.com geoffrey douglas madge plays live at vpro's vrije geluiden at the muziekgebouw aan 't ij amsterdam, may 4th 2008. ferruccio busoni variations on a prelude by chopin: theme and variations nine + ten. for a better (color + sound) version of this video, please visit http://www.cameratabusoni.com geoffrey douglas madge, piano camerata busoni is the synthesis of attuned musicians from different generations and from from several countries. all its musicians have notable careers performing chamber music or/and are successful soloists. founded in 2006 they started from the outset with a regular formation to perform traditional chamber music; - piano quartet, piano trio and string trio - pianist geoffrey madge, violinist marco roosink, violist ferdinand erblich (párkányi quartet, former orlando quartet) and the austrian solo cellist katharina gross. camerata busoni programs chamber music from bach to ravel. from solo works, piano trio's and quartets to the larger works like schubert's trout quintet, brahms' piano quintet and messiaen's 'quatuor pour la fin du temps'. if possible, camerata busoni combines in its concerts works for changing formations, e.g. quartet, trio, duo & solo. for the first season 2007-2008, camerata busoni was invited to play concerts a.o. in the concertgebouw amsterdam, musis sacrum arnhem, eindhoven, veere and for a series of concerts in den-bosch (de toonzaal). in the 08-09 season they will again perform at the concertgebouw amsterdam and the schnittke chamber music days (in collaboration with a.o. mark lubotsky and the parkanyi kwartet) will be held on their initiative at four prominent chambermusic venues in the netherlands: amsterdam, utrecht, enschede and den bosch. see also: http://kamermuziekdagen.nl more info at www.cameratabusoni.com geoffrey douglas madge plays live at vpro's vrije geluiden at the muziekgebouw aan 't ij amsterdam, may 4th 2008. ferruccio busoni variations on a prelude by chopin: theme and variations nine + ten. for a better (color + sound) version of this video, please visit http://www.cameratabusoni.com geoffrey douglas madge, piano camerata busoni is the synthesis of attuned musicians from different generations and from from several countries. all its musicians have notable careers performing chamber music or/and are successful soloists. founded in 2006 they started from the outset with a regular formation to perform traditional chamber music; - piano quartet, piano trio and string trio - pianist geoffrey madge, violinist marco roosink, violist ferdinand erblich (párkányi quartet, former orlando quartet) and the austrian solo cellist katharina gross. camerata busoni programs chamber music from bach to ravel. from solo works, piano trio's and quartets to the larger works like schubert's trout quintet, brahms' piano quintet and messiaen's 'quatuor pour la fin du temps'. if possible, camerata busoni combines in its concerts works for changing formations, e.g. quartet, trio, duo & solo. for the first season 2007-2008, camerata busoni was invited to play concerts a.o. in the concertgebouw amsterdam, musis sacrum arnhem, eindhoven, veere and for a series of concerts in den-bosch (de toonzaal). in the 08-09 season they will again perform at the concertgebouw amsterdam and the schnittke chamber music days (in collaboration with a.o. mark lubotsky and the parkanyi kwartet) will be held on their initiative at four prominent chambermusic venues in the netherlands: amsterdam, utrecht, enschede and den bosch. see also: http://kamermuziekdagen.nl more info at www.cameratabusoni.com
  marc-andre hamelin plays bach-busoni cha...
excellent performance - a rarity broadcast on canadian tv channel excellent performance - a rarity broadcast on canadian tv channel excellent performance - a rarity broadcast on canadian tv channel
  bach (busoni) - ich ruf zu dir, herr jes...
bach-busoni - chorale prelude 'ich ruf zu dir, herr jesu christ' (v. horowitz) bach-busoni - chorale prelude 'ich ruf zu dir, herr jesu christ' (v. horowitz) bach-busoni - chorale prelude 'ich ruf zu dir, herr jesu christ' (v. horowitz)
  frederic chiu plays bach/busoni
bach/busoni: bach/busoni: bach/busoni:
  fabio bidini plays bach-busoni chaconne ...
fabio bidini plays bach-busoni, chaconne in d minor - part 1 fabio bidini plays bach-busoni, chaconne in d minor - part 1 fabio bidini plays bach-busoni, chaconne in d minor - part 1
  busoni sonatina seconda - bildau
alexander bildau live 1912 - a year of eccentric sonata-conceptions! ives composes his concord-sonata, a musical portrait of transcendental philosophers; the muscovite scriabin claims to have expressed non-human feelings in his seventh sonata op.64 - a true paradox (at least for mortal commoners); busoni finally, looking for the essential subject of occidental culture (in the spenglerian sense), inevitably decides for a faustian topic. in the course of this process originates a composition for piano, which conceals its intents and purpose under the inconspicuous title sonatina seconda. as a common criterion of those three works one remarks very high philosophical pretensions, which certainly and endlessly may be disputed by the real experts in philosophy. indisputable is, that such a high flight of fancy functioned as a trigger to create extraordinary and uncompromising music. highly complex and not easily accesible compositions, which after almost one hundred years are still unspoiled and keep their newness. sonatina seconda is a stroke of genius, a sketch, bundling in compressed form relevant musical materials of the opera doktor faust. the character of this sound-world is hardly to be described with words. busoni's most revolutionary work still remains unpopular. well, doesn't popularity not destroy even the best work of music anyway? (comment by a. bildau, added by kcb) 1912. ein jahr exzentrischer sonatenkonzeptionen! ives entwirft in der concord-sonate einen musikalisches portrait transzendentalistischer philosophen. der moskauer skryabin behauptet in seiner siebten sonate op.64 aussermenschliche emotionen dargestellt zu haben - ein logisches paradoxon, zumindest fuer normalsterbliche; busoni schliesslich, fuer ein geeignetes opernsujet auf der suche nach der essentiellen thematik des abendlaendischen kulturkreises (durchaus im sinne spenglers), entscheidet sich zwangslaeufig fuer eine faustische thematik. im zuge dieser arbeit entsteht eine komposition fuer klavier, die ihren eigentlichen gehalt und zweck hinter dem unverfaenglichen namen sonatina seconda verbirgt. gemeinsam ist den genannten werken ein hoher, von fachleuten oft belaechelter, philosophischer anspruch, ueber dessen wert man nach belieben und endlos streiten kann. unbestreitbar ist, dass durch derartige schoengeistige hoehenfluege ganz aussergewoehnliche und kompromisslose musik entstand. hochkomplex und nicht leicht zugaenglich, sind die kompositionen auch nach fast 100 jahren noch unverbraucht. die sonatina seconda ist eine geniale skizze, ein konzeptuelles werk, das in komprimierter form die wesentlichen musikalischen materialien der oper doktor faust buendelt. diese klangwelt laesst sich in worten nur schwer umschreiben. busonis radikalstes werk ist unpopulaer geblieben. nun, richtet popularitaet nicht sowieso auch das beste werk zugrunde? (comment by a. bildau, added by kcb) alexander bildau live 1912 - a year of eccentric sonata-conceptions! ives composes his concord-sonata, a musical portrait of transcendental philosophers; the muscovite scriabin claims to have expressed non-human feelings in his seventh sonata op.64 - a true paradox (at least for mortal commoners); busoni finally, looking for the essential subject of occidental culture (in the spenglerian sense), inevitably decides for a faustian topic. in the course of this process originates a composition for piano, which conceals its intents and purpose under the inconspicuous title sonatina seconda. as a common criterion of those three works one remarks very high philosophical pretensions, which certainly and endlessly may be disputed by the real experts in philosophy. indisputable is, that such a high flight of fancy functioned as a trigger to create extraordinary and uncompromising music. highly complex and not easily accesible compositions, which after almost one hundred years are still unspoiled and keep their newness. sonatina seconda is a stroke of genius, a sketch, bundling in compressed form relevant musical materials of the opera doktor faust. the character of this sound-world is hardly to be described with words. busoni's most revolutionary work still remains unpopular. well, doesn't popularity not destroy even the best work of music anyway? (comment by a. bildau, added by kcb) 1912. ein jahr exzentrischer sonatenkonzeptionen! ives entwirft in der concord-sonate einen musikalisches portrait transzendentalistischer philosophen. der moskauer skryabin behauptet in seiner siebten sonate op.64 aussermenschliche emotionen dargestellt zu haben - ein logisches paradoxon, zumindest fuer normalsterbliche; busoni schliesslich, fuer ein geeignetes opernsujet auf der suche nach der essentiellen thematik des abendlaendischen kulturkreises (durchaus im sinne spenglers), entscheidet sich zwangslaeufig fuer eine faustische thematik. im zuge dieser arbeit entsteht eine komposition fuer klavier, die ihren eigentlichen gehalt und zweck hinter dem unverfaenglichen namen sonatina seconda verbirgt. gemeinsam ist den genannten werken ein hoher, von fachleuten oft belaechelter, philosophischer anspruch, ueber dessen wert man nach belieben und endlos streiten kann. unbestreitbar ist, dass durch derartige schoengeistige hoehenfluege ganz aussergewoehnliche und kompromisslose musik entstand. hochkomplex und nicht leicht zugaenglich, sind die kompositionen auch nach fast 100 jahren noch unverbraucht. die sonatina seconda ist eine geniale skizze, ein konzeptuelles werk, das in komprimierter form die wesentlichen musikalischen materialien der oper doktor faust buendelt. diese klangwelt laesst sich in worten nur schwer umschreiben. busonis radikalstes werk ist unpopulaer geblieben. nun, richtet popularitaet nicht sowieso auch das beste werk zugrunde? (comment by a. bildau, added by kcb) alexander bildau live 1912 - a year of eccentric sonata-conceptions! ives composes his concord-sonata, a musical portrait of transcendental philosophers; the muscovite scriabin claims to have expressed non-human feelings in his seventh sonata op.64 - a true paradox (at least for mortal commoners); busoni finally, looking for the essential subject of occidental culture (in the spenglerian sense), inevitably decides for a faustian topic. in the course of this process originates a composition for piano, which conceals its intents and purpose under the inconspicuous title sonatina seconda. as a common criterion of those three works one remarks very high philosophical pretensions, which certainly and endlessly may be disputed by the real experts in philosophy. indisputable is, that such a high flight of fancy functioned as a trigger to create extraordinary and uncompromising music. highly complex and not easily accesible compositions, which after almost one hundred years are still unspoiled and keep their newness. sonatina seconda is a stroke of genius, a sketch, bundling in compressed form relevant musical materials of the opera doktor faust. the character of this sound-world is hardly to be described with words. busoni's most revolutionary work still remains unpopular. well, doesn't popularity not destroy even the best work of music anyway? (comment by a. bildau, added by kcb) 1912. ein jahr exzentrischer sonatenkonzeptionen! ives entwirft in der concord-sonate einen musikalisches portrait transzendentalistischer philosophen. der moskauer skryabin behauptet in seiner siebten sonate op.64 aussermenschliche emotionen dargestellt zu haben - ein logisches paradoxon, zumindest fuer normalsterbliche; busoni schliesslich, fuer ein geeignetes opernsujet auf der suche nach der essentiellen thematik des abendlaendischen kulturkreises (durchaus im sinne spenglers), entscheidet sich zwangslaeufig fuer eine faustische thematik. im zuge dieser arbeit entsteht eine komposition fuer klavier, die ihren eigentlichen gehalt und zweck hinter dem unverfaenglichen namen sonatina seconda verbirgt. gemeinsam ist den genannten werken ein hoher, von fachleuten oft belaechelter, philosophischer anspruch, ueber dessen wert man nach belieben und endlos streiten kann. unbestreitbar ist, dass durch derartige schoengeistige hoehenfluege ganz aussergewoehnliche und kompromisslose musik entstand. hochkomplex und nicht leicht zugaenglich, sind die kompositionen auch nach fast 100 jahren noch unverbraucht. die sonatina seconda ist eine geniale skizze, ein konzeptuelles werk, das in komprimierter form die wesentlichen musikalischen materialien der oper doktor faust buendelt. diese klangwelt laesst sich in worten nur schwer umschreiben. busonis radikalstes werk ist unpopulaer geblieben. nun, richtet popularitaet nicht sowieso auch das beste werk zugrunde? (comment by a. bildau, added by kcb)
  j.s.bach-busoni wachet auf ruft uns die ...
w. nänni on the horowitz-piano steinway d bach-busoni choral bwv645 wachet auf , ruft uns die stimme (also beethoven op.109)bach prelude and fuga e fla t major wt2 w. nänni on the horowitz-piano steinway d bach-busoni choral bwv645 wachet auf , ruft uns die stimme (also beethoven op.109)bach prelude and fuga e fla t major wt2 w. nänni on the horowitz-piano steinway d bach-busoni choral bwv645 wachet auf , ruft uns die stimme (also beethoven op.109)bach prelude and fuga e fla t major wt2
  freddy kempf.bach-busoni chaconne
russia moscow. i see freddy first a video beethoven pathique in korea. his techenique made very amazing on me. really great! russia moscow. i see freddy first a video beethoven pathique in korea. his techenique made very amazing on me. really great! russia moscow. i see freddy first a video beethoven pathique in korea. his techenique made very amazing on me. really great!
  bach-busoni - chaconne in d minor 1st pa...
this particular version of chaconne is the original one that busoni himself played and recorded on this particular version of chaconne is the original one that busoni himself played and recorded on this particular version of chaconne is the original one that busoni himself played and recorded on
  alexander gavrylyuk bach-busoni toccata...
live may 2007 miami international piano festival. the entire performance is available on dvd at http://www.vaimusic.com/index.htm http://www.miamipianofest.com http://miamipianofest.com live may 2007 miami international piano festival. the entire performance is available on dvd at http://www.vaimusic.com/index.htm http://www.miamipianofest.com http://miamipianofest.com live may 2007 miami international piano festival. the entire performance is available on dvd at http://www.vaimusic.com/index.htm http://www.miamipianofest.com http://miamipianofest.com
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