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3 Videos  
page 1 / 1
       
  reason 4 the counterpoint of life (edited)
before i begin, this is an edited version to the original, i've corrected some aural inconsistancies that were present in the first upload. i've also used a few panning techniques to increase the feel of an orchestral arrangement. im going to go into a little detail with this one so please take the time to read and understand. this is a piece that i started to push my understanding of counterpoint forward (at this point i would like to give a special thanks to ace pincter for his advice on the subject) and in doing so i've created something that took on a life of its own. the name of the tune says more then first meets the eye, the tune has an emotional counterpoint to it with both sad and happy areas coming together and in joining gives a sense as to what our own lives are like. try to let each instrument run over you as it conveys its own emotion to the piece, then try to listen to the tune on a whole and let the collective feeling get inside your head. i hope this project (originaly started to use counterpoint) achieves something. before i begin, this is an edited version to the original, i've corrected some aural inconsistancies that were present in the first upload. i've also used a few panning techniques to increase the feel of an orchestral arrangement. im going to go into a little detail with this one so please take the time to read and understand. this is a piece that i started to push my understanding of counterpoint forward (at this point i would like to give a special thanks to ace pincter for his advice on the subject) and in doing so i've created something that took on a life of its own. the name of the tune says more then first meets the eye, the tune has an emotional counterpoint to it with both sad and happy areas coming together and in joining gives a sense as to what our own lives are like. try to let each instrument run over you as it conveys its own emotion to the piece, then try to listen to the tune on a whole and let the collective feeling get inside your head. i hope this project (originaly started to use counterpoint) achieves something. before i begin, this is an edited version to the original, i've corrected some aural inconsistancies that were present in the first upload. i've also used a few panning techniques to increase the feel of an orchestral arrangement. im going to go into a little detail with this one so please take the time to read and understand. this is a piece that i started to push my understanding of counterpoint forward (at this point i would like to give a special thanks to ace pincter for his advice on the subject) and in doing so i've created something that took on a life of its own. the name of the tune says more then first meets the eye, the tune has an emotional counterpoint to it with both sad and happy areas coming together and in joining gives a sense as to what our own lives are like. try to let each instrument run over you as it conveys its own emotion to the piece, then try to listen to the tune on a whole and let the collective feeling get inside your head. i hope this project (originaly started to use counterpoint) achieves something.
  the brendan voyage by shaun davey solois...
footage of shaun davey's 'the brendan voyage' with soloist liam o'flynn. with his first major work, 'the brendan voyage' (1980), shaun davey opened up totally new musical territory. for the first time, in a suite especially written for uilleann pipes soloist liam o'flynn, a traditional musician was integrated with a classical orchestra. the uilleann pipe passages in the brendan suite, capturing all the force, emotion and beauty of irish traditional music, here blend with the symphony orchestra in a synthesis of old and new, which has enchanted audiences around the world. 'the brendan voyage' is an emotive, symbolic work, seeming to answer a need in the irish people to recognise and prove that a soloist representing an aural tradition can hold the stage on equal footing with members of a symphony orchestra. the theme of shaun davey's seminal work is the epic voyage of historian tim severin who, in 1976, set sail in a small leather-covered boat to retrace the voyage undertaken by st. brendan, abbot of clonfert in the year 500 ad. according to irish legend, st. brendan, with a band of fellow missionaries, embarked in a fragile curragh to reach what many scholars believe was the new world. tim severin set out to test the legend, constructing his leather boat, 'the brendan', in the ancient way and setting sail from brandon creek, co. kerry, on the first leg of a journey to newfoundland. in severin's account the boat takes on a personality of its own, becoming a parental figure, which guides and sometimes carries its offspring through the elements and dangers. in shaun davey's suite, the uilleann pipes represent the boat and carry the listener before the wind, through ferocious gales, over gigantic waves, through floating pillars of ice... evoking the journey from a small kerry harbour to the faroes, the cliffs of mykines, to iceland, the freezing waters of labrador and finally, to safe harbour in newfoundland. 'the brendan voyage' was first performed in rennes, france in 1982, and again the same year in lorient. in 1983, it received its long-awaited irish premier in the presence of the president of ireland, dr. patrick hillery and the explorer tim severin. this concert, greeted by a rapturous standing ovation from the capacity audience, marked the beginning of a history of sold out performances of 'the brendan voyage' in the national concert hall, dublin. footage of shaun davey's 'the brendan voyage' with soloist liam o'flynn. with his first major work, 'the brendan voyage' (1980), shaun davey opened up totally new musical territory. for the first time, in a suite especially written for uilleann pipes soloist liam o'flynn, a traditional musician was integrated with a classical orchestra. the uilleann pipe passages in the brendan suite, capturing all the force, emotion and beauty of irish traditional music, here blend with the symphony orchestra in a synthesis of old and new, which has enchanted audiences around the world. 'the brendan voyage' is an emotive, symbolic work, seeming to answer a need in the irish people to recognise and prove that a soloist representing an aural tradition can hold the stage on equal footing with members of a symphony orchestra. the theme of shaun davey's seminal work is the epic voyage of historian tim severin who, in 1976, set sail in a small leather-covered boat to retrace the voyage undertaken by st. brendan, abbot of clonfert in the year 500 ad. according to irish legend, st. brendan, with a band of fellow missionaries, embarked in a fragile curragh to reach what many scholars believe was the new world. tim severin set out to test the legend, constructing his leather boat, 'the brendan', in the ancient way and setting sail from brandon creek, co. kerry, on the first leg of a journey to newfoundland. in severin's account the boat takes on a personality of its own, becoming a parental figure, which guides and sometimes carries its offspring through the elements and dangers. in shaun davey's suite, the uilleann pipes represent the boat and carry the listener before the wind, through ferocious gales, over gigantic waves, through floating pillars of ice... evoking the journey from a small kerry harbour to the faroes, the cliffs of mykines, to iceland, the freezing waters of labrador and finally, to safe harbour in newfoundland. 'the brendan voyage' was first performed in rennes, france in 1982, and again the same year in lorient. in 1983, it received its long-awaited irish premier in the presence of the president of ireland, dr. patrick hillery and the explorer tim severin. this concert, greeted by a rapturous standing ovation from the capacity audience, marked the beginning of a history of sold out performances of 'the brendan voyage' in the national concert hall, dublin. footage of shaun davey's 'the brendan voyage' with soloist liam o'flynn. with his first major work, 'the brendan voyage' (1980), shaun davey opened up totally new musical territory. for the first time, in a suite especially written for uilleann pipes soloist liam o'flynn, a traditional musician was integrated with a classical orchestra. the uilleann pipe passages in the brendan suite, capturing all the force, emotion and beauty of irish traditional music, here blend with the symphony orchestra in a synthesis of old and new, which has enchanted audiences around the world. 'the brendan voyage' is an emotive, symbolic work, seeming to answer a need in the irish people to recognise and prove that a soloist representing an aural tradition can hold the stage on equal footing with members of a symphony orchestra. the theme of shaun davey's seminal work is the epic voyage of historian tim severin who, in 1976, set sail in a small leather-covered boat to retrace the voyage undertaken by st. brendan, abbot of clonfert in the year 500 ad. according to irish legend, st. brendan, with a band of fellow missionaries, embarked in a fragile curragh to reach what many scholars believe was the new world. tim severin set out to test the legend, constructing his leather boat, 'the brendan', in the ancient way and setting sail from brandon creek, co. kerry, on the first leg of a journey to newfoundland. in severin's account the boat takes on a personality of its own, becoming a parental figure, which guides and sometimes carries its offspring through the elements and dangers. in shaun davey's suite, the uilleann pipes represent the boat and carry the listener before the wind, through ferocious gales, over gigantic waves, through floating pillars of ice... evoking the journey from a small kerry harbour to the faroes, the cliffs of mykines, to iceland, the freezing waters of labrador and finally, to safe harbour in newfoundland. 'the brendan voyage' was first performed in rennes, france in 1982, and again the same year in lorient. in 1983, it received its long-awaited irish premier in the presence of the president of ireland, dr. patrick hillery and the explorer tim severin. this concert, greeted by a rapturous standing ovation from the capacity audience, marked the beginning of a history of sold out performances of 'the brendan voyage' in the national concert hall, dublin.
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