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9 Videos  
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  over the rainbow - winchester cathedral ...
available for purchase in the itunes store! the winchester cathedral choristers' performance of over the rainbow at alan ball's funeral clearly moved a huge number of people: as they played out the tv coverage it was a highly emotional moment. the song is of great significance to the ball family: it was played at alan's wedding to his late wife lesley, at all of their children's weddings, and at lesley's funeral. having consulted with the ball family, we decided to record it professionally, in memory of alan ball -- with proceeds from the download sales being given to the bobby moore fund, which is part of cancer research uk and was the balls' chosen charity at the funeral. the song is glorious! andrew lumsden, winchester cathedral director of music, has created a sublime arrangement which fits the boys' voices perfectly. alan ball's children, mandy, keeley and jimmy are delighted that available for purchase in the itunes store! the winchester cathedral choristers' performance of over the rainbow at alan ball's funeral clearly moved a huge number of people: as they played out the tv coverage it was a highly emotional moment. the song is of great significance to the ball family: it was played at alan's wedding to his late wife lesley, at all of their children's weddings, and at lesley's funeral. having consulted with the ball family, we decided to record it professionally, in memory of alan ball -- with proceeds from the download sales being given to the bobby moore fund, which is part of cancer research uk and was the balls' chosen charity at the funeral. the song is glorious! andrew lumsden, winchester cathedral director of music, has created a sublime arrangement which fits the boys' voices perfectly. alan ball's children, mandy, keeley and jimmy are delighted that available for purchase in the itunes store! the winchester cathedral choristers' performance of over the rainbow at alan ball's funeral clearly moved a huge number of people: as they played out the tv coverage it was a highly emotional moment. the song is of great significance to the ball family: it was played at alan's wedding to his late wife lesley, at all of their children's weddings, and at lesley's funeral. having consulted with the ball family, we decided to record it professionally, in memory of alan ball -- with proceeds from the download sales being given to the bobby moore fund, which is part of cancer research uk and was the balls' chosen charity at the funeral. the song is glorious! andrew lumsden, winchester cathedral director of music, has created a sublime arrangement which fits the boys' voices perfectly. alan ball's children, mandy, keeley and jimmy are delighted that
  shirley and dolly collins - glenlogy
often seen as a mere companion piece to the previous year's anthems in eden, love, death... is, perhaps, shirley and dolly collins' true masterpiece. both albums, significantly, appeared originally on the harvest label; the home of progressive rock, but also of some truly out-there cross-pollinated acts such as the third ear band and kayak. shirley began her career as a companion to alan lomax on his song-collecting trips around the states and by the mid-sixties had claimed her place in the folk pantheon by fusing traditional ballads with newer song structures by accompanists such as a young davey graham. on the previous anthems (1969) her sister helped create a loose concept around a series of renaissance songs, underpinned by the virtuosity of members of the early music consort of london such as christopher hogwood, alan lumsden and adam skeaping;plus the percussion of pentangle's terry cox. by 1970, with both sisters in marital crises (both albums were produced by shirley's husband, austin john marshall) the stage was set for a far bleaker set, albeit with the same band. it's as though collins poured her strife into her choice of material. these traditional tales are heavy with gloomy metaphor. the opening ''death and the lady'' recounts the struggle of a woman with the reaper. songs such as ''polly on the shore'', ''plains of waterloo'' and ''geordie'' all take the loss of a loved one as their main theme; while elsewhere maidens are frequently mistreated (''the outlandish knight'', ''are you going to leave me?'') or even murdered (''the oxford girl'' and the frankly self-explanatory ''young girl cut down in her prime''). in keeping with this material, dolly's arrangements are sparser; giving shirley's voice more space to approach an almost trance-like state. yet for all the flattened (and quite often musically naïve) delivery she manages to retain a wonderful humanity. it's as if her pain raises the material to an almost universal level of significance. but then again, by this point she well knew that these snippets of our history had been forged from centuries of common experience. they're archetypes in which all of our cultural expressions are rooted and, as such, transcend any 'olde englishe' stereotype you care to put on them. this is one album that'll still be as relevant in a hundred years time. haunting. often seen as a mere companion piece to the previous year's anthems in eden, love, death... is, perhaps, shirley and dolly collins' true masterpiece. both albums, significantly, appeared originally on the harvest label; the home of progressive rock, but also of some truly out-there cross-pollinated acts such as the third ear band and kayak. shirley began her career as a companion to alan lomax on his song-collecting trips around the states and by the mid-sixties had claimed her place in the folk pantheon by fusing traditional ballads with newer song structures by accompanists such as a young davey graham. on the previous anthems (1969) her sister helped create a loose concept around a series of renaissance songs, underpinned by the virtuosity of members of the early music consort of london such as christopher hogwood, alan lumsden and adam skeaping;plus the percussion of pentangle's terry cox. by 1970, with both sisters in marital crises (both albums were produced by shirley's husband, austin john marshall) the stage was set for a far bleaker set, albeit with the same band. it's as though collins poured her strife into her choice of material. these traditional tales are heavy with gloomy metaphor. the opening ''death and the lady'' recounts the struggle of a woman with the reaper. songs such as ''polly on the shore'', ''plains of waterloo'' and ''geordie'' all take the loss of a loved one as their main theme; while elsewhere maidens are frequently mistreated (''the outlandish knight'', ''are you going to leave me?'') or even murdered (''the oxford girl'' and the frankly self-explanatory ''young girl cut down in her prime''). in keeping with this material, dolly's arrangements are sparser; giving shirley's voice more space to approach an almost trance-like state. yet for all the flattened (and quite often musically naïve) delivery she manages to retain a wonderful humanity. it's as if her pain raises the material to an almost universal level of significance. but then again, by this point she well knew that these snippets of our history had been forged from centuries of common experience. they're archetypes in which all of our cultural expressions are rooted and, as such, transcend any 'olde englishe' stereotype you care to put on them. this is one album that'll still be as relevant in a hundred years time. haunting. often seen as a mere companion piece to the previous year's anthems in eden, love, death... is, perhaps, shirley and dolly collins' true masterpiece. both albums, significantly, appeared originally on the harvest label; the home of progressive rock, but also of some truly out-there cross-pollinated acts such as the third ear band and kayak. shirley began her career as a companion to alan lomax on his song-collecting trips around the states and by the mid-sixties had claimed her place in the folk pantheon by fusing traditional ballads with newer song structures by accompanists such as a young davey graham. on the previous anthems (1969) her sister helped create a loose concept around a series of renaissance songs, underpinned by the virtuosity of members of the early music consort of london such as christopher hogwood, alan lumsden and adam skeaping;plus the percussion of pentangle's terry cox. by 1970, with both sisters in marital crises (both albums were produced by shirley's husband, austin john marshall) the stage was set for a far bleaker set, albeit with the same band. it's as though collins poured her strife into her choice of material. these traditional tales are heavy with gloomy metaphor. the opening ''death and the lady'' recounts the struggle of a woman with the reaper. songs such as ''polly on the shore'', ''plains of waterloo'' and ''geordie'' all take the loss of a loved one as their main theme; while elsewhere maidens are frequently mistreated (''the outlandish knight'', ''are you going to leave me?'') or even murdered (''the oxford girl'' and the frankly self-explanatory ''young girl cut down in her prime''). in keeping with this material, dolly's arrangements are sparser; giving shirley's voice more space to approach an almost trance-like state. yet for all the flattened (and quite often musically naïve) delivery she manages to retain a wonderful humanity. it's as if her pain raises the material to an almost universal level of significance. but then again, by this point she well knew that these snippets of our history had been forged from centuries of common experience. they're archetypes in which all of our cultural expressions are rooted and, as such, transcend any 'olde englishe' stereotype you care to put on them. this is one album that'll still be as relevant in a hundred years time. haunting.
  young bess - original trailer 1953
this costume drama was based on the historical fiction of margaret irwin, which embellishes the facts of the early years of england's eventual queen elizabeth i. it's told in flashback style, starting with the horrible day when king henry viii (charles laughton) sends away the future queen, young bess (jean simmons), and executes her mother, anne boleyn (elaine stewart). some years and several wives later, henry viii invites bess to return to the palace to live with catherine parr (deborah kerr), her new stepmother. when the king dies, bess' young half-brother, edward (rex thompson), assumes the title of regent. bess falls in love with the navy's top admiral, thomas seymour (stewart granger), but has her brother compel him to marry catherine. after catherine dies, thomas confesses his love to bess. but his scheming brother ned (guy rolfe) finds out about thomas' feelings and accuses him of seducing bess. jean simmons - young bess stewart granger - thomas seymour deborah kerr - catherine parr charles laughton - henry viii kay walsh - mrs. ashley guy rolfe - ned seymour cecil kellaway - mr. parry rex thompson - edward robert arthur - barnaby leo g. carroll - mr. mums norma varden - lady tyrwhitt alan napier - robert tyrwhitt noreen corcoran - young bess, age 6 ivan triesault - danish envoy elaine stewart - anne boleyn dawn addams - kate howard doris lloyd - mother jack lumsden hare - archbishop thomas crammer lester matthews - sir william paget kathleen byron - anne seymour david cavendish - council man frank eldredge sam harris charles r. keane - halberdiers raymond lawrence clive morgan carl saxe - executioner john sheffield - english officers reginald sheffield - court recorder ann tyrrell - mary fay wall - woman patrick whyte - officer ian wolfe - stranger this costume drama was based on the historical fiction of margaret irwin, which embellishes the facts of the early years of england's eventual queen elizabeth i. it's told in flashback style, starting with the horrible day when king henry viii (charles laughton) sends away the future queen, young bess (jean simmons), and executes her mother, anne boleyn (elaine stewart). some years and several wives later, henry viii invites bess to return to the palace to live with catherine parr (deborah kerr), her new stepmother. when the king dies, bess' young half-brother, edward (rex thompson), assumes the title of regent. bess falls in love with the navy's top admiral, thomas seymour (stewart granger), but has her brother compel him to marry catherine. after catherine dies, thomas confesses his love to bess. but his scheming brother ned (guy rolfe) finds out about thomas' feelings and accuses him of seducing bess. jean simmons - young bess stewart granger - thomas seymour deborah kerr - catherine parr charles laughton - henry viii kay walsh - mrs. ashley guy rolfe - ned seymour cecil kellaway - mr. parry rex thompson - edward robert arthur - barnaby leo g. carroll - mr. mums norma varden - lady tyrwhitt alan napier - robert tyrwhitt noreen corcoran - young bess, age 6 ivan triesault - danish envoy elaine stewart - anne boleyn dawn addams - kate howard doris lloyd - mother jack lumsden hare - archbishop thomas crammer lester matthews - sir william paget kathleen byron - anne seymour david cavendish - council man frank eldredge sam harris charles r. keane - halberdiers raymond lawrence clive morgan carl saxe - executioner john sheffield - english officers reginald sheffield - court recorder ann tyrrell - mary fay wall - woman patrick whyte - officer ian wolfe - stranger this costume drama was based on the historical fiction of margaret irwin, which embellishes the facts of the early years of england's eventual queen elizabeth i. it's told in flashback style, starting with the horrible day when king henry viii (charles laughton) sends away the future queen, young bess (jean simmons), and executes her mother, anne boleyn (elaine stewart). some years and several wives later, henry viii invites bess to return to the palace to live with catherine parr (deborah kerr), her new stepmother. when the king dies, bess' young half-brother, edward (rex thompson), assumes the title of regent. bess falls in love with the navy's top admiral, thomas seymour (stewart granger), but has her brother compel him to marry catherine. after catherine dies, thomas confesses his love to bess. but his scheming brother ned (guy rolfe) finds out about thomas' feelings and accuses him of seducing bess. jean simmons - young bess stewart granger - thomas seymour deborah kerr - catherine parr charles laughton - henry viii kay walsh - mrs. ashley guy rolfe - ned seymour cecil kellaway - mr. parry rex thompson - edward robert arthur - barnaby leo g. carroll - mr. mums norma varden - lady tyrwhitt alan napier - robert tyrwhitt noreen corcoran - young bess, age 6 ivan triesault - danish envoy elaine stewart - anne boleyn dawn addams - kate howard doris lloyd - mother jack lumsden hare - archbishop thomas crammer lester matthews - sir william paget kathleen byron - anne seymour david cavendish - council man frank eldredge sam harris charles r. keane - halberdiers raymond lawrence clive morgan carl saxe - executioner john sheffield - english officers reginald sheffield - court recorder ann tyrrell - mary fay wall - woman patrick whyte - officer ian wolfe - stranger
  the white cliffs of dover - original tra...
the white cliffs of dover is one of those overlong mgm wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. based on a poem by alice duer miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. irene dunne plays an american girl who, in 1914, falls in love with titled englishman alan marshal. at the end of world war 1 in 1918, it is painfully clear that marshal will not be returning from the battlefields. remaining loyal to her husband, irene vows to raise their child in england. played by roddy mcdowell in his early scenes, irene's son grows up to be peter lawford. at the outbreak of world war 2, irene despairs at the thought of losing another loved one, but lawford convinces her that his dad would have wanted him to answer his country's call to the colors. while working as a red cross volunteer, irene finds that she must tend her own mortally wounded son. unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. like many films of its ilk and era, white cliffs of dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. watch for a touching scene between roddy mcdowell and 12-year-old elizabeth taylor; 19 years later, lifelong friends roddy and liz would be playing mortal enemies in cleopatra (1963). irene dunne - susan dunn ashwood alan marshal - sir john ashwood frank morgan - hiram porter dunn roddy mcdowall - john ashwood ii, as a boy ralph morgan van johnson - sam bennett peter lawford - john ashwood ii, at age 24 c. aubrey smith - colonel elizabeth taylor - betsy (age 10) dame may whitty - nanny gladys cooper - lady jean ashwood john warburton - reggie jill esmond - rosamund brenda forbes - gwennie norma varden - mrs. bland harry allen - english cabby wilson benge - chauffeur anita bolster - miller matthew boulton - immigration officer edmund breon - maj. bancroft clifford brooke - indian major in boarding house charles coleman - capt. davis clyde cook - jennings alec craig - billings guy d'ennery - curate in boarding house george davis - boots kay deslys - blonde tom drake - american soldier isobel elsom - mrs. bancroft herbert evans - footman emily fitzroy - spinster in boarding house arthur e. gould-porter - capt. portage ethel griffies - woman on train lumsden hare - the vicar keith hitchcock - duke of waverly charles irwin - farmer kenney george kirby - old man molly lamont - helen nelson leigh - british naval officer doris lloyd - plump lady at boarding house june lockhart - betsy (age 18) miles mander - maj. loring emily massey - elegant lady in boarding house lal chand mehra - indian student in boarding house james menzies - telegraph boy leo mostovoy - bandmaster gavin muir - capt. griffiths steven muller - gerhard jean prescott - mrs. kenney arthur shields - benson ian wolfe - skipper the white cliffs of dover is one of those overlong mgm wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. based on a poem by alice duer miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. irene dunne plays an american girl who, in 1914, falls in love with titled englishman alan marshal. at the end of world war 1 in 1918, it is painfully clear that marshal will not be returning from the battlefields. remaining loyal to her husband, irene vows to raise their child in england. played by roddy mcdowell in his early scenes, irene's son grows up to be peter lawford. at the outbreak of world war 2, irene despairs at the thought of losing another loved one, but lawford convinces her that his dad would have wanted him to answer his country's call to the colors. while working as a red cross volunteer, irene finds that she must tend her own mortally wounded son. unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. like many films of its ilk and era, white cliffs of dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. watch for a touching scene between roddy mcdowell and 12-year-old elizabeth taylor; 19 years later, lifelong friends roddy and liz would be playing mortal enemies in cleopatra (1963). irene dunne - susan dunn ashwood alan marshal - sir john ashwood frank morgan - hiram porter dunn roddy mcdowall - john ashwood ii, as a boy ralph morgan van johnson - sam bennett peter lawford - john ashwood ii, at age 24 c. aubrey smith - colonel elizabeth taylor - betsy (age 10) dame may whitty - nanny gladys cooper - lady jean ashwood john warburton - reggie jill esmond - rosamund brenda forbes - gwennie norma varden - mrs. bland harry allen - english cabby wilson benge - chauffeur anita bolster - miller matthew boulton - immigration officer edmund breon - maj. bancroft clifford brooke - indian major in boarding house charles coleman - capt. davis clyde cook - jennings alec craig - billings guy d'ennery - curate in boarding house george davis - boots kay deslys - blonde tom drake - american soldier isobel elsom - mrs. bancroft herbert evans - footman emily fitzroy - spinster in boarding house arthur e. gould-porter - capt. portage ethel griffies - woman on train lumsden hare - the vicar keith hitchcock - duke of waverly charles irwin - farmer kenney george kirby - old man molly lamont - helen nelson leigh - british naval officer doris lloyd - plump lady at boarding house june lockhart - betsy (age 18) miles mander - maj. loring emily massey - elegant lady in boarding house lal chand mehra - indian student in boarding house james menzies - telegraph boy leo mostovoy - bandmaster gavin muir - capt. griffiths steven muller - gerhard jean prescott - mrs. kenney arthur shields - benson ian wolfe - skipper the white cliffs of dover is one of those overlong mgm wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. based on a poem by alice duer miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. irene dunne plays an american girl who, in 1914, falls in love with titled englishman alan marshal. at the end of world war 1 in 1918, it is painfully clear that marshal will not be returning from the battlefields. remaining loyal to her husband, irene vows to raise their child in england. played by roddy mcdowell in his early scenes, irene's son grows up to be peter lawford. at the outbreak of world war 2, irene despairs at the thought of losing another loved one, but lawford convinces her that his dad would have wanted him to answer his country's call to the colors. while working as a red cross volunteer, irene finds that she must tend her own mortally wounded son. unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. like many films of its ilk and era, white cliffs of dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. watch for a touching scene between roddy mcdowell and 12-year-old elizabeth taylor; 19 years later, lifelong friends roddy and liz would be playing mortal enemies in cleopatra (1963). irene dunne - susan dunn ashwood alan marshal - sir john ashwood frank morgan - hiram porter dunn roddy mcdowall - john ashwood ii, as a boy ralph morgan van johnson - sam bennett peter lawford - john ashwood ii, at age 24 c. aubrey smith - colonel elizabeth taylor - betsy (age 10) dame may whitty - nanny gladys cooper - lady jean ashwood john warburton - reggie jill esmond - rosamund brenda forbes - gwennie norma varden - mrs. bland harry allen - english cabby wilson benge - chauffeur anita bolster - miller matthew boulton - immigration officer edmund breon - maj. bancroft clifford brooke - indian major in boarding house charles coleman - capt. davis clyde cook - jennings alec craig - billings guy d'ennery - curate in boarding house george davis - boots kay deslys - blonde tom drake - american soldier isobel elsom - mrs. bancroft herbert evans - footman emily fitzroy - spinster in boarding house arthur e. gould-porter - capt. portage ethel griffies - woman on train lumsden hare - the vicar keith hitchcock - duke of waverly charles irwin - farmer kenney george kirby - old man molly lamont - helen nelson leigh - british naval officer doris lloyd - plump lady at boarding house june lockhart - betsy (age 18) miles mander - maj. loring emily massey - elegant lady in boarding house lal chand mehra - indian student in boarding house james menzies - telegraph boy leo mostovoy - bandmaster gavin muir - capt. griffiths steven muller - gerhard jean prescott - mrs. kenney arthur shields - benson ian wolfe - skipper
  brian melo "shine" for world vision
brian melo & joe cacioppo perform 'shine', brian's latest single off his debut album 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008. brian melo & joe cacioppo perform 'shine', brian's latest single off his debut album 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008. brian melo & joe cacioppo perform 'shine', brian's latest single off his debut album 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008.
  all souls [offertory]
st andrews catholic church edinburgh 2008 st andrews catholic church edinburgh 2008 st andrews catholic church edinburgh 2008
  brian melo all i ever wanted for world vision
brian melo & joe cacioppo perform 'all i ever wanted', brian's first single from his debut cd 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008 brian melo & joe cacioppo perform 'all i ever wanted', brian's first single from his debut cd 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008 brian melo & joe cacioppo perform 'all i ever wanted', brian's first single from his debut cd 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008
  brian melo "emily" for world vision
brian melo & joe cacioppo perform 'emily' from brian's debut cd titled 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008 brian melo & joe cacioppo perform 'emily' from brian's debut cd titled 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008 brian melo & joe cacioppo perform 'emily' from brian's debut cd titled 'livin' it' at a hamilton highschool for a world vision promotion. other special guests at this event included hamilton's mayor fred eisenberger, hamilton ti-cat jesse lumsden and tv personality rick campanelli. feb 4 2008
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