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571 Videos  
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     suivant
  welsh cup final - 1987/1988 - alan curti...
season 1987 / 1988 welsh cup final played at the wretch, final score, cardiff city 2 wrexham 0 season 1987 / 1988 welsh cup final played at the wretch, final score, cardiff city 2 wrexham 0 season 1987 / 1988 welsh cup final played at the wretch, final score, cardiff city 2 wrexham 0
  alan curtis tripp with scott griffin- cr...
the legendary bench breaking performance. the legendary bench breaking performance. the legendary bench breaking performance.
  alan, curtis and jason voodoo too
rc helicopter exhibition by the 3 best rc helicopter exhibition by the 3 best rc helicopter exhibition by the 3 best
  a chat with alan curtis 250708
swansea city coach and all-round legend alan curtis talks to afan about the team needs, the almost signing of owain fon williams, the state of the premiership loan market, and his aspirations for the coming season. comments to sport@afanfm.co.uk swansea city coach and all-round legend alan curtis talks to afan about the team needs, the almost signing of owain fon williams, the state of the premiership loan market, and his aspirations for the coming season. comments to sport@afanfm.co.uk swansea city coach and all-round legend alan curtis talks to afan about the team needs, the almost signing of owain fon williams, the state of the premiership loan market, and his aspirations for the coming season. comments to sport@afanfm.co.uk
  agostino steffani (1654 - 1728) - placid...
for better sound and image go to: http://www.youtube.com/watch?v=ee8sqmjtr38&fmt=18 placidissime catene, duetto da camera (1699) carolyn watkinson - mezzosoprano paul esswood - countertenor wouter möller - cello alan curtis - clave 1982 palcidissime catene, rallentarvi è crudeltà. ha perduto ogni suo bene chi ritorna in liberta. vivo in doglie e moro in pene, se i miei lacci amor disfà. affani, pene e guai, voi non farete mai, ch'io mi disciolga, no! amor, fa quanto sai, dalla prigion ch'amai, mai, mai non fuggirò. painting: luca giordano (1634 - 1705), venere dormiente. napoli, museo di capodimonte. for better sound and image go to: http://www.youtube.com/watch?v=ee8sqmjtr38&fmt=18 placidissime catene, duetto da camera (1699) carolyn watkinson - mezzosoprano paul esswood - countertenor wouter möller - cello alan curtis - clave 1982 palcidissime catene, rallentarvi è crudeltà. ha perduto ogni suo bene chi ritorna in liberta. vivo in doglie e moro in pene, se i miei lacci amor disfà. affani, pene e guai, voi non farete mai, ch'io mi disciolga, no! amor, fa quanto sai, dalla prigion ch'amai, mai, mai non fuggirò. painting: luca giordano (1634 - 1705), venere dormiente. napoli, museo di capodimonte. for better sound and image go to: http://www.youtube.com/watch?v=ee8sqmjtr38&fmt=18 placidissime catene, duetto da camera (1699) carolyn watkinson - mezzosoprano paul esswood - countertenor wouter möller - cello alan curtis - clave 1982 palcidissime catene, rallentarvi è crudeltà. ha perduto ogni suo bene chi ritorna in liberta. vivo in doglie e moro in pene, se i miei lacci amor disfà. affani, pene e guai, voi non farete mai, ch'io mi disciolga, no! amor, fa quanto sai, dalla prigion ch'amai, mai, mai non fuggirò. painting: luca giordano (1634 - 1705), venere dormiente. napoli, museo di capodimonte.
  ian 'alan' curtis
80s alan 80s alan 80s alan
  george frideric handel - rodrigo (hwv 5) (1)
george frideric handel - rodrigo (hwv 5). aria: prestami un solo dardo. il complesso barocco. roberta invernizzi (soprano). dir. alan curtis. george frideric handel - rodrigo (hwv 5). aria: prestami un solo dardo. il complesso barocco. roberta invernizzi (soprano). dir. alan curtis. george frideric handel - rodrigo (hwv 5). aria: prestami un solo dardo. il complesso barocco. roberta invernizzi (soprano). dir. alan curtis.
  george frideric handel - admeto (hwv 22) (1)
george frideric handel - admeto (hwv 22). recitativo ed arioso: orride larve!... chiudetevi miei lumi. il complesso barroco. rené jacobs (countertenor). dir. alan curtis. george frideric handel - admeto (hwv 22). recitativo ed arioso: orride larve!... chiudetevi miei lumi. il complesso barroco. rené jacobs (countertenor). dir. alan curtis. george frideric handel - admeto (hwv 22). recitativo ed arioso: orride larve!... chiudetevi miei lumi. il complesso barroco. rené jacobs (countertenor). dir. alan curtis.
  super siempre 1
(política y real) alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano. (política y real) alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano. (política y real) alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano.
  handel tolomeo aure, portate al caro bene
karina gauvin alan curtis il complesso barocco aria di seleuce aure, portate al caro bene le tante pene che provo al cor. poi lo guidate a me davanti che il suo sembiante scacci il dolor. karina gauvin alan curtis il complesso barocco aria di seleuce aure, portate al caro bene le tante pene che provo al cor. poi lo guidate a me davanti che il suo sembiante scacci il dolor. karina gauvin alan curtis il complesso barocco aria di seleuce aure, portate al caro bene le tante pene che provo al cor. poi lo guidate a me davanti che il suo sembiante scacci il dolor.
  sonia prina live: son qual rocca, tolome...
from paris théâtre des champs-elysées 4 april 2008 here is tolomeo's for me most interesting aria, on stage sung by prina, much faster than on the studio recording with ann hallenberg (see attached video). alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro ********************* son qual rocca percossa dall' onde, che le frange, le spezza, e non teme di lor furia il temuto rigor. solo un fulmin la rompe e confonde, e spezzata tra l'onde la preme, resta oppressa, ma senza dolor. ********************* i am like a rock battered by the waves, that breaks and shatters them, and does not fear the fearsome cruelty of their rage. only a thunderbolt smashes and crushes it, and pushes it, broken, under the waves, it is overwhelmed, but not cast down. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage] from paris théâtre des champs-elysées 4 april 2008 here is tolomeo's for me most interesting aria, on stage sung by prina, much faster than on the studio recording with ann hallenberg (see attached video). alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro ********************* son qual rocca percossa dall' onde, che le frange, le spezza, e non teme di lor furia il temuto rigor. solo un fulmin la rompe e confonde, e spezzata tra l'onde la preme, resta oppressa, ma senza dolor. ********************* i am like a rock battered by the waves, that breaks and shatters them, and does not fear the fearsome cruelty of their rage. only a thunderbolt smashes and crushes it, and pushes it, broken, under the waves, it is overwhelmed, but not cast down. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage] from paris théâtre des champs-elysées 4 april 2008 here is tolomeo's for me most interesting aria, on stage sung by prina, much faster than on the studio recording with ann hallenberg (see attached video). alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro ********************* son qual rocca percossa dall' onde, che le frange, le spezza, e non teme di lor furia il temuto rigor. solo un fulmin la rompe e confonde, e spezzata tra l'onde la preme, resta oppressa, ma senza dolor. ********************* i am like a rock battered by the waves, that breaks and shatters them, and does not fear the fearsome cruelty of their rage. only a thunderbolt smashes and crushes it, and pushes it, broken, under the waves, it is overwhelmed, but not cast down. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage]
  george frideric handel - rodrigo (hwv 5) (5)
george frideric handel - rodrigo (hwv 5). aria: perché viva il caro sposo. il complesso barocco. sandrine piau (soprano). dir. alan curtis. george frideric handel - rodrigo (hwv 5). aria: perché viva il caro sposo. il complesso barocco. sandrine piau (soprano). dir. alan curtis. george frideric handel - rodrigo (hwv 5). aria: perché viva il caro sposo. il complesso barocco. sandrine piau (soprano). dir. alan curtis.
  2. rodelinda, regina de longobardi: aria...
stereo: http://br.youtube.com/watch?v=ojrjxd8nnqw&fmt=18 george frideric handel (1685 - 1759). rodelinda, regina de longobardi (hwv 19). aria eduige: de miei scherni per far le vendette. il complesso barroco. sonia prina: contralto. director: alan curtis. rodelinda, regina de' longobardi (hwv 19) is an opera seria in three acts by george frideric handel. it was based on a libretto by nicola francesco haym, in turn based on an earlier libretto by antonio salvi. salvi's libretto originated with pierre corneille's play pertharite, roi des lombards. it was first performed at the king's theatre in the haymarket, london, on 13 february 1725. it was produced with the same singers as tamerlano. there were 14 performances and it was repeated on 18 december 1725, and again on 4 may 1731. it was also performed in hamburg. the first modern production - in heavily altered form - was in göttingen on 26 june 1920 where it the first of a series of modern handel opera revivals produced by the handel enthusiast oskar hagen. stereo: http://br.youtube.com/watch?v=ojrjxd8nnqw&fmt=18 george frideric handel (1685 - 1759). rodelinda, regina de longobardi (hwv 19). aria eduige: de miei scherni per far le vendette. il complesso barroco. sonia prina: contralto. director: alan curtis. rodelinda, regina de' longobardi (hwv 19) is an opera seria in three acts by george frideric handel. it was based on a libretto by nicola francesco haym, in turn based on an earlier libretto by antonio salvi. salvi's libretto originated with pierre corneille's play pertharite, roi des lombards. it was first performed at the king's theatre in the haymarket, london, on 13 february 1725. it was produced with the same singers as tamerlano. there were 14 performances and it was repeated on 18 december 1725, and again on 4 may 1731. it was also performed in hamburg. the first modern production - in heavily altered form - was in göttingen on 26 june 1920 where it the first of a series of modern handel opera revivals produced by the handel enthusiast oskar hagen. stereo: http://br.youtube.com/watch?v=ojrjxd8nnqw&fmt=18 george frideric handel (1685 - 1759). rodelinda, regina de longobardi (hwv 19). aria eduige: de miei scherni per far le vendette. il complesso barroco. sonia prina: contralto. director: alan curtis. rodelinda, regina de' longobardi (hwv 19) is an opera seria in three acts by george frideric handel. it was based on a libretto by nicola francesco haym, in turn based on an earlier libretto by antonio salvi. salvi's libretto originated with pierre corneille's play pertharite, roi des lombards. it was first performed at the king's theatre in the haymarket, london, on 13 february 1725. it was produced with the same singers as tamerlano. there were 14 performances and it was repeated on 18 december 1725, and again on 4 may 1731. it was also performed in hamburg. the first modern production - in heavily altered form - was in göttingen on 26 june 1920 where it the first of a series of modern handel opera revivals produced by the handel enthusiast oskar hagen.
  super siempre parte 2
(política y real). alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano. (política y real). alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano. (política y real). alfredo prior, segio bizzio, francisco garamona, alan curtis, sebastián pandolfelli y alejo sarano.
  per dar pregio all'amor mio handel rodrigo
sandrine piau il complesso barroco alan curtis aria di esilena per dar pregio all'amor mio cederò l'amato sposo, ma non già la mia costanza. forte e fido il mio desio troverà pace e riposo nell'amar senza speranza. sandrine piau il complesso barroco alan curtis aria di esilena per dar pregio all'amor mio cederò l'amato sposo, ma non già la mia costanza. forte e fido il mio desio troverà pace e riposo nell'amar senza speranza. sandrine piau il complesso barroco alan curtis aria di esilena per dar pregio all'amor mio cederò l'amato sposo, ma non già la mia costanza. forte e fido il mio desio troverà pace e riposo nell'amar senza speranza.
  a. bonitatibus live: quanto è felice - e...
from paris théâtre des champs-elysées 4 april 2008 i was delighted to hear they had pumped up the tempo a bit on stage, compared to the rather slow cd version. alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro some weeks later, she sang 2 more arias from this role in a festival: http://uk.youtube.com/watch?v=snbtgdwfssu aria of elisa ********************* quanto è felice quell'augelletto che senza pene sen va volando, cosi godendo sua libertà ma poi nel petto mi dice amore: ti lagni, e il core pur va scherzando, e va seguendo quelle catene che ancor non ha ********************* how happy is the little bird that can fly off untroubled, and take pleasure in tis freedom. but then love tells my heart how sad it is, and though my heart is cheerful, it goes to seek those bonds as yet unknown. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage] from paris théâtre des champs-elysées 4 april 2008 i was delighted to hear they had pumped up the tempo a bit on stage, compared to the rather slow cd version. alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro some weeks later, she sang 2 more arias from this role in a festival: http://uk.youtube.com/watch?v=snbtgdwfssu aria of elisa ********************* quanto è felice quell'augelletto che senza pene sen va volando, cosi godendo sua libertà ma poi nel petto mi dice amore: ti lagni, e il core pur va scherzando, e va seguendo quelle catene che ancor non ha ********************* how happy is the little bird that can fly off untroubled, and take pleasure in tis freedom. but then love tells my heart how sad it is, and though my heart is cheerful, it goes to seek those bonds as yet unknown. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage] from paris théâtre des champs-elysées 4 april 2008 i was delighted to hear they had pumped up the tempo a bit on stage, compared to the rather slow cd version. alan curtis, il complesso barocco g.f. handel: tolomeo, re d'egitto total cast: sonia prina, tolomeo anna bonitatibus, elisa karina gauvin, seleuce vito priante, araspe romina basso, alessandro some weeks later, she sang 2 more arias from this role in a festival: http://uk.youtube.com/watch?v=snbtgdwfssu aria of elisa ********************* quanto è felice quell'augelletto che senza pene sen va volando, cosi godendo sua libertà ma poi nel petto mi dice amore: ti lagni, e il core pur va scherzando, e va seguendo quelle catene che ancor non ha ********************* how happy is the little bird that can fly off untroubled, and take pleasure in tis freedom. but then love tells my heart how sad it is, and though my heart is cheerful, it goes to seek those bonds as yet unknown. ********************* achevé le 19 avril 1728, tolomeo, rè d'egitto fut créé au king's theatre le 30 avril 1728, avec une distribution réunissant plusieurs chanteurs-vedettes du moment parmi lesquels faustina bordoni, francesca cuzzoni et le castrat francesco bernardi dit il senesino. comme de nombreux opéras de haendel, l'ouvrage connut une longue période de sommeil avant d'être redécouvert en 1938 à göttingen, puis en 1964 à halle. hommage soit donc rendu à alan curtis qui, en infatigable défricheur des répertoires oubliés, saura sans nul doute défendre avec conviction cette partition. [from the tce homepage]
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