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17 Videos  
page 1 / 1
       
  alain vanzo canta "los pescadores de perlas"
grabación de la hermosa aria de nadir realizada en julio de 1977 en paris. grabación de la hermosa aria de nadir realizada en julio de 1977 en paris. grabación de la hermosa aria de nadir realizada en julio de 1977 en paris.
  
  gounod: faust alain vanzo salut! demeure...
from a philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) alain vanzo, at 57 mind you, gives a masterclass on faust's aria from a philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) alain vanzo, at 57 mind you, gives a masterclass on faust's aria from a philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) alain vanzo, at 57 mind you, gives a masterclass on faust's aria
  ah! fuyez, douce image - alain vanzo
ah! fuyez, douce image alain vanzo jules massenet manon (1884) jésus etcheverry, monte carlo, 1964 ah! fuyez, douce image alain vanzo jules massenet manon (1884) jésus etcheverry, monte carlo, 1964 ah! fuyez, douce image alain vanzo jules massenet manon (1884) jésus etcheverry, monte carlo, 1964
  en fermant les yeux - alain vanzo
en fermant les yeux alain vanzo (w/ anna moffo) jules massenet manon (1884) jésus etcheverry, monte carlo, 1964 en fermant les yeux alain vanzo (w/ anna moffo) jules massenet manon (1884) jésus etcheverry, monte carlo, 1964 en fermant les yeux alain vanzo (w/ anna moffo) jules massenet manon (1884) jésus etcheverry, monte carlo, 1964
  alain-vanzo.mov
  alain vanzo "pourquoi me reveiller" werther
paris 1978 paris 1978 paris 1978
  alain vanzo : ballade roi d'ys de e.lalo
alain vanzo (monaco, 2 avril 1928 - 27 janvier 2002), fut un chanteur ténor français qui s'est rendu célèbre dans l'opéra. il commença par le music-hall. durant ses études avec rolande dracoeur qui le forma à l'opéra, il est la doublure de luis mariano dans l'opérette le chanteur de mexico lors des représentations parisiennes. c'est en 1954 que sa carrière est lancée. À cette date il remporte le premier prix du concours international des ténors à cannes. il entre dès cette date à l'opéra de paris ainsi qu'à l'opéra-comique, y joue plusieurs petits rôles et s'y forme auprès de solides professeurs. il y rencontre également les grands noms de l'opéra de l'époque. c'est en 1957 qu'il obtient une reconnaissance mondiale en interprétant le rôle d'edgardo dans lucia di lammermoor de donizetti. s'ensuivent de nombreuses productions qui le hissent sur les meilleures scènes mondiales. il devient le ténor français le plus fameux de la fin des années cinquante. en 1973, il participa au concert du centenaire de caruso, aux côtés de corelli, del monaco, tagliavini, atlantov, lauri-volpi, domingo et pavarotti. dans son chant, il arrivait à très bien contrôler la voix sans beaucoup de vibrato et était capable de beaucoup de nuances. l'orchestre est dirigé par jésus etcheverry alain vanzo (monaco, 2 avril 1928 - 27 janvier 2002), fut un chanteur ténor français qui s'est rendu célèbre dans l'opéra. il commença par le music-hall. durant ses études avec rolande dracoeur qui le forma à l'opéra, il est la doublure de luis mariano dans l'opérette le chanteur de mexico lors des représentations parisiennes. c'est en 1954 que sa carrière est lancée. À cette date il remporte le premier prix du concours international des ténors à cannes. il entre dès cette date à l'opéra de paris ainsi qu'à l'opéra-comique, y joue plusieurs petits rôles et s'y forme auprès de solides professeurs. il y rencontre également les grands noms de l'opéra de l'époque. c'est en 1957 qu'il obtient une reconnaissance mondiale en interprétant le rôle d'edgardo dans lucia di lammermoor de donizetti. s'ensuivent de nombreuses productions qui le hissent sur les meilleures scènes mondiales. il devient le ténor français le plus fameux de la fin des années cinquante. en 1973, il participa au concert du centenaire de caruso, aux côtés de corelli, del monaco, tagliavini, atlantov, lauri-volpi, domingo et pavarotti. dans son chant, il arrivait à très bien contrôler la voix sans beaucoup de vibrato et était capable de beaucoup de nuances. l'orchestre est dirigé par jésus etcheverry alain vanzo (monaco, 2 avril 1928 - 27 janvier 2002), fut un chanteur ténor français qui s'est rendu célèbre dans l'opéra. il commença par le music-hall. durant ses études avec rolande dracoeur qui le forma à l'opéra, il est la doublure de luis mariano dans l'opérette le chanteur de mexico lors des représentations parisiennes. c'est en 1954 que sa carrière est lancée. À cette date il remporte le premier prix du concours international des ténors à cannes. il entre dès cette date à l'opéra de paris ainsi qu'à l'opéra-comique, y joue plusieurs petits rôles et s'y forme auprès de solides professeurs. il y rencontre également les grands noms de l'opéra de l'époque. c'est en 1957 qu'il obtient une reconnaissance mondiale en interprétant le rôle d'edgardo dans lucia di lammermoor de donizetti. s'ensuivent de nombreuses productions qui le hissent sur les meilleures scènes mondiales. il devient le ténor français le plus fameux de la fin des années cinquante. en 1973, il participa au concert du centenaire de caruso, aux côtés de corelli, del monaco, tagliavini, atlantov, lauri-volpi, domingo et pavarotti. dans son chant, il arrivait à très bien contrôler la voix sans beaucoup de vibrato et était capable de beaucoup de nuances. l'orchestre est dirigé par jésus etcheverry
  ambroise thomas - mignon - finale iii, a...
ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, alternative: dansons, dansons, amis, dansons! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, alternative: dansons, dansons, amis, dansons! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, alternative: dansons, dansons, amis, dansons! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida
  gounod faust trio morris masterson vanzo
philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) faust: alain vanzo marguerite: valerie masterson méphistophélès: james morris trio finale philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) faust: alain vanzo marguerite: valerie masterson méphistophélès: james morris trio finale philadelphia opera 1985 telecast with serge baudo conductor and grethe holby (stage director) faust: alain vanzo marguerite: valerie masterson méphistophélès: james morris trio finale
  lakmé (rencontre des anglais)
voici mon opéra prÉ-fÉ-rÉ !!! lakmé, de léo delibes. le ténor dans cette version est tout simplement magnifique x3 !! je fonds à chaque fois que j'entends sa voix ! (je conseil aussi d'aller entendre sa performance dans l'opéra les pêcheurs de perles) voici la première rencontre avec gérald, rose, ellen, frédérick et mrs. bentson (si je me rappelle bien ... ce sont des anglais d'angleterre dans l'opéra ¬¬ ...) here's my fa-vo-rite opera !! lakmé by léo delibes. the tenor in this version is simply amazing. i love his voice (i also recommend you to hear his performance in the opera ''les pêcheurs de perles'') so, here's the first meeting with gérald, rose, ellen, frederick and mrs. bentson (if i remember well, they are english people in the opera ¬¬ ...) bonne écoute ! good listening ! apparition: mrs. bentson : monica sinclair (mezzo-soprano) ellen : gwenyth annear (soprano) rose : josephte clément (soprano) gérald : alain vanzo (ténor/tenor) frédérick : claude calès (baryton) interprété par/played by : orchestre national de l'opéra de monte-carlo conduit par/conduct by : richard bonynge voici mon opéra prÉ-fÉ-rÉ !!! lakmé, de léo delibes. le ténor dans cette version est tout simplement magnifique x3 !! je fonds à chaque fois que j'entends sa voix ! (je conseil aussi d'aller entendre sa performance dans l'opéra les pêcheurs de perles) voici la première rencontre avec gérald, rose, ellen, frédérick et mrs. bentson (si je me rappelle bien ... ce sont des anglais d'angleterre dans l'opéra ¬¬ ...) here's my fa-vo-rite opera !! lakmé by léo delibes. the tenor in this version is simply amazing. i love his voice (i also recommend you to hear his performance in the opera ''les pêcheurs de perles'') so, here's the first meeting with gérald, rose, ellen, frederick and mrs. bentson (if i remember well, they are english people in the opera ¬¬ ...) bonne écoute ! good listening ! apparition: mrs. bentson : monica sinclair (mezzo-soprano) ellen : gwenyth annear (soprano) rose : josephte clément (soprano) gérald : alain vanzo (ténor/tenor) frédérick : claude calès (baryton) interprété par/played by : orchestre national de l'opéra de monte-carlo conduit par/conduct by : richard bonynge voici mon opéra prÉ-fÉ-rÉ !!! lakmé, de léo delibes. le ténor dans cette version est tout simplement magnifique x3 !! je fonds à chaque fois que j'entends sa voix ! (je conseil aussi d'aller entendre sa performance dans l'opéra les pêcheurs de perles) voici la première rencontre avec gérald, rose, ellen, frédérick et mrs. bentson (si je me rappelle bien ... ce sont des anglais d'angleterre dans l'opéra ¬¬ ...) here's my fa-vo-rite opera !! lakmé by léo delibes. the tenor in this version is simply amazing. i love his voice (i also recommend you to hear his performance in the opera ''les pêcheurs de perles'') so, here's the first meeting with gérald, rose, ellen, frederick and mrs. bentson (if i remember well, they are english people in the opera ¬¬ ...) bonne écoute ! good listening ! apparition: mrs. bentson : monica sinclair (mezzo-soprano) ellen : gwenyth annear (soprano) rose : josephte clément (soprano) gérald : alain vanzo (ténor/tenor) frédérick : claude calès (baryton) interprété par/played by : orchestre national de l'opéra de monte-carlo conduit par/conduct by : richard bonynge
  lakmé (fantaisie aux divins mensonges)
Écoutez-le, Écoutez-le !!! magnifique listen him, listen him !!! wonderful gérald : alain vanzo (ténor/tenor) Écoutez-le, Écoutez-le !!! magnifique listen him, listen him !!! wonderful gérald : alain vanzo (ténor/tenor) Écoutez-le, Écoutez-le !!! magnifique listen him, listen him !!! wonderful gérald : alain vanzo (ténor/tenor)
  ambroise thomas - mignon - finale iii, p...
ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part ii: elle revit! wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part ii: elle revit! wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part ii: elle revit! wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily.
  ambroise thomas - mignon - finale iii, part i
ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part i: mignon! wilhelm! salut à vous! / Ô vierge marie wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part i: mignon! wilhelm! salut à vous! / Ô vierge marie wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale iii, part i: mignon! wilhelm! salut à vous! / Ô vierge marie wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act iii: wilhelm has brought mignon and lothario to a castle in italy which he considers buying. there an old man watches over mignon and prays for her recovery. antonio relates how the castles previous owner had gone mad after his wife had died of grief over the loss of their young daughter. wilhelm decides to buy the castle for mignon because it has so speeded her recovery. mignon awakens and confesses to wilhelm of her love for this strangely familiar place. he finally realizes that he loves her deeply and resists philines attempts to win him back. lothario re-enters and informs the couple that he is the owner of the castle and that returning here has restored his sanity. after reading a prayer found in a book in the house, mignon realizes the she is his daughter sperata. the three embrace happily.
  robert le diable- duetto with anderson a...
this is the cabaletta. june anderson and alain vanzo thomas fulton opera de paris- 1985 this is the cabaletta. june anderson and alain vanzo thomas fulton opera de paris- 1985 this is the cabaletta. june anderson and alain vanzo thomas fulton opera de paris- 1985
  ambroise thomas - mignon - finale ii
ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale ii: ah! vous voilà! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act ii: in philines room in the baron's castle, philine is elated, living in the luxury and charming the baron. laerte is heard outside, praising philine. wilhelm and mignon enter. she pretends to sleep while wilhelm and philine sing. when the couple leave, mignon tries on philines costumes and make-up. she is jealous and exits. frédéric enters. when wilhelm returns for mignon he is confronted by frédéric. mignon rushes in to break up their impending fight. wilhelm decides that he cannot stay with mignon and says goodbye to her. he leaves arm-in-arm with a jubilant philine. later, in the courtyard of the castle, mignon is consumed by a jealous rage, when she hears lothario playing the harp. he comforts the girl. philine's portrayal of titania in a midsummer night's dream is applauded in the conservatory. mignon, in jealously, shouts that she wishes the building would catch fire and runs out. lothario hears her and moves toward the conservatory. after mignon returns, wilhelm receives her so warmly that philine, now jealous, sends her to fetch the wild flowers in the conservatory. wilhelm rushes to save mignon from the fire that lothario had set to please her, carrying her unconscious body out of the conservatory with the singed flowers still in her hand. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale ii: ah! vous voilà! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act ii: in philines room in the baron's castle, philine is elated, living in the luxury and charming the baron. laerte is heard outside, praising philine. wilhelm and mignon enter. she pretends to sleep while wilhelm and philine sing. when the couple leave, mignon tries on philines costumes and make-up. she is jealous and exits. frédéric enters. when wilhelm returns for mignon he is confronted by frédéric. mignon rushes in to break up their impending fight. wilhelm decides that he cannot stay with mignon and says goodbye to her. he leaves arm-in-arm with a jubilant philine. later, in the courtyard of the castle, mignon is consumed by a jealous rage, when she hears lothario playing the harp. he comforts the girl. philine's portrayal of titania in a midsummer night's dream is applauded in the conservatory. mignon, in jealously, shouts that she wishes the building would catch fire and runs out. lothario hears her and moves toward the conservatory. after mignon returns, wilhelm receives her so warmly that philine, now jealous, sends her to fetch the wild flowers in the conservatory. wilhelm rushes to save mignon from the fire that lothario had set to please her, carrying her unconscious body out of the conservatory with the singed flowers still in her hand. ambroise thomas opera: mignon, opéra comique in three acts, firs performance 17 november 1866, opéra-comique, paris. libretto: jules barbier & michel carré based on goethe's novel wilhelm meisters lehrjahre. finale ii: ah! vous voilà! philine: ruth welting laërte: andre battedou wilhelm meister: alain vanzo mignon: marilyn horne lothario: nicola zaccaria orchestra: philharmonia orchestra conductor: antonio de almeida synopsis to act ii: in philines room in the baron's castle, philine is elated, living in the luxury and charming the baron. laerte is heard outside, praising philine. wilhelm and mignon enter. she pretends to sleep while wilhelm and philine sing. when the couple leave, mignon tries on philines costumes and make-up. she is jealous and exits. frédéric enters. when wilhelm returns for mignon he is confronted by frédéric. mignon rushes in to break up their impending fight. wilhelm decides that he cannot stay with mignon and says goodbye to her. he leaves arm-in-arm with a jubilant philine. later, in the courtyard of the castle, mignon is consumed by a jealous rage, when she hears lothario playing the harp. he comforts the girl. philine's portrayal of titania in a midsummer night's dream is applauded in the conservatory. mignon, in jealously, shouts that she wishes the building would catch fire and runs out. lothario hears her and moves toward the conservatory. after mignon returns, wilhelm receives her so warmly that philine, now jealous, sends her to fetch the wild flowers in the conservatory. wilhelm rushes to save mignon from the fire that lothario had set to please her, carrying her unconscious body out of the conservatory with the singed flowers still in her hand.
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