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  charlie christian playing stompin' at th...
here is another charlie christian track playing live at mintons in new york city (the other i have uploaded is swing to bop from the same session). these are my two favourite cc tracks. however i also love his goodman stuff, both studio and radio broadcasts as well. charlie not only popularised the electric guitar, but also influenced just about everyone who came after with his horn like solos and sense of swing. as well as playing guitar for benny goodman, charlie did some moonlighting in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie christian jammed on 'stompin' at the savoy' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. thelonius monk has always been attributed as the piano player on this session, although current opinion seems to be that it was kenny kersey based on analysis of the piano style. however monk did certainly play with charlie at these venues around this period. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. as there is no film available of charlie christian playing live, i have included a slide show for this track. comments welcome. here is another charlie christian track playing live at mintons in new york city (the other i have uploaded is swing to bop from the same session). these are my two favourite cc tracks. however i also love his goodman stuff, both studio and radio broadcasts as well. charlie not only popularised the electric guitar, but also influenced just about everyone who came after with his horn like solos and sense of swing. as well as playing guitar for benny goodman, charlie did some moonlighting in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie christian jammed on 'stompin' at the savoy' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. thelonius monk has always been attributed as the piano player on this session, although current opinion seems to be that it was kenny kersey based on analysis of the piano style. however monk did certainly play with charlie at these venues around this period. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. as there is no film available of charlie christian playing live, i have included a slide show for this track. comments welcome. here is another charlie christian track playing live at mintons in new york city (the other i have uploaded is swing to bop from the same session). these are my two favourite cc tracks. however i also love his goodman stuff, both studio and radio broadcasts as well. charlie not only popularised the electric guitar, but also influenced just about everyone who came after with his horn like solos and sense of swing. as well as playing guitar for benny goodman, charlie did some moonlighting in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie christian jammed on 'stompin' at the savoy' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. thelonius monk has always been attributed as the piano player on this session, although current opinion seems to be that it was kenny kersey based on analysis of the piano style. however monk did certainly play with charlie at these venues around this period. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. as there is no film available of charlie christian playing live, i have included a slide show for this track. comments welcome.
  charlie christian playing 'swing to bop'...
charlie christian is generally recognised as the person who popularised the electric guitar (although not the first) and who changed everyone's thinking about how jazz could be played on it. as well as playing guitar for benny goodman, charlie participated in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie played 'swing to bop' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. his influence on guitarists then and since has been massive. sadly, there is no film available of charlie christian playing live, so i have included a slide show for this track. comments welcome. charlie christian is generally recognised as the person who popularised the electric guitar (although not the first) and who changed everyone's thinking about how jazz could be played on it. as well as playing guitar for benny goodman, charlie participated in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie played 'swing to bop' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. his influence on guitarists then and since has been massive. sadly, there is no film available of charlie christian playing live, so i have included a slide show for this track. comments welcome. charlie christian is generally recognised as the person who popularised the electric guitar (although not the first) and who changed everyone's thinking about how jazz could be played on it. as well as playing guitar for benny goodman, charlie participated in after hours jam sessions with other musicians in places such as mintons and monroes in new york city. on 12 may 1941 charlie played 'swing to bop' at mintons, with joe guy on trumpet, kenny kersey on piano, nick fenton on bass and kenny clarke on drums. this live track excerpt is characterised by longer solos than charlie would typically play with goodman, and is a good indication of his incredible improvisational abilities. his influence on guitarists then and since has been massive. sadly, there is no film available of charlie christian playing live, so i have included a slide show for this track. comments welcome.
  charlie christian -solo flight: the geni...
for full-length dvd, go to: http://www.view.com/soloflightthegeniusofcharliechristiandvd.aspx this film is a poignant, in-depth account of an extraordinary and legendary jazz guitarist, whose innovations outlasted his all-too-brief career. when he began playing melodic single-string solos on an amplified guitar, charlie christian caused a guitar revolution, elevating the instrument from it's traditionally background position and charting a new musical course from which popular music is still flowing. see hundred of award-winning dvds at http://www.view.com solo flight traces the life and music of one of the great sculptors of jazz. we journey to the heart of texas where christian was born in 1916, and to oklahoma city where he made his first musical mark. along the way we gather precious recollections from the musicians and the communities that witnessed christian's prodigious beginnings. as we observe the successes of his contemporaries with whom he repeatedly shared the stage, one can only ponder the mark he would have left behind had he lived beyond the age of 25. this film follows the evolution of his career to his legendary tenure with the benny goodman sextet, and on to the late-night sessions at minton's in harlem with dizzy gillespie, kenny clarke, thelonious monk and charlie parker, where we explore christian's essential contribution to the birth of bebop. charlie christian was truly a master of his time, and his untimely death from tuberculosis deprived the music world of many years of brilliant performances and the evolution of his truly individual style that continues to reverberate in the worlds of both jazz and guitar to this very day. other topics covered include his humble beginnings, the deep deuce district, his unique musical talent, the clubs of 2nd street (1935-1939), breaking racial barriers, his benny goodman audition, popularity increases and gaining national attention, eldon shamblin, terminal illness, charlie's funeral, the unmarked grave, his continuing influence, and more. see hundred of award-winning dvds at http://www.view.com for full-length dvd, go to: http://www.view.com/soloflightthegeniusofcharliechristiandvd.aspx this film is a poignant, in-depth account of an extraordinary and legendary jazz guitarist, whose innovations outlasted his all-too-brief career. when he began playing melodic single-string solos on an amplified guitar, charlie christian caused a guitar revolution, elevating the instrument from it's traditionally background position and charting a new musical course from which popular music is still flowing. see hundred of award-winning dvds at http://www.view.com solo flight traces the life and music of one of the great sculptors of jazz. we journey to the heart of texas where christian was born in 1916, and to oklahoma city where he made his first musical mark. along the way we gather precious recollections from the musicians and the communities that witnessed christian's prodigious beginnings. as we observe the successes of his contemporaries with whom he repeatedly shared the stage, one can only ponder the mark he would have left behind had he lived beyond the age of 25. this film follows the evolution of his career to his legendary tenure with the benny goodman sextet, and on to the late-night sessions at minton's in harlem with dizzy gillespie, kenny clarke, thelonious monk and charlie parker, where we explore christian's essential contribution to the birth of bebop. charlie christian was truly a master of his time, and his untimely death from tuberculosis deprived the music world of many years of brilliant performances and the evolution of his truly individual style that continues to reverberate in the worlds of both jazz and guitar to this very day. other topics covered include his humble beginnings, the deep deuce district, his unique musical talent, the clubs of 2nd street (1935-1939), breaking racial barriers, his benny goodman audition, popularity increases and gaining national attention, eldon shamblin, terminal illness, charlie's funeral, the unmarked grave, his continuing influence, and more. see hundred of award-winning dvds at http://www.view.com for full-length dvd, go to: http://www.view.com/soloflightthegeniusofcharliechristiandvd.aspx this film is a poignant, in-depth account of an extraordinary and legendary jazz guitarist, whose innovations outlasted his all-too-brief career. when he began playing melodic single-string solos on an amplified guitar, charlie christian caused a guitar revolution, elevating the instrument from it's traditionally background position and charting a new musical course from which popular music is still flowing. see hundred of award-winning dvds at http://www.view.com solo flight traces the life and music of one of the great sculptors of jazz. we journey to the heart of texas where christian was born in 1916, and to oklahoma city where he made his first musical mark. along the way we gather precious recollections from the musicians and the communities that witnessed christian's prodigious beginnings. as we observe the successes of his contemporaries with whom he repeatedly shared the stage, one can only ponder the mark he would have left behind had he lived beyond the age of 25. this film follows the evolution of his career to his legendary tenure with the benny goodman sextet, and on to the late-night sessions at minton's in harlem with dizzy gillespie, kenny clarke, thelonious monk and charlie parker, where we explore christian's essential contribution to the birth of bebop. charlie christian was truly a master of his time, and his untimely death from tuberculosis deprived the music world of many years of brilliant performances and the evolution of his truly individual style that continues to reverberate in the worlds of both jazz and guitar to this very day. other topics covered include his humble beginnings, the deep deuce district, his unique musical talent, the clubs of 2nd street (1935-1939), breaking racial barriers, his benny goodman audition, popularity increases and gaining national attention, eldon shamblin, terminal illness, charlie's funeral, the unmarked grave, his continuing influence, and more. see hundred of award-winning dvds at http://www.view.com
  charlie christian - benny goodman orch 1...
solo flight - early electric guitar-presented courtesy of http://mcproductions.shawbiz.ca big band jazz with electric guitar solo flight - early electric guitar-presented courtesy of http://mcproductions.shawbiz.ca big band jazz with electric guitar solo flight - early electric guitar-presented courtesy of http://mcproductions.shawbiz.ca big band jazz with electric guitar
  charlie christian / lester young - ad-li...
recorded: columbia recording studios new york city, new york monday october 28, 1940 personnel: charlie christian - electric guitar freddie green - acoustic guitar lester young - tenor saxophone buck clayton - trumpet count basie - piano walter page - bass jo jones - drums recorded: columbia recording studios new york city, new york monday october 28, 1940 personnel: charlie christian - electric guitar freddie green - acoustic guitar lester young - tenor saxophone buck clayton - trumpet count basie - piano walter page - bass jo jones - drums recorded: columbia recording studios new york city, new york monday october 28, 1940 personnel: charlie christian - electric guitar freddie green - acoustic guitar lester young - tenor saxophone buck clayton - trumpet count basie - piano walter page - bass jo jones - drums
  tea for two (1939) by charlie christian ...
tea for two was a tune played by jazz guitar innovator, charlie christian, at a jam session at the harlem breakfast club in minneapolis on 24 september 1939. this was not long after charlie had joined benny goodmans sextet, and was around a week after his first recorded radio gig with him. also recorded at this same session were 'i got rhythm' and 'stardust'. the informal nature of the jam allowed charlie and the other musicians to stretch out and take some risks. his other work with benny goodman contains shorter (but incredible) solos and great ensemble playing. the jam was captured on acetate disc by jerry newhouse at the after-hours private club when newhouse and his friend, dick pendleton, picked up charlie and jerry jerome (sax) after their gig with benny goodman at the orpheum theater across the river in st. paul. they were joined by local musicians, pianist frankie hines and 17-year-old bassist oscar pettiford (on his first recording). newhouse recorded this session on location utilizing a presto acetate disc recorder (12-inch discs at 78rpm). he also recorded a number of broadcasts by the bands of count basie, duke ellington, benny goodman, etc, and several airchecks released on lp and cd from that era have come from his archives. for this video, i have spliced together charlie's two solos from this tune (sorry to the purists!). according to the excellent web site on charlie, 'solo flight', this early recording also shows that he is already thinking in harmonic terms well beyond those of the swing era, with 9ths, 11ths, 13ths common on the dominant7 chords and b9ths, m7ths sprinkled here and there. for a more detailed description and analysis of charlie's solo on this tune, see solo flight the web site, which also includes the transcription. much of the above was sourced from this site. this is my fourth charlie christian video (the others are 'swing to bop', 'stompin' at the savoy', and 'rose room'). i hope it inspires people to explore his music in more detail. in this clip, most of the images are close ups of charlie to simulate what it must have been like to watch him play at close quarters. comments are welcome. tea for two was a tune played by jazz guitar innovator, charlie christian, at a jam session at the harlem breakfast club in minneapolis on 24 september 1939. this was not long after charlie had joined benny goodmans sextet, and was around a week after his first recorded radio gig with him. also recorded at this same session were 'i got rhythm' and 'stardust'. the informal nature of the jam allowed charlie and the other musicians to stretch out and take some risks. his other work with benny goodman contains shorter (but incredible) solos and great ensemble playing. the jam was captured on acetate disc by jerry newhouse at the after-hours private club when newhouse and his friend, dick pendleton, picked up charlie and jerry jerome (sax) after their gig with benny goodman at the orpheum theater across the river in st. paul. they were joined by local musicians, pianist frankie hines and 17-year-old bassist oscar pettiford (on his first recording). newhouse recorded this session on location utilizing a presto acetate disc recorder (12-inch discs at 78rpm). he also recorded a number of broadcasts by the bands of count basie, duke ellington, benny goodman, etc, and several airchecks released on lp and cd from that era have come from his archives. for this video, i have spliced together charlie's two solos from this tune (sorry to the purists!). according to the excellent web site on charlie, 'solo flight', this early recording also shows that he is already thinking in harmonic terms well beyond those of the swing era, with 9ths, 11ths, 13ths common on the dominant7 chords and b9ths, m7ths sprinkled here and there. for a more detailed description and analysis of charlie's solo on this tune, see solo flight the web site, which also includes the transcription. much of the above was sourced from this site. this is my fourth charlie christian video (the others are 'swing to bop', 'stompin' at the savoy', and 'rose room'). i hope it inspires people to explore his music in more detail. in this clip, most of the images are close ups of charlie to simulate what it must have been like to watch him play at close quarters. comments are welcome. tea for two was a tune played by jazz guitar innovator, charlie christian, at a jam session at the harlem breakfast club in minneapolis on 24 september 1939. this was not long after charlie had joined benny goodmans sextet, and was around a week after his first recorded radio gig with him. also recorded at this same session were 'i got rhythm' and 'stardust'. the informal nature of the jam allowed charlie and the other musicians to stretch out and take some risks. his other work with benny goodman contains shorter (but incredible) solos and great ensemble playing. the jam was captured on acetate disc by jerry newhouse at the after-hours private club when newhouse and his friend, dick pendleton, picked up charlie and jerry jerome (sax) after their gig with benny goodman at the orpheum theater across the river in st. paul. they were joined by local musicians, pianist frankie hines and 17-year-old bassist oscar pettiford (on his first recording). newhouse recorded this session on location utilizing a presto acetate disc recorder (12-inch discs at 78rpm). he also recorded a number of broadcasts by the bands of count basie, duke ellington, benny goodman, etc, and several airchecks released on lp and cd from that era have come from his archives. for this video, i have spliced together charlie's two solos from this tune (sorry to the purists!). according to the excellent web site on charlie, 'solo flight', this early recording also shows that he is already thinking in harmonic terms well beyond those of the swing era, with 9ths, 11ths, 13ths common on the dominant7 chords and b9ths, m7ths sprinkled here and there. for a more detailed description and analysis of charlie's solo on this tune, see solo flight the web site, which also includes the transcription. much of the above was sourced from this site. this is my fourth charlie christian video (the others are 'swing to bop', 'stompin' at the savoy', and 'rose room'). i hope it inspires people to explore his music in more detail. in this clip, most of the images are close ups of charlie to simulate what it must have been like to watch him play at close quarters. comments are welcome.
  i found a new baby. charlie christian so...
you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/ you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/ you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/
  rose room by the benny goodman sextet w/...
rose room was one of the first studio tunes recorded 2 october 1939 by guitarist charlie christian after he joined the benny goodman sextet. i love this and other goodman small group tracks as they are a good introduction to jazz and swing. they are popular circa forties' era tunes, with members taking melodic solos that can be appreciated against the chord changes. these tracks initially helped me 'get' jazz, rather than being scared off by some of the less user friendly forms of it. the story goes that charlie christian sat in unannounced with goodman's group at a live performance at the victor hugo restaurant in los angeles on 16 august 1939, at the instigation of producer john hammond, who had been hearing about charlie's electric guitar work in oklahoma city. (apparently goodman had not shown much interest in charlie when he had auditioned briefly on acoustic guitar at a recording session earlier that day). according to wikipedia, 'displeased at the surprise, goodman called rose room was one of the first studio tunes recorded 2 october 1939 by guitarist charlie christian after he joined the benny goodman sextet. i love this and other goodman small group tracks as they are a good introduction to jazz and swing. they are popular circa forties' era tunes, with members taking melodic solos that can be appreciated against the chord changes. these tracks initially helped me 'get' jazz, rather than being scared off by some of the less user friendly forms of it. the story goes that charlie christian sat in unannounced with goodman's group at a live performance at the victor hugo restaurant in los angeles on 16 august 1939, at the instigation of producer john hammond, who had been hearing about charlie's electric guitar work in oklahoma city. (apparently goodman had not shown much interest in charlie when he had auditioned briefly on acoustic guitar at a recording session earlier that day). according to wikipedia, 'displeased at the surprise, goodman called rose room was one of the first studio tunes recorded 2 october 1939 by guitarist charlie christian after he joined the benny goodman sextet. i love this and other goodman small group tracks as they are a good introduction to jazz and swing. they are popular circa forties' era tunes, with members taking melodic solos that can be appreciated against the chord changes. these tracks initially helped me 'get' jazz, rather than being scared off by some of the less user friendly forms of it. the story goes that charlie christian sat in unannounced with goodman's group at a live performance at the victor hugo restaurant in los angeles on 16 august 1939, at the instigation of producer john hammond, who had been hearing about charlie's electric guitar work in oklahoma city. (apparently goodman had not shown much interest in charlie when he had auditioned briefly on acoustic guitar at a recording session earlier that day). according to wikipedia, 'displeased at the surprise, goodman called
  grand slam. charlie christian solo by jo...
you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/ you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/ you can see the transcription by g. hansen and hear the original solo at the great website dedicated to charle christian http://www3.nbnet.nb.ca/hansen/charlie/
  charlie christian- jazz hall of fame 2007
here's an oklahoma city news segment about cc's 2007 induction into the nesuhi ertegun jazz hall of fame under the auspices of jazz at lincoln center and the 2008 tribute concerts at jalc's rose hall in nyc. here's an oklahoma city news segment about cc's 2007 induction into the nesuhi ertegun jazz hall of fame under the auspices of jazz at lincoln center and the 2008 tribute concerts at jalc's rose hall in nyc. here's an oklahoma city news segment about cc's 2007 induction into the nesuhi ertegun jazz hall of fame under the auspices of jazz at lincoln center and the 2008 tribute concerts at jalc's rose hall in nyc.
  the metronome all-stars - one o'clock ju...
one o'clock jump written by william basie performed by the metronome all-stars recorded 16 january 1941 released in february 1941 as victor 27314-b (a 1942 one o'clock jump written by william basie performed by the metronome all-stars recorded 16 january 1941 released in february 1941 as victor 27314-b (a 1942 one o'clock jump written by william basie performed by the metronome all-stars recorded 16 january 1941 released in february 1941 as victor 27314-b (a 1942
  shamblin & ellis play "there'll never be...
eldon shamblin (who was an inspiration to jazz guitar great charlie christian) and herb ellis (one of christian's great followers) perform the jazz standard eldon shamblin (who was an inspiration to jazz guitar great charlie christian) and herb ellis (one of christian's great followers) perform the jazz standard eldon shamblin (who was an inspiration to jazz guitar great charlie christian) and herb ellis (one of christian's great followers) perform the jazz standard
  breakfast feud
breakfast feud charlie christian-benny goodman classic theme performed live at fnac callao madrid november 9th 2006 breakfast feud charlie christian-benny goodman classic theme performed live at fnac callao madrid november 9th 2006 breakfast feud charlie christian-benny goodman classic theme performed live at fnac callao madrid november 9th 2006
  charlie brooker's screenwipe - the junio...
andy nyman recalls the horror he experienced when flicking through the us public broadcast network... andy nyman recalls the horror he experienced when flicking through the us public broadcast network... andy nyman recalls the horror he experienced when flicking through the us public broadcast network...
  the benny goodman sextet - grand slam (78)
boy meets goy written by benny goodman performed by the benny goodman sextet recorded 10 april 1940 originally issued as columbia 35482 in late april 1940 heard here off columbia 36722, issued as part of the boy meets goy written by benny goodman performed by the benny goodman sextet recorded 10 april 1940 originally issued as columbia 35482 in late april 1940 heard here off columbia 36722, issued as part of the boy meets goy written by benny goodman performed by the benny goodman sextet recorded 10 april 1940 originally issued as columbia 35482 in late april 1940 heard here off columbia 36722, issued as part of the
  lionel hampton and friends, september ii...
'one sweet letter from you' dizzy gillespie: trumpet benny carter: alto saxophone chu berry, ben webster, coleman hawkins: tenor saxophone lionel hampton: vibraphone clyde hart: piano charlie christian: guitar milt hinton: bass cozy cole: drums i assume it's hampton who sings, but when one assumes, one makes an ass out of 'u' and 'me', doesn't one? recorded on september 11, 1939 in new york city. 'one sweet letter from you' dizzy gillespie: trumpet benny carter: alto saxophone chu berry, ben webster, coleman hawkins: tenor saxophone lionel hampton: vibraphone clyde hart: piano charlie christian: guitar milt hinton: bass cozy cole: drums i assume it's hampton who sings, but when one assumes, one makes an ass out of 'u' and 'me', doesn't one? recorded on september 11, 1939 in new york city. 'one sweet letter from you' dizzy gillespie: trumpet benny carter: alto saxophone chu berry, ben webster, coleman hawkins: tenor saxophone lionel hampton: vibraphone clyde hart: piano charlie christian: guitar milt hinton: bass cozy cole: drums i assume it's hampton who sings, but when one assumes, one makes an ass out of 'u' and 'me', doesn't one? recorded on september 11, 1939 in new york city.
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