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8 Videos  
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  gottfried benn "blaue stunde"
rezitation: charles brauer vergleichsrezitation will quadflieg link: http://de.youtube.com/watch?v=tsbyzdq9igk benns rezitation: charles brauer vergleichsrezitation will quadflieg link: http://de.youtube.com/watch?v=tsbyzdq9igk benns rezitation: charles brauer vergleichsrezitation will quadflieg link: http://de.youtube.com/watch?v=tsbyzdq9igk benns
  john grisham "berufung", gelesen von cha...
der neue thriller der neue thriller der neue thriller
  toki adeyefa -tatort-m.krug1.flv
toki adeyefa as guest in the television series toki adeyefa as guest in the television series toki adeyefa as guest in the television series
  kurt tucholsky ?danach i
rezitation: jürgen goslar vergleichsrezitation: charles brauer link: http://de.youtube.com/watch?v=taiukghtmzc es wird nach einem happy end im film jewöhnlich abjeblendt. man sieht bloß noch in ihre lippen den helden seinen schnurrbart stippen- da hat sie nun den schentelmen. na,und denn-? denn jehn die beeden brav ins bett naja.....diß is ja auch janz nett. a manchmal möchte man doch jern wissen: wat tun se, wenn se sich nich kissen? die könn ja doch nich immer penn.....! na, und denn-? denn säuselt im kamin der wind. denn kricht det junge paar 'n kind. denn kocht se milch. die milch looft üba. denn macht er krach.denn weent sie drüba. denn wolln sich beede jänzlich trenn..... na, und denn-? denn is det kind nich uffn damm. denn bleihm die beeden doch zusamm. denn quäln se sich noch manche jahre. er will noch wat mit blonde haare: vorn doof und hinten minorenn.... na, und denn-? denn sind se alt. der sohn haut ab. der olle macht nu ooch bald schlapp. vajessen kuß und schnurrbartzeit- ach, menschenskind,wie liecht det weit! wie der noch scharf uff muttern war, det is schon beinah nich mehr wahr! der olle mann denkt so zurück: wat hat er nu von seinen jlück? die ehe war zum jrößten teile vabrühte milch und langeweile. und darum wird beim happy end im film jewöhnlich abjeblendt. bilder: baluschek, hans: tingeltangel (ausschnitt) baluschek, hans: varieté restaurant baluschek, hans: weißbieridyll (ausschnitt) baluschek, hans: zukunft (ausschnitt) baluschek, hans: sonntagslust (ausschnitt) rezitation: jürgen goslar vergleichsrezitation: charles brauer link: http://de.youtube.com/watch?v=taiukghtmzc es wird nach einem happy end im film jewöhnlich abjeblendt. man sieht bloß noch in ihre lippen den helden seinen schnurrbart stippen- da hat sie nun den schentelmen. na,und denn-? denn jehn die beeden brav ins bett naja.....diß is ja auch janz nett. a manchmal möchte man doch jern wissen: wat tun se, wenn se sich nich kissen? die könn ja doch nich immer penn.....! na, und denn-? denn säuselt im kamin der wind. denn kricht det junge paar 'n kind. denn kocht se milch. die milch looft üba. denn macht er krach.denn weent sie drüba. denn wolln sich beede jänzlich trenn..... na, und denn-? denn is det kind nich uffn damm. denn bleihm die beeden doch zusamm. denn quäln se sich noch manche jahre. er will noch wat mit blonde haare: vorn doof und hinten minorenn.... na, und denn-? denn sind se alt. der sohn haut ab. der olle macht nu ooch bald schlapp. vajessen kuß und schnurrbartzeit- ach, menschenskind,wie liecht det weit! wie der noch scharf uff muttern war, det is schon beinah nich mehr wahr! der olle mann denkt so zurück: wat hat er nu von seinen jlück? die ehe war zum jrößten teile vabrühte milch und langeweile. und darum wird beim happy end im film jewöhnlich abjeblendt. bilder: baluschek, hans: tingeltangel (ausschnitt) baluschek, hans: varieté restaurant baluschek, hans: weißbieridyll (ausschnitt) baluschek, hans: zukunft (ausschnitt) baluschek, hans: sonntagslust (ausschnitt) rezitation: jürgen goslar vergleichsrezitation: charles brauer link: http://de.youtube.com/watch?v=taiukghtmzc es wird nach einem happy end im film jewöhnlich abjeblendt. man sieht bloß noch in ihre lippen den helden seinen schnurrbart stippen- da hat sie nun den schentelmen. na,und denn-? denn jehn die beeden brav ins bett naja.....diß is ja auch janz nett. a manchmal möchte man doch jern wissen: wat tun se, wenn se sich nich kissen? die könn ja doch nich immer penn.....! na, und denn-? denn säuselt im kamin der wind. denn kricht det junge paar 'n kind. denn kocht se milch. die milch looft üba. denn macht er krach.denn weent sie drüba. denn wolln sich beede jänzlich trenn..... na, und denn-? denn is det kind nich uffn damm. denn bleihm die beeden doch zusamm. denn quäln se sich noch manche jahre. er will noch wat mit blonde haare: vorn doof und hinten minorenn.... na, und denn-? denn sind se alt. der sohn haut ab. der olle macht nu ooch bald schlapp. vajessen kuß und schnurrbartzeit- ach, menschenskind,wie liecht det weit! wie der noch scharf uff muttern war, det is schon beinah nich mehr wahr! der olle mann denkt so zurück: wat hat er nu von seinen jlück? die ehe war zum jrößten teile vabrühte milch und langeweile. und darum wird beim happy end im film jewöhnlich abjeblendt. bilder: baluschek, hans: tingeltangel (ausschnitt) baluschek, hans: varieté restaurant baluschek, hans: weißbieridyll (ausschnitt) baluschek, hans: zukunft (ausschnitt) baluschek, hans: sonntagslust (ausschnitt)
  my blanket and me
you're a good man, charlie brown 2008 theatre nebula justin brauer www.justinonstage.com you're a good man, charlie brown 2008 theatre nebula justin brauer www.justinonstage.com you're a good man, charlie brown 2008 theatre nebula justin brauer www.justinonstage.com
  charlie playing at april south bay guita...
charlie playing his special arrangement of leo brauer's cancion, from a traditional cuban song. south bay guitar society open mike, 22 apr 08. grady discusses the origins of the arrangement afterwards. charlie playing his special arrangement of leo brauer's cancion, from a traditional cuban song. south bay guitar society open mike, 22 apr 08. grady discusses the origins of the arrangement afterwards. charlie playing his special arrangement of leo brauer's cancion, from a traditional cuban song. south bay guitar society open mike, 22 apr 08. grady discusses the origins of the arrangement afterwards.
  stephen heller: etude in d minor
megan vamos performs stephen heller's etude as the postlude to the strathroy united church youth service on may 25, 2008. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students. megan vamos performs stephen heller's etude as the postlude to the strathroy united church youth service on may 25, 2008. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students. megan vamos performs stephen heller's etude as the postlude to the strathroy united church youth service on may 25, 2008. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students.
  stephen heller: etude in e major
megan vamos performs stephen heller's etude in e major from the boston grand piano during the april 20, 2008 strathroy united church service. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students. megan vamos performs stephen heller's etude in e major from the boston grand piano during the april 20, 2008 strathroy united church service. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students. megan vamos performs stephen heller's etude in e major from the boston grand piano during the april 20, 2008 strathroy united church service. stephen heller (15 may 1813, pest, (now budapest, hungary) -- 14 january 1888, paris, france) was a hungarian composer and pianist whose career spanned the period from schumann to bizet, and was an influence for later romantic composers. heller had been destined for a legal career, but instead decided to devote his life to music. at the age of nine he performed dussek's concerto for two pianos with his teacher, f. brauer at the budapest theater. he played so well that he was sent to study under carl czerny. anton halm was his principal master, and at the age of twelve he undertook a concert tour through vienna, germany, poland and hungary. later on in his years, he went to study in vienna, austria. after passing the winter of 1830 at hamburg, heller returned to budapest by way of cassel, frankfurt, nuremberg, and augsburg. at augsburg, he was taken ill, and was soon afterwards adopted by a wealthy patron of music. at the age of 25, he travelled to paris, where he became closely acquainted with hector berlioz, frédéric chopin, franz liszt and other renowned composers of his era. here heller eventually achieved distinction both as a concert performer and as a teacher. in 1849 he performed in england, and in 1862 he played mozart's e-flat concerto for two pianos with charles hallé at the crystal palace. with these brief interruptions, the last twenty-five years of his life were spent at paris. he outlived his reputation, and was almost forgotten when he died in 1888. heller was a prolific composer for the pianoforte, and although his works are not often said to show surprising originality, they are renowned for their grace and elegance. as regards a specific knowledge of the instrument, heller was considered superior even to mendelssohn; and his poetry of sentiment, pure and rich melody, and fertility of rhythmical invention place him among the very first composers of his genre. his studies remain popular with music teachers and students.
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