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472 Videos  
page 1 / 24
     suivant
  bessie smith -'gimmie a pigfoot'.
this is for 'rustythespian' as promised. sorry about the quality and balance, but the audio track was taken from a cassette tape made, many years ago, from a bbc radio broadcast in the humphrey lyttleton series called this is for 'rustythespian' as promised. sorry about the quality and balance, but the audio track was taken from a cassette tape made, many years ago, from a bbc radio broadcast in the humphrey lyttleton series called this is for 'rustythespian' as promised. sorry about the quality and balance, but the audio track was taken from a cassette tape made, many years ago, from a bbc radio broadcast in the humphrey lyttleton series called
  bessie smith st.louis blues
bessie smith st.louis blues bessie smith st.louis blues bessie smith st.louis blues
  bessie smith
in a bar in a bar in a bar
  hurricane katrina: backwater blues with ...
images from katrina and regional folk art from the 1920's music by bessie smith tags: katrina bessie smith folk art homeless flood hurricane images from katrina and regional folk art from the 1920's music by bessie smith tags: katrina bessie smith folk art homeless flood hurricane images from katrina and regional folk art from the 1920's music by bessie smith tags: katrina bessie smith folk art homeless flood hurricane
  emily jane white - bessie smith
voilà une petite vidéo toute simple pour vous faire découvrir une superbe chanson ! voilà une petite vidéo toute simple pour vous faire découvrir une superbe chanson ! voilà une petite vidéo toute simple pour vous faire découvrir une superbe chanson !
  bessie smith - st louis blues ii
great blues woman great blues woman great blues woman
  bessie smith - do your duty
bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded
  baby,won't you please come home-bessie s...
columbia a3888 is an example of how columbia laminated pressings survive when others would be shards.must have been a much-loved record...offered at http://mcproductions.shawbiz.ca columbia a3888 is an example of how columbia laminated pressings survive when others would be shards.must have been a much-loved record...offered at http://mcproductions.shawbiz.ca columbia a3888 is an example of how columbia laminated pressings survive when others would be shards.must have been a much-loved record...offered at http://mcproductions.shawbiz.ca
  norah jones- bessie smith
a very good song original sang by a very good song original sang by a very good song original sang by
  bessie smith - yellowdog blues
bessie smith... joe smith (c), charlie green (tb), buster bailey (cl), coleman hawkins(ts), fletcher henderson (p), charlie dixon (bjo), bob escudero (bb) 1925 bessie smith... joe smith (c), charlie green (tb), buster bailey (cl), coleman hawkins(ts), fletcher henderson (p), charlie dixon (bjo), bob escudero (bb) 1925 bessie smith... joe smith (c), charlie green (tb), buster bailey (cl), coleman hawkins(ts), fletcher henderson (p), charlie dixon (bjo), bob escudero (bb) 1925
  the empress of the blues
the empress of the blues miss bessie smith singing a little ditty called the empress of the blues miss bessie smith singing a little ditty called the empress of the blues miss bessie smith singing a little ditty called
  careless love blues by bessie smith
recorded in 1925, with fletcher henderson on piano, louis armstrong on trumpet and charlie green on trumpet, this is a much later re-issue on the parlophone label. recorded in 1925, with fletcher henderson on piano, louis armstrong on trumpet and charlie green on trumpet, this is a much later re-issue on the parlophone label. recorded in 1925, with fletcher henderson on piano, louis armstrong on trumpet and charlie green on trumpet, this is a much later re-issue on the parlophone label.
  bessie smith -a hot time in the old town...
this track was recorded circa 1927 when bessie was singing with fletcher henderson in new york. she is accompanied by some members of his orchestra on this recording session, including joe smith cor. buster bailey clt. and jim harrison tmb. this is a rendition of one of the 'bread and butter' numbers that the band performed for the mass audiences of the day; but just listen to the way bessie puts her mark on it! the photograph was taken in 1936, before her fatal traffic accident in 1937. this track was recorded circa 1927 when bessie was singing with fletcher henderson in new york. she is accompanied by some members of his orchestra on this recording session, including joe smith cor. buster bailey clt. and jim harrison tmb. this is a rendition of one of the 'bread and butter' numbers that the band performed for the mass audiences of the day; but just listen to the way bessie puts her mark on it! the photograph was taken in 1936, before her fatal traffic accident in 1937. this track was recorded circa 1927 when bessie was singing with fletcher henderson in new york. she is accompanied by some members of his orchestra on this recording session, including joe smith cor. buster bailey clt. and jim harrison tmb. this is a rendition of one of the 'bread and butter' numbers that the band performed for the mass audiences of the day; but just listen to the way bessie puts her mark on it! the photograph was taken in 1936, before her fatal traffic accident in 1937.
  bessie smith - after you've gone (1927)
bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded bessie smith (1892 - 1937) was a rough, crude, violent woman. she was also the greatest of the classic blues singers of the 1920s. bessie started out as a street musician in chattanooga. in 1912 bessie joined a traveling show as a dancer and singer. the show featured pa and ma rainey, and smith developed a friendship with ma. ma rainey was bessie's mentor and she stayed with her show until 1915. bessie then joined the t.o.b.a. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. by the early 1920s she was one of the most popular blues singers in vaudeville. in 1923 she made her recording debut on columbia, accompanied by pianist clarence williams. they recorded
  roots of blues -- bessie smith ?yodling ...
recorded: new york, june 14, 1923 bessie smith (vcl), fletscher henderson (p) bessie smith (july 9, 1892 or april 15, 1894-- september 26, 1937) was an american blues singer. the most popular female blues singer of the 1920s and '30s. smith is often regarded as one of the greatest singers of her era, and along with louis armstrong, a major influence on subsequent jazz vocalists. all contemporary accounts indicate that rainey did not teach smith to sing, but she probably helped her develop a stage presence. smith began forming her own act around 1913, at atlanta's recorded: new york, june 14, 1923 bessie smith (vcl), fletscher henderson (p) bessie smith (july 9, 1892 or april 15, 1894-- september 26, 1937) was an american blues singer. the most popular female blues singer of the 1920s and '30s. smith is often regarded as one of the greatest singers of her era, and along with louis armstrong, a major influence on subsequent jazz vocalists. all contemporary accounts indicate that rainey did not teach smith to sing, but she probably helped her develop a stage presence. smith began forming her own act around 1913, at atlanta's recorded: new york, june 14, 1923 bessie smith (vcl), fletscher henderson (p) bessie smith (july 9, 1892 or april 15, 1894-- september 26, 1937) was an american blues singer. the most popular female blues singer of the 1920s and '30s. smith is often regarded as one of the greatest singers of her era, and along with louis armstrong, a major influence on subsequent jazz vocalists. all contemporary accounts indicate that rainey did not teach smith to sing, but she probably helped her develop a stage presence. smith began forming her own act around 1913, at atlanta's
  bessie smith -- baby won't you please co...
bessie smith -- baby won't you please come home 1923 bessie smith (1892 or 1894 --1937) was the most popular and successful female american blues singer of the 1920s and 1930s, and a strong influence on subsequent generations, including billie holiday, mahalia jackson, dinah washington, nina simone and janis joplin. this is one of her first recordings in 1923 with pianist clarence williams. in no other way than living the kind of violent, hard-drinking street life she sang about, could bessie smith have inspired in her audiences the powerful empathy that ultimately won her the title, bessie smith -- baby won't you please come home 1923 bessie smith (1892 or 1894 --1937) was the most popular and successful female american blues singer of the 1920s and 1930s, and a strong influence on subsequent generations, including billie holiday, mahalia jackson, dinah washington, nina simone and janis joplin. this is one of her first recordings in 1923 with pianist clarence williams. in no other way than living the kind of violent, hard-drinking street life she sang about, could bessie smith have inspired in her audiences the powerful empathy that ultimately won her the title, bessie smith -- baby won't you please come home 1923 bessie smith (1892 or 1894 --1937) was the most popular and successful female american blues singer of the 1920s and 1930s, and a strong influence on subsequent generations, including billie holiday, mahalia jackson, dinah washington, nina simone and janis joplin. this is one of her first recordings in 1923 with pianist clarence williams. in no other way than living the kind of violent, hard-drinking street life she sang about, could bessie smith have inspired in her audiences the powerful empathy that ultimately won her the title,
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